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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E76ACE it is the complementary color #189531. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E76ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E76ACE shade: #EC6AC9, #FD7CDC, #FF8EEF, #FFA0FF and #FFB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E76ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E76ACE shade: #E76ACE, #D658BB, #C546A8, #B43495 and #A32282

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E76ACE shade: #E76ACE, #E76AAC, #E76A8A and #E76A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E76ACE shade: #E76ACE, #DE6AE7, #BC6AE7, #9B6AE7 and #796AE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E76ACE shade matches the following richer shades: #E76ACE and #F55CD6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E76ACE shade: #E76ACE, #D978C5, #CB86BD, #BD94B5 and #AFA2AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E76ACE shade: #BD6AE7, #DE6AE7, #E76ACE, #E76AAC and #E76A8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E76ACE shade: #DB24B6, #E146C2, #E76ACE, #ED8DD9 and #F2B1E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E76ACE shade: #E76ACE, #E79C6A and #6AE7CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E76ACE shade: #E76ACE, #CEE76A and #6ACEE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E76ACE shade: #E76ACE, #E79C6A, #6AE783 and #6AB5E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E76ACE shade: #E76ACE, #E7C16A, #6AE783 and #6A8FE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 11 / 9

HEX #E76ACE

RGB 231 106 206

HSL 312, 0.72%, 0.66%

LAB 63.14, 60.48, -29.26

 

Complementary color

CMYK 84 / 0 / 67 / 42

HEX #189531

RGB 24 149 49

HSL 132, 0.72%, 0.34%

LAB 53.93, -52.86, 42.33

 

CMYK 0 / 55 / 15 / 7

HEX #EC6AC9

RGB 236 106 201

HSL 316.15, 0.77%, 0.67%

LAB 63.64, 61.14, -25.61

 

CMYK 0 / 51 / 13 / 1

HEX #FD7CDC

RGB 253 124 220

HSL 315.35, 0.97%, 0.74%

LAB 69.8, 60.6, -26.57

 

CMYK 0 / 44 / 6 / 0

HEX #FF8EEF

RGB 255 142 239

HSL 308.5, 1%, 0.78%

LAB 74.09, 55.56, -30.41

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 0 / 30 / 0 / 0

HEX #FFB2FF

RGB 255 178 255

HSL 300, 1%, 0.85%

LAB 82.01, 40, -26.89

 

CMYK 0 / 54 / 11 / 9

HEX #E76ACE

RGB 231 106 206

HSL 312, 0.72%, 0.66%

LAB 63.14, 60.48, -29.26

 

CMYK 0 / 59 / 13 / 16

HEX #D658BB

RGB 214 88 187

HSL 312.86, 0.61%, 0.59%

LAB 56.94, 60.88, -28.22

 

CMYK 0 / 64 / 15 / 23

HEX #C546A8

RGB 197 70 168

HSL 313.7, 0.52%, 0.52%

LAB 50.78, 61.02, -26.93

 

CMYK 0 / 71 / 17 / 29

HEX #B43495

RGB 180 52 149

HSL 314.53, 0.55%, 0.45%

LAB 44.7, 60.73, -25.28

 

CMYK 0 / 79 / 20 / 36

HEX #A32282

RGB 163 34 130

HSL 315.35, 0.65%, 0.39%

LAB 38.8, 59.73, -23.08

 

CMYK 0 / 54 / 11 / 9

HEX #E76ACE

RGB 231 106 206

HSL 312, 0.72%, 0.66%

LAB 63.14, 60.48, -29.26

 

CMYK 0 / 54 / 26 / 9

HEX #E76AAC

RGB 231 106 172

HSL 328.32, 0.72%, 0.66%

LAB 61.89, 55.56, -11.84

 

CMYK 0 / 54 / 40 / 9

HEX #E76A8A

RGB 231 106 138

HSL 344.64, 0.72%, 0.66%

LAB 60.9, 51.48, 6.29

 

CMYK 0 / 54 / 54 / 9

HEX #E76A6A

RGB 231 106 106

HSL 0, 0.72%, 0.66%

LAB 60.19, 48.48, 23.76

 

CMYK 0 / 54 / 11 / 9

HEX #E76ACE

RGB 231 106 206

HSL 312, 0.72%, 0.66%

LAB 63.14, 60.48, -29.26

 

CMYK 4 / 54 / 0 / 9

HEX #DE6AE7

RGB 222 106 231

HSL 295.68, 0.72%, 0.66%

LAB 63.02, 62.23, -43.54

 

CMYK 19 / 54 / 0 / 9

HEX #BC6AE7

RGB 188 106 231

HSL 279.36, 0.72%, 0.66%

LAB 58.76, 53.44, -50.55

 

CMYK 33 / 54 / 0 / 9

HEX #9B6AE7

RGB 155 106 231

HSL 263.52, 0.72%, 0.66%

LAB 55.12, 45.21, -56.57

 

CMYK 48 / 54 / 0 / 9

HEX #796AE7

RGB 121 106 231

HSL 247.2, 0.72%, 0.66%

LAB 52, 37.46, -61.75

 

CMYK 0 / 54 / 11 / 9

HEX #E76ACE

RGB 231 106 206

HSL 312, 0.72%, 0.66%

LAB 63.14, 60.48, -29.26

 

CMYK 0 / 62 / 13 / 4

HEX #F55CD6

RGB 245 92 214

HSL 312.16, 0.88%, 0.66%

LAB 63.28, 71.43, -33.39

 

CMYK 0 / 54 / 11 / 9

HEX #E76ACE

RGB 231 106 206

HSL 312, 0.72%, 0.66%

LAB 63.14, 60.48, -29.26

 

