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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E74D3F it is the complementary color #18B2C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E74D3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E74D3F shade: #EC4D3A, #FD5F4D, #FF7160, #FF8373 and #FF9586

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E74D3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E74D3F shade: #E74D3F, #D63B2C, #C52919, #B41706 and #A30500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E74D3F shade: #E74E40 and #E74040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E74D3F shade: #E74E40, #E77B40, #E7A840, #E7D540 and #CCE740

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E74D3F shade matches the following richer shades: #E74E40 and #F9402F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E74D3F shade: #E74E40, #D65D52, #C56B63, #B37A74 and #A28886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E74D3F shade: #E7408C, #E7405F, #E74E40, #E77B40 and #E7A740

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E74D3F shade: #BE2517, #E32D1C, #E74E40, #EC7065 and #F1928A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E74D3F shade: #E74D3F, #B8E740 and #4075E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E74D3F shade: #E74D3F, #40E74E and #4E40E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E74D3F shade: #E74D3F, #B8E740, #40DAE7 and #7040E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E74D3F shade: #E74D3F, #86E740, #40DAE7 and #A240E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 73 / 9

HEX #E74D3F

RGB 231 77 63

HSL 5, 0.78%, 0.58%

LAB 54.72, 58.64, 41.23

 

Complementary color

CMYK 88 / 7 / 0 / 25

HEX #18B2C0

RGB 24 178 192

HSL 185, 0.78%, 0.42%

LAB 66.4, -31.38, -17.63

 

CMYK 0 / 67 / 75 / 7

HEX #EC4D3A

RGB 236 77 58

HSL 6.4, 0.82%, 0.58%

LAB 55.53, 60.06, 45.06

 

CMYK 0 / 62 / 70 / 1

HEX #FD5F4D

RGB 253 95 77

HSL 6.14, 0.98%, 0.65%

LAB 61.31, 59.16, 42.12

 

CMYK 0 / 56 / 62 / 0

HEX #FF7160

RGB 255 113 96

HSL 6.42, 1%, 0.69%

LAB 64.89, 52.93, 36.14

 

CMYK 0 / 49 / 55 / 0

HEX #FF8373

RGB 255 131 115

HSL 6.86, 1%, 0.73%

LAB 68.56, 45.65, 30.36

 

CMYK 0 / 42 / 47 / 0

HEX #FF9586

RGB 255 149 134

HSL 7.44, 1%, 0.76%

LAB 72.55, 38.23, 25.22

 

CMYK 0 / 67 / 73 / 9

HEX #E74D3F

RGB 231 77 63

HSL 5, 0.78%, 0.58%

LAB 54.72, 58.64, 41.23

 

CMYK 0 / 72 / 79 / 16

HEX #D63B2C

RGB 214 59 44

HSL 5.29, 0.67%, 0.51%

LAB 49.01, 59.25, 44.45

 

CMYK 0 / 79 / 87 / 23

HEX #C52919

RGB 197 41 25

HSL 5.58, 0.77%, 0.44%

LAB 43.55, 59.34, 47.65

 

CMYK 0 / 87 / 97 / 29

HEX #B41706

RGB 180 23 6

HSL 5.86, 0.94%, 0.36%

LAB 38.43, 58.58, 49.88

 

CMYK 0 / 97 / 100 / 36

HEX #A30500

RGB 163 5 0

HSL 1.84, 1%, 0.32%

LAB 33.76, 56.65, 47.84

 

CMYK 0 / 66 / 72 / 9

HEX #E74E40

RGB 231 78 64

HSL 5.03, 0.78%, 0.58%

LAB 54.87, 58.29, 40.86

 

CMYK 0 / 72 / 72 / 9

HEX #E74040

RGB 231 64 64

HSL 0, 0.78%, 0.58%

LAB 52.98, 63.48, 38.71

 

CMYK 0 / 66 / 72 / 9

HEX #E74E40

RGB 231 78 64

HSL 5.03, 0.78%, 0.58%

LAB 54.87, 58.29, 40.86

 

CMYK 0 / 47 / 72 / 9

HEX #E77B40

RGB 231 123 64

HSL 21.2, 0.78%, 0.58%

LAB 62.95, 37.38, 49.72

 

CMYK 0 / 27 / 72 / 9

HEX #E7A840

RGB 231 168 64

HSL 37.37, 0.78%, 0.58%

LAB 73.13, 13.66, 60.29

 

CMYK 0 / 8 / 72 / 9

HEX #E7D540

RGB 231 213 64

HSL 53.53, 0.78%, 0.58%

LAB 84.46, -9.7, 71.43

 

CMYK 12 / 0 / 72 / 9

HEX #CCE740

RGB 204 231 64

HSL 69.7, 0.78%, 0.58%

LAB 87.17, -29.57, 73.31

 

CMYK 0 / 66 / 72 / 9

HEX #E74E40

RGB 231 78 64

HSL 5.03, 0.78%, 0.58%

LAB 54.87, 58.29, 40.86

 

CMYK 0 / 74 / 81 / 2

HEX #F9402F

RGB 249 64 47

HSL 5.05, 0.94%, 0.58%

LAB 56.1, 68.28, 52.02

 

CMYK 0 / 66 / 72 / 9

HEX #E74E40

RGB 231 78 64

HSL 5.03, 0.78%, 0.58%

LAB 54.87, 58.29, 40.86

 

CMYK 0 / 57 / 62 / 16

HEX #D65D52

RGB 214 93 82

HSL 5, 0.62%, 0.58%

LAB 54.8, 46.86, 29.99

 

