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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E71794 it is the complementary color #18E86B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E71794. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E71794 shade: #EC178F, #FD29A2, #FF3BB5, #FF4DC8 and #FF5FDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E71794. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E71794 shade: #E71794, #D60581, #C5006E, #B4005B and #A30048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E71794 shade: #E81795, #E8175C, #E81724 and #E81717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E71794 shade: #E81795, #E817CD, #CB17E8, #9217E8 and #5A17E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E71794 shade matches the following richer shades: #E81795 and #FD0299

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E71794 shade: #E81795, #D32C90, #BF408C, #AA5588 and #966984

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E71794 shade: #C917E8, #E817D0, #E81798, #E81760 and #E81728

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E71794 shade: #9D1065, #C3137D, #E81795, #EC3CA6 and #EF62B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E71794 shade: #E71794, #E89117 and #17E8E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E71794 shade: #E71794, #98E817 and #1798E8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E71794 shade: #E71794, #E89117, #17E867 and #176EE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E71794 shade: #E71794, #E8D017, #17E867 and #172FE8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 36 / 9

HEX #E71794

RGB 231 23 148

HSL 323.94, 0.82%, 0.5%

LAB 51.54, 79.16, -13.39

 

Complementary color

CMYK 90 / 0 / 54 / 9

HEX #18E86B

RGB 24 232 107

HSL 143.94, 0.82%, 0.5%

LAB 81.27, -71.86, 47.56

 

CMYK 0 / 90 / 39 / 7

HEX #EC178F

RGB 236 23 143

HSL 326.2, 0.85%, 0.51%

LAB 52.32, 79.77, -9.13

 

CMYK 0 / 84 / 36 / 1

HEX #FD29A2

RGB 253 41 162

HSL 325.75, 0.98%, 0.58%

LAB 57.15, 82.38, -12.81

 

CMYK 0 / 77 / 29 / 0

HEX #FF3BB5

RGB 255 59 181

HSL 322.65, 1%, 0.62%

LAB 59.64, 80.65, -20.06

 

CMYK 0 / 70 / 22 / 0

HEX #FF4DC8

RGB 255 77 200

HSL 318.54, 1%, 0.65%

LAB 62.29, 77.49, -26.88

 

CMYK 0 / 63 / 14 / 0

HEX #FF5FDB

RGB 255 95 219

HSL 313.5, 1%, 0.69%

LAB 65.4, 73.51, -32.78

 

CMYK 0 / 90 / 36 / 9

HEX #E71794

RGB 231 23 148

HSL 323.94, 0.82%, 0.5%

LAB 51.54, 79.16, -13.39

 

CMYK 0 / 98 / 40 / 16

HEX #D60581

RGB 214 5 129

HSL 324.4, 0.95%, 0.43%

LAB 46.96, 75.54, -9.13

 

CMYK 0 / 100 / 44 / 23

HEX #C5006E

RGB 197 0 110

HSL 326.5, 1%, 0.39%

LAB 42.76, 70.65, -4.01

 

CMYK 0 / 100 / 49 / 29

HEX #B4005B

RGB 180 0 91

HSL 329.67, 1%, 0.35%

LAB 38.65, 65.3, 1.58

 

CMYK 0 / 100 / 56 / 36

HEX #A30048

RGB 163 0 72

HSL 333.5, 1%, 0.32%

LAB 34.51, 59.94, 7.47

 

CMYK 0 / 90 / 36 / 9

HEX #E81795

RGB 232 23 149

HSL 323.83, 0.82%, 0.5%

LAB 51.77, 79.48, -13.63

 

CMYK 0 / 90 / 60 / 9

HEX #E8175C

RGB 232 23 92

HSL 340.19, 0.82%, 0.5%

LAB 50.15, 75.03, 18.61

 

CMYK 0 / 90 / 84 / 9

HEX #E81724

RGB 232 23 36

HSL 356.27, 0.82%, 0.5%

LAB 49.37, 72.83, 50.12

 