CMYK 0 / 45 / 9 / 15

HEX #D978C5

RGB 217 120 197

HSL 312.37, 0.56%, 0.66%

LAB 63.52, 48.11, -23.75

 

CMYK 0 / 34 / 7 / 20

HEX #CB86BD

RGB 203 134 189

HSL 312.17, 0.4%, 0.66%

LAB 64.5, 34.88, -17.9

 

CMYK 0 / 22 / 4 / 26

HEX #BD94B5

RGB 189 148 181

HSL 311.71, 0.24%, 0.66%

LAB 66.01, 20.95, -11.28

 

CMYK 0 / 7 / 2 / 31

HEX #AFA2AC

RGB 175 162 172

HSL 313.85, 0.08%, 0.66%

LAB 67.97, 6.55, -3.47

 

CMYK 18 / 54 / 0 / 9

HEX #BD6AE7

RGB 189 106 231

HSL 279.84, 0.72%, 0.66%

LAB 58.88, 53.7, -50.35

 

CMYK 4 / 54 / 0 / 9

HEX #DE6AE7

RGB 222 106 231

HSL 295.68, 0.72%, 0.66%

LAB 63.02, 62.23, -43.54

 

CMYK 0 / 54 / 11 / 9

HEX #E76ACE

RGB 231 106 206

HSL 312, 0.72%, 0.66%

LAB 63.14, 60.48, -29.26

 

CMYK 0 / 54 / 26 / 9

HEX #E76AAC

RGB 231 106 172

HSL 328.32, 0.72%, 0.66%

LAB 61.89, 55.56, -11.84

 

CMYK 0 / 54 / 40 / 9

HEX #E76A8B

RGB 231 106 139

HSL 344.16, 0.72%, 0.66%

LAB 60.92, 51.58, 5.75

 

CMYK 0 / 84 / 17 / 14

HEX #DB24B6

RGB 219 36 182

HSL 312.13, 0.72%, 0.5%

LAB 51.5, 78.34, -33.74

 

CMYK 0 / 69 / 14 / 12

HEX #E146C2

RGB 225 70 194

HSL 312, 0.72%, 0.58%

LAB 56.37, 71.84, -33.01

 

CMYK 0 / 54 / 11 / 9

HEX #E76ACE

RGB 231 106 206

HSL 312, 0.72%, 0.66%

LAB 63.14, 60.48, -29.26

 

CMYK 0 / 41 / 8 / 7

HEX #ED8DD9

RGB 237 141 217

HSL 312.5, 0.73%, 0.74%

LAB 70.92, 46.95, -23.38

 

CMYK 0 / 27 / 5 / 5

HEX #F2B1E5

RGB 242 177 229

HSL 312, 0.71%, 0.82%

LAB 79.6, 31.76, -16.71

 

CMYK 0 / 54 / 11 / 9

HEX #E76ACE

RGB 231 106 206

HSL 312, 0.72%, 0.66%

LAB 63.14, 60.48, -29.26

 

CMYK 0 / 32 / 54 / 9

HEX #E79C6A

RGB 231 156 106

HSL 24, 0.72%, 0.66%

LAB 70.74, 22.76, 37.39

 

CMYK 54 / 0 / 11 / 9

HEX #6AE7CE

RGB 106 231 206

HSL 168, 0.72%, 0.66%

LAB 84.31, -40.8, 1.61

 

CMYK 0 / 54 / 11 / 9

HEX #E76ACE

RGB 231 106 206

HSL 312, 0.72%, 0.66%

LAB 63.14, 60.48, -29.26

 

CMYK 11 / 0 / 54 / 9

HEX #CEE76A

RGB 206 231 106

HSL 72, 0.72%, 0.66%

LAB 87.64, -25.98, 57.18

 

CMYK 54 / 11 / 0 / 9

HEX #6ACEE7

RGB 106 206 231

HSL 192, 0.72%, 0.66%

LAB 77.86, -22.41, -21.3

 

CMYK 0 / 54 / 11 / 9

HEX #E76ACE

RGB 231 106 206

HSL 312, 0.72%, 0.66%

LAB 63.14, 60.48, -29.26

 

CMYK 0 / 32 / 54 / 9

HEX #E79C6A

RGB 231 156 106

HSL 24, 0.72%, 0.66%

LAB 70.74, 22.76, 37.39

 

CMYK 54 / 0 / 43 / 9

HEX #6AE783

RGB 106 231 131

HSL 132, 0.72%, 0.66%

LAB 82.84, -55.69, 38.3

 

CMYK 54 / 22 / 0 / 9

HEX #6AB5E7

RGB 106 181 231

HSL 204, 0.72%, 0.66%

LAB 70.79, -9.37, -32.13

 

CMYK 0 / 54 / 11 / 9

HEX #E76ACE

RGB 231 106 206

HSL 312, 0.72%, 0.66%

LAB 63.14, 60.48, -29.26

 

CMYK 0 / 16 / 54 / 9

HEX #E7C16A

RGB 231 193 106

HSL 41.76, 0.72%, 0.66%

LAB 79.71, 3.17, 48.38

 

CMYK 54 / 0 / 43 / 9

HEX #6AE783

RGB 106 231 131

HSL 132, 0.72%, 0.66%

LAB 82.84, -55.69, 38.3

 

CMYK 54 / 38 / 0 / 9

HEX #6A8FE7

RGB 106 143 231

HSL 222.24, 0.72%, 0.66%

LAB 60.32, 12.19, -48.52

 

Description

Color code: HEX #E76ACE | qconv.com Color code: HEX #E76ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 106 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 106 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 11 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 11% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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