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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E762D2 it is the complementary color #189D2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E762D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E762D2 shade: #EC62CD, #FD74E0, #FF86F3, #FF98FF and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E762D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E762D2 shade: #E762D2, #D650BF, #C53EAC, #B42C99 and #A31A86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E762D2 shade: #E765D2, #E765AF, #E7658C, #E76569 and #E76565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E762D2 shade: #E765D2, #D865E7, #B565E7, #9265E7 and #6F65E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E762D2 shade matches the following richer shades: #E765D2 and #F556DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E762D2 shade: #E765D2, #D873C8, #CA81BF, #BC90B5 and #AD9EAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E762D2 shade: #B565E7, #D865E7, #E765D3, #E765B1 and #E7658E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E762D2 shade: #D722BB, #E141C8, #E765D2, #EC88DD and #F2ACE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E762D2 shade: #E762D2, #E79265 and #65E7C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E762D2 shade: #E762D2, #D3E765 and #65D3E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E762D2 shade: #E762D2, #E79265, #65E778 and #65B9E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E762D2 shade: #E762D2, #E7B965, #65E778 and #6592E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 9 / 9

HEX #E762D2

RGB 231 98 210

HSL 309.47, 0.73%, 0.65%

LAB 61.98, 64.68, -33.31

 

Complementary color

CMYK 85 / 0 / 71 / 38

HEX #189D2D

RGB 24 157 45

HSL 129.47, 0.73%, 0.35%

LAB 56.58, -55.85, 46.85

 

CMYK 0 / 58 / 13 / 7

HEX #EC62CD

RGB 236 98 205

HSL 313.48, 0.78%, 0.65%

LAB 62.49, 65.26, -29.64

 

CMYK 0 / 54 / 11 / 1

HEX #FD74E0

RGB 253 116 224

HSL 312.7, 0.97%, 0.72%

LAB 68.57, 64.87, -30.68

 

CMYK 0 / 47 / 5 / 0

HEX #FF86F3

RGB 255 134 243

HSL 305.95, 1%, 0.76%

LAB 72.75, 60.1, -34.66

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 0 / 58 / 9 / 9

HEX #E762D2

RGB 231 98 210

HSL 309.47, 0.73%, 0.65%

LAB 61.98, 64.68, -33.31

 

CMYK 0 / 63 / 11 / 16

HEX #D650BF

RGB 214 80 191

HSL 310.3, 0.62%, 0.58%

LAB 55.88, 64.87, -32.17

 

CMYK 0 / 69 / 13 / 23

HEX #C53EAC

RGB 197 62 172

HSL 311.11, 0.54%, 0.51%

LAB 49.85, 64.7, -30.73

 

CMYK 0 / 76 / 15 / 29

HEX #B42C99

RGB 180 44 153

HSL 311.91, 0.61%, 0.44%

LAB 43.95, 63.96, -28.85

 

CMYK 0 / 84 / 18 / 36

HEX #A31A86

RGB 163 26 134

HSL 312.7, 0.72%, 0.37%

LAB 38.28, 62.31, -26.36

 

CMYK 0 / 56 / 9 / 9

HEX #E765D2

RGB 231 101 210

HSL 309.69, 0.73%, 0.65%

LAB 62.46, 63.37, -32.56

 

CMYK 0 / 56 / 24 / 9

HEX #E765AF

RGB 231 101 175

HSL 325.85, 0.73%, 0.65%

LAB 61.13, 58.26, -14.71

 

CMYK 0 / 56 / 39 / 9

HEX #E7658C

RGB 231 101 140

HSL 342, 0.73%, 0.65%

LAB 60.06, 54.03, 3.92

 

CMYK 0 / 56 / 55 / 9

HEX #E76569

RGB 231 101 105

HSL 358.15, 0.73%, 0.65%

LAB 59.27, 50.77, 23.1

 

CMYK 0 / 56 / 56 / 9

HEX #E76565

RGB 231 101 101

HSL 0, 0.73%, 0.65%

LAB 59.19, 50.46, 25.3

 

CMYK 0 / 56 / 9 / 9

HEX #E765D2

RGB 231 101 210

HSL 309.69, 0.73%, 0.65%

LAB 62.46, 63.37, -32.56

 

CMYK 6 / 56 / 0 / 9

HEX #D865E7

RGB 216 101 231

HSL 293.08, 0.73%, 0.65%

LAB 61.37, 62.99, -46.18

 

CMYK 22 / 56 / 0 / 9

HEX #B565E7

RGB 181 101 231

HSL 276.92, 0.73%, 0.65%

LAB 56.98, 54.21, -53.43

 

CMYK 37 / 56 / 0 / 9

HEX #9265E7

RGB 146 101 231

HSL 260.77, 0.73%, 0.65%

LAB 53.15, 45.84, -59.77

 

CMYK 52 / 56 / 0 / 9

HEX #6F65E7

RGB 111 101 231

HSL 244.62, 0.73%, 0.65%

LAB 50.05, 38.36, -64.94

 

CMYK 0 / 56 / 9 / 9

HEX #E765D2

RGB 231 101 210

HSL 309.69, 0.73%, 0.65%

LAB 62.46, 63.37, -32.56

 

CMYK 0 / 65 / 10 / 4

HEX #F556DC

RGB 245 86 220

HSL 309.43, 0.89%, 0.65%

LAB 62.71, 74.62, -37.65

 

CMYK 0 / 56 / 9 / 9

HEX #E765D2

RGB 231 101 210

HSL 309.69, 0.73%, 0.65%

LAB 62.46, 63.37, -32.56

 

