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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E73DDA it is the complementary color #18C225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E73DDA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E73DDA shade: #EC3DD5, #FD4FE8, #FF61FB, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E73DDA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E73DDA shade: #E73DDA, #D62BC7, #C519B4, #B407A1 and #A3008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E73DDA shade: #E73CDA, #E73CAC, #E73C7E, #E73C4F and #E73C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E73DDA shade: #E73CDA, #C63CE7, #983CE7, #6A3CE7 and #3C3CE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E73DDA shade matches the following richer shades: #E73CDA and #F92AE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E73DDA shade: #E73CDA, #D54ECB, #C35FBC, #B271AD and #A0839E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E73DDA shade: #973CE7, #C53CE7, #E73CDB, #E73CAE and #E73C80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E73DDA shade: #B917AD, #DE1BCF, #E73CDA, #EB61E1 and #F085E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E73DDA shade: #E73DDA, #E7693C and #3CE7AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E73DDA shade: #E73DDA, #DBE73C and #3CDBE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E73DDA shade: #E73DDA, #E7693C, #3CE747 and #3CB9E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E73DDA shade: #E73DDA, #E79D3C, #3CE747 and #3C86E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 6 / 9

HEX #E73DDA

RGB 231 61 218

HSL 304.59, 0.78%, 0.57%

LAB 57.45, 79.56, -44.93

 

Complementary color

CMYK 88 / 0 / 81 / 24

HEX #18C225

RGB 24 194 37

HSL 124.59, 0.78%, 0.43%

LAB 68.69, -67.62, 61.53

 

CMYK 0 / 74 / 10 / 7

HEX #EC3DD5

RGB 236 61 213

HSL 307.89, 0.82%, 0.58%

LAB 58.01, 79.9, -41.16

 

CMYK 0 / 69 / 8 / 1

HEX #FD4FE8

RGB 253 79 232

HSL 307.24, 0.98%, 0.65%

LAB 63.59, 80.72, -42.89

 

CMYK 0 / 62 / 2 / 0

HEX #FF61FB

RGB 255 97 251

HSL 301.52, 1%, 0.69%

LAB 67.11, 77.56, -47.85

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 0 / 74 / 6 / 9

HEX #E73DDA

RGB 231 61 218

HSL 304.59, 0.78%, 0.57%

LAB 57.45, 79.56, -44.93

 

CMYK 0 / 80 / 7 / 16

HEX #D62BC7

RGB 214 43 199

HSL 305.26, 0.68%, 0.5%

LAB 52, 78.12, -42.87

 

CMYK 0 / 87 / 9 / 23

HEX #C519B4

RGB 197 25 180

HSL 305.93, 0.77%, 0.44%

LAB 46.79, 75.77, -40.24

 

CMYK 0 / 96 / 11 / 29

HEX #B407A1

RGB 180 7 161

HSL 306.59, 0.93%, 0.37%

LAB 41.89, 72.25, -36.91

 

CMYK 0 / 100 / 13 / 36

HEX #A3008E

RGB 163 0 142

HSL 307.73, 1%, 0.32%

LAB 37.37, 67.28, -32.72

 

CMYK 0 / 74 / 6 / 9

HEX #E73CDA

RGB 231 60 218

HSL 304.56, 0.78%, 0.57%

LAB 57.35, 79.86, -45.09

 

CMYK 0 / 74 / 26 / 9

HEX #E73CAC

RGB 231 60 172

HSL 320.7, 0.78%, 0.57%

LAB 55.28, 73.66, -21.88

 

CMYK 0 / 74 / 45 / 9

HEX #E73C7E

RGB 231 60 126

HSL 336.84, 0.78%, 0.57%

LAB 53.74, 68.84, 3.03

 

CMYK 0 / 74 / 66 / 9

HEX #E73C4F

RGB 231 60 79

HSL 353.33, 0.78%, 0.57%

LAB 52.71, 65.52, 29.73

 

CMYK 0 / 74 / 74 / 9

HEX #E73C3C

RGB 231 60 60

HSL 0, 0.78%, 0.57%

LAB 52.45, 64.65, 40.35

 

CMYK 0 / 74 / 6 / 9

HEX #E73CDA

RGB 231 60 218

HSL 304.56, 0.78%, 0.57%

LAB 57.35, 79.86, -45.09

 

CMYK 14 / 74 / 0 / 9

HEX #C63CE7

RGB 198 60 231

HSL 288.42, 0.78%, 0.57%

LAB 52.96, 75.36, -59.74

 

CMYK 34 / 74 / 0 / 9

HEX #983CE7

RGB 152 60 231

HSL 272.28, 0.78%, 0.57%

LAB 46.55, 66.96, -70.42

 

CMYK 54 / 74 / 0 / 9

HEX #6A3CE7

RGB 106 60 231

HSL 256.14, 0.78%, 0.57%

LAB 41.32, 59.85, -79.18

 

CMYK 74 / 74 / 0 / 9

HEX #3C3CE7

RGB 60 60 231

HSL 240, 0.78%, 0.57%

LAB 37.77, 54.83, -85.15

 

CMYK 0 / 74 / 6 / 9

HEX #E73CDA

RGB 231 60 218

HSL 304.56, 0.78%, 0.57%

LAB 57.35, 79.86, -45.09

 

CMYK 0 / 83 / 6 / 2

HEX #F92AE9

RGB 249 42 233

HSL 304.64, 0.95%, 0.57%

LAB 59.6, 89.8, -49.8

 

CMYK 0 / 74 / 6 / 9

HEX #E73CDA

RGB 231 60 218

HSL 304.56, 0.78%, 0.57%

LAB 57.35, 79.86, -45.09

 

