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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E73D74 it is the complementary color #18C28B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E73D74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E73D74 shade: #EC3D6F, #FD4F82, #FF6195, #FF73A8 and #FF85BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E73D74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E73D74 shade: #E73D74, #D62B61, #C5194E, #B4073B and #A30028

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E73D74 shade: #E73C73, #E73C45 and #E73C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E73D74 shade: #E73C73, #E73CA1, #E73CCF, #D03CE7 and #A23CE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E73D74 shade matches the following richer shades: #E73C73 and #F92A6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E73D74 shade: #E73C73, #D54E79, #C35F80, #B27186 and #A0838C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E73D74 shade: #E73CD0, #E73CA2, #E73C75, #E73C47 and #E75E3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E73D74 shade: #B9174B, #DE1B5A, #E73C73, #EB618D and #F085A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E73D74 shade: #E73D74, #E7D03C and #3CB9E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E73D74 shade: #E73D74, #75E73C and #3C75E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E73D74 shade: #E73D74, #E7D03C, #3CE7AE and #3C53E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E73D74 shade: #E73D74, #CAE73C, #3CE7AE and #583CE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 50 / 9

HEX #E73D74

RGB 231 61 116

HSL 340.59, 0.78%, 0.57%

LAB 53.59, 67.68, 8.81

 

Complementary color

CMYK 88 / 0 / 28 / 24

HEX #18C28B

RGB 24 194 139

HSL 160.59, 0.78%, 0.43%

LAB 69.92, -52.9, 16.59

 

CMYK 0 / 74 / 53 / 7

HEX #EC3D6F

RGB 236 61 111

HSL 342.86, 0.82%, 0.58%

LAB 54.36, 68.67, 13.02

 

CMYK 0 / 69 / 49 / 1

HEX #FD4F82

RGB 253 79 130

HSL 342.41, 0.98%, 0.65%

LAB 59.97, 68.88, 10.09

 

CMYK 0 / 62 / 42 / 0

HEX #FF6195

RGB 255 97 149

HSL 340.25, 1%, 0.69%

LAB 63.33, 64.22, 3.91

 

CMYK 0 / 55 / 34 / 0

HEX #FF73A8

RGB 255 115 168

HSL 337.29, 1%, 0.73%

LAB 66.79, 58.4, -1.92

 

CMYK 0 / 48 / 27 / 0

HEX #FF85BB

RGB 255 133 187

HSL 333.44, 1%, 0.76%

LAB 70.61, 52.23, -6.96

 

CMYK 0 / 74 / 50 / 9

HEX #E73D74

RGB 231 61 116

HSL 340.59, 0.78%, 0.57%

LAB 53.59, 67.68, 8.81

 

CMYK 0 / 80 / 55 / 16

HEX #D62B61

RGB 214 43 97

HSL 341.05, 0.68%, 0.5%

LAB 48.12, 66.89, 12.2

 

CMYK 0 / 87 / 60 / 23

HEX #C5194E

RGB 197 25 78

HSL 341.51, 0.77%, 0.44%

LAB 42.94, 65.24, 16.36

 

CMYK 0 / 96 / 67 / 29

HEX #B4073B

RGB 180 7 59

HSL 341.97, 0.93%, 0.37%

LAB 38.15, 62.44, 21.44

 

CMYK 0 / 100 / 75 / 36

HEX #A30028

RGB 163 0 40

HSL 345.28, 1%, 0.32%

LAB 33.86, 58.19, 27.47

 

CMYK 0 / 74 / 50 / 9

HEX #E73C73

RGB 231 60 115

HSL 340.7, 0.78%, 0.57%

LAB 53.45, 67.91, 9.21

 

CMYK 0 / 74 / 70 / 9

HEX #E73C45

RGB 231 60 69

HSL 356.84, 0.78%, 0.57%

LAB 52.56, 65.03, 35.37

 

CMYK 0 / 74 / 74 / 9

HEX #E73C3C

RGB 231 60 60

HSL 0, 0.78%, 0.57%

LAB 52.45, 64.65, 40.35

 

CMYK 0 / 74 / 50 / 9

HEX #E73C73

RGB 231 60 115

HSL 340.7, 0.78%, 0.57%

LAB 53.45, 67.91, 9.21

 

CMYK 0 / 74 / 30 / 9

HEX #E73CA1

RGB 231 60 161

HSL 324.56, 0.78%, 0.57%

LAB 54.86, 72.37, -16.07

 

CMYK 0 / 74 / 10 / 9

HEX #E73CCF

RGB 231 60 207

HSL 308.42, 0.78%, 0.57%

LAB 56.81, 78.26, -39.69

 

CMYK 10 / 74 / 0 / 9

HEX #D03CE7

RGB 208 60 231

HSL 291.93, 0.78%, 0.57%

LAB 54.46, 77.29, -57.25

 

CMYK 30 / 74 / 0 / 9

HEX #A23CE7

RGB 162 60 231

HSL 275.79, 0.78%, 0.57%

LAB 47.86, 68.7, -68.23

 

CMYK 0 / 74 / 50 / 9

HEX #E73C73

RGB 231 60 115

HSL 340.7, 0.78%, 0.57%

LAB 53.45, 67.91, 9.21

 

CMYK 0 / 83 / 56 / 2

HEX #F92A6D

RGB 249 42 109

HSL 340.58, 0.95%, 0.57%

LAB 54.97, 76.91, 15.43

 

CMYK 0 / 74 / 50 / 9

HEX #E73C73

RGB 231 60 115

HSL 340.7, 0.78%, 0.57%

LAB 53.45, 67.91, 9.21

 

