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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E78C7E it is the complementary color #187381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E78C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E78C7E shade: #EC8C79, #FD9E8C, #FFB09F, #FFC2B2 and #FFD4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E78C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E78C7E shade: #E78C7E, #D67A6B, #C56858, #B45645 and #A34432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E78C7E shade: #E78B7D and #E77D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E78C7E shade: #E78B7D, #E7A87D, #E7C47D, #E7E17D and #D0E77D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E78C7E shade matches the following richer shades: #E78B7D and #F38271

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E78C7E shade: #E78B7D, #DA948A, #CE9D96, #C2A7A2 and #B5B0AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E78C7E shade: #E77DA7, #E77D8B, #E78B7D, #E7A77D and #E7C47D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E78C7E shade: #DA4D37, #E06C5A, #E78B7D, #EDAAA0 and #F4C9C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E78C7E shade: #E78C7E, #C4E77D and #7D99E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E78C7E shade: #E78C7E, #7DE78B and #8B7DE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E78C7E shade: #E78C7E, #C4E77D, #7DD9E7 and #A07DE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E78C7E shade: #E78C7E, #A4E77D, #7DD9E7 and #C07DE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 45 / 9

HEX #E78C7E

RGB 231 140 126

HSL 8, 0.69%, 0.7%

LAB 67.47, 33.08, 22.26

 

Complementary color

CMYK 81 / 11 / 0 / 49

HEX #187381

RGB 24 115 129

HSL 188, 0.69%, 0.3%

LAB 44.29, -20.19, -15.04

 

CMYK 0 / 41 / 49 / 7

HEX #EC8C79

RGB 236 140 121

HSL 9.91, 0.75%, 0.7%

LAB 68, 34.5, 25.85

 

CMYK 0 / 38 / 45 / 1

HEX #FD9E8C

RGB 253 158 140

HSL 9.56, 0.97%, 0.77%

LAB 74.34, 33.42, 24.32

 

CMYK 0 / 31 / 38 / 0

HEX #FFB09F

RGB 255 176 159

HSL 10.63, 1%, 0.81%

LAB 78.93, 26.81, 20.37

 

CMYK 0 / 24 / 30 / 0

HEX #FFC2B2

RGB 255 194 178

HSL 12.47, 1%, 0.85%

LAB 83.47, 19.67, 16.51

 

CMYK 0 / 17 / 23 / 0

HEX #FFD4C5

RGB 255 212 197

HSL 15.52, 1%, 0.89%

LAB 88.15, 12.83, 13.05

 

CMYK 0 / 39 / 45 / 9

HEX #E78C7E

RGB 231 140 126

HSL 8, 0.69%, 0.7%

LAB 67.47, 33.08, 22.26

 

CMYK 0 / 43 / 50 / 16

HEX #D67A6B

RGB 214 122 107

HSL 8.41, 0.57%, 0.63%

LAB 61.03, 34.21, 23.87

 

CMYK 0 / 47 / 55 / 23

HEX #C56858

RGB 197 104 88

HSL 8.81, 0.48%, 0.56%

LAB 54.53, 35.44, 25.7

 

CMYK 0 / 52 / 62 / 29

HEX #B45645

RGB 180 86 69

HSL 9.19, 0.45%, 0.49%

LAB 47.99, 36.76, 27.82

 

CMYK 0 / 58 / 69 / 36

HEX #A34432

RGB 163 68 50

HSL 9.56, 0.53%, 0.42%

LAB 41.46, 38.13, 30.29

 

CMYK 0 / 40 / 46 / 9

HEX #E78B7D

RGB 231 139 125

HSL 7.92, 0.69%, 0.7%

LAB 67.23, 33.51, 22.5

 

CMYK 0 / 46 / 46 / 9

HEX #E77D7D

RGB 231 125 125

HSL 0, 0.69%, 0.7%

LAB 64.27, 40.76, 18.47

 

CMYK 0 / 40 / 46 / 9

HEX #E78B7D

RGB 231 139 125

HSL 7.92, 0.69%, 0.7%

LAB 67.23, 33.51, 22.5

 

CMYK 0 / 27 / 46 / 9

HEX #E7A87D

RGB 231 168 125

HSL 24.34, 0.69%, 0.7%

LAB 73.85, 18.1, 31.31

 

CMYK 0 / 15 / 46 / 9

HEX #E7C47D

RGB 231 196 125

HSL 40.19, 0.69%, 0.7%

LAB 80.71, 3.3, 40.15

 

CMYK 0 / 3 / 46 / 9

HEX #E7E17D

RGB 231 225 125

HSL 56.6, 0.69%, 0.7%

LAB 88.12, -11.51, 49.36

 

CMYK 10 / 0 / 46 / 9

HEX #D0E77D

RGB 208 231 125

HSL 73.02, 0.69%, 0.7%

LAB 87.99, -23.42, 48.81

 

CMYK 0 / 40 / 46 / 9

HEX #E78B7D

RGB 231 139 125

HSL 7.92, 0.69%, 0.7%

LAB 67.23, 33.51, 22.5

 

CMYK 0 / 47 / 53 / 5

HEX #F38271

RGB 243 130 113

HSL 7.85, 0.84%, 0.7%

LAB 66.68, 41.58, 28.7

 

CMYK 0 / 40 / 46 / 9

HEX #E78B7D

RGB 231 139 125

HSL 7.92, 0.69%, 0.7%

LAB 67.23, 33.51, 22.5

 

