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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E72FA4 it is the complementary color #18D05B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E72FA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E72FA4 shade: #EC2F9F, #FD41B2, #FF53C5, #FF65D8 and #FF77EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E72FA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E72FA4 shade: #E72FA4, #D61D91, #C50B7E, #B4006B and #A30058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E72FA4 shade: #E732A5, #E73274, #E73243 and #E73232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E72FA4 shade: #E732A5, #E732D6, #C732E7, #9632E7 and #6532E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E72FA4 shade matches the following richer shades: #E732A5 and #F91FAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E72FA4 shade: #E732A5, #D444A0, #C2579B, #AF6996 and #9D7C91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E72FA4 shade: #C632E7, #E732D8, #E732A7, #E73277 and #E73247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E72FA4 shade: #B11578, #D61991, #E732A5, #EB57B5 and #F07BC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E72FA4 shade: #E72FA4, #E79532 and #32E7DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E72FA4 shade: #E72FA4, #A7E732 and #32A7E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E72FA4 shade: #E72FA4, #E79532, #32E771 and #3283E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E72FA4 shade: #E72FA4, #E7CC32, #32E771 and #324DE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 29 / 9

HEX #E72FA4

RGB 231 47 164

HSL 321.85, 0.79%, 0.55%

LAB 53.71, 76.31, -19.59

 

Complementary color

CMYK 88 / 0 / 56 / 18

HEX #18D05B

RGB 24 208 91

HSL 141.85, 0.79%, 0.45%

LAB 73.59, -66.55, 45.76

 

CMYK 0 / 80 / 33 / 7

HEX #EC2F9F

RGB 236 47 159

HSL 324.44, 0.83%, 0.55%

LAB 54.42, 76.92, -15.48

 

CMYK 0 / 74 / 30 / 1

HEX #FD41B2

RGB 253 65 178

HSL 323.94, 0.98%, 0.62%

LAB 59.78, 78.16, -18.15

 

CMYK 0 / 67 / 23 / 0

HEX #FF53C5

RGB 255 83 197

HSL 320.23, 1%, 0.66%

LAB 62.91, 75.04, -24.22

 

CMYK 0 / 60 / 15 / 0

HEX #FF65D8

RGB 255 101 216

HSL 315.19, 1%, 0.7%

LAB 66.16, 70.68, -29.93

 

CMYK 0 / 53 / 8 / 0

HEX #FF77EB

RGB 255 119 235

HSL 308.82, 1%, 0.73%

LAB 69.79, 65.78, -34.85

 

CMYK 0 / 80 / 29 / 9

HEX #E72FA4

RGB 231 47 164

HSL 321.85, 0.79%, 0.55%

LAB 53.71, 76.31, -19.59

 

CMYK 0 / 86 / 32 / 16

HEX #D61D91

RGB 214 29 145

HSL 322.38, 0.76%, 0.48%

LAB 48.54, 74.25, -16.45

 

CMYK 0 / 94 / 36 / 23

HEX #C50B7E

RGB 197 11 126

HSL 322.9, 0.89%, 0.41%

LAB 43.68, 71.1, -12.57

 

CMYK 0 / 100 / 41 / 29

HEX #B4006B

RGB 180 0 107

HSL 324.33, 1%, 0.35%

LAB 39.18, 66.69, -7.82

 

CMYK 0 / 100 / 46 / 36

HEX #A30058

RGB 163 0 88

HSL 327.61, 1%, 0.32%

LAB 34.99, 61.2, -2.28

 

CMYK 0 / 78 / 29 / 9

HEX #E732A5

RGB 231 50 165

HSL 321.88, 0.79%, 0.55%

LAB 54.01, 75.66, -19.71

 

CMYK 0 / 78 / 50 / 9

HEX #E73274

RGB 231 50 116

HSL 338.12, 0.79%, 0.55%

LAB 52.43, 70.93, 7.17

 

CMYK 0 / 78 / 71 / 9

HEX #E73243

RGB 231 50 67

HSL 354.36, 0.79%, 0.55%

LAB 51.47, 67.94, 35.23

 

CMYK 0 / 78 / 78 / 9

HEX #E73232

RGB 231 50 50

HSL 0, 0.79%, 0.55%

LAB 51.27, 67.31, 44.58

 

CMYK 0 / 78 / 29 / 9

HEX #E732A5

RGB 231 50 165

HSL 321.88, 0.79%, 0.55%

LAB 54.01, 75.66, -19.71

 

CMYK 0 / 78 / 7 / 9

HEX #E732D6

RGB 231 50 214

HSL 305.64, 0.79%, 0.55%

LAB 56.21, 81.96, -44.62

 

CMYK 14 / 78 / 0 / 9

HEX #C732E7

RGB 199 50 231

HSL 289.39, 0.79%, 0.55%

LAB 52.05, 78.58, -61.19

 

CMYK 35 / 78 / 0 / 9

HEX #9632E7

RGB 150 50 231

HSL 273.15, 0.79%, 0.55%

LAB 44.99, 70.37, -72.97

 

CMYK 56 / 78 / 0 / 9

HEX #6532E7

RGB 101 50 231

HSL 256.91, 0.79%, 0.55%

LAB 39.27, 63.7, -82.57

 

CMYK 0 / 78 / 29 / 9

HEX #E732A5

RGB 231 50 165

HSL 321.88, 0.79%, 0.55%

LAB 54.01, 75.66, -19.71

 

CMYK 0 / 88 / 32 / 2

HEX #F91FAA

RGB 249 31 170

HSL 321.74, 0.95%, 0.55%

LAB 56.11, 84.04, -19.15

 

CMYK 0 / 78 / 29 / 9

HEX #E732A5

RGB 231 50 165

HSL 321.88, 0.79%, 0.55%

LAB 54.01, 75.66, -19.71

 

