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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E74E85 it is the complementary color #18B17A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E74E85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E74E85 shade: #EC4E80, #FD6093, #FF72A6, #FF84B9 and #FF96CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E74E85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E74E85 shade: #E74E85, #D63C72, #C52A5F, #B4184C and #A30639

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E74E85 shade: #E75086, #E7505E and #E75050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E74E85 shade: #E75086, #E750AF, #E750D8, #CE50E7 and #A550E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E74E85 shade matches the following richer shades: #E75086 and #F74082

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E74E85 shade: #E75086, #D7608B, #C7708F, #B78094 and #A79098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E74E85 shade: #E750D8, #E750B0, #E75087, #E7505F and #E76950

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E74E85 shade: #C91B5A, #E22C6D, #E75086, #EC749F and #F199B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E74E85 shade: #E74E85, #E7CE50 and #50C4E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E74E85 shade: #E74E85, #87E750 and #5087E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E74E85 shade: #E74E85, #E7CE50, #50E7B0 and #5069E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E74E85 shade: #E74E85, #D3E750, #50E7B0 and #6450E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 42 / 9

HEX #E74E85

RGB 231 78 133

HSL 338.43, 0.76%, 0.61%

LAB 56.22, 63.13, 2.47

 

Complementary color

CMYK 86 / 0 / 31 / 31

HEX #18B17A

RGB 24 177 122

HSL 158.43, 0.76%, 0.39%

LAB 64.2, -50.22, 17.87

 

CMYK 0 / 67 / 46 / 7

HEX #EC4E80

RGB 236 78 128

HSL 341.01, 0.81%, 0.62%

LAB 56.92, 64.14, 6.53

 

CMYK 0 / 62 / 42 / 1

HEX #FD6093

RGB 253 96 147

HSL 340.51, 0.98%, 0.68%

LAB 62.81, 63.83, 4.27

 

CMYK 0 / 55 / 35 / 0

HEX #FF72A6

RGB 255 114 166

HSL 337.87, 1%, 0.72%

LAB 66.56, 58.63, -1.12

 

CMYK 0 / 48 / 27 / 0

HEX #FF84B9

RGB 255 132 185

HSL 334.15, 1%, 0.76%

LAB 70.36, 52.46, -6.21

 

CMYK 0 / 41 / 20 / 0

HEX #FF96CC

RGB 255 150 204

HSL 329.14, 1%, 0.79%

LAB 74.47, 46.12, -10.65

 

CMYK 0 / 66 / 42 / 9

HEX #E74E85

RGB 231 78 133

HSL 338.43, 0.76%, 0.61%

LAB 56.22, 63.13, 2.47

 

CMYK 0 / 72 / 47 / 16

HEX #D63C72

RGB 214 60 114

HSL 338.96, 0.65%, 0.54%

LAB 50.38, 63.08, 5.04

 

CMYK 0 / 79 / 52 / 23

HEX #C52A5F

RGB 197 42 95

HSL 339.48, 0.65%, 0.47%

LAB 44.73, 62.45, 8.21

 

CMYK 0 / 87 / 58 / 29

HEX #B4184C

RGB 180 24 76

HSL 340, 0.76%, 0.4%

LAB 39.37, 60.94, 12.2

 

CMYK 0 / 96 / 65 / 36

HEX #A30639

RGB 163 6 57

HSL 340.51, 0.93%, 0.33%

LAB 34.42, 58.21, 17.19

 

CMYK 0 / 65 / 42 / 9

HEX #E75086

RGB 231 80 134

HSL 338.54, 0.76%, 0.61%

LAB 56.53, 62.45, 2.33

 

CMYK 0 / 65 / 59 / 9

HEX #E7505E

RGB 231 80 94

HSL 354.44, 0.76%, 0.61%

LAB 55.62, 59.14, 24.65

 

CMYK 0 / 65 / 65 / 9

HEX #E75050

RGB 231 80 80

HSL 0, 0.76%, 0.61%

LAB 55.39, 58.28, 32.47

 

CMYK 0 / 65 / 42 / 9

HEX #E75086

RGB 231 80 134

HSL 338.54, 0.76%, 0.61%

LAB 56.53, 62.45, 2.33

 

CMYK 0 / 65 / 24 / 9

HEX #E750AF

RGB 231 80 175

HSL 322.25, 0.76%, 0.61%

LAB 57.87, 67.11, -19.66

 

CMYK 0 / 65 / 6 / 9

HEX #E750D8

RGB 231 80 216

HSL 305.96, 0.76%, 0.61%

LAB 59.6, 72.9, -40.41

 

CMYK 11 / 65 / 0 / 9

HEX #CE50E7

RGB 206 80 231

HSL 290.07, 0.76%, 0.61%

LAB 56.71, 69.67, -53.67

 

CMYK 29 / 65 / 0 / 9

HEX #A550E7

RGB 165 80 231

HSL 273.77, 0.76%, 0.61%

LAB 51.27, 60.77, -62.69

 

CMYK 0 / 65 / 42 / 9

HEX #E75086

RGB 231 80 134

HSL 338.54, 0.76%, 0.61%

LAB 56.53, 62.45, 2.33

 

CMYK 0 / 74 / 47 / 3

HEX #F74082

RGB 247 64 130

HSL 338.36, 0.92%, 0.61%

LAB 57.13, 72.23, 5.9

 

CMYK 0 / 65 / 42 / 9

HEX #E75086

RGB 231 80 134

HSL 338.54, 0.76%, 0.61%

LAB 56.53, 62.45, 2.33

 

