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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E73CC9 it is the complementary color #18C336. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E73CC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E73CC9 shade: #EC3CC4, #FD4ED7, #FF60EA, #FF72FD and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E73CC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E73CC9 shade: #E73CC9, #D62AB6, #C518A3, #B40690 and #A3007D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E73CC9 shade: #E73CC9, #E73C9B, #E73C6D, #E73C3E and #E73C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E73CC9 shade: #E73CC9, #D73CE7, #A93CE7, #7B3CE7 and #4C3CE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E73CC9 shade matches the following richer shades: #E73CC9 and #F92AD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E73CC9 shade: #E73CC9, #D54EBD, #C35FB2, #B271A6 and #A0839B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E73CC9 shade: #A83CE7, #D63CE7, #E73CCA, #E73C9D and #E73C6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E73CC9 shade: #B9179D, #DE1BBC, #E73CC9, #EB61D3 and #F085DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E73CC9 shade: #E73CC9, #E77B3C and #3CE7BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E73CC9 shade: #E73CC9, #CAE73C and #3CCAE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E73CC9 shade: #E73CC9, #E77B3C, #3CE758 and #3CA8E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E73CC9 shade: #E73CC9, #E7AE3C, #3CE758 and #3C75E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 13 / 9

HEX #E73CC9

RGB 231 60 201

HSL 310.53, 0.78%, 0.57%

LAB 56.52, 77.42, -36.71

 

Complementary color

CMYK 88 / 0 / 72 / 24

HEX #18C336

RGB 24 195 54

HSL 130.53, 0.78%, 0.43%

LAB 69.11, -66.7, 56.41

 

CMYK 0 / 75 / 17 / 7

HEX #EC3CC4

RGB 236 60 196

HSL 313.64, 0.82%, 0.58%

LAB 57.12, 77.86, -32.84

 

CMYK 0 / 69 / 15 / 1

HEX #FD4ED7

RGB 253 78 215

HSL 313.03, 0.98%, 0.65%

LAB 62.71, 78.65, -34.74

 

CMYK 0 / 62 / 8 / 0

HEX #FF60EA

RGB 255 96 234

HSL 307.92, 1%, 0.69%

LAB 66.19, 75.32, -39.91

 

CMYK 0 / 55 / 1 / 0

HEX #FF72FD

RGB 255 114 253

HSL 300.85, 1%, 0.72%

LAB 69.74, 70.9, -44.81

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 0 / 74 / 13 / 9

HEX #E73CC9

RGB 231 60 201

HSL 310.53, 0.78%, 0.57%

LAB 56.52, 77.42, -36.71

 

CMYK 0 / 80 / 15 / 16

HEX #D62AB6

RGB 214 42 182

HSL 311.16, 0.68%, 0.5%

LAB 51.07, 76, -34.47

 

CMYK 0 / 88 / 17 / 23

HEX #C518A3

RGB 197 24 163

HSL 311.79, 0.78%, 0.43%

LAB 45.86, 73.64, -31.63

 

CMYK 0 / 97 / 20 / 29

HEX #B40690

RGB 180 6 144

HSL 312.41, 0.94%, 0.36%

LAB 40.97, 70.12, -28.06

 

CMYK 0 / 100 / 23 / 36

HEX #A3007D

RGB 163 0 125

HSL 313.99, 1%, 0.32%

LAB 36.49, 65.09, -23.56

 

CMYK 0 / 74 / 13 / 9

HEX #E73CC9

RGB 231 60 201

HSL 310.53, 0.78%, 0.57%

LAB 56.52, 77.42, -36.71

 

CMYK 0 / 74 / 33 / 9

HEX #E73C9B

RGB 231 60 155

HSL 326.67, 0.78%, 0.57%

LAB 54.64, 71.71, -12.86

 

CMYK 0 / 74 / 53 / 9

HEX #E73C6D

RGB 231 60 109

HSL 342.81, 0.78%, 0.57%

LAB 53.3, 67.45, 12.61

 

