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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E729CD it is the complementary color #18D632. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E729CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E729CD shade: #EC29C8, #FD3BDB, #FF4DEE, #FF5FFF and #FF71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E729CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E729CD shade: #E729CD, #D617BA, #C505A7, #B40094 and #A30081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E729CD shade: #E727CD, #E72799, #E72765, #E72732 and #E72727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E729CD shade: #E727CD, #CE27E7, #9A27E7, #6627E7 and #3227E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E729CD shade matches the following richer shades: #E727CD and #FA14DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E729CD shade: #E727CD, #D43BBF, #C04EB1, #AD61A3 and #997594

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E729CD shade: #9A27E7, #CD27E7, #E727CD, #E7279A and #E72767

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E729CD shade: #A91394, #CE17B5, #E727CD, #EB4CD5 and #EF72DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E729CD shade: #E729CD, #E76727 and #27E7B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E729CD shade: #E729CD, #CDE727 and #27CDE7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E729CD shade: #E729CD, #E76727, #27E741 and #27A7E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E729CD shade: #E729CD, #E7A127, #27E741 and #276EE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 11 / 9

HEX #E729CD

RGB 231 41 205

HSL 308.21, 0.8%, 0.53%

LAB 55.05, 82.76, -41.31

 

Complementary color

CMYK 89 / 0 / 77 / 16

HEX #18D632

RGB 24 214 50

HSL 128.21, 0.8%, 0.47%

LAB 75.15, -72.53, 63.82

 

CMYK 0 / 83 / 15 / 7

HEX #EC29C8

RGB 236 41 200

HSL 311.08, 0.84%, 0.54%

LAB 55.67, 83.08, -37.41

 

CMYK 0 / 77 / 13 / 1

HEX #FD3BDB

RGB 253 59 219

HSL 310.52, 0.98%, 0.61%

LAB 60.89, 84.87, -39.83

 

CMYK 0 / 70 / 7 / 0

HEX #FF4DEE

RGB 255 77 238

HSL 305.73, 1%, 0.65%

LAB 63.95, 82.69, -45.64

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 82 / 11 / 9

HEX #E729CD

RGB 231 41 205

HSL 308.21, 0.8%, 0.53%

LAB 55.05, 82.76, -41.31

 

CMYK 0 / 89 / 13 / 16

HEX #D617BA

RGB 214 23 186

HSL 308.8, 0.81%, 0.46%

LAB 50.04, 80.09, -38.42

 

CMYK 0 / 97 / 15 / 23

HEX #C505A7

RGB 197 5 167

HSL 309.38, 0.95%, 0.4%

LAB 45.32, 76.35, -34.88

 

CMYK 0 / 100 / 18 / 29

HEX #B40094

RGB 180 0 148

HSL 310.67, 1%, 0.35%

LAB 40.96, 71.23, -30.51

 

CMYK 0 / 100 / 21 / 36

HEX #A30081

RGB 163 0 129

HSL 312.52, 1%, 0.32%

LAB 36.69, 65.58, -25.75

 

CMYK 0 / 83 / 11 / 9

HEX #E727CD

RGB 231 39 205

HSL 308.13, 0.8%, 0.53%

LAB 54.92, 83.16, -41.53

 

CMYK 0 / 83 / 34 / 9

HEX #E72799

RGB 231 39 153

HSL 324.38, 0.8%, 0.53%

LAB 52.66, 76.94, -14.67

 

CMYK 0 / 83 / 56 / 9

HEX #E72765

RGB 231 39 101

HSL 340.63, 0.8%, 0.53%

LAB 51.13, 72.52, 14.43

 

CMYK 0 / 83 / 78 / 9

HEX #E72732

RGB 231 39 50

HSL 356.56, 0.8%, 0.53%

LAB 50.3, 70.05, 43.58

 

CMYK 0 / 83 / 83 / 9

HEX #E72727

RGB 231 39 39

HSL 0, 0.8%, 0.53%

LAB 50.2, 69.75, 49.28

 

CMYK 0 / 83 / 11 / 9

HEX #E727CD

RGB 231 39 205

HSL 308.13, 0.8%, 0.53%

LAB 54.92, 83.16, -41.53

 

CMYK 11 / 83 / 0 / 9

HEX #CE27E7

RGB 206 39 231

HSL 292.19, 0.8%, 0.53%

LAB 52.22, 82.51, -60.86

 

CMYK 33 / 83 / 0 / 9

HEX #9A27E7

RGB 154 39 231

HSL 275.94, 0.8%, 0.53%

LAB 44.36, 74.38, -73.97

 

CMYK 56 / 83 / 0 / 9

HEX #6627E7

RGB 102 39 231

HSL 259.69, 0.8%, 0.53%

LAB 37.92, 68.05, -84.79

 

CMYK 78 / 83 / 0 / 9

HEX #3227E7

RGB 50 39 231

HSL 243.44, 0.8%, 0.53%

LAB 33.77, 64.19, -91.8

 

CMYK 0 / 83 / 11 / 9

HEX #E727CD

RGB 231 39 205

HSL 308.13, 0.8%, 0.53%

LAB 54.92, 83.16, -41.53

 

CMYK 0 / 92 / 12 / 2

HEX #FA14DB

RGB 250 20 219

HSL 308.09, 0.96%, 0.53%

LAB 57.98, 91.27, -44.45

 

CMYK 0 / 83 / 11 / 9

HEX #E727CD

RGB 231 39 205

HSL 308.13, 0.8%, 0.53%

LAB 54.92, 83.16, -41.53

 

