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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E76CD3 it is the complementary color #18932C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E76CD3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E76CD3 shade: #EC6CCE, #FD7EE1, #FF90F4, #FFA2FF and #FFB4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E76CD3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E76CD3 shade: #E76CD3, #D65AC0, #C548AD, #B4369A and #A32487

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E76CD3 shade: #E76AD2, #E76AB1, #E76A8F, #E76A6D and #E76A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E76CD3 shade: #E76AD2, #D96AE7, #B86AE7, #966AE7 and #746AE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E76CD3 shade matches the following richer shades: #E76AD2 and #F55CDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E76CD3 shade: #E76AD2, #D978C9, #CB86BF, #BD94B6 and #AFA2AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E76CD3 shade: #B76AE7, #D86AE7, #E76AD4, #E76AB3 and #E76A91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E76CD3 shade: #DB24BD, #E146C8, #E76AD2, #ED8DDD and #F2B1E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E76CD3 shade: #E76CD3, #E7966A and #6AE7C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E76CD3 shade: #E76CD3, #D4E76A and #6AD4E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E76CD3 shade: #E76CD3, #E7966A, #6AE77D and #6ABBE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E76CD3 shade: #E76CD3, #E7BB6A, #6AE77D and #6A96E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 9 / 9

HEX #E76CD3

RGB 231 108 211

HSL 309.76, 0.72%, 0.66%

LAB 63.69, 60.36, -31.22

 

Complementary color

CMYK 84 / 0 / 70 / 42

HEX #18932C

RGB 24 147 44

HSL 129.76, 0.72%, 0.34%

LAB 53.21, -52.74, 43.7

 

CMYK 0 / 54 / 13 / 7

HEX #EC6CCE

RGB 236 108 206

HSL 314.06, 0.77%, 0.67%

LAB 64.17, 60.98, -27.61

 

CMYK 0 / 50 / 11 / 1

HEX #FD7EE1

RGB 253 126 225

HSL 313.23, 0.97%, 0.74%

LAB 70.34, 60.43, -28.5

 

CMYK 0 / 44 / 4 / 0

HEX #FF90F4

RGB 255 144 244

HSL 305.95, 1%, 0.78%

LAB 74.66, 55.41, -32.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 53 / 9 / 9

HEX #E76CD3

RGB 231 108 211

HSL 309.76, 0.72%, 0.66%

LAB 63.69, 60.36, -31.22

 

CMYK 0 / 58 / 10 / 16

HEX #D65AC0

RGB 214 90 192

HSL 310.65, 0.6%, 0.6%

LAB 57.48, 60.78, -30.26

 

CMYK 0 / 63 / 12 / 23

HEX #C548AD

RGB 197 72 173

HSL 311.52, 0.52%, 0.53%

LAB 51.29, 60.96, -29.07

 

CMYK 0 / 70 / 14 / 29

HEX #B4369A

RGB 180 54 154

HSL 312.38, 0.54%, 0.46%

LAB 45.19, 60.74, -27.53

 

CMYK 0 / 78 / 17 / 36

HEX #A32487

RGB 163 36 135

HSL 313.23, 0.64%, 0.39%

LAB 39.24, 59.84, -25.49

 

CMYK 0 / 54 / 9 / 9

HEX #E76AD2

RGB 231 106 210

HSL 310.08, 0.72%, 0.66%

LAB 63.3, 61.11, -31.26

 

CMYK 0 / 54 / 23 / 9

HEX #E76AB1

RGB 231 106 177

HSL 325.92, 0.72%, 0.66%

LAB 62.06, 56.23, -14.45

 

CMYK 0 / 54 / 38 / 9

HEX #E76A8F

RGB 231 106 143

HSL 342.24, 0.72%, 0.66%

LAB 61.03, 52.02, 3.59

 

CMYK 0 / 54 / 53 / 9

HEX #E76A6D

RGB 231 106 109

HSL 358.56, 0.72%, 0.66%

LAB 60.25, 48.73, 22.12

 

CMYK 0 / 54 / 54 / 9

HEX #E76A6A

RGB 231 106 106

HSL 0, 0.72%, 0.66%

LAB 60.19, 48.48, 23.76

 

CMYK 0 / 54 / 9 / 9

HEX #E76AD2

RGB 231 106 210

HSL 310.08, 0.72%, 0.66%

LAB 63.3, 61.11, -31.26

 

CMYK 6 / 54 / 0 / 9

HEX #D96AE7

RGB 217 106 231

HSL 293.28, 0.72%, 0.66%

LAB 62.36, 60.93, -44.62

 

CMYK 20 / 54 / 0 / 9

HEX #B86AE7

RGB 184 106 231

HSL 277.44, 0.72%, 0.66%

LAB 58.29, 52.42, -51.32

 

CMYK 35 / 54 / 0 / 9

HEX #966AE7

RGB 150 106 231

HSL 261.12, 0.72%, 0.66%

LAB 54.62, 44.01, -57.4

 

CMYK 50 / 54 / 0 / 9

HEX #746AE7

RGB 116 106 231

HSL 244.8, 0.72%, 0.66%

LAB 51.6, 36.41, -62.41

 

CMYK 0 / 54 / 9 / 9

HEX #E76AD2

RGB 231 106 210

HSL 310.08, 0.72%, 0.66%

LAB 63.3, 61.11, -31.26

 

CMYK 0 / 62 / 10 / 4

HEX #F55CDC

RGB 245 92 220

HSL 309.8, 0.88%, 0.66%

LAB 63.54, 72.31, -36.35

 

CMYK 0 / 54 / 9 / 9

HEX #E76AD2

RGB 231 106 210

HSL 310.08, 0.72%, 0.66%

LAB 63.3, 61.11, -31.26

 

