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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E71EB0 it is the complementary color #18E14F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E71EB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E71EB0 shade: #EC1EAB, #FD30BE, #FF42D1, #FF54E4 and #FF66F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E71EB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E71EB0 shade: #E71EB0, #D60C9D, #C5008A, #B40077 and #A30064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E71EB0 shade: #E71DB0, #E71D79, #E71D43 and #E71D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E71EB0 shade: #E71DB0, #E71DE6, #B11DE7, #7B1DE7 and #441DE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E71EB0 shade matches the following richer shades: #E71DB0 and #FB09B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E71EB0 shade: #E71DB0, #D331A7, #BF459E, #AB5994 and #966E8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E71EB0 shade: #B11DE7, #E71DE7, #E71DB1, #E71D7B and #E71D45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E71EB0 shade: #A11179, #C61596, #E71DB0, #EB42BD and #EF68CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E71EB0 shade: #E71EB0, #E77B1D and #1DE7CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E71EB0 shade: #E71EB0, #B1E71D and #1DB1E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E71EB0 shade: #E71EB0, #E77B1D, #1DE753 and #1D89E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E71EB0 shade: #E71EB0, #E7B81D, #1DE753 and #1D4CE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 24 / 9

HEX #E71EB0

RGB 231 30 176

HSL 316.42, 0.81%, 0.51%

LAB 53.01, 81.13, -27.72

 

Complementary color

CMYK 89 / 0 / 65 / 12

HEX #18E14F

RGB 24 225 79

HSL 136.42, 0.81%, 0.49%

LAB 78.82, -73.19, 57.01

 

CMYK 0 / 87 / 28 / 7

HEX #EC1EAB

RGB 236 30 171

HSL 318.93, 0.84%, 0.52%

LAB 53.71, 81.59, -23.62

 

CMYK 0 / 81 / 25 / 1

HEX #FD30BE

RGB 253 48 190

HSL 318.44, 0.98%, 0.59%

LAB 58.71, 83.91, -26.71

 

CMYK 0 / 74 / 18 / 0

HEX #FF42D1

RGB 255 66 209

HSL 314.6, 1%, 0.63%

LAB 61.45, 82.07, -33.29

 

CMYK 0 / 67 / 11 / 0

HEX #FF54E4

RGB 255 84 228

HSL 309.47, 1%, 0.66%

LAB 64.32, 78.88, -39.49

 

CMYK 0 / 60 / 3 / 0

HEX #FF66F7

RGB 255 102 247

HSL 303.14, 1%, 0.7%

LAB 67.63, 74.95, -44.83

 

CMYK 0 / 87 / 24 / 9

HEX #E71EB0

RGB 231 30 176

HSL 316.42, 0.81%, 0.51%

LAB 53.01, 81.13, -27.72

 

CMYK 0 / 94 / 27 / 16

HEX #D60C9D

RGB 214 12 157

HSL 316.93, 0.89%, 0.44%

LAB 48.25, 77.81, -24.09

 

CMYK 0 / 100 / 30 / 23

HEX #C5008A

RGB 197 0 138

HSL 317.97, 1%, 0.39%

LAB 43.81, 73.36, -19.73

 

CMYK 0 / 100 / 34 / 29

HEX #B40077

RGB 180 0 119

HSL 320.33, 1%, 0.35%

LAB 39.64, 67.87, -14.67

 

CMYK 0 / 100 / 39 / 36

HEX #A30064

RGB 163 0 100

HSL 323.19, 1%, 0.32%

LAB 35.41, 62.32, -9.38

 

CMYK 0 / 87 / 24 / 9

HEX #E71DB0

RGB 231 29 176

HSL 316.34, 0.81%, 0.51%

LAB 52.95, 81.29, -27.8

 

CMYK 0 / 87 / 48 / 9

HEX #E71D79

RGB 231 29 121

HSL 332.67, 0.81%, 0.51%

LAB 50.98, 75.88, 2.05

 

CMYK 0 / 87 / 71 / 9

HEX #E71D43

RGB 231 29 67

HSL 348.71, 0.81%, 0.51%

LAB 49.83, 72.62, 33.28

 

CMYK 0 / 87 / 87 / 9

HEX #E71D1D

RGB 231 29 29

HSL 0, 0.81%, 0.51%

LAB 49.44, 71.51, 53.41

 

CMYK 0 / 87 / 24 / 9

HEX #E71DB0

RGB 231 29 176

HSL 316.34, 0.81%, 0.51%

LAB 52.95, 81.29, -27.8

 

CMYK 0 / 87 / 0 / 9

HEX #E71DE6

RGB 231 29 230

HSL 300.3, 0.81%, 0.51%

LAB 55.67, 88.37, -54.55

 

CMYK 23 / 87 / 0 / 9

HEX #B11DE7

RGB 177 29 231

HSL 283.96, 0.81%, 0.51%

LAB 46.97, 79.99, -69.58

 

CMYK 47 / 87 / 0 / 9

HEX #7B1DE7

RGB 123 29 231

HSL 267.92, 0.81%, 0.51%

LAB 39.34, 73.18, -82.37

 

CMYK 71 / 87 / 0 / 9

HEX #441DE7

RGB 68 29 231

HSL 251.58, 0.81%, 0.51%

LAB 33.73, 68.74, -91.84

 

CMYK 0 / 87 / 24 / 9

HEX #E71DB0

RGB 231 29 176

HSL 316.34, 0.81%, 0.51%

LAB 52.95, 81.29, -27.8

 

CMYK 0 / 96 / 26 / 2

HEX #FB09B9

RGB 251 9 185

HSL 316.36, 0.97%, 0.51%

LAB 56.29, 88.31, -27.58

 