CMYK 0 / 72 / 10 / 17

HEX #D43BBF

RGB 212 59 191

HSL 308.24, 0.64%, 0.53%

LAB 52.83, 72.07, -36.97

 

CMYK 0 / 59 / 8 / 25

HEX #C04EB1

RGB 192 78 177

HSL 307.89, 0.48%, 0.53%

LAB 51.64, 57.7, -30.92

 

CMYK 0 / 44 / 6 / 32

HEX #AD61A3

RGB 173 97 163

HSL 307.89, 0.32%, 0.53%

LAB 51.93, 40.38, -22.51

 

CMYK 0 / 24 / 3 / 40

HEX #997594

RGB 153 117 148

HSL 308.33, 0.15%, 0.53%

LAB 53.64, 19.54, -11.35

 

CMYK 33 / 83 / 0 / 9

HEX #9A27E7

RGB 154 39 231

HSL 275.94, 0.8%, 0.53%

LAB 44.36, 74.38, -73.97

 

CMYK 11 / 83 / 0 / 9

HEX #CD27E7

RGB 205 39 231

HSL 291.88, 0.8%, 0.53%

LAB 52.06, 82.34, -61.13

 

CMYK 0 / 83 / 11 / 9

HEX #E727CD

RGB 231 39 205

HSL 308.13, 0.8%, 0.53%

LAB 54.92, 83.16, -41.53

 

CMYK 0 / 83 / 33 / 9

HEX #E7279A

RGB 231 39 154

HSL 324.06, 0.8%, 0.53%

LAB 52.7, 77.05, -15.21

 

CMYK 0 / 83 / 55 / 9

HEX #E72767

RGB 231 39 103

HSL 340, 0.8%, 0.53%

LAB 51.17, 72.65, 13.27

 

CMYK 0 / 89 / 12 / 34

HEX #A91394

RGB 169 19 148

HSL 308.4, 0.8%, 0.37%

LAB 39.65, 66.86, -32.73

 

CMYK 0 / 89 / 12 / 19

HEX #CE17B5

RGB 206 23 181

HSL 308.2, 0.8%, 0.45%

LAB 48.35, 77.92, -38.26

 

CMYK 0 / 83 / 11 / 9

HEX #E727CD

RGB 231 39 205

HSL 308.13, 0.8%, 0.53%

LAB 54.92, 83.16, -41.53

 

CMYK 0 / 68 / 9 / 8

HEX #EB4CD5

RGB 235 76 213

HSL 308.3, 0.8%, 0.61%

LAB 59.56, 74.84, -38.74

 

CMYK 0 / 52 / 7 / 6

HEX #EF72DE

RGB 239 114 222

HSL 308.16, 0.8%, 0.69%

LAB 66.26, 61.58, -33.3

 

CMYK 0 / 82 / 11 / 9

HEX #E729CD

RGB 231 41 205

HSL 308.21, 0.8%, 0.53%

LAB 55.05, 82.76, -41.31

 

CMYK 0 / 55 / 83 / 9

HEX #E76727

RGB 231 103 39

HSL 20, 0.8%, 0.53%

LAB 58.82, 46.39, 56.97

 

CMYK 83 / 0 / 22 / 9

HEX #27E7B4

RGB 39 231 180

HSL 164.06, 0.8%, 0.53%

LAB 82.31, -56.55, 12.23

 

CMYK 0 / 82 / 11 / 9

HEX #E729CD

RGB 231 41 205

HSL 308.21, 0.8%, 0.53%

LAB 55.05, 82.76, -41.31

 

CMYK 11 / 0 / 83 / 9

HEX #CDE727

RGB 205 231 39

HSL 68.13, 0.8%, 0.53%

LAB 87.13, -30.12, 80.27

 

CMYK 83 / 11 / 0 / 9

HEX #27CDE7

RGB 39 205 231

HSL 188.13, 0.8%, 0.53%

LAB 75.99, -31.1, -24.3

 

CMYK 0 / 82 / 11 / 9

HEX #E729CD

RGB 231 41 205

HSL 308.21, 0.8%, 0.53%

LAB 55.05, 82.76, -41.31

 

CMYK 0 / 55 / 83 / 9

HEX #E76727

RGB 231 103 39

HSL 20, 0.8%, 0.53%

LAB 58.82, 46.39, 56.97

 

CMYK 83 / 0 / 72 / 9

HEX #27E741

RGB 39 231 65

HSL 128.13, 0.8%, 0.53%

LAB 80.72, -75.08, 64.42

 

CMYK 83 / 28 / 0 / 9

HEX #27A7E7

RGB 39 167 231

HSL 200, 0.8%, 0.53%

LAB 64.83, -11.51, -41.55

 

CMYK 0 / 82 / 11 / 9

HEX #E729CD

RGB 231 41 205

HSL 308.21, 0.8%, 0.53%

LAB 55.05, 82.76, -41.31

 

CMYK 0 / 30 / 83 / 9

HEX #E7A127

RGB 231 161 39

HSL 38.13, 0.8%, 0.53%

LAB 71.3, 16.46, 67.74

 

CMYK 83 / 0 / 72 / 9

HEX #27E741

RGB 39 231 65

HSL 128.13, 0.8%, 0.53%

LAB 80.72, -75.08, 64.42

 

CMYK 83 / 52 / 0 / 9

HEX #276EE7

RGB 39 110 231

HSL 217.81, 0.8%, 0.53%

LAB 48.7, 22.6, -67.29

 

Description

Color code: HEX #E729CD | qconv.com Color code: HEX #E729CD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 41 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 41 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 11 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 11% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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