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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E718DF it is the complementary color #18E720. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E718DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E718DF shade: #EC18DA, #FD2AED, #FF3CFF, #FF4EFF and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E718DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E718DF shade: #E718DF, #D606CC, #C500B9, #B400A6 and #A30093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E718DF shade: #E718DF, #E718A7, #E7186F, #E71838 and #E71818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E718DF shade: #E718DF, #B718E7, #7F18E7, #4818E7 and #1818E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E718DF shade matches the following richer shades: #E718DF and #FB04F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E718DF shade: #E718DF, #D22DCC, #BE41B9, #A956A6 and #946B93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E718DF shade: #8018E7, #B718E7, #E718E0, #E718A9 and #E71872

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E718DF shade: #9C1097, #C114BB, #E718DF, #EB3EE4 and #EF63E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E718DF shade: #E718DF, #E74818 and #18E79B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E718DF shade: #E718DF, #E0E718 and #18E0E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E718DF shade: #E718DF, #E74818, #18E71F and #18B7E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E718DF shade: #E718DF, #E78618, #18E71F and #1879E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 3 / 9

HEX #E718DF

RGB 231 24 223

HSL 302.32, 0.81%, 0.5%

LAB 55.04, 88.05, -51.59

 

Complementary color

CMYK 90 / 0 / 86 / 9

HEX #18E720

RGB 24 231 32

HSL 122.32, 0.81%, 0.5%

LAB 80.43, -78.23, 73.35

 

CMYK 0 / 90 / 8 / 7

HEX #EC18DA

RGB 236 24 218

HSL 305.09, 0.85%, 0.51%

LAB 55.63, 88.23, -47.76

 

CMYK 0 / 83 / 6 / 1

HEX #FD2AED

RGB 253 42 237

HSL 304.55, 0.98%, 0.58%

LAB 60.47, 91.08, -50.6

 

CMYK 0 / 76 / 0 / 0

HEX #FF3CFF

RGB 255 60 255

HSL 300, 1%, 0.62%

LAB 63.1, 90.1, -56.4

 

CMYK 0 / 69 / 0 / 0

HEX #FF4EFF

RGB 255 78 255

HSL 300, 1%, 0.65%

LAB 64.91, 84.93, -53.53

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 0 / 90 / 3 / 9

HEX #E718DF

RGB 231 24 223

HSL 302.32, 0.81%, 0.5%

LAB 55.04, 88.05, -51.59

 

CMYK 0 / 97 / 5 / 16

HEX #D606CC

RGB 214 6 204

HSL 302.88, 0.95%, 0.43%

LAB 50.44, 84.22, -48.24

 

CMYK 0 / 100 / 6 / 23

HEX #C500B9

RGB 197 0 185

HSL 303.65, 1%, 0.39%

LAB 46.14, 79.2, -44.22

 

CMYK 0 / 100 / 8 / 29

HEX #B400A6

RGB 180 0 166

HSL 304.67, 1%, 0.35%

LAB 41.93, 73.63, -39.84

 

CMYK 0 / 100 / 10 / 36

HEX #A30093

RGB 163 0 147

HSL 305.89, 1%, 0.32%

LAB 37.65, 67.97, -35.35

 

CMYK 0 / 90 / 3 / 9

HEX #E718DF

RGB 231 24 223

HSL 302.32, 0.81%, 0.5%

LAB 55.04, 88.05, -51.59

 

CMYK 0 / 90 / 28 / 9

HEX #E718A7

RGB 231 24 167

HSL 318.55, 0.81%, 0.5%

LAB 52.32, 81, -23.48

 

CMYK 0 / 90 / 52 / 9

HEX #E7186F

RGB 231 24 111

HSL 334.78, 0.81%, 0.5%

LAB 50.44, 75.89, 7.37

 

CMYK 0 / 90 / 76 / 9

HEX #E71838

RGB 231 24 56

HSL 350.72, 0.81%, 0.5%

LAB 49.41, 72.99, 39.25

 

CMYK 0 / 90 / 90 / 9

HEX #E71818

RGB 231 24 24

HSL 0, 0.81%, 0.5%

LAB 49.14, 72.22, 55.32

 

CMYK 0 / 90 / 3 / 9

HEX #E718DF

RGB 231 24 223

HSL 302.32, 0.81%, 0.5%

LAB 55.04, 88.05, -51.59

 

CMYK 21 / 90 / 0 / 9

HEX #B718E7

RGB 183 24 231

HSL 286.09, 0.81%, 0.5%

LAB 47.61, 81.72, -68.49

 

CMYK 45 / 90 / 0 / 9

HEX #7F18E7

RGB 127 24 231

HSL 269.86, 0.81%, 0.5%

LAB 39.47, 74.74, -82.14

 

CMYK 69 / 90 / 0 / 9

HEX #4818E7

RGB 72 24 231

HSL 253.91, 0.81%, 0.5%

LAB 33.56, 70.39, -92.1

 

CMYK 90 / 90 / 0 / 9

HEX #1818E7

RGB 24 24 231

HSL 240, 0.81%, 0.5%

LAB 30.92, 68.73, -96.58

 

CMYK 0 / 90 / 3 / 9

HEX #E718DF

RGB 231 24 223

HSL 302.32, 0.81%, 0.5%

LAB 55.04, 88.05, -51.59

 

CMYK 0 / 98 / 4 / 2

HEX #FB04F2

RGB 251 4 242

HSL 302.19, 0.97%, 0.5%

LAB 58.98, 95.61, -55.79

 

CMYK 0 / 90 / 3 / 9

HEX #E718DF

RGB 231 24 223

HSL 302.32, 0.81%, 0.5%

LAB 55.04, 88.05, -51.59

 

