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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E71BC8 it is the complementary color #18E437. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E71BC8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E71BC8 shade: #EC1BC3, #FD2DD6, #FF3FE9, #FF51FC and #FF63FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E71BC8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E71BC8 shade: #E71BC8, #D609B5, #C500A2, #B4008F and #A3007C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E71BC8 shade: #E71DC8, #E71D92, #E71D5B, #E71D25 and #E71D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E71BC8 shade: #E71DC8, #CF1DE7, #991DE7, #621DE7 and #2C1DE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E71BC8 shade matches the following richer shades: #E71DC8 and #FB09D7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E71BC8 shade: #E71DC8, #D331BA, #BF45AC, #AB599E and #966E90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E71BC8 shade: #9A1DE7, #D01DE7, #E71DC9, #E71D93 and #E71D5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E71BC8 shade: #A1118B, #C615AB, #E71DC8, #EB42D1 and #EF68DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E71BC8 shade: #E71BC8, #E7641D and #1DE7B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E71BC8 shade: #E71BC8, #C9E71D and #1DC9E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E71BC8 shade: #E71BC8, #E7641D, #1DE73B and #1DA0E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E71BC8 shade: #E71BC8, #E7A01D, #1DE73B and #1D64E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 13 / 9

HEX #E71BC8

RGB 231 27 200

HSL 309.12, 0.81%, 0.51%

LAB 53.97, 84.54, -40.15

 

Complementary color

CMYK 89 / 0 / 76 / 11

HEX #18E437

RGB 24 228 55

HSL 129.12, 0.81%, 0.49%

LAB 79.59, -76.15, 66.59

 

CMYK 0 / 89 / 17 / 7

HEX #EC1BC3

RGB 236 27 195

HSL 311.77, 0.85%, 0.52%

LAB 54.61, 84.85, -36.19

 

CMYK 0 / 82 / 15 / 1

HEX #FD2DD6

RGB 253 45 214

HSL 311.25, 0.98%, 0.58%

LAB 59.54, 87.45, -39.13

 

CMYK 0 / 75 / 9 / 0

HEX #FF3FE9

RGB 255 63 233

HSL 306.88, 1%, 0.62%

LAB 62.25, 86.13, -45.53

 

CMYK 0 / 68 / 1 / 0

HEX #FF51FC

RGB 255 81 252

HSL 301.03, 1%, 0.66%

LAB 65.1, 83.49, -51.58

 

CMYK 0 / 61 / 0 / 0

HEX #FF63FF

RGB 255 99 255

HSL 300, 1%, 0.69%

LAB 67.58, 77.42, -49.31

 

CMYK 0 / 88 / 13 / 9

HEX #E71BC8

RGB 231 27 200

HSL 309.12, 0.81%, 0.51%

LAB 53.97, 84.54, -40.15

 

CMYK 0 / 96 / 15 / 16

HEX #D609B5

RGB 214 9 181

HSL 309.66, 0.92%, 0.44%

LAB 49.29, 80.92, -36.69

 

CMYK 0 / 100 / 18 / 23

HEX #C500A2

RGB 197 0 162

HSL 310.66, 1%, 0.39%

LAB 44.91, 76.16, -32.53

 

CMYK 0 / 100 / 21 / 29

HEX #B4008F

RGB 180 0 143

HSL 312.33, 1%, 0.35%

LAB 40.71, 70.61, -27.85

 

CMYK 0 / 100 / 24 / 36

HEX #A3007C

RGB 163 0 124

HSL 314.36, 1%, 0.32%

LAB 36.45, 64.97, -23.01

 

CMYK 0 / 87 / 13 / 9

HEX #E71DC8

RGB 231 29 200

HSL 309.21, 0.81%, 0.51%

LAB 54.07, 84.25, -39.99

 

CMYK 0 / 87 / 37 / 9

HEX #E71D92

RGB 231 29 146

HSL 325.25, 0.81%, 0.51%

LAB 51.77, 78.09, -11.84

 

