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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E74F38 it is the complementary color #18B0C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E74F38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E74F38 shade: #EC4F33, #FD6146, #FF7359, #FF856C and #FF977F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E74F38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E74F38 shade: #E74F38, #D63D25, #C52B12, #B41900 and #A30700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E74F38 shade: #E64E37 and #E63737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E74F38 shade: #E64E37, #E67E37, #E6AD37, #E6DC37 and #C2E637

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E74F38 shade matches the following richer shades: #E64E37 and #F84125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E74F38 shade: #E64E37, #D45C49, #C2695C, #B0766E and #9E8480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E74F38 shade: #E63780, #E63752, #E64C37, #E67A37 and #E6A937

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E74F38 shade: #B52B16, #D9341B, #E64E37, #EB6F5C and #EF8F81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E74F38 shade: #E74F38, #AFE637 and #3769E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E74F38 shade: #E74F38, #37E64C and #4C37E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E74F38 shade: #E74F38, #AFE637, #37D2E6 and #6F37E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E74F38 shade: #E74F38, #7AE637, #37D2E6 and #A337E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 76 / 9

HEX #E74F38

RGB 231 79 56

HSL 7.89, 0.78%, 0.56%

LAB 54.93, 57.56, 45.22

 

Complementary color

CMYK 88 / 12 / 0 / 22

HEX #18B0C7

RGB 24 176 199

HSL 187.89, 0.78%, 0.44%

LAB 66.03, -28.15, -22.05

 

CMYK 0 / 67 / 78 / 7

HEX #EC4F33

RGB 236 79 51

HSL 9.08, 0.83%, 0.56%

LAB 55.75, 59.03, 48.9

 

CMYK 0 / 62 / 72 / 1

HEX #FD6146

RGB 253 97 70

HSL 8.85, 0.98%, 0.63%

LAB 61.55, 58, 46.12

 

CMYK 0 / 55 / 65 / 0

HEX #FF7359

RGB 255 115 89

HSL 9.4, 1%, 0.67%

LAB 65.15, 51.59, 40.27

 

CMYK 0 / 48 / 58 / 0

HEX #FF856C

RGB 255 133 108

HSL 10.2, 1%, 0.71%

LAB 68.84, 44.14, 34.55

 

CMYK 0 / 41 / 50 / 0

HEX #FF977F

RGB 255 151 127

HSL 11.25, 1%, 0.75%

LAB 72.84, 36.57, 29.43

 

CMYK 0 / 66 / 76 / 9

HEX #E74F38

RGB 231 79 56

HSL 7.89, 0.78%, 0.56%

LAB 54.93, 57.56, 45.22

 

CMYK 0 / 71 / 83 / 16

HEX #D63D25

RGB 214 61 37

HSL 8.14, 0.71%, 0.49%

LAB 49.21, 58.34, 48.17

 

CMYK 0 / 78 / 91 / 23

HEX #C52B12

RGB 197 43 18

HSL 8.38, 0.83%, 0.42%

LAB 43.71, 58.63, 50.72

 

CMYK 0 / 86 / 100 / 29

HEX #B41900

RGB 180 25 0

HSL 8.33, 1%, 0.35%

LAB 38.55, 58.1, 52.21

 

CMYK 0 / 96 / 100 / 36

HEX #A30700

RGB 163 7 0

HSL 2.58, 1%, 0.32%

LAB 33.85, 56.39, 47.9

 

CMYK 0 / 66 / 76 / 10

HEX #E64E37

RGB 230 78 55

HSL 7.89, 0.78%, 0.56%

LAB 54.6, 57.6, 45.34

 

CMYK 0 / 76 / 76 / 10

HEX #E63737

RGB 230 55 55

HSL 0, 0.78%, 0.56%

LAB 51.65, 65.74, 42.19

 

CMYK 0 / 66 / 76 / 10

HEX #E64E37

RGB 230 78 55

HSL 7.89, 0.78%, 0.56%

LAB 54.6, 57.6, 45.34

 

CMYK 0 / 45 / 76 / 10

HEX #E67E37

RGB 230 126 55

HSL 24.34, 0.78%, 0.56%

LAB 63.36, 35.06, 54.32

 

CMYK 0 / 25 / 76 / 10

HEX #E6AD37

RGB 230 173 55

HSL 40.46, 0.78%, 0.56%

LAB 74.18, 10.2, 64.83

 

CMYK 0 / 4 / 76 / 10

HEX #E6DC37

RGB 230 220 55

HSL 56.57, 0.78%, 0.56%

LAB 86.15, -13.98, 75.93

 

CMYK 16 / 0 / 76 / 10

HEX #C2E637

RGB 194 230 55

HSL 72.34, 0.78%, 0.56%

LAB 86.18, -33.49, 74.97

 

CMYK 0 / 66 / 76 / 10

HEX #E64E37

RGB 230 78 55

HSL 7.89, 0.78%, 0.56%

LAB 54.6, 57.6, 45.34

 

CMYK 0 / 74 / 85 / 3

HEX #F84125

RGB 248 65 37

HSL 7.96, 0.94%, 0.56%

LAB 55.96, 67.43, 56.49

 

CMYK 0 / 66 / 76 / 10

HEX #E64E37

RGB 230 78 55

HSL 7.89, 0.78%, 0.56%

LAB 54.6, 57.6, 45.34

 

CMYK 0 / 57 / 66 / 17

HEX #D45C49

RGB 212 92 73

HSL 8.2, 0.62%, 0.56%

LAB 54.17, 46.05, 34.25

 