CMYK 0 / 32 / 37 / 15

HEX #DA948A

RGB 218 148 138

HSL 7.5, 0.52%, 0.7%

LAB 67.96, 25.15, 16.02

 

CMYK 0 / 24 / 27 / 19

HEX #CE9D96

RGB 206 157 150

HSL 7.5, 0.36%, 0.7%

LAB 69.07, 17.21, 10.72

 

CMYK 0 / 14 / 16 / 24

HEX #C2A7A2

RGB 194 167 162

HSL 9.38, 0.21%, 0.7%

LAB 70.67, 9.01, 6.21

 

CMYK 0 / 3 / 3 / 29

HEX #B5B0AF

RGB 181 176 175

HSL 10, 0.04%, 0.7%

LAB 72.21, 1.59, 1.13

 

CMYK 0 / 46 / 28 / 9

HEX #E77DA7

RGB 231 125 167

HSL 336.23, 0.69%, 0.7%

LAB 65.32, 45.63, -3.89

 

CMYK 0 / 46 / 40 / 9

HEX #E77D8B

RGB 231 125 139

HSL 352.08, 0.69%, 0.7%

LAB 64.58, 42.22, 10.95

 

CMYK 0 / 40 / 46 / 9

HEX #E78B7D

RGB 231 139 125

HSL 7.92, 0.69%, 0.7%

LAB 67.23, 33.51, 22.5

 

CMYK 0 / 28 / 46 / 9

HEX #E7A77D

RGB 231 167 125

HSL 23.77, 0.69%, 0.7%

LAB 73.61, 18.63, 31

 

CMYK 0 / 15 / 46 / 9

HEX #E7C47D

RGB 231 196 125

HSL 40.19, 0.69%, 0.7%

LAB 80.71, 3.3, 40.15

 

CMYK 0 / 65 / 75 / 15

HEX #DA4D37

RGB 218 77 55

HSL 8.1, 0.69%, 0.54%

LAB 52.39, 54, 42.36

 

CMYK 0 / 52 / 60 / 12

HEX #E06C5A

RGB 224 108 90

HSL 8.06, 0.68%, 0.62%

LAB 59.26, 43.78, 31.42

 

CMYK 0 / 40 / 46 / 9

HEX #E78B7D

RGB 231 139 125

HSL 7.92, 0.69%, 0.7%

LAB 67.23, 33.51, 22.5

 

CMYK 0 / 28 / 32 / 7

HEX #EDAAA0

RGB 237 170 160

HSL 7.79, 0.68%, 0.78%

LAB 75.63, 23.31, 14.94

 

CMYK 0 / 18 / 20 / 4

HEX #F4C9C3

RGB 244 201 195

HSL 7.35, 0.69%, 0.86%

LAB 84.46, 14.29, 8.71

 

CMYK 0 / 39 / 45 / 9

HEX #E78C7E

RGB 231 140 126

HSL 8, 0.69%, 0.7%

LAB 67.47, 33.08, 22.26

 

CMYK 15 / 0 / 46 / 9

HEX #C4E77D

RGB 196 231 125

HSL 79.81, 0.69%, 0.7%

LAB 87.18, -27.97, 47.63

 

CMYK 46 / 34 / 0 / 9

HEX #7D99E7

RGB 125 153 231

HSL 224.15, 0.69%, 0.7%

LAB 64.09, 10.67, -42.5

 

CMYK 0 / 39 / 45 / 9

HEX #E78C7E

RGB 231 140 126

HSL 8, 0.69%, 0.7%

LAB 67.47, 33.08, 22.26

 

CMYK 46 / 0 / 40 / 9

HEX #7DE78B

RGB 125 231 139

HSL 127.92, 0.69%, 0.7%

LAB 83.64, -49.57, 35.5

 

CMYK 40 / 46 / 0 / 9

HEX #8B7DE7

RGB 139 125 231

HSL 247.92, 0.69%, 0.7%

LAB 57.97, 30.48, -52.11

 

CMYK 0 / 39 / 45 / 9

HEX #E78C7E

RGB 231 140 126

HSL 8, 0.69%, 0.7%

LAB 67.47, 33.08, 22.26

 

CMYK 15 / 0 / 46 / 9

HEX #C4E77D

RGB 196 231 125

HSL 79.81, 0.69%, 0.7%

LAB 87.18, -27.97, 47.63

 

CMYK 46 / 6 / 0 / 9

HEX #7DD9E7

RGB 125 217 231

HSL 187.92, 0.69%, 0.7%

LAB 81.7, -23.82, -15.42

 

CMYK 31 / 46 / 0 / 9

HEX #A07DE7

RGB 160 125 231

HSL 259.81, 0.69%, 0.7%

LAB 59.81, 35.86, -49.07

 

CMYK 0 / 39 / 45 / 9

HEX #E78C7E

RGB 231 140 126

HSL 8, 0.69%, 0.7%

LAB 67.47, 33.08, 22.26

 

CMYK 29 / 0 / 46 / 9

HEX #A4E77D

RGB 164 231 125

HSL 97.92, 0.69%, 0.7%

LAB 85.26, -39.45, 44.84

 

CMYK 46 / 6 / 0 / 9

HEX #7DD9E7

RGB 125 217 231

HSL 187.92, 0.69%, 0.7%

LAB 81.7, -23.82, -15.42

 

CMYK 17 / 46 / 0 / 9

HEX #C07DE7

RGB 192 125 231

HSL 277.92, 0.69%, 0.7%

LAB 63.05, 44.59, -43.74

 

Description

Color code: HEX #E78C7E | qconv.com Color code: HEX #E78C7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 140 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 140 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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