CMYK 0 / 74 / 73 / 9

HEX #E73C3E

RGB 231 60 62

HSL 359.3, 0.78%, 0.57%

LAB 52.47, 64.73, 39.26

 

CMYK 0 / 74 / 74 / 9

HEX #E73C3C

RGB 231 60 60

HSL 0, 0.78%, 0.57%

LAB 52.45, 64.65, 40.35

 

CMYK 0 / 74 / 13 / 9

HEX #E73CC9

RGB 231 60 201

HSL 310.53, 0.78%, 0.57%

LAB 56.52, 77.42, -36.71

 

CMYK 7 / 74 / 0 / 9

HEX #D73CE7

RGB 215 60 231

HSL 294.39, 0.78%, 0.57%

LAB 55.53, 78.65, -55.48

 

CMYK 27 / 74 / 0 / 9

HEX #A93CE7

RGB 169 60 231

HSL 278.25, 0.78%, 0.57%

LAB 48.81, 69.95, -66.65

 

CMYK 47 / 74 / 0 / 9

HEX #7B3CE7

RGB 123 60 231

HSL 262.11, 0.78%, 0.57%

LAB 43.08, 62.28, -76.23

 

CMYK 67 / 74 / 0 / 9

HEX #4C3CE7

RGB 76 60 231

HSL 245.61, 0.78%, 0.57%

LAB 38.79, 56.29, -83.44

 

CMYK 0 / 74 / 13 / 9

HEX #E73CC9

RGB 231 60 201

HSL 310.53, 0.78%, 0.57%

LAB 56.52, 77.42, -36.71

 

CMYK 0 / 83 / 15 / 2

HEX #F92AD4

RGB 249 42 212

HSL 310.72, 0.95%, 0.57%

LAB 58.55, 87, -39.59

 

CMYK 0 / 74 / 13 / 9

HEX #E73CC9

RGB 231 60 201

HSL 310.53, 0.78%, 0.57%

LAB 56.52, 77.42, -36.71

 

CMYK 0 / 63 / 11 / 16

HEX #D54EBD

RGB 213 78 189

HSL 310.67, 0.62%, 0.57%

LAB 55.35, 65.12, -31.86

 

CMYK 0 / 51 / 9 / 24

HEX #C35FB2

RGB 195 95 178

HSL 310.2, 0.45%, 0.57%

LAB 55.07, 50.78, -26.14

 

CMYK 0 / 37 / 7 / 30

HEX #B271A6

RGB 178 113 166

HSL 311.08, 0.3%, 0.57%

LAB 56.12, 33.88, -17.79

 

CMYK 0 / 18 / 3 / 37

HEX #A0839B

RGB 160 131 155

HSL 310.34, 0.13%, 0.57%

LAB 58.11, 15.36, -8.63

 

CMYK 27 / 74 / 0 / 9

HEX #A83CE7

RGB 168 60 231

HSL 277.89, 0.78%, 0.57%

LAB 48.67, 69.77, -66.88

 

CMYK 7 / 74 / 0 / 9

HEX #D63CE7

RGB 214 60 231

HSL 294.04, 0.78%, 0.57%

LAB 55.38, 78.46, -55.73

 

CMYK 0 / 74 / 13 / 9

HEX #E73CCA

RGB 231 60 202

HSL 310.18, 0.78%, 0.57%

LAB 56.57, 77.56, -37.21

 

CMYK 0 / 74 / 32 / 9

HEX #E73C9D

RGB 231 60 157

HSL 325.96, 0.78%, 0.57%

LAB 54.72, 71.93, -13.93

 

CMYK 0 / 74 / 52 / 9

HEX #E73C6F

RGB 231 60 111

HSL 342.11, 0.78%, 0.57%

LAB 53.35, 67.6, 11.48

 

