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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E757DF it is the complementary color #18A820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E757DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E757DF shade: #EC57DA, #FD69ED, #FF7BFF, #FF8DFF and #FF9FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E757DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E757DF shade: #E757DF, #D645CC, #C533B9, #B421A6 and #A30F93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E757DF shade: #E755DF, #E755B8, #E75590, #E75569 and #E75555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E757DF shade: #E755DF, #C855E7, #A055E7, #7955E7 and #5555E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E757DF shade matches the following richer shades: #E755DF and #F646ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E757DF shade: #E755DF, #D765D1, #C775C3, #B884B5 and #A894A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E757DF shade: #A155E7, #C755E7, #E755E0, #E755B9 and #E75592

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E757DF shade: #CC1DC3, #E231D8, #E755DF, #EC7AE6 and #F19EEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E757DF shade: #E757DF, #E77A55 and #55E7B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E757DF shade: #E757DF, #E0E755 and #55E0E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E757DF shade: #E757DF, #E77A55, #55E75D and #55C2E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E757DF shade: #E757DF, #E7A555, #55E75D and #5597E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 3 / 9

HEX #E757DF

RGB 231 87 223

HSL 303.33, 0.75%, 0.62%

LAB 60.9, 71.31, -42.31

 

Complementary color

CMYK 86 / 0 / 81 / 34

HEX #18A820

RGB 24 168 32

HSL 123.33, 0.75%, 0.38%

LAB 60.16, -60.26, 54.96

 

CMYK 0 / 63 / 8 / 7

HEX #EC57DA

RGB 236 87 218

HSL 307.25, 0.8%, 0.63%

LAB 61.4, 71.74, -38.66

 

CMYK 0 / 58 / 6 / 1

HEX #FD69ED

RGB 253 105 237

HSL 306.49, 0.97%, 0.7%

LAB 67.35, 71.65, -39.77

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 62 / 3 / 9

HEX #E757DF

RGB 231 87 223

HSL 303.33, 0.75%, 0.62%

LAB 60.9, 71.31, -42.31

 

CMYK 0 / 68 / 5 / 16

HEX #D645CC

RGB 214 69 204

HSL 304.14, 0.64%, 0.55%

LAB 54.98, 71.09, -41.04

 

CMYK 0 / 74 / 6 / 23

HEX #C533B9

RGB 197 51 185

HSL 304.93, 0.59%, 0.49%

LAB 49.18, 70.35, -39.4

 

CMYK 0 / 82 / 8 / 29

HEX #B421A6

RGB 180 33 166

HSL 305.71, 0.69%, 0.42%

LAB 43.57, 68.83, -37.24

 

CMYK 0 / 91 / 10 / 36

HEX #A30F93

RGB 163 15 147

HSL 306.49, 0.83%, 0.35%

LAB 38.26, 66.17, -34.38

 

CMYK 0 / 63 / 3 / 9

HEX #E755DF

RGB 231 85 223

HSL 303.29, 0.75%, 0.62%

LAB 60.62, 72.09, -42.76

 

CMYK 0 / 63 / 20 / 9

HEX #E755B8

RGB 231 85 184

HSL 319.32, 0.75%, 0.62%

LAB 58.92, 66.33, -23.23

 

CMYK 0 / 63 / 38 / 9

HEX #E75590

RGB 231 85 144

HSL 335.75, 0.75%, 0.62%

LAB 57.56, 61.45, -2.05

 

CMYK 0 / 63 / 55 / 9

HEX #E75569

RGB 231 85 105

HSL 351.78, 0.75%, 0.62%

LAB 56.59, 57.87, 19.5

 

CMYK 0 / 63 / 63 / 9

HEX #E75555

RGB 231 85 85

HSL 0, 0.75%, 0.62%

LAB 56.23, 56.5, 30.66

 

CMYK 0 / 63 / 3 / 9

HEX #E755DF

RGB 231 85 223

HSL 303.29, 0.75%, 0.62%

LAB 60.62, 72.09, -42.76

 

CMYK 13 / 63 / 0 / 9

HEX #C855E7

RGB 200 85 231

HSL 287.26, 0.75%, 0.62%

LAB 56.63, 66.23, -53.85

 

CMYK 31 / 63 / 0 / 9

HEX #A055E7

RGB 160 85 231

HSL 270.82, 0.75%, 0.62%

LAB 51.54, 57.32, -62.28

 

CMYK 48 / 63 / 0 / 9

HEX #7955E7

RGB 121 85 231

HSL 254.79, 0.75%, 0.62%

LAB 47.41, 49.42, -69.18

 

CMYK 63 / 63 / 0 / 9

HEX #5555E7

RGB 85 85 231

HSL 240, 0.75%, 0.62%

LAB 44.52, 43.42, -74.01

 

CMYK 0 / 63 / 3 / 9

HEX #E755DF

RGB 231 85 223

HSL 303.29, 0.75%, 0.62%

LAB 60.62, 72.09, -42.76

 

CMYK 0 / 72 / 4 / 4

HEX #F646ED

RGB 246 70 237

HSL 303.07, 0.91%, 0.62%

LAB 61.73, 82.83, -48.69

 

CMYK 0 / 63 / 3 / 9

HEX #E755DF

RGB 231 85 223

HSL 303.29, 0.75%, 0.62%

LAB 60.62, 72.09, -42.76

 

CMYK 0 / 53 / 3 / 16

HEX #D765D1

RGB 215 101 209

HSL 303.16, 0.59%, 0.62%

LAB 60.21, 58.84, -35.67

 