CMYK 0 / 79 / 3 / 18

HEX #D22DCC

RGB 210 45 204

HSL 302.18, 0.65%, 0.5%

LAB 51.77, 77.58, -46.17

 

CMYK 0 / 66 / 3 / 25

HEX #BE41B9

RGB 190 65 185

HSL 302.4, 0.49%, 0.5%

LAB 49.77, 63.9, -38.53

 

CMYK 0 / 49 / 2 / 34

HEX #A956A6

RGB 169 86 166

HSL 302.17, 0.33%, 0.5%

LAB 49.31, 45.45, -28.36

 

CMYK 0 / 28 / 1 / 42

HEX #946B93

RGB 148 107 147

HSL 301.46, 0.16%, 0.5%

LAB 50.59, 23.36, -15.41

 

CMYK 45 / 90 / 0 / 9

HEX #8018E7

RGB 128 24 231

HSL 270.14, 0.81%, 0.5%

LAB 39.6, 74.84, -81.92

 

CMYK 21 / 90 / 0 / 9

HEX #B718E7

RGB 183 24 231

HSL 286.09, 0.81%, 0.5%

LAB 47.61, 81.72, -68.49

 

CMYK 0 / 90 / 3 / 9

HEX #E718E0

RGB 231 24 224

HSL 302.03, 0.81%, 0.5%

LAB 55.1, 88.19, -52.07

 

CMYK 0 / 90 / 27 / 9

HEX #E718A9

RGB 231 24 169

HSL 317.97, 0.81%, 0.5%

LAB 52.41, 81.22, -24.53

 

CMYK 0 / 90 / 51 / 9

HEX #E71872

RGB 231 24 114

HSL 333.91, 0.81%, 0.5%

LAB 50.52, 76.11, 5.65

 

CMYK 0 / 90 / 3 / 39

HEX #9C1097

RGB 156 16 151

HSL 302.14, 0.81%, 0.34%

LAB 37.25, 65.28, -38.5

 

CMYK 0 / 90 / 3 / 24

HEX #C114BB

RGB 193 20 187

HSL 302.08, 0.81%, 0.42%

LAB 46.21, 76.8, -45.32

 

CMYK 0 / 90 / 3 / 9

HEX #E718DF

RGB 231 24 223

HSL 302.32, 0.81%, 0.5%

LAB 55.04, 88.05, -51.59

 

CMYK 0 / 74 / 3 / 8

HEX #EB3EE4

RGB 235 62 228

HSL 302.43, 0.81%, 0.58%

LAB 58.7, 81.59, -48.55

 

CMYK 0 / 59 / 3 / 6

HEX #EF63E9

RGB 239 99 233

HSL 302.57, 0.81%, 0.66%

LAB 64.29, 70, -42.5

 

CMYK 0 / 90 / 3 / 9

HEX #E718DF

RGB 231 24 223

HSL 302.32, 0.81%, 0.5%

LAB 55.04, 88.05, -51.59

 

CMYK 0 / 69 / 90 / 9

HEX #E74818

RGB 231 72 24

HSL 13.91, 0.81%, 0.5%

LAB 53.7, 59.45, 58.56

 

CMYK 90 / 0 / 33 / 9

HEX #18E79B

RGB 24 231 155

HSL 157.97, 0.81%, 0.5%

LAB 81.68, -63.11, 24.35

 

CMYK 0 / 90 / 3 / 9

HEX #E718DF

RGB 231 24 223

HSL 302.32, 0.81%, 0.5%

LAB 55.04, 88.05, -51.59

 

CMYK 3 / 0 / 90 / 9

HEX #E0E718

RGB 224 231 24

HSL 62.03, 0.81%, 0.5%

LAB 88.48, -22.66, 84.7

 

CMYK 90 / 3 / 0 / 9

HEX #18E0E7

RGB 24 224 231

HSL 182.03, 0.81%, 0.5%

LAB 81.44, -40.82, -16.05

 

CMYK 0 / 90 / 3 / 9

HEX #E718DF

RGB 231 24 223

HSL 302.32, 0.81%, 0.5%

LAB 55.04, 88.05, -51.59

 

CMYK 0 / 69 / 90 / 9

HEX #E74818

RGB 231 72 24

HSL 13.91, 0.81%, 0.5%

LAB 53.7, 59.45, 58.56

 

CMYK 90 / 0 / 87 / 9

HEX #18E71F

RGB 24 231 31

HSL 122.03, 0.81%, 0.5%

LAB 80.43, -78.26, 73.55

 

CMYK 90 / 21 / 0 / 9

HEX #18B7E7

RGB 24 183 231

HSL 193.91, 0.81%, 0.5%

LAB 69.35, -21.01, -34.53

 

CMYK 0 / 90 / 3 / 9

HEX #E718DF

RGB 231 24 223

HSL 302.32, 0.81%, 0.5%

LAB 55.04, 88.05, -51.59

 

CMYK 0 / 42 / 90 / 9

HEX #E78618

RGB 231 134 24

HSL 31.88, 0.81%, 0.5%

LAB 65.05, 30.43, 66.93

 

CMYK 90 / 0 / 87 / 9

HEX #18E71F

RGB 24 231 31

HSL 122.03, 0.81%, 0.5%

LAB 80.43, -78.26, 73.55

 

CMYK 90 / 48 / 0 / 9

HEX #1879E7

RGB 24 121 231

HSL 211.88, 0.81%, 0.5%

LAB 51.43, 14.67, -62.89

 

Description

Color code: HEX #E718DF | qconv.com Color code: HEX #E718DF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 24 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 24 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 3 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 3% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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