CMYK 0 / 46 / 50 / 23

HEX #C56B63

RGB 197 107 99

HSL 4.9, 0.46%, 0.58%

LAB 55.37, 34.83, 20.47

 

CMYK 0 / 32 / 35 / 30

HEX #B37A74

RGB 179 122 116

HSL 5.71, 0.29%, 0.58%

LAB 56.84, 21.47, 12.3

 

CMYK 0 / 16 / 17 / 36

HEX #A28886

RGB 162 136 134

HSL 4.29, 0.13%, 0.58%

LAB 58.98, 9.51, 4.74

 

CMYK 0 / 72 / 39 / 9

HEX #E7408C

RGB 231 64 140

HSL 332.69, 0.78%, 0.58%

LAB 54.6, 68.86, -4.04

 

CMYK 0 / 72 / 59 / 9

HEX #E7405F

RGB 231 64 95

HSL 348.86, 0.78%, 0.58%

LAB 53.47, 65.15, 21.22

 

CMYK 0 / 66 / 72 / 9

HEX #E74E40

RGB 231 78 64

HSL 5.03, 0.78%, 0.58%

LAB 54.87, 58.29, 40.86

 

CMYK 0 / 47 / 72 / 9

HEX #E77B40

RGB 231 123 64

HSL 21.2, 0.78%, 0.58%

LAB 62.95, 37.38, 49.72

 

CMYK 0 / 28 / 72 / 9

HEX #E7A740

RGB 231 167 64

HSL 37.01, 0.78%, 0.58%

LAB 72.89, 14.19, 60.05

 

CMYK 0 / 81 / 88 / 25

HEX #BE2517

RGB 190 37 23

HSL 5.03, 0.78%, 0.42%

LAB 41.74, 58.36, 46.53

 

CMYK 0 / 80 / 88 / 11

HEX #E32D1C

RGB 227 45 28

HSL 5.13, 0.78%, 0.5%

LAB 49.85, 66.98, 53.81

 

CMYK 0 / 66 / 72 / 9

HEX #E74E40

RGB 231 78 64

HSL 5.03, 0.78%, 0.58%

LAB 54.87, 58.29, 40.86

 

CMYK 0 / 53 / 57 / 7

HEX #EC7065

RGB 236 112 101

HSL 4.89, 0.78%, 0.66%

LAB 61.96, 46.99, 29.06

 

CMYK 0 / 39 / 43 / 5

HEX #F1928A

RGB 241 146 138

HSL 4.66, 0.79%, 0.74%

LAB 70.24, 34.95, 19.6

 

CMYK 0 / 67 / 73 / 9

HEX #E74D3F

RGB 231 77 63

HSL 5, 0.78%, 0.58%

LAB 54.72, 58.64, 41.23

 

CMYK 20 / 0 / 72 / 9

HEX #B8E740

RGB 184 231 64

HSL 76.89, 0.78%, 0.58%

LAB 85.86, -37.41, 71.59

 

CMYK 72 / 49 / 0 / 9

HEX #4075E7

RGB 64 117 231

HSL 220.96, 0.78%, 0.58%

LAB 51.36, 20.77, -62.95

 

CMYK 0 / 67 / 73 / 9

HEX #E74D3F

RGB 231 77 63

HSL 5, 0.78%, 0.58%

LAB 54.72, 58.64, 41.23

 

CMYK 72 / 0 / 66 / 9

HEX #40E74E

RGB 64 231 78

HSL 125.03, 0.78%, 0.58%

LAB 81.18, -70.79, 60.14

 

CMYK 66 / 72 / 0 / 9

HEX #4E40E7

RGB 78 64 231

HSL 245.03, 0.78%, 0.58%

LAB 39.67, 54.41, -81.97

 

CMYK 0 / 67 / 73 / 9

HEX #E74D3F

RGB 231 77 63

HSL 5, 0.78%, 0.58%

LAB 54.72, 58.64, 41.23

 

CMYK 20 / 0 / 72 / 9

HEX #B8E740

RGB 184 231 64

HSL 76.89, 0.78%, 0.58%

LAB 85.86, -37.41, 71.59

 

CMYK 72 / 6 / 0 / 9

HEX #40DAE7

RGB 64 218 231

HSL 184.67, 0.78%, 0.58%

LAB 80.18, -34.92, -17.9

 

CMYK 52 / 72 / 0 / 9

HEX #7040E7

RGB 112 64 231

HSL 257.25, 0.78%, 0.58%

LAB 42.58, 58.79, -77.09

 

CMYK 0 / 67 / 73 / 9

HEX #E74D3F

RGB 231 77 63

HSL 5, 0.78%, 0.58%

LAB 54.72, 58.64, 41.23

 

CMYK 42 / 0 / 72 / 9

HEX #86E740

RGB 134 231 64

HSL 94.85, 0.78%, 0.58%

LAB 83.23, -55.1, 68.11

 

CMYK 72 / 6 / 0 / 9

HEX #40DAE7

RGB 64 218 231

HSL 184.67, 0.78%, 0.58%

LAB 80.18, -34.92, -17.9

 

CMYK 30 / 72 / 0 / 9

HEX #A240E7

RGB 162 64 231

HSL 275.21, 0.78%, 0.58%

LAB 48.41, 67.13, -67.34

 

Description

Color code: HEX #E74D3F | qconv.com Color code: HEX #E74D3F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 77 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 77 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 73 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 73% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

17% - Mercado Online - Yoi...
Link: http://yoinde.com

12% - Jomm - Web Design &a...
Link: http://jomm.com.my

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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