CMYK 0 / 41 / 2 / 22

HEX #C775C3

RGB 199 117 195

HSL 302.93, 0.42%, 0.62%

LAB 60.61, 43.75, -27.29

 

CMYK 0 / 28 / 2 / 28

HEX #B884B5

RGB 184 132 181

HSL 303.46, 0.27%, 0.62%

LAB 61.68, 28.14, -17.86

 

CMYK 0 / 12 / 1 / 34

HEX #A894A7

RGB 168 148 167

HSL 303, 0.1%, 0.62%

LAB 63.59, 10.89, -7.23

 

CMYK 30 / 63 / 0 / 9

HEX #A155E7

RGB 161 85 231

HSL 271.23, 0.75%, 0.62%

LAB 51.66, 57.53, -62.09

 

CMYK 14 / 63 / 0 / 9

HEX #C755E7

RGB 199 85 231

HSL 286.85, 0.75%, 0.62%

LAB 56.49, 66.01, -54.07

 

CMYK 0 / 63 / 3 / 9

HEX #E755E0

RGB 231 85 224

HSL 302.88, 0.75%, 0.62%

LAB 60.66, 72.25, -43.24

 

CMYK 0 / 63 / 20 / 9

HEX #E755B9

RGB 231 85 185

HSL 318.9, 0.75%, 0.62%

LAB 58.96, 66.46, -23.74

 

CMYK 0 / 63 / 37 / 9

HEX #E75592

RGB 231 85 146

HSL 334.93, 0.75%, 0.62%

LAB 57.62, 61.67, -3.14

 

CMYK 0 / 86 / 4 / 20

HEX #CC1DC3

RGB 204 29 195

HSL 303.09, 0.75%, 0.46%

LAB 49.08, 78.53, -45.31

 

CMYK 0 / 78 / 4 / 11

HEX #E231D8

RGB 226 49 216

HSL 303.39, 0.75%, 0.54%

LAB 55.4, 81.51, -47.09

 

CMYK 0 / 63 / 3 / 9

HEX #E755DF

RGB 231 85 223

HSL 303.29, 0.75%, 0.62%

LAB 60.62, 72.09, -42.76

 

CMYK 0 / 48 / 3 / 7

HEX #EC7AE6

RGB 236 122 230

HSL 303.16, 0.75%, 0.7%

LAB 67.62, 58.3, -35.65

 

CMYK 0 / 34 / 2 / 5

HEX #F19EEC

RGB 241 158 236

HSL 303.61, 0.75%, 0.78%

LAB 75.58, 42.68, -26.62

 

CMYK 0 / 62 / 3 / 9

HEX #E757DF

RGB 231 87 223

HSL 303.33, 0.75%, 0.62%

LAB 60.9, 71.31, -42.31

 

CMYK 0 / 47 / 63 / 9

HEX #E77A55

RGB 231 122 85

HSL 15.21, 0.75%, 0.62%

LAB 62.98, 39.05, 38.98

 

CMYK 63 / 0 / 22 / 9

HEX #55E7B4

RGB 85 231 180

HSL 159.04, 0.75%, 0.62%

LAB 83.11, -50.78, 13.48

 

CMYK 0 / 62 / 3 / 9

HEX #E757DF

RGB 231 87 223

HSL 303.33, 0.75%, 0.62%

LAB 60.9, 71.31, -42.31

 

CMYK 3 / 0 / 63 / 9

HEX #E0E755

RGB 224 231 85

HSL 62.88, 0.75%, 0.62%

LAB 88.76, -20.36, 67.7

 

CMYK 63 / 3 / 0 / 9

HEX #55E0E7

RGB 85 224 231

HSL 182.88, 0.75%, 0.62%

LAB 82.39, -34.88, -14.54

 

CMYK 0 / 62 / 3 / 9

HEX #E757DF

RGB 231 87 223

HSL 303.33, 0.75%, 0.62%

LAB 60.9, 71.31, -42.31

 

CMYK 0 / 47 / 63 / 9

HEX #E77A55

RGB 231 122 85

HSL 15.21, 0.75%, 0.62%

LAB 62.98, 39.05, 38.98

 

CMYK 63 / 0 / 60 / 9

HEX #55E75D

RGB 85 231 93

HSL 123.29, 0.75%, 0.62%

LAB 81.77, -65.45, 54.68

 

CMYK 63 / 16 / 0 / 9

HEX #55C2E7

RGB 85 194 231

HSL 195.21, 0.75%, 0.62%

LAB 73.73, -20.17, -27.67

 

CMYK 0 / 62 / 3 / 9

HEX #E757DF

RGB 231 87 223

HSL 303.33, 0.75%, 0.62%

LAB 60.9, 71.31, -42.31

 

CMYK 0 / 29 / 63 / 9

HEX #E7A555

RGB 231 165 85

HSL 32.88, 0.75%, 0.62%

LAB 72.6, 16.42, 50.24

 

CMYK 63 / 0 / 60 / 9

HEX #55E75D

RGB 85 231 93

HSL 123.29, 0.75%, 0.62%

LAB 81.77, -65.45, 54.68

 

CMYK 63 / 35 / 0 / 9

HEX #5597E7

RGB 85 151 231

HSL 212.88, 0.75%, 0.62%

LAB 61.51, 3.42, -46.7

 

Description

Color code: HEX #E757DF | qconv.com Color code: HEX #E757DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 87 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 87 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 3 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 3% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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