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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E731DC it is the complementary color #18CE23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E731DC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E731DC shade: #EC31D7, #FD43EA, #FF55FD, #FF67FF and #FF79FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E731DC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E731DC shade: #E731DC, #D61FC9, #C50DB6, #B400A3 and #A30090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E731DC shade: #E732DC, #E732AB, #E7327A, #E73249 and #E73232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E731DC shade: #E732DC, #C132E7, #9032E7, #5F32E7 and #3232E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E731DC shade matches the following richer shades: #E732DC and #F91FEC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E731DC shade: #E732DC, #D444CC, #C257BB, #AF69AB and #9D7C9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E731DC shade: #8F32E7, #C032E7, #E732DE, #E732AD and #E7327D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E731DC shade: #B115A8, #D619CB, #E732DC, #EB57E2 and #F07BE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E731DC shade: #E731DC, #E75F32 and #32E7A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E731DC shade: #E731DC, #DEE732 and #32DEE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E731DC shade: #E731DC, #E75F32, #32E73B and #32BAE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E731DC shade: #E731DC, #E79532, #32E73B and #3283E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 5 / 9

HEX #E731DC

RGB 231 49 220

HSL 303.63, 0.79%, 0.55%

LAB 56.44, 83.07, -47.67

 

Complementary color

CMYK 88 / 0 / 83 / 19

HEX #18CE23

RGB 24 206 35

HSL 123.63, 0.79%, 0.45%

LAB 72.53, -71.16, 65.61

 

CMYK 0 / 79 / 9 / 7

HEX #EC31D7

RGB 236 49 215

HSL 306.74, 0.83%, 0.56%

LAB 57.01, 83.34, -43.87

 

CMYK 0 / 74 / 8 / 1

HEX #FD43EA

RGB 253 67 234

HSL 306.13, 0.98%, 0.63%

LAB 62.37, 84.75, -45.93

 

CMYK 0 / 67 / 1 / 0

HEX #FF55FD

RGB 255 85 253

HSL 300.71, 1%, 0.67%

LAB 65.63, 82.28, -51.29

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 0 / 53 / 0 / 0

HEX #FF79FF

RGB 255 121 255

HSL 300, 1%, 0.74%

LAB 70.98, 68.15, -43.96

 

CMYK 0 / 79 / 5 / 9

HEX #E731DC

RGB 231 49 220

HSL 303.63, 0.79%, 0.55%

LAB 56.44, 83.07, -47.67

 

CMYK 0 / 86 / 6 / 16

HEX #D61FC9

RGB 214 31 201

HSL 304.26, 0.75%, 0.48%

LAB 51.26, 80.88, -45.2

 

CMYK 0 / 93 / 8 / 23

HEX #C50DB6

RGB 197 13 182

HSL 304.89, 0.88%, 0.41%

LAB 46.36, 77.64, -42.11

 

CMYK 0 / 100 / 9 / 29

HEX #B400A3

RGB 180 0 163

HSL 305.67, 1%, 0.35%

LAB 41.76, 73.22, -38.31

 

CMYK 0 / 100 / 12 / 36

HEX #A30090

RGB 163 0 144

HSL 306.99, 1%, 0.32%

LAB 37.48, 67.56, -33.78

 

CMYK 0 / 78 / 5 / 9

HEX #E732DC

RGB 231 50 220

HSL 303.65, 0.79%, 0.55%

LAB 56.52, 82.83, -47.53

 

CMYK 0 / 78 / 26 / 9

HEX #E732AB

RGB 231 50 171

HSL 319.89, 0.79%, 0.55%

LAB 54.25, 76.36, -22.87

 

CMYK 0 / 78 / 47 / 9

HEX #E7327A

RGB 231 50 122

HSL 336.13, 0.79%, 0.55%

LAB 52.59, 71.42, 3.78

 

CMYK 0 / 78 / 68 / 9

HEX #E73249

RGB 231 50 73

HSL 352.38, 0.79%, 0.55%

LAB 51.55, 68.21, 31.82

 

CMYK 0 / 78 / 78 / 9

HEX #E73232

RGB 231 50 50

HSL 0, 0.79%, 0.55%

LAB 51.27, 67.31, 44.58

 

CMYK 0 / 78 / 5 / 9

HEX #E732DC

RGB 231 50 220

HSL 303.65, 0.79%, 0.55%

LAB 56.52, 82.83, -47.53

 

CMYK 16 / 78 / 0 / 9

HEX #C132E7

RGB 193 50 231

HSL 287.4, 0.79%, 0.55%

LAB 51.14, 77.52, -62.71

 

CMYK 38 / 78 / 0 / 9

HEX #9032E7

RGB 144 50 231

HSL 271.16, 0.79%, 0.55%

LAB 44.2, 69.45, -74.29

 

CMYK 59 / 78 / 0 / 9

HEX #5F32E7

RGB 95 50 231

HSL 254.92, 0.79%, 0.55%

LAB 38.7, 63.03, -83.54

 

CMYK 78 / 78 / 0 / 9

HEX #3232E7

RGB 50 50 231

HSL 240, 0.79%, 0.55%

LAB 35.46, 59.25, -89

 

CMYK 0 / 78 / 5 / 9

HEX #E732DC

RGB 231 50 220

HSL 303.65, 0.79%, 0.55%

LAB 56.52, 82.83, -47.53

 

CMYK 0 / 88 / 5 / 2

HEX #F91FEC

RGB 249 31 236

HSL 303.58, 0.95%, 0.55%

LAB 59.14, 92.03, -52.21

 

CMYK 0 / 78 / 5 / 9

HEX #E732DC

RGB 231 50 220

HSL 303.65, 0.79%, 0.55%

LAB 56.52, 82.83, -47.53

 