CMYK 0 / 47 / 7 / 15

HEX #D873C8

RGB 216 115 200

HSL 309.5, 0.56%, 0.65%

LAB 62.53, 50.83, -26.97

 

CMYK 0 / 36 / 5 / 21

HEX #CA81BF

RGB 202 129 191

HSL 309.04, 0.41%, 0.65%

LAB 63.36, 37.6, -20.78

 

CMYK 0 / 23 / 4 / 26

HEX #BC90B5

RGB 188 144 181

HSL 309.55, 0.25%, 0.65%

LAB 64.94, 22.83, -12.89

 

CMYK 0 / 9 / 1 / 32

HEX #AD9EAB

RGB 173 158 171

HSL 308, 0.08%, 0.65%

LAB 66.73, 7.86, -4.76

 

CMYK 22 / 56 / 0 / 9

HEX #B565E7

RGB 181 101 231

HSL 276.92, 0.73%, 0.65%

LAB 56.98, 54.21, -53.43

 

CMYK 6 / 56 / 0 / 9

HEX #D865E7

RGB 216 101 231

HSL 293.08, 0.73%, 0.65%

LAB 61.37, 62.99, -46.18

 

CMYK 0 / 56 / 9 / 9

HEX #E765D3

RGB 231 101 211

HSL 309.23, 0.73%, 0.65%

LAB 62.51, 63.52, -33.05

 

CMYK 0 / 56 / 23 / 9

HEX #E765B1

RGB 231 101 177

HSL 324.92, 0.73%, 0.65%

LAB 61.19, 58.53, -15.75

 

CMYK 0 / 56 / 39 / 9

HEX #E7658E

RGB 231 101 142

HSL 341.08, 0.73%, 0.65%

LAB 60.11, 54.24, 2.84

 

CMYK 0 / 84 / 13 / 16

HEX #D722BB

RGB 215 34 187

HSL 309.28, 0.73%, 0.49%

LAB 50.9, 78.59, -37.65

 

CMYK 0 / 71 / 11 / 12

HEX #E141C8

RGB 225 65 200

HSL 309.38, 0.73%, 0.57%

LAB 56.05, 74.38, -36.95

 

CMYK 0 / 56 / 9 / 9

HEX #E765D2

RGB 231 101 210

HSL 309.69, 0.73%, 0.65%

LAB 62.46, 63.37, -32.56

 

CMYK 0 / 42 / 6 / 7

HEX #EC88DD

RGB 236 136 221

HSL 309, 0.72%, 0.73%

LAB 69.94, 49.86, -27.1

 

CMYK 0 / 29 / 5 / 5

HEX #F2ACE7

RGB 242 172 231

HSL 309.43, 0.73%, 0.81%

LAB 78.55, 34.76, -19.38

 

CMYK 0 / 58 / 9 / 9

HEX #E762D2

RGB 231 98 210

HSL 309.47, 0.73%, 0.65%

LAB 61.98, 64.68, -33.31

 

CMYK 0 / 37 / 56 / 9

HEX #E79265

RGB 231 146 101

HSL 20.77, 0.73%, 0.65%

LAB 68.38, 27.68, 37.07

 

CMYK 56 / 0 / 14 / 9

HEX #65E7C6

RGB 101 231 198

HSL 164.77, 0.73%, 0.65%

LAB 83.96, -43.69, 5.3

 

CMYK 0 / 58 / 9 / 9

HEX #E762D2

RGB 231 98 210

HSL 309.47, 0.73%, 0.65%

LAB 61.98, 64.68, -33.31

 

CMYK 9 / 0 / 56 / 9

HEX #D3E765

RGB 211 231 101

HSL 69.23, 0.73%, 0.65%

LAB 87.94, -24.43, 59.83

 

CMYK 56 / 9 / 0 / 9

HEX #65D3E7

RGB 101 211 231

HSL 189.23, 0.73%, 0.65%

LAB 79.11, -25.88, -19.42

 

CMYK 0 / 58 / 9 / 9

HEX #E762D2

RGB 231 98 210

HSL 309.47, 0.73%, 0.65%

LAB 61.98, 64.68, -33.31

 

CMYK 0 / 37 / 56 / 9

HEX #E79265

RGB 231 146 101

HSL 20.77, 0.73%, 0.65%

LAB 68.38, 27.68, 37.07

 

CMYK 56 / 0 / 48 / 9

HEX #65E778

RGB 101 231 120

HSL 128.77, 0.73%, 0.65%

LAB 82.53, -58.51, 43.25

 

CMYK 56 / 20 / 0 / 9

HEX #65B9E7

RGB 101 185 231

HSL 201.23, 0.73%, 0.65%

LAB 71.71, -12.53, -30.72

 

CMYK 0 / 58 / 9 / 9

HEX #E762D2

RGB 231 98 210

HSL 309.47, 0.73%, 0.65%

LAB 61.98, 64.68, -33.31

 

CMYK 0 / 20 / 56 / 9

HEX #E7B965

RGB 231 185 101

HSL 38.77, 0.73%, 0.65%

LAB 77.65, 6.96, 48.36

 

CMYK 56 / 0 / 48 / 9

HEX #65E778

RGB 101 231 120

HSL 128.77, 0.73%, 0.65%

LAB 82.53, -58.51, 43.25

 

CMYK 56 / 37 / 0 / 9

HEX #6592E7

RGB 101 146 231

HSL 219.23, 0.73%, 0.65%

LAB 60.86, 9.38, -47.67

 

Description

Color code: HEX #E762D2 | qconv.com Color code: HEX #E762D2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 98 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 98 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 9 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 9% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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