CMYK 0 / 45 / 7 / 15

HEX #D978C9

RGB 217 120 201

HSL 309.9, 0.56%, 0.66%

LAB 63.67, 48.79, -25.77

 

CMYK 0 / 34 / 6 / 20

HEX #CB86BF

RGB 203 134 191

HSL 310.43, 0.4%, 0.66%

LAB 64.57, 35.23, -18.92

 

CMYK 0 / 22 / 4 / 26

HEX #BD94B6

RGB 189 148 182

HSL 310.24, 0.24%, 0.66%

LAB 66.04, 21.13, -11.79

 

CMYK 0 / 7 / 1 / 31

HEX #AFA2AD

RGB 175 162 173

HSL 309.23, 0.08%, 0.66%

LAB 68, 6.73, -3.99

 

CMYK 21 / 54 / 0 / 9

HEX #B76AE7

RGB 183 106 231

HSL 276.96, 0.72%, 0.66%

LAB 58.17, 52.17, -51.51

 

CMYK 6 / 54 / 0 / 9

HEX #D86AE7

RGB 216 106 231

HSL 292.8, 0.72%, 0.66%

LAB 62.23, 60.67, -44.83

 

CMYK 0 / 54 / 8 / 9

HEX #E76AD4

RGB 231 106 212

HSL 309.12, 0.72%, 0.66%

LAB 63.38, 61.43, -32.25

 

CMYK 0 / 54 / 23 / 9

HEX #E76AB3

RGB 231 106 179

HSL 324.96, 0.72%, 0.66%

LAB 62.13, 56.51, -15.49

 

CMYK 0 / 54 / 37 / 9

HEX #E76A91

RGB 231 106 145

HSL 341.28, 0.72%, 0.66%

LAB 61.08, 52.24, 2.51

 

CMYK 0 / 84 / 14 / 14

HEX #DB24BD

RGB 219 36 189

HSL 309.84, 0.72%, 0.5%

LAB 51.83, 79.26, -37.29

 

CMYK 0 / 69 / 11 / 12

HEX #E146C8

RGB 225 70 200

HSL 309.68, 0.72%, 0.58%

LAB 56.64, 72.7, -36.02

 

CMYK 0 / 54 / 9 / 9

HEX #E76AD2

RGB 231 106 210

HSL 310.08, 0.72%, 0.66%

LAB 63.3, 61.11, -31.26

 

CMYK 0 / 41 / 7 / 7

HEX #ED8DDD

RGB 237 141 221

HSL 310, 0.73%, 0.74%

LAB 71.06, 47.62, -25.37

 

CMYK 0 / 27 / 4 / 5

HEX #F2B1E8

RGB 242 177 232

HSL 309.23, 0.71%, 0.82%

LAB 79.7, 32.29, -18.18

 

CMYK 0 / 53 / 9 / 9

HEX #E76CD3

RGB 231 108 211

HSL 309.76, 0.72%, 0.66%

LAB 63.69, 60.36, -31.22

 

CMYK 0 / 35 / 54 / 9

HEX #E7966A

RGB 231 150 106

HSL 21.12, 0.72%, 0.66%

LAB 69.36, 25.96, 35.65

 

CMYK 54 / 0 / 13 / 9

HEX #6AE7C8

RGB 106 231 200

HSL 165.12, 0.72%, 0.66%

LAB 84.17, -42.21, 4.56

 

CMYK 0 / 53 / 9 / 9

HEX #E76CD3

RGB 231 108 211

HSL 309.76, 0.72%, 0.66%

LAB 63.69, 60.36, -31.22

 

CMYK 8 / 0 / 54 / 9

HEX #D4E76A

RGB 212 231 106

HSL 69.12, 0.72%, 0.66%

LAB 88.06, -23.64, 57.77

 

CMYK 54 / 8 / 0 / 9

HEX #6AD4E7

RGB 106 212 231

HSL 189.12, 0.72%, 0.66%

LAB 79.57, -25.4, -18.71

 

CMYK 0 / 53 / 9 / 9

HEX #E76CD3

RGB 231 108 211

HSL 309.76, 0.72%, 0.66%

LAB 63.69, 60.36, -31.22

 

CMYK 0 / 35 / 54 / 9

HEX #E7966A

RGB 231 150 106

HSL 21.12, 0.72%, 0.66%

LAB 69.36, 25.96, 35.65

 

CMYK 54 / 0 / 46 / 9

HEX #6AE77D

RGB 106 231 125

HSL 129.12, 0.72%, 0.66%

LAB 82.75, -56.6, 41.15

 

CMYK 54 / 19 / 0 / 9

HEX #6ABBE7

RGB 106 187 231

HSL 201.12, 0.72%, 0.66%

LAB 72.48, -12.58, -29.53

 

CMYK 0 / 53 / 9 / 9

HEX #E76CD3

RGB 231 108 211

HSL 309.76, 0.72%, 0.66%

LAB 63.69, 60.36, -31.22

 

CMYK 0 / 19 / 54 / 9

HEX #E7BB6A

RGB 231 187 106

HSL 38.88, 0.72%, 0.66%

LAB 78.21, 6.31, 46.58

 

CMYK 54 / 0 / 46 / 9

HEX #6AE77D

RGB 106 231 125

HSL 129.12, 0.72%, 0.66%

LAB 82.75, -56.6, 41.15

 

CMYK 54 / 35 / 0 / 9

HEX #6A96E7

RGB 106 150 231

HSL 218.88, 0.72%, 0.66%

LAB 62.21, 8.08, -45.53

 

Description

Color code: HEX #E76CD3 | qconv.com Color code: HEX #E76CD3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 108 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 108 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 9 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 9% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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