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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E75651 it is the complementary color #18A9AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E75651. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E75651 shade: #EC564C, #FD685F, #FF7A72, #FF8C85 and #FF9E98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E75651. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E75651 shade: #E75651, #D6443E, #C5322B, #B42018 and #A30E05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E75651 shade: #E75550 and #E75050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E75651 shade: #E75550, #E77E50, #E7A750, #E7CF50 and #D6E750

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E75651 shade matches the following richer shades: #E75550 and #F74640

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E75651 shade: #E75550, #D76460, #C77370, #B78280 and #A79190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E75651 shade: #E7509C, #E75073, #E75550, #E77D50 and #E7A650

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E75651 shade: #C9211B, #E2322C, #E75550, #EC7874 and #F19C99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E75651 shade: #E75651, #C4E750 and #5087E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E75651 shade: #E75651, #50E755 and #5550E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E75651 shade: #E75651, #C4E750, #50E2E7 and #7350E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E75651 shade: #E75651, #97E750, #50E2E7 and #A150E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 65 / 9

HEX #E75651

RGB 231 86 81

HSL 2, 0.76%, 0.61%

LAB 56.33, 55.84, 33.07

 

Complementary color

CMYK 86 / 3 / 0 / 32

HEX #18A9AE

RGB 24 169 174

HSL 182, 0.76%, 0.39%

LAB 63.03, -32.71, -12.69

 

CMYK 0 / 64 / 68 / 7

HEX #EC564C

RGB 236 86 76

HSL 3.75, 0.81%, 0.61%

LAB 57.09, 57.23, 37

 

CMYK 0 / 59 / 62 / 1

HEX #FD685F

RGB 253 104 95

HSL 3.42, 0.98%, 0.68%

LAB 63.02, 56.25, 34.29

 

CMYK 0 / 52 / 55 / 0

HEX #FF7A72

RGB 255 122 114

HSL 3.4, 1%, 0.72%

LAB 66.82, 49.95, 28.64

 

CMYK 0 / 45 / 48 / 0

HEX #FF8C85

RGB 255 140 133

HSL 3.44, 1%, 0.76%

LAB 70.67, 42.7, 23.24

 

CMYK 0 / 38 / 40 / 0

HEX #FF9E98

RGB 255 158 152

HSL 3.5, 1%, 0.8%

LAB 74.81, 35.41, 18.47

 

CMYK 0 / 63 / 65 / 9

HEX #E75651

RGB 231 86 81

HSL 2, 0.76%, 0.61%

LAB 56.33, 55.84, 33.07

 

CMYK 0 / 68 / 71 / 16

HEX #D6443E

RGB 214 68 62

HSL 2.37, 0.65%, 0.54%

LAB 50.43, 56.62, 36.1

 

CMYK 0 / 75 / 78 / 23

HEX #C5322B

RGB 197 50 43

HSL 2.73, 0.64%, 0.47%

LAB 44.7, 57.03, 39.56

 

CMYK 0 / 82 / 87 / 29

HEX #B42018

RGB 180 32 24

HSL 3.08, 0.76%, 0.4%

LAB 39.25, 56.79, 43.18

 

CMYK 0 / 91 / 97 / 36

HEX #A30E05

RGB 163 14 5

HSL 3.42, 0.94%, 0.33%

LAB 34.21, 55.48, 46.07

 

CMYK 0 / 63 / 65 / 9

HEX #E75550

RGB 231 85 80

HSL 1.99, 0.76%, 0.61%

LAB 56.15, 56.21, 33.42

 

CMYK 0 / 65 / 65 / 9

HEX #E75050

RGB 231 80 80

HSL 0, 0.76%, 0.61%

LAB 55.39, 58.28, 32.47

 

CMYK 0 / 63 / 65 / 9

HEX #E75550

RGB 231 85 80

HSL 1.99, 0.76%, 0.61%

LAB 56.15, 56.21, 33.42

 

CMYK 0 / 45 / 65 / 9

HEX #E77E50

RGB 231 126 80

HSL 18.28, 0.76%, 0.61%

LAB 63.75, 36.69, 42.53

 

CMYK 0 / 28 / 65 / 9

HEX #E7A750

RGB 231 167 80

HSL 34.57, 0.76%, 0.61%

LAB 73.03, 15.05, 53.1

 

CMYK 0 / 10 / 65 / 9

HEX #E7CF50

RGB 231 207 80

HSL 50.46, 0.76%, 0.61%

LAB 83.02, -5.85, 63.86

 

CMYK 7 / 0 / 65 / 9

HEX #D6E750

RGB 214 231 80

HSL 66.75, 0.76%, 0.61%

LAB 87.98, -24.7, 68.61

 

CMYK 0 / 63 / 65 / 9

HEX #E75550

RGB 231 85 80

HSL 1.99, 0.76%, 0.61%

LAB 56.15, 56.21, 33.42

 

CMYK 0 / 72 / 74 / 3

HEX #F74640

RGB 247 70 64

HSL 1.97, 0.92%, 0.61%

LAB 56.61, 66.27, 43.58

 

CMYK 0 / 63 / 65 / 9

HEX #E75550

RGB 231 85 80

HSL 1.99, 0.76%, 0.61%

LAB 56.15, 56.21, 33.42

 

CMYK 0 / 53 / 55 / 16

HEX #D76460

RGB 215 100 96

HSL 2.02, 0.6%, 0.61%

LAB 56.49, 44.87, 24.16

 