CMYK 0 / 87 / 61 / 9

HEX #E71D5B

RGB 231 29 91

HSL 341.58, 0.81%, 0.51%

LAB 50.24, 73.81, 19.31

 

CMYK 0 / 87 / 84 / 9

HEX #E71D25

RGB 231 29 37

HSL 357.62, 0.81%, 0.51%

LAB 49.5, 71.67, 49.66

 

CMYK 0 / 87 / 87 / 9

HEX #E71D1D

RGB 231 29 29

HSL 0, 0.81%, 0.51%

LAB 49.44, 71.51, 53.41

 

CMYK 0 / 87 / 13 / 9

HEX #E71DC8

RGB 231 29 200

HSL 309.21, 0.81%, 0.51%

LAB 54.07, 84.25, -39.99

 

CMYK 10 / 87 / 0 / 9

HEX #CF1DE7

RGB 207 29 231

HSL 292.87, 0.81%, 0.51%

LAB 51.74, 84.56, -61.63

 

CMYK 34 / 87 / 0 / 9

HEX #991DE7

RGB 153 29 231

HSL 276.83, 0.81%, 0.51%

LAB 43.39, 76.7, -75.57

 

CMYK 58 / 87 / 0 / 9

HEX #621DE7

RGB 98 29 231

HSL 260.5, 0.81%, 0.51%

LAB 36.45, 70.81, -87.24

 

CMYK 81 / 87 / 0 / 9

HEX #2C1DE7

RGB 44 29 231

HSL 244.46, 0.81%, 0.51%

LAB 32.22, 67.66, -94.39

 

CMYK 0 / 87 / 13 / 9

HEX #E71DC8

RGB 231 29 200

HSL 309.21, 0.81%, 0.51%

LAB 54.07, 84.25, -39.99

 

CMYK 0 / 96 / 14 / 2

HEX #FB09D7

RGB 251 9 215

HSL 308.93, 0.97%, 0.51%

LAB 57.67, 91.8, -42.66

 

CMYK 0 / 87 / 13 / 9

HEX #E71DC8

RGB 231 29 200

HSL 309.21, 0.81%, 0.51%

LAB 54.07, 84.25, -39.99

 

CMYK 0 / 77 / 12 / 17

HEX #D331BA

RGB 211 49 186

HSL 309.26, 0.65%, 0.51%

LAB 51.37, 74.11, -36.37

 

CMYK 0 / 64 / 10 / 25

HEX #BF45AC

RGB 191 69 172

HSL 309.34, 0.49%, 0.51%

LAB 49.87, 60.47, -30.77

 

CMYK 0 / 48 / 8 / 33

HEX #AB599E

RGB 171 89 158

HSL 309.51, 0.33%, 0.51%

LAB 49.82, 43.08, -22.83

 

CMYK 0 / 27 / 4 / 41

HEX #966E90

RGB 150 110 144

HSL 309, 0.16%, 0.51%

LAB 51.44, 21.74, -12.34

 

CMYK 33 / 87 / 0 / 9

HEX #9A1DE7

RGB 154 29 231

HSL 277.13, 0.81%, 0.51%

LAB 43.53, 76.83, -75.33

 

CMYK 10 / 87 / 0 / 9

HEX #D01DE7

RGB 208 29 231

HSL 293.17, 0.81%, 0.51%

LAB 51.9, 84.72, -61.36

 

CMYK 0 / 87 / 13 / 9

HEX #E71DC9

RGB 231 29 201

HSL 308.91, 0.81%, 0.51%

LAB 54.12, 84.38, -40.49

 

CMYK 0 / 87 / 36 / 9

HEX #E71D93

RGB 231 29 147

HSL 324.95, 0.81%, 0.51%

LAB 51.81, 78.19, -12.39

 

CMYK 0 / 87 / 60 / 9

HEX #E71D5D

RGB 231 29 93

HSL 340.99, 0.81%, 0.51%

LAB 50.28, 73.93, 18.15

 

