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Color name
HEX #E75F41

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E75F41 it is the complementary color #18A0BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E75F41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E75F41 shade: #EC5F3C, #FD714F, #FF8362, #FF9575 and #FFA788

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E75F41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E75F41 shade: #E75F41, #D64D2E, #C53B1B, #B42908 and #A31700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E75F41 shade: #E75F40 and #E74040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E75F41 shade: #E75F40, #E78C40, #E7B940, #E7E640 and #BCE740

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E75F41 shade matches the following richer shades: #E75F40 and #F9532F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E75F41 shade: #E75F40, #D66A52, #C57563, #B38074 and #A28B86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E75F41 shade: #E7407E, #E74051, #E75C40, #E78940 and #E7B540

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E75F41 shade: #BE3617, #E3401C, #E75F40, #EC7D65 and #F19C8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E75F41 shade: #E75F41, #AAE740 and #4067E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E75F41 shade: #E75F41, #40E75C and #5C40E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E75F41 shade: #E75F41, #AAE740, #40CCE7 and #7E40E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E75F41 shade: #E75F41, #78E740, #40CCE7 and #B040E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 72 / 9

HEX #E75F41

RGB 231 95 65

HSL 10.84, 0.78%, 0.58%

LAB 57.61, 51.05, 43.39

 

Complementary color

CMYK 87 / 16 / 0 / 25

HEX #18A0BE

RGB 24 160 190

HSL 190.84, 0.78%, 0.42%

LAB 60.83, -23.04, -25.01

 

CMYK 0 / 60 / 75 / 7

HEX #EC5F3C

RGB 236 95 60

HSL 11.93, 0.82%, 0.58%

LAB 58.36, 52.6, 47.04

 

CMYK 0 / 55 / 69 / 1

HEX #FD714F

RGB 253 113 79

HSL 11.72, 0.98%, 0.65%

LAB 64.37, 51.27, 44.59

 

CMYK 0 / 49 / 62 / 0

HEX #FF8362

RGB 255 131 98

HSL 12.61, 1%, 0.69%

LAB 68.3, 44.44, 39.26

 

CMYK 0 / 42 / 54 / 0

HEX #FF9575

RGB 255 149 117

HSL 13.91, 1%, 0.73%

LAB 72.25, 36.75, 34.06

 

CMYK 0 / 35 / 47 / 0

HEX #FFA788

RGB 255 167 136

HSL 15.63, 1%, 0.77%

LAB 76.48, 29.1, 29.4

 

CMYK 0 / 59 / 72 / 9

HEX #E75F41

RGB 231 95 65

HSL 10.84, 0.78%, 0.58%

LAB 57.61, 51.05, 43.39

 

CMYK 0 / 64 / 79 / 16

HEX #D64D2E

RGB 214 77 46

HSL 11.07, 0.67%, 0.51%

LAB 51.61, 52.29, 46.02

 

CMYK 0 / 70 / 86 / 23

HEX #C53B1B

RGB 197 59 27

HSL 11.29, 0.76%, 0.44%

LAB 45.74, 53.33, 48.56

 

CMYK 0 / 77 / 96 / 29

HEX #B42908

RGB 180 41 8

HSL 11.51, 0.91%, 0.37%

LAB 40.09, 53.92, 50.13

 

CMYK 0 / 86 / 100 / 36

HEX #A31700

RGB 163 23 0

HSL 8.47, 1%, 0.32%

LAB 34.8, 53.67, 48.43

 

CMYK 0 / 59 / 72 / 9

HEX #E75F40

RGB 231 95 64

HSL 11.14, 0.78%, 0.58%

LAB 57.6, 51.01, 43.91

 

CMYK 0 / 72 / 72 / 9

HEX #E74040

RGB 231 64 64

HSL 0, 0.78%, 0.58%

LAB 52.98, 63.48, 38.71

 

CMYK 0 / 59 / 72 / 9

HEX #E75F40

RGB 231 95 64

HSL 11.14, 0.78%, 0.58%

LAB 57.6, 51.01, 43.91

 

CMYK 0 / 39 / 72 / 9

HEX #E78C40

RGB 231 140 64

HSL 27.31, 0.78%, 0.58%

LAB 66.61, 28.54, 53.59

 

CMYK 0 / 20 / 72 / 9

HEX #E7B940

RGB 231 185 64

HSL 43.47, 0.78%, 0.58%

LAB 77.31, 4.69, 64.47

 

CMYK 0 / 0 / 72 / 9

HEX #E7E640

RGB 231 230 64

HSL 59.64, 0.78%, 0.58%

LAB 88.9, -18.11, 75.66

 

CMYK 19 / 0 / 72 / 9

HEX #BCE740

RGB 188 231 64

HSL 75.45, 0.78%, 0.58%

LAB 86.11, -35.87, 71.92

 

CMYK 0 / 59 / 72 / 9

HEX #E75F40

RGB 231 95 64

HSL 11.14, 0.78%, 0.58%

LAB 57.6, 51.01, 43.91

 

CMYK 0 / 67 / 81 / 2

HEX #F9532F

RGB 249 83 47

HSL 10.69, 0.94%, 0.58%

LAB 58.54, 61.58, 54.31

 

CMYK 0 / 59 / 72 / 9

HEX #E75F40

RGB 231 95 64

HSL 11.14, 0.78%, 0.58%

LAB 57.6, 51.01, 43.91

 

CMYK 0 / 50 / 62 / 16

HEX #D66A52

RGB 214 106 82

HSL 10.91, 0.62%, 0.58%

LAB 57.28, 40.48, 33.1

 

