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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E78B05 it is the complementary color #1874FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E78B05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E78B05 shade: #EC8B00, #FD9D13, #FFAF26, #FFC139 and #FFD34C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E78B05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E78B05 shade: #E78B05, #D67900, #C56700, #B45500 and #A34300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E78B05 shade: #E68A05, #E64E05, #E61105 and #E60505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E78B05 shade: #E68A05, #E6C705, #C8E605, #8BE605 and #4FE605

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E78B05 shade matches the following richer shades: #E68A05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E78B05 shade: #E68A05, #D38718, #C0832B, #AD803E and #9A7C51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E78B05 shade: #E61005, #E64C05, #E68805, #E6C405 and #CCE605

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E78B05 shade: #955A03, #BD7204, #E68A05, #FA9F1A and #FBB042

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E78B05 shade: #E78B05, #35E605 and #2E05E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E78B05 shade: #E78B05, #05E688 and #8805E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E78B05 shade: #E78B05, #35E605, #0563E6 and #B505E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E78B05 shade: #E78B05, #05E617, #0563E6 and #E605D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 98 / 9

HEX #E78B05

RGB 231 139 5

HSL 35.58, 0.96%, 0.46%

LAB 66.11, 27.57, 71.09

 

Complementary color

CMYK 90 / 54 / 0 / 2

HEX #1874FA

RGB 24 116 250

HSL 215.58, 0.96%, 0.54%

LAB 51.37, 25.11, -73.59

 

CMYK 0 / 41 / 100 / 7

HEX #EC8B00

RGB 236 139 0

HSL 35.34, 1%, 0.46%

LAB 66.75, 29.61, 72.53

 

CMYK 0 / 38 / 92 / 1

HEX #FD9D13

RGB 253 157 19

HSL 35.38, 0.98%, 0.53%

LAB 72.92, 27.44, 75.01

 

CMYK 0 / 31 / 85 / 0

HEX #FFAF26

RGB 255 175 38

HSL 37.88, 1%, 0.57%

LAB 77.32, 19.22, 74.15

 

CMYK 0 / 24 / 78 / 0

HEX #FFC139

RGB 255 193 57

HSL 41.21, 1%, 0.61%

LAB 81.67, 10.4, 72.05

 

CMYK 0 / 17 / 70 / 0

HEX #FFD34C

RGB 255 211 76

HSL 45.25, 1%, 0.65%

LAB 86.19, 1.92, 69.43

 

CMYK 0 / 40 / 98 / 9

HEX #E78B05

RGB 231 139 5

HSL 35.58, 0.96%, 0.46%

LAB 66.11, 27.57, 71.09

 

CMYK 0 / 43 / 100 / 16

HEX #D67900

RGB 214 121 0

HSL 33.93, 1%, 0.42%

LAB 59.86, 29.91, 66.74

 

CMYK 0 / 48 / 100 / 23

HEX #C56700

RGB 197 103 0

HSL 31.37, 1%, 0.39%

LAB 53.57, 32.34, 61.66

 

CMYK 0 / 53 / 100 / 29

HEX #B45500

RGB 180 85 0

HSL 28.33, 1%, 0.35%

LAB 47.24, 34.75, 56.58

 

CMYK 0 / 59 / 100 / 36

HEX #A34300

RGB 163 67 0

HSL 24.66, 1%, 0.32%

LAB 40.9, 37.08, 51.52

 

CMYK 0 / 40 / 98 / 10

HEX #E68A05

RGB 230 138 5

HSL 35.47, 0.96%, 0.46%

LAB 65.76, 27.68, 70.8

 

CMYK 0 / 66 / 98 / 10

HEX #E64E05

RGB 230 78 5

HSL 19.47, 0.96%, 0.46%

LAB 54.33, 56.56, 63.81

 

CMYK 0 / 93 / 98 / 10

HEX #E61105

RGB 230 17 5

HSL 3.2, 0.96%, 0.46%

LAB 48.55, 72.67, 60.94

 

CMYK 0 / 98 / 98 / 10

HEX #E60505

RGB 230 5 5

HSL 0, 0.96%, 0.46%

LAB 48.19, 73.74, 60.78

 

CMYK 0 / 40 / 98 / 10

HEX #E68A05

RGB 230 138 5

HSL 35.47, 0.96%, 0.46%

LAB 65.76, 27.68, 70.8

 

CMYK 0 / 13 / 98 / 10

HEX #E6C705

RGB 230 199 5

HSL 51.73, 0.96%, 0.46%

LAB 80.56, -4.45, 81.08

 

CMYK 13 / 0 / 98 / 10

HEX #C8E605

RGB 200 230 5

HSL 68, 0.96%, 0.46%

LAB 86.45, -32.26, 84.36

 

CMYK 40 / 0 / 98 / 10

HEX #8BE605

RGB 139 230 5

HSL 84.27, 0.96%, 0.46%

LAB 82.96, -55.11, 80.17

 

CMYK 66 / 0 / 98 / 10

HEX #4FE605

RGB 79 230 5

HSL 100.27, 0.96%, 0.46%

LAB 80.89, -71.42, 77.64

 

CMYK 0 / 40 / 98 / 10

HEX #E68A05

RGB 230 138 5

HSL 35.47, 0.96%, 0.46%

LAB 65.76, 27.68, 70.8

 

CMYK 0 / 40 / 98 / 10

HEX #E68A05

RGB 230 138 5

HSL 35.47, 0.96%, 0.46%

LAB 65.76, 27.68, 70.8

 