CMYK 0 / 42 / 44 / 22

HEX #C77370

RGB 199 115 112

HSL 2.07, 0.44%, 0.61%

LAB 57.63, 32.66, 16.08

 

CMYK 0 / 29 / 30 / 28

HEX #B78280

RGB 183 130 128

HSL 2.18, 0.28%, 0.61%

LAB 59.52, 20.17, 9.23

 

CMYK 0 / 13 / 14 / 35

HEX #A79190

RGB 167 145 144

HSL 2.61, 0.12%, 0.61%

LAB 62.07, 8.04, 3.55

 

CMYK 0 / 65 / 32 / 9

HEX #E7509C

RGB 231 80 156

HSL 329.8, 0.76%, 0.61%

LAB 57.2, 64.8, -9.61

 

CMYK 0 / 65 / 50 / 9

HEX #E75073

RGB 231 80 115

HSL 346.09, 0.76%, 0.61%

LAB 56.05, 60.72, 12.87

 

CMYK 0 / 63 / 65 / 9

HEX #E75550

RGB 231 85 80

HSL 1.99, 0.76%, 0.61%

LAB 56.15, 56.21, 33.42

 

CMYK 0 / 46 / 65 / 9

HEX #E77D50

RGB 231 125 80

HSL 17.88, 0.76%, 0.61%

LAB 63.54, 37.21, 42.29

 

CMYK 0 / 28 / 65 / 9

HEX #E7A650

RGB 231 166 80

HSL 34.17, 0.76%, 0.61%

LAB 72.79, 15.58, 52.83

 

CMYK 0 / 84 / 87 / 21

HEX #C9211B

RGB 201 33 27

HSL 2.07, 0.76%, 0.45%

LAB 43.63, 62.6, 47.13

 

CMYK 0 / 78 / 81 / 11

HEX #E2322C

RGB 226 50 44

HSL 1.98, 0.76%, 0.53%

LAB 50.25, 65.7, 46.43

 

CMYK 0 / 63 / 65 / 9

HEX #E75550

RGB 231 85 80

HSL 1.99, 0.76%, 0.61%

LAB 56.15, 56.21, 33.42

 

CMYK 0 / 49 / 51 / 7

HEX #EC7874

RGB 236 120 116

HSL 2, 0.76%, 0.69%

LAB 63.78, 44.27, 22.99

 

CMYK 0 / 35 / 37 / 5

HEX #F19C99

RGB 241 156 153

HSL 2.05, 0.76%, 0.77%

LAB 72.75, 31.37, 14.79

 

CMYK 0 / 63 / 65 / 9

HEX #E75651

RGB 231 86 81

HSL 2, 0.76%, 0.61%

LAB 56.33, 55.84, 33.07

 

CMYK 15 / 0 / 65 / 9

HEX #C4E750

RGB 196 231 80

HSL 73.91, 0.76%, 0.61%

LAB 86.73, -31.83, 66.93

 

CMYK 65 / 42 / 0 / 9

HEX #5087E7

RGB 80 135 231

HSL 218.15, 0.76%, 0.61%

LAB 56.88, 12.06, -54.05

 

CMYK 0 / 63 / 65 / 9

HEX #E75651

RGB 231 86 81

HSL 2, 0.76%, 0.61%

LAB 56.33, 55.84, 33.07

 

CMYK 65 / 0 / 63 / 9

HEX #50E755

RGB 80 231 85

HSL 121.99, 0.76%, 0.61%

LAB 81.57, -67.3, 57.83

 

CMYK 63 / 65 / 0 / 9

HEX #5550E7

RGB 85 80 231

HSL 241.99, 0.76%, 0.61%

LAB 43.42, 46.35, -75.81

 

CMYK 0 / 63 / 65 / 9

HEX #E75651

RGB 231 86 81

HSL 2, 0.76%, 0.61%

LAB 56.33, 55.84, 33.07

 

CMYK 15 / 0 / 65 / 9

HEX #C4E750

RGB 196 231 80

HSL 73.91, 0.76%, 0.61%

LAB 86.73, -31.83, 66.93

 

CMYK 65 / 2 / 0 / 9

HEX #50E2E7

RGB 80 226 231

HSL 181.99, 0.76%, 0.61%

LAB 82.84, -36.56, -13.86

 

CMYK 50 / 65 / 0 / 9

HEX #7350E7

RGB 115 80 231

HSL 253.91, 0.76%, 0.61%

LAB 45.84, 51.06, -71.75

 

CMYK 0 / 63 / 65 / 9

HEX #E75651

RGB 231 86 81

HSL 2, 0.76%, 0.61%

LAB 56.33, 55.84, 33.07

 

CMYK 35 / 0 / 65 / 9

HEX #97E750

RGB 151 231 80

HSL 91.79, 0.76%, 0.61%

LAB 84.13, -48.38, 63.38

 

CMYK 65 / 2 / 0 / 9

HEX #50E2E7

RGB 80 226 231

HSL 181.99, 0.76%, 0.61%

LAB 82.84, -36.56, -13.86

 

CMYK 30 / 65 / 0 / 9

HEX #A150E7

RGB 161 80 231

HSL 272.19, 0.76%, 0.61%

LAB 50.79, 59.93, -63.5

 

Description

Color code: HEX #E75651 | qconv.com Color code: HEX #E75651 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 86 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 86 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 65 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 65% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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