CMYK 0 / 41 / 50 / 23

HEX #C57563

RGB 197 117 99

HSL 11.02, 0.46%, 0.58%

LAB 57.55, 29.48, 23.39

 

CMYK 0 / 28 / 35 / 30

HEX #B38074

RGB 179 128 116

HSL 11.43, 0.29%, 0.58%

LAB 58.3, 18.11, 14.34

 

CMYK 0 / 14 / 17 / 36

HEX #A28B86

RGB 162 139 134

HSL 10.71, 0.13%, 0.58%

LAB 59.77, 7.82, 5.87

 

CMYK 0 / 72 / 45 / 9

HEX #E7407E

RGB 231 64 126

HSL 337.72, 0.78%, 0.58%

LAB 54.2, 67.54, 3.7

 

CMYK 0 / 72 / 65 / 9

HEX #E74051

RGB 231 64 81

HSL 353.89, 0.78%, 0.58%

LAB 53.22, 64.31, 29.19

 

CMYK 0 / 60 / 72 / 9

HEX #E75C40

RGB 231 92 64

HSL 10.06, 0.78%, 0.58%

LAB 57.09, 52.36, 43.34

 

CMYK 0 / 41 / 72 / 9

HEX #E78940

RGB 231 137 64

HSL 26.23, 0.78%, 0.58%

LAB 65.94, 30.12, 52.9

 

CMYK 0 / 22 / 72 / 9

HEX #E7B540

RGB 231 181 64

HSL 42.04, 0.78%, 0.58%

LAB 76.32, 6.79, 63.48

 

CMYK 0 / 72 / 88 / 25

HEX #BE3617

RGB 190 54 23

HSL 11.14, 0.78%, 0.42%

LAB 43.72, 52.83, 48.1

 

CMYK 0 / 72 / 88 / 11

HEX #E3401C

RGB 227 64 28

HSL 10.85, 0.78%, 0.5%

LAB 51.93, 61.17, 55.42

 

CMYK 0 / 59 / 72 / 9

HEX #E75F40

RGB 231 95 64

HSL 11.14, 0.78%, 0.58%

LAB 57.6, 51.01, 43.91

 

CMYK 0 / 47 / 57 / 7

HEX #EC7D65

RGB 236 125 101

HSL 10.67, 0.78%, 0.66%

LAB 64.52, 40.54, 32.34

 

CMYK 0 / 35 / 43 / 5

HEX #F19C8A

RGB 241 156 138

HSL 10.49, 0.79%, 0.74%

LAB 72.44, 29.71, 22.6

 

CMYK 0 / 59 / 72 / 9

HEX #E75F41

RGB 231 95 65

HSL 10.84, 0.78%, 0.58%

LAB 57.61, 51.05, 43.39

 

CMYK 26 / 0 / 72 / 9

HEX #AAE740

RGB 170 231 64

HSL 81.92, 0.78%, 0.58%

LAB 85.03, -42.69, 70.5

 

CMYK 72 / 55 / 0 / 9

HEX #4067E7

RGB 64 103 231

HSL 225.99, 0.78%, 0.58%

LAB 47.7, 29.55, -68.87

 

CMYK 0 / 59 / 72 / 9

HEX #E75F41

RGB 231 95 65

HSL 10.84, 0.78%, 0.58%

LAB 57.61, 51.05, 43.39

 

CMYK 72 / 0 / 60 / 9

HEX #40E75C

RGB 64 231 92

HSL 130.06, 0.78%, 0.58%

LAB 81.3, -69.32, 54.45

 

CMYK 60 / 72 / 0 / 9

HEX #5C40E7

RGB 92 64 231

HSL 250.06, 0.78%, 0.58%

LAB 40.75, 56.05, -80.16

 

CMYK 0 / 59 / 72 / 9

HEX #E75F41

RGB 231 95 65

HSL 10.84, 0.78%, 0.58%

LAB 57.61, 51.05, 43.39

 

CMYK 26 / 0 / 72 / 9

HEX #AAE740

RGB 170 231 64

HSL 81.92, 0.78%, 0.58%

LAB 85.03, -42.69, 70.5

 

CMYK 72 / 12 / 0 / 9

HEX #40CCE7

RGB 64 204 231

HSL 189.7, 0.78%, 0.58%

LAB 76.1, -28.2, -24.1

 

CMYK 45 / 72 / 0 / 9

HEX #7E40E7

RGB 126 64 231

HSL 262.28, 0.78%, 0.58%

LAB 44.05, 60.94, -74.63

 

CMYK 0 / 59 / 72 / 9

HEX #E75F41

RGB 231 95 65

HSL 10.84, 0.78%, 0.58%

LAB 57.61, 51.05, 43.39

 

CMYK 48 / 0 / 72 / 9

HEX #78E740

RGB 120 231 64

HSL 99.88, 0.78%, 0.58%

LAB 82.65, -59.34, 67.35

 

CMYK 72 / 12 / 0 / 9

HEX #40CCE7

RGB 64 204 231

HSL 189.7, 0.78%, 0.58%

LAB 76.1, -28.2, -24.1

 

CMYK 24 / 72 / 0 / 9

HEX #B040E7

RGB 176 64 231

HSL 280.24, 0.78%, 0.58%

LAB 50.29, 69.75, -64.2

 

Description

Color code: HEX #E75F41 | qconv.com Color code: HEX #E75F41 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 95 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 95 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 72 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 72% 9% C M Y K

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Provide designers and agencies with accurate color values.

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