CMYK 0 / 68 / 4 / 17

HEX #D444CC

RGB 212 68 204

HSL 303.33, 0.63%, 0.55%

LAB 54.54, 70.99, -41.75

 

CMYK 0 / 55 / 4 / 24

HEX #C257BB

RGB 194 87 187

HSL 303.93, 0.47%, 0.55%

LAB 53.89, 55.84, -33.19

 

CMYK 0 / 40 / 2 / 31

HEX #AF69AB

RGB 175 105 171

HSL 303.43, 0.3%, 0.55%

LAB 54.19, 38.18, -23.66

 

CMYK 0 / 21 / 1 / 38

HEX #9D7C9B

RGB 157 124 155

HSL 303.64, 0.14%, 0.55%

LAB 56.04, 18.29, -11.76

 

CMYK 38 / 78 / 0 / 9

HEX #8F32E7

RGB 143 50 231

HSL 270.83, 0.79%, 0.55%

LAB 44.08, 69.3, -74.5

 

CMYK 17 / 78 / 0 / 9

HEX #C032E7

RGB 192 50 231

HSL 287.07, 0.79%, 0.55%

LAB 50.99, 77.34, -62.96

 

CMYK 0 / 78 / 4 / 9

HEX #E732DE

RGB 231 50 222

HSL 302.98, 0.79%, 0.55%

LAB 56.63, 83.12, -48.5

 

CMYK 0 / 78 / 25 / 9

HEX #E732AD

RGB 231 50 173

HSL 319.23, 0.79%, 0.55%

LAB 54.33, 76.59, -23.91

 

CMYK 0 / 78 / 46 / 9

HEX #E7327D

RGB 231 50 125

HSL 335.14, 0.79%, 0.55%

LAB 52.68, 71.67, 2.1

 

CMYK 0 / 88 / 5 / 31

HEX #B115A8

RGB 177 21 168

HSL 303.46, 0.79%, 0.39%

LAB 42.32, 70.95, -40.45

 

CMYK 0 / 88 / 5 / 16

HEX #D619CB

RGB 214 25 203

HSL 303.49, 0.79%, 0.47%

LAB 51.04, 82.13, -46.71

 

CMYK 0 / 78 / 5 / 9

HEX #E732DC

RGB 231 50 220

HSL 303.65, 0.79%, 0.55%

LAB 56.52, 82.83, -47.53

 

CMYK 0 / 63 / 4 / 8

HEX #EB57E2

RGB 235 87 226

HSL 303.65, 0.79%, 0.63%

LAB 61.63, 72.75, -42.81

 

CMYK 0 / 49 / 3 / 6

HEX #F07BE9

RGB 240 123 233

HSL 303.59, 0.8%, 0.71%

LAB 68.44, 59.46, -36

 

CMYK 0 / 79 / 5 / 9

HEX #E731DC

RGB 231 49 220

HSL 303.63, 0.79%, 0.55%

LAB 56.44, 83.07, -47.67

 

CMYK 0 / 59 / 78 / 9

HEX #E75F32

RGB 231 95 50

HSL 14.92, 0.79%, 0.55%

LAB 57.47, 50.45, 50.82

 

CMYK 78 / 0 / 28 / 9

HEX #32E7A7

RGB 50 231 167

HSL 158.78, 0.79%, 0.55%

LAB 82.17, -58.52, 18.85

 

CMYK 0 / 79 / 5 / 9

HEX #E731DC

RGB 231 49 220

HSL 303.63, 0.79%, 0.55%

LAB 56.44, 83.07, -47.67

 

CMYK 4 / 0 / 78 / 9

HEX #DEE732

RGB 222 231 50

HSL 62.98, 0.79%, 0.55%

LAB 88.41, -22.84, 79.14

 

CMYK 78 / 4 / 0 / 9

HEX #32DEE7

RGB 50 222 231

HSL 182.98, 0.79%, 0.55%

LAB 81.12, -38.21, -16.5

 

CMYK 0 / 79 / 5 / 9

HEX #E731DC

RGB 231 49 220

HSL 303.63, 0.79%, 0.55%

LAB 56.44, 83.07, -47.67

 

CMYK 0 / 59 / 78 / 9

HEX #E75F32

RGB 231 95 50

HSL 14.92, 0.79%, 0.55%

LAB 57.47, 50.45, 50.82

 

CMYK 78 / 0 / 74 / 9

HEX #32E73B

RGB 50 231 59

HSL 122.98, 0.79%, 0.55%

LAB 80.82, -74.34, 66.6

 

CMYK 78 / 19 / 0 / 9

HEX #32BAE7

RGB 50 186 231

HSL 194.92, 0.79%, 0.55%

LAB 70.57, -20.67, -32.61

 

CMYK 0 / 79 / 5 / 9

HEX #E731DC

RGB 231 49 220

HSL 303.63, 0.79%, 0.55%

LAB 56.44, 83.07, -47.67

 

CMYK 0 / 35 / 78 / 9

HEX #E79532

RGB 231 149 50

HSL 32.82, 0.79%, 0.55%

LAB 68.54, 23.19, 61.46

 

CMYK 78 / 0 / 74 / 9

HEX #32E73B

RGB 50 231 59

HSL 122.98, 0.79%, 0.55%

LAB 80.82, -74.34, 66.6

 

CMYK 78 / 43 / 0 / 9

HEX #3283E7

RGB 50 131 231

HSL 213.15, 0.79%, 0.55%

LAB 54.74, 10.47, -57.54

 

Description

Color code: HEX #E731DC | qconv.com Color code: HEX #E731DC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 49 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 49 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 5 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 5% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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