CMYK 0 / 68 / 25 / 17

HEX #D444A0

RGB 212 68 160

HSL 321.67, 0.63%, 0.55%

LAB 52.59, 64.67, -19.24

 

CMYK 0 / 55 / 20 / 24

HEX #C2579B

RGB 194 87 155

HSL 321.87, 0.47%, 0.55%

LAB 52.57, 50.73, -16.57

 

CMYK 0 / 40 / 14 / 31

HEX #AF6996

RGB 175 105 150

HSL 321.43, 0.3%, 0.55%

LAB 53.41, 34.46, -12.61

 

CMYK 0 / 21 / 8 / 38

HEX #9D7C91

RGB 157 124 145

HSL 321.82, 0.14%, 0.55%

LAB 55.71, 16.39, -6.45

 

CMYK 14 / 78 / 0 / 9

HEX #C632E7

RGB 198 50 231

HSL 289.06, 0.79%, 0.55%

LAB 51.9, 78.4, -61.44

 

CMYK 0 / 78 / 6 / 9

HEX #E732D8

RGB 231 50 216

HSL 304.97, 0.79%, 0.55%

LAB 56.32, 82.25, -45.59

 

CMYK 0 / 78 / 28 / 9

HEX #E732A7

RGB 231 50 167

HSL 321.22, 0.79%, 0.55%

LAB 54.09, 75.89, -20.77

 

CMYK 0 / 78 / 48 / 9

HEX #E73277

RGB 231 50 119

HSL 337.13, 0.79%, 0.55%

LAB 52.51, 71.17, 5.47

 

CMYK 0 / 78 / 69 / 9

HEX #E73247

RGB 231 50 71

HSL 353.04, 0.79%, 0.55%

LAB 51.52, 68.12, 32.97

 

CMYK 0 / 88 / 32 / 31

HEX #B11578

RGB 177 21 120

HSL 321.92, 0.79%, 0.39%

LAB 39.98, 64.72, -14.83

 

CMYK 0 / 88 / 32 / 16

HEX #D61991

RGB 214 25 145

HSL 321.9, 0.79%, 0.47%

LAB 48.31, 74.92, -16.81

 

CMYK 0 / 78 / 29 / 9

HEX #E732A5

RGB 231 50 165

HSL 321.88, 0.79%, 0.55%

LAB 54.01, 75.66, -19.71

 

CMYK 0 / 63 / 23 / 8

HEX #EB57B5

RGB 235 87 181

HSL 321.89, 0.79%, 0.63%

LAB 59.72, 66.21, -20.23

 

CMYK 0 / 49 / 18 / 6

HEX #F07BC5

RGB 240 123 197

HSL 322.05, 0.8%, 0.71%

LAB 67.07, 53.74, -18.07

 

CMYK 0 / 80 / 29 / 9

HEX #E72FA4

RGB 231 47 164

HSL 321.85, 0.79%, 0.55%

LAB 53.71, 76.31, -19.59

 

CMYK 0 / 35 / 78 / 9

HEX #E79532

RGB 231 149 50

HSL 32.82, 0.79%, 0.55%

LAB 68.54, 23.19, 61.46

 

CMYK 78 / 0 / 4 / 9

HEX #32E7DE

RGB 50 231 222

HSL 177.02, 0.79%, 0.55%

LAB 83.5, -44.8, -8.18

 

CMYK 0 / 80 / 29 / 9

HEX #E72FA4

RGB 231 47 164

HSL 321.85, 0.79%, 0.55%

LAB 53.71, 76.31, -19.59

 

CMYK 28 / 0 / 78 / 9

HEX #A7E732

RGB 167 231 50

HSL 81.22, 0.79%, 0.55%

LAB 84.79, -44.49, 74.54

 

CMYK 78 / 28 / 0 / 9

HEX #32A7E7

RGB 50 167 231

HSL 201.22, 0.79%, 0.55%

LAB 65.03, -10.52, -41.23

 

CMYK 0 / 80 / 29 / 9

HEX #E72FA4

RGB 231 47 164

HSL 321.85, 0.79%, 0.55%

LAB 53.71, 76.31, -19.59

 

CMYK 0 / 35 / 78 / 9

HEX #E79532

RGB 231 149 50

HSL 32.82, 0.79%, 0.55%

LAB 68.54, 23.19, 61.46

 

CMYK 78 / 0 / 51 / 9

HEX #32E771

RGB 50 231 113

HSL 140.88, 0.79%, 0.55%

LAB 81.3, -68.45, 44.84

 

CMYK 78 / 43 / 0 / 9

HEX #3283E7

RGB 50 131 231

HSL 213.15, 0.79%, 0.55%

LAB 54.74, 10.47, -57.54

 

CMYK 0 / 80 / 29 / 9

HEX #E72FA4

RGB 231 47 164

HSL 321.85, 0.79%, 0.55%

LAB 53.71, 76.31, -19.59

 

CMYK 0 / 12 / 78 / 9

HEX #E7CC32

RGB 231 204 50

HSL 51.05, 0.79%, 0.55%

LAB 82.06, -5.69, 73.79

 

CMYK 78 / 0 / 51 / 9

HEX #32E771

RGB 50 231 113

HSL 140.88, 0.79%, 0.55%

LAB 81.3, -68.45, 44.84

 

CMYK 78 / 67 / 0 / 9

HEX #324DE7

RGB 50 77 231

HSL 231.05, 0.79%, 0.55%

LAB 40.82, 44.27, -80.14

 

Description

Color code: HEX #E72FA4 | qconv.com Color code: HEX #E72FA4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 47 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 47 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 29 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 29% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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