CMYK 0 / 63 / 5 / 16

HEX #D54ECB

RGB 213 78 203

HSL 304.44, 0.62%, 0.57%

LAB 55.99, 67.3, -38.88

 

CMYK 0 / 51 / 4 / 24

HEX #C35FBC

RGB 195 95 188

HSL 304.2, 0.45%, 0.57%

LAB 55.5, 52.48, -31.25

 

CMYK 0 / 37 / 3 / 30

HEX #B271AD

RGB 178 113 173

HSL 304.62, 0.3%, 0.57%

LAB 56.38, 35.16, -21.43

 

CMYK 0 / 18 / 1 / 37

HEX #A0839E

RGB 160 131 158

HSL 304.14, 0.13%, 0.57%

LAB 58.2, 15.93, -10.21

 

CMYK 35 / 74 / 0 / 9

HEX #973CE7

RGB 151 60 231

HSL 271.93, 0.78%, 0.57%

LAB 46.42, 66.79, -70.64

 

CMYK 15 / 74 / 0 / 9

HEX #C53CE7

RGB 197 60 231

HSL 288.07, 0.78%, 0.57%

LAB 52.81, 75.16, -59.99

 

CMYK 0 / 74 / 5 / 9

HEX #E73CDB

RGB 231 60 219

HSL 304.21, 0.78%, 0.57%

LAB 57.4, 80, -45.58

 

CMYK 0 / 74 / 25 / 9

HEX #E73CAE

RGB 231 60 174

HSL 320, 0.78%, 0.57%

LAB 55.36, 73.9, -22.92

 

CMYK 0 / 74 / 45 / 9

HEX #E73C80

RGB 231 60 128

HSL 336.14, 0.78%, 0.57%

LAB 53.79, 69.02, 1.92

 

CMYK 0 / 88 / 6 / 27

HEX #B917AD

RGB 185 23 173

HSL 304.44, 0.78%, 0.41%

LAB 44.15, 72.85, -40.43

 

CMYK 0 / 88 / 7 / 13

HEX #DE1BCF

RGB 222 27 207

HSL 304.62, 0.78%, 0.49%

LAB 52.75, 83.83, -46.2

 

CMYK 0 / 74 / 6 / 9

HEX #E73CDA

RGB 231 60 218

HSL 304.56, 0.78%, 0.57%

LAB 57.35, 79.86, -45.09

 

CMYK 0 / 59 / 4 / 8

HEX #EB61E1

RGB 235 97 225

HSL 304.35, 0.78%, 0.65%

LAB 63.05, 68.53, -40.02

 

CMYK 0 / 45 / 3 / 6

HEX #F085E8

RGB 240 133 232

HSL 304.49, 0.78%, 0.73%

LAB 70.26, 54.42, -32.62

 

CMYK 0 / 74 / 6 / 9

HEX #E73DDA

RGB 231 61 218

HSL 304.59, 0.78%, 0.57%

LAB 57.45, 79.56, -44.93

 

CMYK 0 / 55 / 74 / 9

HEX #E7693C

RGB 231 105 60

HSL 15.79, 0.78%, 0.57%

LAB 59.36, 46.15, 47.87

 

CMYK 74 / 0 / 25 / 9

HEX #3CE7AE

RGB 60 231 174

HSL 160, 0.78%, 0.57%

LAB 82.47, -55.84, 15.63

 

CMYK 0 / 74 / 6 / 9

HEX #E73DDA

RGB 231 61 218

HSL 304.59, 0.78%, 0.57%

LAB 57.45, 79.56, -44.93

 

CMYK 5 / 0 / 74 / 9

HEX #DBE73C

RGB 219 231 60

HSL 64.21, 0.78%, 0.57%

LAB 88.23, -23.69, 75.98

 

CMYK 74 / 5 / 0 / 9

HEX #3CDBE7

RGB 60 219 231

HSL 184.21, 0.78%, 0.57%

LAB 80.4, -35.84, -17.58

 

CMYK 0 / 74 / 6 / 9

HEX #E73DDA

RGB 231 61 218

HSL 304.59, 0.78%, 0.57%

LAB 57.45, 79.56, -44.93

 

CMYK 0 / 55 / 74 / 9

HEX #E7693C

RGB 231 105 60

HSL 15.79, 0.78%, 0.57%

LAB 59.36, 46.15, 47.87

 

CMYK 74 / 0 / 69 / 9

HEX #3CE747

RGB 60 231 71

HSL 123.86, 0.78%, 0.57%

LAB 81.05, -72.04, 62.68

 

CMYK 74 / 20 / 0 / 9

HEX #3CB9E7

RGB 60 185 231

HSL 196.14, 0.78%, 0.57%

LAB 70.47, -19.07, -32.74

 

CMYK 0 / 74 / 6 / 9

HEX #E73DDA

RGB 231 61 218

HSL 304.59, 0.78%, 0.57%

LAB 57.45, 79.56, -44.93

 

CMYK 0 / 32 / 74 / 9

HEX #E79D3C

RGB 231 157 60

HSL 34.04, 0.78%, 0.57%

LAB 70.48, 19.33, 59.29

 

CMYK 74 / 0 / 69 / 9

HEX #3CE747

RGB 60 231 71

HSL 123.86, 0.78%, 0.57%

LAB 81.05, -72.04, 62.68

 

CMYK 74 / 42 / 0 / 9

HEX #3C86E7

RGB 60 134 231

HSL 214.04, 0.78%, 0.57%

LAB 55.87, 9.78, -55.72

 

Description

Color code: HEX #E73DDA | qconv.com Color code: HEX #E73DDA | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 61 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 61 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 6 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 6% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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