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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7566C it is the complementary color #18A993. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7566C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7566C shade: #EC5667, #FD687A, #FF7A8D, #FF8CA0 and #FF9EB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7566C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7566C shade: #E7566C, #D64459, #C53246, #B42033 and #A30E20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7566C shade: #E7556B and #E75555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7566C shade: #E7556B, #E75593, #E755BA, #E755E1 and #C555E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7566C shade matches the following richer shades: #E7556B and #F64661

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7566C shade: #E7556B, #D76576, #C77581, #B8848C and #A89497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7566C shade: #E755BB, #E75594, #E7556E, #E76455 and #E78B55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7566C shade: #CC1D38, #E2314C, #E7556B, #EC7A8B and #F19EAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7566C shade: #E7566C, #E2E755 and #55A8E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7566C shade: #E7566C, #6EE755 and #556EE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7566C shade: #E7566C, #E2E755, #55E7CF and #5A55E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7566C shade: #E7566C, #B6E755, #55E7CF and #8655E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 53 / 9

HEX #E7566C

RGB 231 86 108

HSL 350.9, 0.75%, 0.62%

LAB 56.81, 57.68, 18.04

 

Complementary color

CMYK 86 / 0 / 13 / 34

HEX #18A993

RGB 24 169 147

HSL 170.9, 0.75%, 0.38%

LAB 62.23, -40.66, 1.25

 

CMYK 0 / 64 / 56 / 7

HEX #EC5667

RGB 236 86 103

HSL 353.2, 0.8%, 0.63%

LAB 57.53, 58.91, 22.08

 

CMYK 0 / 59 / 52 / 1

HEX #FD687A

RGB 253 104 122

HSL 352.75, 0.97%, 0.7%

LAB 63.5, 58.17, 19.63

 

CMYK 0 / 52 / 45 / 0

HEX #FF7A8D

RGB 255 122 141

HSL 351.43, 1%, 0.74%

LAB 67.35, 52.28, 14.2

 

CMYK 0 / 45 / 37 / 0

HEX #FF8CA0

RGB 255 140 160

HSL 349.57, 1%, 0.77%

LAB 71.25, 45.47, 9.04

 

CMYK 0 / 38 / 30 / 0

HEX #FF9EB3

RGB 255 158 179

HSL 347.01, 1%, 0.81%

LAB 75.43, 38.6, 4.53

 

CMYK 0 / 63 / 53 / 9

HEX #E7566C

RGB 231 86 108

HSL 350.9, 0.75%, 0.62%

LAB 56.81, 57.68, 18.04

 

CMYK 0 / 68 / 58 / 16

HEX #D64459

RGB 214 68 89

HSL 351.37, 0.64%, 0.55%

LAB 50.86, 58.18, 20.79

 

CMYK 0 / 75 / 64 / 23

HEX #C53246

RGB 197 50 70

HSL 351.84, 0.6%, 0.48%

LAB 45.07, 58.27, 24.13

 

CMYK 0 / 82 / 72 / 29

HEX #B42033

RGB 180 32 51

HSL 352.3, 0.7%, 0.42%

LAB 39.54, 57.69, 28.18

 

CMYK 0 / 91 / 80 / 36

HEX #A30E20

RGB 163 14 32

HSL 352.75, 0.84%, 0.35%

LAB 34.41, 56.03, 33

 

CMYK 0 / 63 / 54 / 9

HEX #E7556B

RGB 231 85 107

HSL 350.96, 0.75%, 0.62%

LAB 56.63, 58.02, 18.38

 

CMYK 0 / 63 / 63 / 9

HEX #E75555

RGB 231 85 85

HSL 0, 0.75%, 0.62%

LAB 56.23, 56.5, 30.66

 

CMYK 0 / 63 / 54 / 9

HEX #E7556B

RGB 231 85 107

HSL 350.96, 0.75%, 0.62%

LAB 56.63, 58.02, 18.38

 

CMYK 0 / 63 / 36 / 9

HEX #E75593

RGB 231 85 147

HSL 334.52, 0.75%, 0.62%

LAB 57.65, 61.78, -3.68

 

CMYK 0 / 63 / 19 / 9

HEX #E755BA

RGB 231 85 186

HSL 318.49, 0.75%, 0.62%

LAB 59, 66.6, -24.26

 

CMYK 0 / 63 / 3 / 9

HEX #E755E1

RGB 231 85 225

HSL 302.47, 0.75%, 0.62%

LAB 60.71, 72.41, -43.73

 

CMYK 15 / 63 / 0 / 9

HEX #C555E7

RGB 197 85 231

HSL 286.03, 0.75%, 0.62%

LAB 56.22, 65.55, -54.52

 

CMYK 0 / 63 / 54 / 9

HEX #E7556B

RGB 231 85 107

HSL 350.96, 0.75%, 0.62%

LAB 56.63, 58.02, 18.38

 

CMYK 0 / 72 / 61 / 4

HEX #F64661

RGB 246 70 97

HSL 350.8, 0.91%, 0.62%

LAB 56.92, 67.61, 25.08

 

CMYK 0 / 63 / 54 / 9

HEX #E7556B

RGB 231 85 107

HSL 350.96, 0.75%, 0.62%

LAB 56.63, 58.02, 18.38

 

CMYK 0 / 53 / 45 / 16

HEX #D76576

RGB 215 101 118

HSL 351.05, 0.59%, 0.62%

LAB 57.14, 46.35, 12.25

 