CMYK 0 / 46 / 53 / 24

HEX #C2695C

RGB 194 105 92

HSL 7.65, 0.46%, 0.56%

LAB 54.39, 34.09, 23.14

 

CMYK 0 / 33 / 38 / 31

HEX #B0766E

RGB 176 118 110

HSL 7.27, 0.29%, 0.56%

LAB 55.39, 21.75, 13.7

 

CMYK 0 / 16 / 19 / 38

HEX #9E8480

RGB 158 132 128

HSL 8, 0.13%, 0.56%

LAB 57.4, 9.24, 5.85

 

CMYK 0 / 76 / 44 / 10

HEX #E63780

RGB 230 55 128

HSL 334.97, 0.78%, 0.56%

LAB 53.07, 70.27, 0.85

 

CMYK 0 / 76 / 64 / 10

HEX #E63752

RGB 230 55 82

HSL 350.74, 0.78%, 0.56%

LAB 52.02, 66.95, 27.04

 

CMYK 0 / 67 / 76 / 10

HEX #E64C37

RGB 230 76 55

HSL 7.2, 0.78%, 0.56%

LAB 54.31, 58.39, 45.03

 

CMYK 0 / 47 / 76 / 10

HEX #E67A37

RGB 230 122 55

HSL 22.97, 0.78%, 0.56%

LAB 62.52, 37.11, 53.48

 

CMYK 0 / 27 / 76 / 10

HEX #E6A937

RGB 230 169 55

HSL 39.09, 0.78%, 0.56%

LAB 73.2, 12.32, 63.9

 

CMYK 0 / 76 / 88 / 29

HEX #B52B16

RGB 181 43 22

HSL 7.92, 0.78%, 0.4%

LAB 40.59, 53.8, 45.31

 

CMYK 0 / 76 / 88 / 15

HEX #D9341B

RGB 217 52 27

HSL 7.89, 0.78%, 0.48%

LAB 48.62, 62.06, 52.45

 

CMYK 0 / 66 / 76 / 10

HEX #E64E37

RGB 230 78 55

HSL 7.89, 0.78%, 0.56%

LAB 54.6, 57.6, 45.34

 

CMYK 0 / 53 / 61 / 8

HEX #EB6F5C

RGB 235 111 92

HSL 7.97, 0.78%, 0.64%

LAB 61.48, 46.48, 33.45

 

CMYK 0 / 40 / 46 / 6

HEX #EF8F81

RGB 239 143 129

HSL 7.64, 0.77%, 0.72%

LAB 69.17, 34.85, 23.07

 

CMYK 0 / 66 / 76 / 9

HEX #E74F38

RGB 231 79 56

HSL 7.89, 0.78%, 0.56%

LAB 54.93, 57.56, 45.22

 

CMYK 24 / 0 / 76 / 10

HEX #AFE637

RGB 175 230 55

HSL 78.86, 0.78%, 0.56%

LAB 84.99, -40.85, 73.43

 

CMYK 76 / 54 / 0 / 10

HEX #3769E6

RGB 55 105 230

HSL 222.86, 0.78%, 0.56%

LAB 47.79, 26.89, -68.18

 

CMYK 0 / 66 / 76 / 9

HEX #E74F38

RGB 231 79 56

HSL 7.89, 0.78%, 0.56%

LAB 54.93, 57.56, 45.22

 

CMYK 76 / 0 / 67 / 10

HEX #37E64C

RGB 55 230 76

HSL 127.2, 0.78%, 0.56%

LAB 80.7, -71.98, 60.36

 

CMYK 67 / 76 / 0 / 10

HEX #4C37E6

RGB 76 55 230

HSL 247.2, 0.78%, 0.56%

LAB 37.81, 58.5, -84.49

 

CMYK 0 / 66 / 76 / 9

HEX #E74F38

RGB 231 79 56

HSL 7.89, 0.78%, 0.56%

LAB 54.93, 57.56, 45.22

 

CMYK 24 / 0 / 76 / 10

HEX #AFE637

RGB 175 230 55

HSL 78.86, 0.78%, 0.56%

LAB 84.99, -40.85, 73.43

 

CMYK 76 / 9 / 0 / 10

HEX #37D2E6

RGB 55 210 230

HSL 186.86, 0.78%, 0.56%

LAB 77.65, -32.42, -21.21

 

CMYK 52 / 76 / 0 / 10

HEX #6F37E6

RGB 111 55 230

HSL 259.2, 0.78%, 0.56%

LAB 40.94, 62.53, -79.23

 

CMYK 0 / 66 / 76 / 9

HEX #E74F38

RGB 231 79 56

HSL 7.89, 0.78%, 0.56%

LAB 54.93, 57.56, 45.22

 

CMYK 47 / 0 / 76 / 10

HEX #7AE637

RGB 122 230 55

HSL 97.03, 0.78%, 0.56%

LAB 82.38, -58.94, 70.05

 

CMYK 76 / 9 / 0 / 10

HEX #37D2E6

RGB 55 210 230

HSL 186.86, 0.78%, 0.56%

LAB 77.65, -32.42, -21.21

 

CMYK 29 / 76 / 0 / 10

HEX #A337E6

RGB 163 55 230

HSL 277.03, 0.78%, 0.56%

LAB 47.28, 70.51, -68.6

 

Description

Color code: HEX #E74F38 | qconv.com Color code: HEX #E74F38 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 79 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 79 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 76 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 76% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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