CMYK 0 / 63 / 43 / 16

HEX #D54E79

RGB 213 78 121

HSL 340.89, 0.62%, 0.57%

LAB 52.92, 56.52, 4.45

 

CMYK 0 / 51 / 34 / 24

HEX #C35F80

RGB 195 95 128

HSL 340.2, 0.45%, 0.57%

LAB 53.33, 43.48, 0.53

 

CMYK 0 / 37 / 25 / 30

HEX #B27186

RGB 178 113 134

HSL 340.62, 0.3%, 0.57%

LAB 55.07, 28.6, -0.73

 

CMYK 0 / 18 / 13 / 37

HEX #A0838C

RGB 160 131 140

HSL 341.38, 0.13%, 0.57%

LAB 57.66, 12.61, -0.66

 

CMYK 0 / 74 / 10 / 9

HEX #E73CD0

RGB 231 60 208

HSL 308.07, 0.78%, 0.57%

LAB 56.86, 78.41, -40.19

 

CMYK 0 / 74 / 30 / 9

HEX #E73CA2

RGB 231 60 162

HSL 324.21, 0.78%, 0.57%

LAB 54.9, 72.49, -16.6

 

CMYK 0 / 74 / 49 / 9

HEX #E73C75

RGB 231 60 117

HSL 340, 0.78%, 0.57%

LAB 53.5, 68.08, 8.08

 

CMYK 0 / 74 / 69 / 9

HEX #E73C47

RGB 231 60 71

HSL 356.14, 0.78%, 0.57%

LAB 52.59, 65.13, 34.25

 

CMYK 0 / 59 / 74 / 9

HEX #E75E3C

RGB 231 94 60

HSL 11.93, 0.78%, 0.57%

LAB 57.39, 51.29, 45.76

 

CMYK 0 / 88 / 59 / 27

HEX #B9174B

RGB 185 23 75

HSL 340.74, 0.78%, 0.41%

LAB 40.3, 62.36, 14.28

 

CMYK 0 / 88 / 59 / 13

HEX #DE1B5A

RGB 222 27 90

HSL 340.62, 0.78%, 0.49%

LAB 48.33, 71.88, 17.03

 

CMYK 0 / 74 / 50 / 9

HEX #E73C73

RGB 231 60 115

HSL 340.7, 0.78%, 0.57%

LAB 53.45, 67.91, 9.21

 

CMYK 0 / 59 / 40 / 8

HEX #EB618D

RGB 235 97 141

HSL 340.87, 0.78%, 0.65%

LAB 60.01, 57.23, 3.35

 

CMYK 0 / 45 / 30 / 6

HEX #F085A8

RGB 240 133 168

HSL 340.37, 0.78%, 0.73%

LAB 68.11, 44.77, -0.21

 

CMYK 0 / 74 / 50 / 9

HEX #E73D74

RGB 231 61 116

HSL 340.59, 0.78%, 0.57%

LAB 53.59, 67.68, 8.81

 

CMYK 0 / 10 / 74 / 9

HEX #E7D03C

RGB 231 208 60

HSL 51.93, 0.78%, 0.57%

LAB 83.14, -7.35, 71.56

 

CMYK 74 / 20 / 0 / 9

HEX #3CB9E7

RGB 60 185 231

HSL 196.14, 0.78%, 0.57%

LAB 70.47, -19.07, -32.74

 

CMYK 0 / 74 / 50 / 9

HEX #E73D74

RGB 231 61 116

HSL 340.59, 0.78%, 0.57%

LAB 53.59, 67.68, 8.81

 

CMYK 49 / 0 / 74 / 9

HEX #75E73C

RGB 117 231 60

HSL 100, 0.78%, 0.57%

LAB 82.52, -60.46, 68.52

 

CMYK 74 / 49 / 0 / 9

HEX #3C75E7

RGB 60 117 231

HSL 220, 0.78%, 0.57%

LAB 51.21, 20.27, -63.19

 

CMYK 0 / 74 / 50 / 9

HEX #E73D74

RGB 231 61 116

HSL 340.59, 0.78%, 0.57%

LAB 53.59, 67.68, 8.81

 

CMYK 0 / 10 / 74 / 9

HEX #E7D03C

RGB 231 208 60

HSL 51.93, 0.78%, 0.57%

LAB 83.14, -7.35, 71.56

 

CMYK 74 / 0 / 25 / 9

HEX #3CE7AE

RGB 60 231 174

HSL 160, 0.78%, 0.57%

LAB 82.47, -55.84, 15.63

 

CMYK 74 / 64 / 0 / 9

HEX #3C53E7

RGB 60 83 231

HSL 231.93, 0.78%, 0.57%

LAB 42.64, 41.54, -77.14

 

CMYK 0 / 74 / 50 / 9

HEX #E73D74

RGB 231 61 116

HSL 340.59, 0.78%, 0.57%

LAB 53.59, 67.68, 8.81

 

CMYK 13 / 0 / 74 / 9

HEX #CAE73C

RGB 202 231 60

HSL 70.18, 0.78%, 0.57%

LAB 87.01, -30.55, 74.41

 

CMYK 74 / 0 / 25 / 9

HEX #3CE7AE

RGB 60 231 174

HSL 160, 0.78%, 0.57%

LAB 82.47, -55.84, 15.63

 

CMYK 62 / 74 / 0 / 9

HEX #583CE7

RGB 88 60 231

HSL 249.82, 0.78%, 0.57%

LAB 39.71, 57.59, -81.89

 

Description

Color code: HEX #E73D74 | qconv.com Color code: HEX #E73D74 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 61 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 61 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 50 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 50% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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