CMYK 0 / 88 / 15 / 27

HEX #B9179D

RGB 185 23 157

HSL 310.37, 0.78%, 0.41%

LAB 43.3, 70.61, -32.21

 

CMYK 0 / 88 / 15 / 13

HEX #DE1BBC

RGB 222 27 188

HSL 310.46, 0.78%, 0.49%

LAB 51.77, 81.29, -36.77

 

CMYK 0 / 74 / 13 / 9

HEX #E73CC9

RGB 231 60 201

HSL 310.53, 0.78%, 0.57%

LAB 56.52, 77.42, -36.71

 

CMYK 0 / 59 / 10 / 8

HEX #EB61D3

RGB 235 97 211

HSL 310.43, 0.78%, 0.65%

LAB 62.44, 66.33, -33.12

 

CMYK 0 / 45 / 8 / 6

HEX #F085DD

RGB 240 133 221

HSL 310.65, 0.78%, 0.73%

LAB 69.84, 52.57, -27.21

 

CMYK 0 / 74 / 13 / 9

HEX #E73CC9

RGB 231 60 201

HSL 310.53, 0.78%, 0.57%

LAB 56.52, 77.42, -36.71

 

CMYK 0 / 47 / 74 / 9

HEX #E77B3C

RGB 231 123 60

HSL 22.11, 0.78%, 0.57%

LAB 62.91, 37.2, 51.6

 

CMYK 74 / 0 / 17 / 9

HEX #3CE7BF

RGB 60 231 191

HSL 165.96, 0.78%, 0.57%

LAB 82.85, -51.86, 7.25

 

CMYK 0 / 74 / 13 / 9

HEX #E73CC9

RGB 231 60 201

HSL 310.53, 0.78%, 0.57%

LAB 56.52, 77.42, -36.71

 

CMYK 13 / 0 / 74 / 9

HEX #CAE73C

RGB 202 231 60

HSL 70.18, 0.78%, 0.57%

LAB 87.01, -30.55, 74.41

 

CMYK 74 / 13 / 0 / 9

HEX #3CCAE7

RGB 60 202 231

HSL 190.18, 0.78%, 0.57%

LAB 75.43, -27.69, -25.12

 

CMYK 0 / 74 / 13 / 9

HEX #E73CC9

RGB 231 60 201

HSL 310.53, 0.78%, 0.57%

LAB 56.52, 77.42, -36.71

 

CMYK 0 / 47 / 74 / 9

HEX #E77B3C

RGB 231 123 60

HSL 22.11, 0.78%, 0.57%

LAB 62.91, 37.2, 51.6

 

CMYK 74 / 0 / 62 / 9

HEX #3CE758

RGB 60 231 88

HSL 129.82, 0.78%, 0.57%

LAB 81.19, -70.36, 56.03

 

CMYK 74 / 27 / 0 / 9

HEX #3CA8E7

RGB 60 168 231

HSL 202.11, 0.78%, 0.57%

LAB 65.54, -9.95, -40.41

 

CMYK 0 / 74 / 13 / 9

HEX #E73CC9

RGB 231 60 201

HSL 310.53, 0.78%, 0.57%

LAB 56.52, 77.42, -36.71

 

CMYK 0 / 25 / 74 / 9

HEX #E7AE3C

RGB 231 174 60

HSL 40, 0.78%, 0.57%

LAB 74.56, 10.3, 63.33

 

CMYK 74 / 0 / 62 / 9

HEX #3CE758

RGB 60 231 88

HSL 129.82, 0.78%, 0.57%

LAB 81.19, -70.36, 56.03

 

CMYK 74 / 49 / 0 / 9

HEX #3C75E7

RGB 60 117 231

HSL 220, 0.78%, 0.57%

LAB 51.21, 20.27, -63.19

 

Description

Color code: HEX #E73CC9 | qconv.com Color code: HEX #E73CC9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 60 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 60 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 13 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 13% 9% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - http://freeh...
Link: http://freehold.info

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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