CMYK 0 / 89 / 14 / 37

HEX #A1118B

RGB 161 17 139

HSL 309.17, 0.81%, 0.35%

LAB 37.56, 64.34, -30.61

 

CMYK 0 / 89 / 14 / 22

HEX #C615AB

RGB 198 21 171

HSL 309.15, 0.81%, 0.43%

LAB 46.29, 75.35, -35.71

 

CMYK 0 / 87 / 13 / 9

HEX #E71DC8

RGB 231 29 200

HSL 309.21, 0.81%, 0.51%

LAB 54.07, 84.25, -39.99

 

CMYK 0 / 72 / 11 / 8

HEX #EB42D1

RGB 235 66 209

HSL 309.23, 0.81%, 0.59%

LAB 58.19, 77.6, -38.62

 

CMYK 0 / 56 / 9 / 6

HEX #EF68DA

RGB 239 104 218

HSL 309.33, 0.81%, 0.67%

LAB 64.41, 65.45, -33.93

 

CMYK 0 / 88 / 13 / 9

HEX #E71BC8

RGB 231 27 200

HSL 309.12, 0.81%, 0.51%

LAB 53.97, 84.54, -40.15

 

CMYK 0 / 57 / 87 / 9

HEX #E7641D

RGB 231 100 29

HSL 21.09, 0.81%, 0.51%

LAB 58.22, 47.57, 60.23

 

CMYK 87 / 0 / 22 / 9

HEX #1DE7B5

RGB 29 231 181

HSL 165.15, 0.81%, 0.51%

LAB 82.24, -57, 11.6

 

CMYK 0 / 88 / 13 / 9

HEX #E71BC8

RGB 231 27 200

HSL 309.12, 0.81%, 0.51%

LAB 53.97, 84.54, -40.15

 

CMYK 13 / 0 / 87 / 9

HEX #C9E71D

RGB 201 231 29

HSL 68.91, 0.81%, 0.51%

LAB 86.83, -31.98, 81.88

 

CMYK 87 / 13 / 0 / 9

HEX #1DC9E7

RGB 29 201 231

HSL 188.91, 0.81%, 0.51%

LAB 74.7, -29.8, -26.27

 

CMYK 0 / 88 / 13 / 9

HEX #E71BC8

RGB 231 27 200

HSL 309.12, 0.81%, 0.51%

LAB 53.97, 84.54, -40.15

 

CMYK 0 / 57 / 87 / 9

HEX #E7641D

RGB 231 100 29

HSL 21.09, 0.81%, 0.51%

LAB 58.22, 47.57, 60.23

 

CMYK 87 / 0 / 74 / 9

HEX #1DE73B

RGB 29 231 59

HSL 128.91, 0.81%, 0.51%

LAB 80.59, -76.38, 66.3

 

CMYK 87 / 31 / 0 / 9

HEX #1DA0E7

RGB 29 160 231

HSL 201.09, 0.81%, 0.51%

LAB 62.65, -8.32, -44.99

 

CMYK 0 / 88 / 13 / 9

HEX #E71BC8

RGB 231 27 200

HSL 309.12, 0.81%, 0.51%

LAB 53.97, 84.54, -40.15

 

CMYK 0 / 31 / 87 / 9

HEX #E7A01D

RGB 231 160 29

HSL 38.91, 0.81%, 0.51%

LAB 71.02, 16.75, 70.3

 

CMYK 87 / 0 / 74 / 9

HEX #1DE73B

RGB 29 231 59

HSL 128.91, 0.81%, 0.51%

LAB 80.59, -76.38, 66.3

 

CMYK 87 / 57 / 0 / 9

HEX #1D64E7

RGB 29 100 231

HSL 218.91, 0.81%, 0.51%

LAB 45.83, 28.32, -71.96

 

Description

Color code: HEX #E71BC8 | qconv.com Color code: HEX #E71BC8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 27 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 27 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 13 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 13% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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