CMYK 0 / 41 / 35 / 22

HEX #C77581

RGB 199 117 129

HSL 351.22, 0.42%, 0.62%

LAB 58.46, 33.55, 7.42

 

CMYK 0 / 28 / 24 / 28

HEX #B8848C

RGB 184 132 140

HSL 350.77, 0.27%, 0.62%

LAB 60.41, 21.17, 3.66

 

CMYK 0 / 12 / 10 / 34

HEX #A89497

RGB 168 148 151

HSL 351, 0.1%, 0.62%

LAB 63.13, 7.94, 1.14

 

CMYK 0 / 63 / 19 / 9

HEX #E755BB

RGB 231 85 187

HSL 318.08, 0.75%, 0.62%

LAB 59.04, 66.74, -24.77

 

CMYK 0 / 63 / 36 / 9

HEX #E75594

RGB 231 85 148

HSL 334.11, 0.75%, 0.62%

LAB 57.68, 61.89, -4.22

 

CMYK 0 / 63 / 52 / 9

HEX #E7556E

RGB 231 85 110

HSL 349.73, 0.75%, 0.62%

LAB 56.7, 58.26, 16.71

 

CMYK 0 / 57 / 63 / 9

HEX #E76455

RGB 231 100 85

HSL 6.16, 0.75%, 0.62%

LAB 58.75, 49.83, 33.81

 

CMYK 0 / 40 / 63 / 9

HEX #E78B55

RGB 231 139 85

HSL 22.19, 0.75%, 0.62%

LAB 66.6, 30.23, 43.3

 

CMYK 0 / 86 / 73 / 20

HEX #CC1D38

RGB 204 29 56

HSL 350.74, 0.75%, 0.46%

LAB 44.24, 65.17, 31.9

 

CMYK 0 / 78 / 66 / 11

HEX #E2314C

RGB 226 49 76

HSL 350.85, 0.75%, 0.54%

LAB 50.55, 67.25, 28.6

 

CMYK 0 / 63 / 54 / 9

HEX #E7556B

RGB 231 85 107

HSL 350.96, 0.75%, 0.62%

LAB 56.63, 58.02, 18.38

 

CMYK 0 / 48 / 41 / 7

HEX #EC7A8B

RGB 236 122 139

HSL 351.05, 0.75%, 0.7%

LAB 64.66, 45.51, 11.16

 

CMYK 0 / 34 / 29 / 5

HEX #F19EAA

RGB 241 158 170

HSL 351.33, 0.75%, 0.78%

LAB 73.58, 32.43, 6.61

 

CMYK 0 / 63 / 53 / 9

HEX #E7566C

RGB 231 86 108

HSL 350.9, 0.75%, 0.62%

LAB 56.81, 57.68, 18.04

 

CMYK 2 / 0 / 63 / 9

HEX #E2E755

RGB 226 231 85

HSL 62.05, 0.75%, 0.62%

LAB 88.91, -19.55, 67.9

 

CMYK 63 / 27 / 0 / 9

HEX #55A8E7

RGB 85 168 231

HSL 205.89, 0.75%, 0.62%

LAB 66.29, -6.26, -39.18

 

CMYK 0 / 63 / 53 / 9

HEX #E7566C

RGB 231 86 108

HSL 350.9, 0.75%, 0.62%

LAB 56.81, 57.68, 18.04

 

CMYK 52 / 0 / 63 / 9

HEX #6EE755

RGB 110 231 85

HSL 109.73, 0.75%, 0.62%

LAB 82.44, -60.42, 59.04

 

CMYK 63 / 52 / 0 / 9

HEX #556EE7

RGB 85 110 231

HSL 229.73, 0.75%, 0.62%

LAB 50.51, 28.21, -64.27

 

CMYK 0 / 63 / 53 / 9

HEX #E7566C

RGB 231 86 108

HSL 350.9, 0.75%, 0.62%

LAB 56.81, 57.68, 18.04

 

CMYK 2 / 0 / 63 / 9

HEX #E2E755

RGB 226 231 85

HSL 62.05, 0.75%, 0.62%

LAB 88.91, -19.55, 67.9

 

CMYK 63 / 0 / 10 / 9

HEX #55E7CF

RGB 85 231 207

HSL 170.14, 0.75%, 0.62%

LAB 83.75, -44.39, 0.19

 

CMYK 61 / 63 / 0 / 9

HEX #5A55E7

RGB 90 85 231

HSL 242.05, 0.75%, 0.62%

LAB 44.86, 44.16, -73.44

 

CMYK 0 / 63 / 53 / 9

HEX #E7566C

RGB 231 86 108

HSL 350.9, 0.75%, 0.62%

LAB 56.81, 57.68, 18.04

 

CMYK 21 / 0 / 63 / 9

HEX #B6E755

RGB 182 231 85

HSL 80.14, 0.75%, 0.62%

LAB 85.88, -36.85, 63.78

 

CMYK 63 / 0 / 10 / 9

HEX #55E7CF

RGB 85 231 207

HSL 170.14, 0.75%, 0.62%

LAB 83.75, -44.39, 0.19

 

CMYK 42 / 63 / 0 / 9

HEX #8655E7

RGB 134 85 231

HSL 260.14, 0.75%, 0.62%

LAB 48.68, 51.93, -67.05

 

Description

Color code: HEX #E7566C | qconv.com Color code: HEX #E7566C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 86 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 86 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 53 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 53% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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