CMYK 0 / 36 / 89 / 17

HEX #D38718

RGB 211 135 24

HSL 35.61, 0.8%, 0.46%

LAB 62.71, 21.46, 64.03

 

CMYK 0 / 32 / 78 / 25

HEX #C0832B

RGB 192 131 43

HSL 35.44, 0.63%, 0.46%

LAB 59.54, 15.93, 54.05

 

CMYK 0 / 26 / 64 / 32

HEX #AD803E

RGB 173 128 62

HSL 35.68, 0.47%, 0.46%

LAB 56.75, 10.24, 41.81

 

CMYK 0 / 19 / 47 / 40

HEX #9A7C51

RGB 154 124 81

HSL 35.34, 0.31%, 0.46%

LAB 53.9, 5.8, 27.8

 

CMYK 0 / 93 / 98 / 10

HEX #E61005

RGB 230 16 5

HSL 2.93, 0.96%, 0.46%

LAB 48.52, 72.78, 60.92

 

CMYK 0 / 67 / 98 / 10

HEX #E64C05

RGB 230 76 5

HSL 18.93, 0.96%, 0.46%

LAB 54.03, 57.36, 63.65

 

CMYK 0 / 41 / 98 / 10

HEX #E68805

RGB 230 136 5

HSL 34.93, 0.96%, 0.46%

LAB 65.31, 28.73, 70.51

 

CMYK 0 / 15 / 98 / 10

HEX #E6C405

RGB 230 196 5

HSL 50.93, 0.96%, 0.46%

LAB 79.79, -2.91, 80.52

 

CMYK 11 / 0 / 98 / 10

HEX #CCE605

RGB 204 230 5

HSL 66.93, 0.96%, 0.46%

LAB 86.72, -30.64, 84.69

 

CMYK 0 / 40 / 98 / 42

HEX #955A03

RGB 149 90 3

HSL 35.75, 0.96%, 0.3%

LAB 43.81, 18.65, 51.38

 

CMYK 0 / 40 / 98 / 26

HEX #BD7204

RGB 189 114 4

HSL 35.68, 0.96%, 0.38%

LAB 54.93, 23.05, 61.2

 

CMYK 0 / 40 / 98 / 10

HEX #E68A05

RGB 230 138 5

HSL 35.47, 0.96%, 0.46%

LAB 65.76, 27.68, 70.8

 

CMYK 0 / 36 / 90 / 2

HEX #FA9F1A

RGB 250 159 26

HSL 35.63, 0.96%, 0.54%

LAB 73.02, 25.26, 73.52

 

CMYK 0 / 30 / 74 / 2

HEX #FBB042

RGB 251 176 66

HSL 35.68, 0.96%, 0.62%

LAB 77.25, 17.94, 64.32

 

CMYK 0 / 40 / 98 / 9

HEX #E78B05

RGB 231 139 5

HSL 35.58, 0.96%, 0.46%

LAB 66.11, 27.57, 71.09

 

CMYK 77 / 0 / 98 / 10

HEX #35E605

RGB 53 230 5

HSL 107.2, 0.96%, 0.46%

LAB 80.38, -75.8, 77.02

 

CMYK 80 / 98 / 0 / 10

HEX #2E05E6

RGB 46 5 230

HSL 250.93, 0.96%, 0.46%

LAB 30.41, 72.93, -96.84

 

CMYK 0 / 40 / 98 / 9

HEX #E78B05

RGB 231 139 5

HSL 35.58, 0.96%, 0.46%

LAB 66.11, 27.57, 71.09

 

CMYK 98 / 0 / 41 / 10

HEX #05E688

RGB 5 230 136

HSL 154.93, 0.96%, 0.46%

LAB 80.96, -67.22, 33.06

 

CMYK 41 / 98 / 0 / 10

HEX #8805E6

RGB 136 5 230

HSL 274.93, 0.96%, 0.46%

LAB 39.67, 78.19, -81.19

 

CMYK 0 / 40 / 98 / 9

HEX #E78B05

RGB 231 139 5

HSL 35.58, 0.96%, 0.46%

LAB 66.11, 27.57, 71.09

 

CMYK 77 / 0 / 98 / 10

HEX #35E605

RGB 53 230 5

HSL 107.2, 0.96%, 0.46%

LAB 80.38, -75.8, 77.02

 

CMYK 98 / 57 / 0 / 10

HEX #0563E6

RGB 5 99 230

HSL 214.93, 0.96%, 0.46%

LAB 45.18, 27.67, -72.48

 

CMYK 21 / 98 / 0 / 10

HEX #B505E6

RGB 181 5 230

HSL 286.93, 0.96%, 0.46%

LAB 46.51, 83.39, -69.74

 

CMYK 0 / 40 / 98 / 9

HEX #E78B05

RGB 231 139 5

HSL 35.58, 0.96%, 0.46%

LAB 66.11, 27.57, 71.09

 

CMYK 98 / 0 / 90 / 10

HEX #05E617

RGB 5 230 23

HSL 124.8, 0.96%, 0.46%

LAB 80, -79.09, 74.54

 

CMYK 98 / 57 / 0 / 10

HEX #0563E6

RGB 5 99 230

HSL 214.93, 0.96%, 0.46%

LAB 45.18, 27.67, -72.48

 

CMYK 0 / 98 / 8 / 10

HEX #E605D3

RGB 230 5 211

HSL 305.07, 0.96%, 0.46%

LAB 53.64, 87.93, -47

 

Description

Color code: HEX #E78B05 | qconv.com Color code: HEX #E78B05 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 139 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 139 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 98 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 98% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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