CMYK 0 / 55 / 35 / 16

HEX #D7608B

RGB 215 96 139

HSL 338.32, 0.6%, 0.61%

LAB 56.76, 51.03, -0.58

 

CMYK 0 / 44 / 28 / 22

HEX #C7708F

RGB 199 112 143

HSL 338.62, 0.44%, 0.61%

LAB 57.76, 38.05, -1.71

 

CMYK 0 / 30 / 19 / 28

HEX #B78094

RGB 183 128 148

HSL 338.18, 0.28%, 0.61%

LAB 59.57, 24.26, -2.18

 

CMYK 0 / 14 / 9 / 35

HEX #A79098

RGB 167 144 152

HSL 339.13, 0.12%, 0.61%

LAB 62.02, 9.99, -1.05

 

CMYK 0 / 65 / 6 / 9

HEX #E750D8

RGB 231 80 216

HSL 305.96, 0.76%, 0.61%

LAB 59.6, 72.9, -40.41

 

CMYK 0 / 65 / 24 / 9

HEX #E750B0

RGB 231 80 176

HSL 321.85, 0.76%, 0.61%

LAB 57.9, 67.24, -20.18

 

CMYK 0 / 65 / 42 / 9

HEX #E75087

RGB 231 80 135

HSL 338.15, 0.76%, 0.61%

LAB 56.56, 62.55, 1.78

 

CMYK 0 / 65 / 59 / 9

HEX #E7505F

RGB 231 80 95

HSL 354.04, 0.76%, 0.61%

LAB 55.64, 59.2, 24.09

 

CMYK 0 / 55 / 65 / 9

HEX #E76950

RGB 231 105 80

HSL 9.93, 0.76%, 0.61%

LAB 59.59, 47.16, 37.6

 

CMYK 0 / 87 / 55 / 21

HEX #C91B5A

RGB 201 27 90

HSL 338.28, 0.76%, 0.45%

LAB 44.15, 66.67, 10.62

 

CMYK 0 / 81 / 52 / 11

HEX #E22C6D

RGB 226 44 109

HSL 338.57, 0.76%, 0.53%

LAB 50.77, 70.65, 8.92

 

CMYK 0 / 65 / 42 / 9

HEX #E75086

RGB 231 80 134

HSL 338.54, 0.76%, 0.61%

LAB 56.53, 62.45, 2.33

 

CMYK 0 / 51 / 33 / 7

HEX #EC749F

RGB 236 116 159

HSL 338.5, 0.76%, 0.69%

LAB 64.02, 50.74, -1.16

 

CMYK 0 / 37 / 24 / 5

HEX #F199B8

RGB 241 153 184

HSL 338.86, 0.76%, 0.77%

LAB 72.85, 36.96, -2.18

 

CMYK 0 / 66 / 42 / 9

HEX #E74E85

RGB 231 78 133

HSL 338.43, 0.76%, 0.61%

LAB 56.22, 63.13, 2.47

 

CMYK 0 / 11 / 65 / 9

HEX #E7CE50

RGB 231 206 80

HSL 50.07, 0.76%, 0.61%

LAB 82.76, -5.34, 63.59

 

CMYK 65 / 15 / 0 / 9

HEX #50C4E7

RGB 80 196 231

HSL 193.91, 0.76%, 0.61%

LAB 74.16, -22, -27.02

 

CMYK 0 / 66 / 42 / 9

HEX #E74E85

RGB 231 78 133

HSL 338.43, 0.76%, 0.61%

LAB 56.22, 63.13, 2.47

 

CMYK 42 / 0 / 65 / 9

HEX #87E750

RGB 135 231 80

HSL 98.15, 0.76%, 0.61%

LAB 83.38, -53.62, 62.36

 

CMYK 65 / 42 / 0 / 9

HEX #5087E7

RGB 80 135 231

HSL 218.15, 0.76%, 0.61%

LAB 56.88, 12.06, -54.05

 

CMYK 0 / 66 / 42 / 9

HEX #E74E85

RGB 231 78 133

HSL 338.43, 0.76%, 0.61%

LAB 56.22, 63.13, 2.47

 

CMYK 0 / 11 / 65 / 9

HEX #E7CE50

RGB 231 206 80

HSL 50.07, 0.76%, 0.61%

LAB 82.76, -5.34, 63.59

 

CMYK 65 / 0 / 24 / 9

HEX #50E7B0

RGB 80 231 176

HSL 158.15, 0.76%, 0.61%

LAB 82.91, -52.51, 15.27

 

CMYK 65 / 55 / 0 / 9

HEX #5069E7

RGB 80 105 231

HSL 230.07, 0.76%, 0.61%

LAB 48.98, 30.51, -66.76

 

CMYK 0 / 66 / 42 / 9

HEX #E74E85

RGB 231 78 133

HSL 338.43, 0.76%, 0.61%

LAB 56.22, 63.13, 2.47

 

CMYK 9 / 0 / 65 / 9

HEX #D3E750

RGB 211 231 80

HSL 67.95, 0.76%, 0.61%

LAB 87.77, -25.9, 68.32

 

CMYK 65 / 0 / 24 / 9

HEX #50E7B0

RGB 80 231 176

HSL 158.15, 0.76%, 0.61%

LAB 82.91, -52.51, 15.27

 

CMYK 57 / 65 / 0 / 9

HEX #6450E7

RGB 100 80 231

HSL 247.95, 0.76%, 0.61%

LAB 44.54, 48.57, -73.93

 

Description

Color code: HEX #E74E85 | qconv.com Color code: HEX #E74E85 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 78 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 78 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 42 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 42% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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