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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E751E8 it is the complementary color #18AE17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E751E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E751E8 shade: #EC51E3, #FD63F6, #FF75FF, #FF87FF and #FF99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E751E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E751E8 shade: #E751E8, #D63FD5, #C52DC2, #B41BAF and #A3099C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E751E8 shade: #E74FE8, #E84FC0, #E84F97, #E84F6D and #E84F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E751E8 shade: #E74FE8, #BE4FE8, #954FE8, #6B4FE8 and #4F4FE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E751E8 shade matches the following richer shades: #E74FE8 and #F73FF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E751E8 shade: #E74FE8, #D75FD8, #C76FC8, #B77FB8 and #A88FA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E751E8 shade: #944FE8, #BD4FE8, #E64FE8, #E84FC2 and #E84F99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E751E8 shade: #C91ACA, #E22AE3, #E74FE8, #EC73ED and #F198F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E751E8 shade: #E751E8, #E86B4F and #4FE8A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E751E8 shade: #E751E8, #E8E64F and #4FE8E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E751E8 shade: #E751E8, #E86B4F, #52E84F and #4FCCE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E751E8 shade: #E751E8, #E8994F, #52E84F and #4F9EE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 0 / 9

HEX #E751E8

RGB 231 81 232

HSL 299.6, 0.77%, 0.61%

LAB 60.52, 75.06, -47.96

 

Complementary color

CMYK 86 / 0 / 87 / 32

HEX #18AE17

RGB 24 174 23

HSL 119.6, 0.77%, 0.39%

LAB 62.11, -62.52, 59.08

 

CMYK 0 / 66 / 4 / 7

HEX #EC51E3

RGB 236 81 227

HSL 303.48, 0.8%, 0.62%

LAB 61.01, 75.4, -44.33

 

CMYK 0 / 61 / 3 / 1

HEX #FD63F6

RGB 253 99 246

HSL 302.73, 0.97%, 0.69%

LAB 66.87, 75.51, -45.5

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 65 / 0 / 9

HEX #E751E8

RGB 231 81 232

HSL 299.6, 0.77%, 0.61%

LAB 60.52, 75.06, -47.96

 

CMYK 0 / 71 / 0 / 16

HEX #D63FD5

RGB 214 63 213

HSL 300.4, 0.65%, 0.54%

LAB 54.72, 74.57, -46.6

 

CMYK 0 / 77 / 2 / 23

HEX #C52DC2

RGB 197 45 194

HSL 301.18, 0.63%, 0.47%

LAB 49.06, 73.47, -44.83

 

CMYK 0 / 85 / 3 / 29

HEX #B41BAF

RGB 180 27 175

HSL 301.96, 0.74%, 0.41%

LAB 43.63, 71.47, -42.5

 

CMYK 0 / 94 / 4 / 36

HEX #A3099C

RGB 163 9 156

HSL 302.73, 0.9%, 0.34%

LAB 38.52, 68.24, -39.44

 

CMYK 0 / 66 / 0 / 9

HEX #E74FE8

RGB 231 79 232

HSL 299.61, 0.77%, 0.61%

LAB 60.25, 75.79, -48.37

 

CMYK 0 / 66 / 17 / 9

HEX #E84FC0

RGB 232 79 192

HSL 315.69, 0.77%, 0.61%

LAB 58.56, 70.02, -28.37

 

CMYK 0 / 66 / 35 / 9

HEX #E84F97

RGB 232 79 151

HSL 331.76, 0.77%, 0.61%

LAB 57.06, 64.9, -6.88

 

CMYK 0 / 66 / 53 / 9

HEX #E84F6D

RGB 232 79 109

HSL 348.24, 0.77%, 0.61%

LAB 55.94, 60.94, 16.29

 

CMYK 0 / 66 / 66 / 9

HEX #E84F4F

RGB 232 79 79

HSL 0, 0.77%, 0.61%

LAB 55.39, 58.95, 33.09

 

CMYK 0 / 66 / 0 / 9

HEX #E74FE8

RGB 231 79 232

HSL 299.61, 0.77%, 0.61%

LAB 60.25, 75.79, -48.37

 

CMYK 18 / 66 / 0 / 9

HEX #BE4FE8

RGB 190 79 232

HSL 283.53, 0.77%, 0.61%

LAB 54.41, 66.76, -58.03

 

CMYK 36 / 66 / 0 / 9

HEX #954FE8

RGB 149 79 232

HSL 267.45, 0.77%, 0.61%

LAB 49.26, 58.2, -66.6

 

CMYK 54 / 66 / 0 / 9

HEX #6B4FE8

RGB 107 79 232

HSL 250.98, 0.77%, 0.61%

LAB 45, 50.54, -73.71

 

CMYK 66 / 66 / 0 / 9

HEX #4F4FE8

RGB 79 79 232

HSL 240, 0.77%, 0.61%

LAB 42.88, 46.46, -77.26

 

CMYK 0 / 66 / 0 / 9

HEX #E74FE8

RGB 231 79 232

HSL 299.61, 0.77%, 0.61%

LAB 60.25, 75.79, -48.37

 

CMYK 0 / 75 / 0 / 3

HEX #F73FF8

RGB 247 63 248

HSL 299.68, 0.93%, 0.61%

LAB 61.75, 86.73, -54.76

 

CMYK 0 / 66 / 0 / 9

HEX #E74FE8

RGB 231 79 232

HSL 299.61, 0.77%, 0.61%

LAB 60.25, 75.79, -48.37

 