CMYK 0 / 87 / 24 / 9

HEX #E71DB0

RGB 231 29 176

HSL 316.34, 0.81%, 0.51%

LAB 52.95, 81.29, -27.8

 

CMYK 0 / 77 / 21 / 17

HEX #D331A7

RGB 211 49 167

HSL 316.3, 0.65%, 0.51%

LAB 50.49, 71.56, -26.6

 

CMYK 0 / 64 / 17 / 25

HEX #BF459E

RGB 191 69 158

HSL 316.23, 0.49%, 0.51%

LAB 49.25, 58.35, -23.46

 

CMYK 0 / 48 / 13 / 33

HEX #AB5994

RGB 171 89 148

HSL 316.83, 0.33%, 0.51%

LAB 49.42, 41.37, -17.52

 

CMYK 0 / 27 / 7 / 41

HEX #966E8B

RGB 150 110 139

HSL 316.5, 0.16%, 0.51%

LAB 51.27, 20.79, -9.65

 

CMYK 23 / 87 / 0 / 9

HEX #B11DE7

RGB 177 29 231

HSL 283.96, 0.81%, 0.51%

LAB 46.97, 79.99, -69.58

 

CMYK 0 / 87 / 0 / 9

HEX #E71DE7

RGB 231 29 231

HSL 300, 0.81%, 0.51%

LAB 55.72, 88.52, -55.02

 

CMYK 0 / 87 / 23 / 9

HEX #E71DB1

RGB 231 29 177

HSL 316.04, 0.81%, 0.51%

LAB 53, 81.41, -28.32

 

CMYK 0 / 87 / 47 / 9

HEX #E71D7B

RGB 231 29 123

HSL 332.08, 0.81%, 0.51%

LAB 51.03, 76.04, 0.92

 

CMYK 0 / 87 / 70 / 9

HEX #E71D45

RGB 231 29 69

HSL 348.12, 0.81%, 0.51%

LAB 49.85, 72.7, 32.13

 

CMYK 0 / 89 / 25 / 37

HEX #A11179

RGB 161 17 121

HSL 316.67, 0.81%, 0.35%

LAB 36.67, 61.97, -20.82

 

CMYK 0 / 89 / 24 / 22

HEX #C61596

RGB 198 21 150

HSL 316.27, 0.81%, 0.43%

LAB 45.28, 72.7, -24.73

 

CMYK 0 / 87 / 24 / 9

HEX #E71DB0

RGB 231 29 176

HSL 316.34, 0.81%, 0.51%

LAB 52.95, 81.29, -27.8

 

CMYK 0 / 72 / 20 / 8

HEX #EB42BD

RGB 235 66 189

HSL 316.33, 0.81%, 0.59%

LAB 57.3, 74.88, -28.56

 

CMYK 0 / 56 / 15 / 6

HEX #EF68CA

RGB 239 104 202

HSL 316.44, 0.81%, 0.67%

LAB 63.77, 63.03, -25.94

 

CMYK 0 / 87 / 24 / 9

HEX #E71EB0

RGB 231 30 176

HSL 316.42, 0.81%, 0.51%

LAB 53.01, 81.13, -27.72

 

CMYK 0 / 47 / 87 / 9

HEX #E77B1D

RGB 231 123 29

HSL 27.92, 0.81%, 0.51%

LAB 62.71, 36.22, 63.75

 

CMYK 87 / 0 / 12 / 9

HEX #1DE7CC

RGB 29 231 204

HSL 171.98, 0.81%, 0.51%

LAB 82.79, -51.19, 0.27

 

CMYK 0 / 87 / 24 / 9

HEX #E71EB0

RGB 231 30 176

HSL 316.42, 0.81%, 0.51%

LAB 53.01, 81.13, -27.72

 

CMYK 23 / 0 / 87 / 9

HEX #B1E71D

RGB 177 231 29

HSL 76.04, 0.81%, 0.51%

LAB 85.3, -41.43, 79.99

 

CMYK 87 / 23 / 0 / 9

HEX #1DB1E7

RGB 29 177 231

HSL 196.04, 0.81%, 0.51%

LAB 67.63, -17.6, -37.19

 

CMYK 0 / 87 / 24 / 9

HEX #E71EB0

RGB 231 30 176

HSL 316.42, 0.81%, 0.51%

LAB 53.01, 81.13, -27.72

 

CMYK 0 / 47 / 87 / 9

HEX #E77B1D

RGB 231 123 29

HSL 27.92, 0.81%, 0.51%

LAB 62.71, 36.22, 63.75

 

CMYK 87 / 0 / 64 / 9

HEX #1DE753

RGB 29 231 83

HSL 136.04, 0.81%, 0.51%

LAB 80.76, -74.22, 57.53

 

CMYK 87 / 41 / 0 / 9

HEX #1D89E7

RGB 29 137 231

HSL 207.92, 0.81%, 0.51%

LAB 56.01, 5.1, -55.53

 

CMYK 0 / 87 / 24 / 9

HEX #E71EB0

RGB 231 30 176

HSL 316.42, 0.81%, 0.51%

LAB 53.01, 81.13, -27.72

 

CMYK 0 / 20 / 87 / 9

HEX #E7B81D

RGB 231 184 29

HSL 46.04, 0.81%, 0.51%

LAB 76.9, 4.07, 74.94

 

CMYK 87 / 0 / 64 / 9

HEX #1DE753

RGB 29 231 83

HSL 136.04, 0.81%, 0.51%

LAB 80.76, -74.22, 57.53

 

CMYK 87 / 67 / 0 / 9

HEX #1D4CE7

RGB 29 76 231

HSL 226.04, 0.81%, 0.51%

LAB 39.91, 43.52, -81.66

 

Description

Color code: HEX #E71EB0 | qconv.com Color code: HEX #E71EB0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 30 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 30 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 24 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 24% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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