CMYK 0 / 56 / 0 / 15

HEX #D75FD8

RGB 215 95 216

HSL 299.5, 0.61%, 0.61%

LAB 59.52, 62.78, -40.71

 

CMYK 0 / 45 / 0 / 22

HEX #C76FC8

RGB 199 111 200

HSL 299.33, 0.45%, 0.61%

LAB 59.6, 47.78, -31.69

 

CMYK 1 / 31 / 0 / 28

HEX #B77FB8

RGB 183 127 184

HSL 298.95, 0.29%, 0.61%

LAB 60.52, 31.15, -21.33

 

CMYK 0 / 15 / 0 / 34

HEX #A88FA8

RGB 168 143 168

HSL 300, 0.13%, 0.61%

LAB 62.34, 13.9, -9.65

 

CMYK 36 / 66 / 0 / 9

HEX #944FE8

RGB 148 79 232

HSL 267.06, 0.77%, 0.61%

LAB 49.15, 58.01, -66.79

 

CMYK 19 / 66 / 0 / 9

HEX #BD4FE8

RGB 189 79 232

HSL 283.14, 0.77%, 0.61%

LAB 54.28, 66.54, -58.25

 

CMYK 1 / 66 / 0 / 9

HEX #E64FE8

RGB 230 79 232

HSL 299.22, 0.77%, 0.61%

LAB 60.11, 75.57, -48.62

 

CMYK 0 / 66 / 16 / 9

HEX #E84FC2

RGB 232 79 194

HSL 314.9, 0.77%, 0.61%

LAB 58.64, 70.29, -29.39

 

CMYK 0 / 66 / 34 / 9

HEX #E84F99

RGB 232 79 153

HSL 330.98, 0.77%, 0.61%

LAB 57.12, 65.13, -7.95

 

CMYK 0 / 87 / 0 / 21

HEX #C91ACA

RGB 201 26 202

HSL 299.66, 0.77%, 0.45%

LAB 48.79, 79.53, -49.86

 

CMYK 0 / 81 / 0 / 11

HEX #E22AE3

RGB 226 42 227

HSL 299.68, 0.77%, 0.53%

LAB 55.45, 84.74, -53.24

 

CMYK 0 / 66 / 0 / 9

HEX #E74FE8

RGB 231 79 232

HSL 299.61, 0.77%, 0.61%

LAB 60.25, 75.79, -48.37

 

CMYK 0 / 51 / 0 / 7

HEX #EC73ED

RGB 236 115 237

HSL 299.51, 0.77%, 0.69%

LAB 66.68, 62.81, -40.99

 

CMYK 0 / 37 / 0 / 5

HEX #F198F2

RGB 241 152 242

HSL 299.33, 0.78%, 0.77%

LAB 74.55, 46.86, -31.46

 

CMYK 0 / 65 / 0 / 9

HEX #E751E8

RGB 231 81 232

HSL 299.6, 0.77%, 0.61%

LAB 60.52, 75.06, -47.96

 

CMYK 0 / 54 / 66 / 9

HEX #E86B4F

RGB 232 107 79

HSL 10.98, 0.77%, 0.61%

LAB 60.1, 46.51, 38.8

 

CMYK 66 / 0 / 28 / 9

HEX #4FE8A8

RGB 79 232 168

HSL 154.9, 0.77%, 0.61%

LAB 83.02, -54.8, 19.59

 

CMYK 0 / 65 / 0 / 9

HEX #E751E8

RGB 231 81 232

HSL 299.6, 0.77%, 0.61%

LAB 60.52, 75.06, -47.96

 

CMYK 0 / 1 / 66 / 9

HEX #E8E64F

RGB 232 230 79

HSL 59.22, 0.77%, 0.61%

LAB 89.07, -16.97, 70.54

 

CMYK 66 / 0 / 1 / 9

HEX #4FE8E6

RGB 79 232 230

HSL 179.22, 0.77%, 0.61%

LAB 84.53, -39.72, -10.82

 

CMYK 0 / 65 / 0 / 9

HEX #E751E8

RGB 231 81 232

HSL 299.6, 0.77%, 0.61%

LAB 60.52, 75.06, -47.96

 

CMYK 0 / 54 / 66 / 9

HEX #E86B4F

RGB 232 107 79

HSL 10.98, 0.77%, 0.61%

LAB 60.1, 46.51, 38.8

 

CMYK 65 / 0 / 66 / 9

HEX #52E84F

RGB 82 232 79

HSL 118.82, 0.77%, 0.61%

LAB 81.88, -67.83, 60.61

 

CMYK 66 / 12 / 0 / 9

HEX #4FCCE8

RGB 79 204 232

HSL 190.98, 0.77%, 0.61%

LAB 76.48, -25.87, -24.02

 

CMYK 0 / 65 / 0 / 9

HEX #E751E8

RGB 231 81 232

HSL 299.6, 0.77%, 0.61%

LAB 60.52, 75.06, -47.96

 

CMYK 0 / 34 / 66 / 9

HEX #E8994F

RGB 232 153 79

HSL 29.02, 0.77%, 0.61%

LAB 69.83, 22.85, 50.04

 

CMYK 65 / 0 / 66 / 9

HEX #52E84F

RGB 82 232 79

HSL 118.82, 0.77%, 0.61%

LAB 81.88, -67.83, 60.61

 

CMYK 66 / 32 / 0 / 9

HEX #4F9EE8

RGB 79 158 232

HSL 209.02, 0.77%, 0.61%

LAB 63.3, -1.29, -44.45

 

Description

Color code: HEX #E751E8 | qconv.com Color code: HEX #E751E8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 81 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 81 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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