CMYK 0 / 90 / 90 / 9

HEX #E81717

RGB 232 23 23

HSL 0, 0.82%, 0.5%

LAB 49.29, 72.61, 55.92

 

CMYK 0 / 90 / 36 / 9

HEX #E81795

RGB 232 23 149

HSL 323.83, 0.82%, 0.5%

LAB 51.77, 79.48, -13.63

 

CMYK 0 / 90 / 12 / 9

HEX #E817CD

RGB 232 23 205

HSL 307.75, 0.82%, 0.5%

LAB 54.21, 85.91, -42.63

 

CMYK 13 / 90 / 0 / 9

HEX #CB17E8

RGB 203 23 232

HSL 291.67, 0.82%, 0.5%

LAB 50.85, 85, -63.67

 

CMYK 37 / 90 / 0 / 9

HEX #9217E8

RGB 146 23 232

HSL 275.31, 0.82%, 0.5%

LAB 42.08, 77.24, -78.33

 

CMYK 61 / 90 / 0 / 9

HEX #5A17E8

RGB 90 23 232

HSL 259.23, 0.82%, 0.5%

LAB 35.23, 72, -89.86

 

CMYK 0 / 90 / 36 / 9

HEX #E81795

RGB 232 23 149

HSL 323.83, 0.82%, 0.5%

LAB 51.77, 79.48, -13.63

 

CMYK 0 / 99 / 40 / 1

HEX #FD0299

RGB 253 2 153

HSL 323.9, 0.98%, 0.5%

LAB 55.3, 86.01, -10.28

 

CMYK 0 / 90 / 36 / 9

HEX #E81795

RGB 232 23 149

HSL 323.83, 0.82%, 0.5%

LAB 51.77, 79.48, -13.63

 

CMYK 0 / 79 / 32 / 17

HEX #D32C90

RGB 211 44 144

HSL 324.07, 0.65%, 0.5%

LAB 49.09, 70.16, -15.07

 

CMYK 0 / 66 / 27 / 25

HEX #BF408C

RGB 191 64 140

HSL 324.09, 0.5%, 0.5%

LAB 47.8, 57.91, -14.94

 

CMYK 0 / 50 / 20 / 33

HEX #AA5588

RGB 170 85 136

HSL 324, 0.33%, 0.5%

LAB 48.03, 41.2, -12.49

 

CMYK 0 / 30 / 12 / 41

HEX #966984

RGB 150 105 132

HSL 324, 0.18%, 0.5%

LAB 49.8, 22.41, -7.7

 

CMYK 13 / 90 / 0 / 9

HEX #C917E8

RGB 201 23 232

HSL 291.1, 0.82%, 0.5%

LAB 50.52, 84.7, -64.21

 

CMYK 0 / 90 / 10 / 9

HEX #E817D0

RGB 232 23 208

HSL 306.89, 0.82%, 0.5%

LAB 54.37, 86.3, -44.1

 

CMYK 0 / 90 / 34 / 9

HEX #E81798

RGB 232 23 152

HSL 322.97, 0.82%, 0.5%

LAB 51.88, 79.77, -15.25

 

CMYK 0 / 90 / 59 / 9

HEX #E81760

RGB 232 23 96

HSL 339.04, 0.82%, 0.5%

LAB 50.23, 75.26, 16.27

 

CMYK 0 / 90 / 83 / 9

HEX #E81728

RGB 232 23 40

HSL 355.12, 0.82%, 0.5%

LAB 49.4, 72.92, 48.12

 

CMYK 0 / 90 / 36 / 38

HEX #9D1065

RGB 157 16 101

HSL 323.83, 0.82%, 0.34%

LAB 34.96, 58.92, -10.83

 

CMYK 0 / 90 / 36 / 24

HEX #C3137D

RGB 195 19 125

HSL 323.86, 0.82%, 0.42%

LAB 43.58, 69.59, -12.14

 

CMYK 0 / 90 / 36 / 9

HEX #E81795

RGB 232 23 149

HSL 323.83, 0.82%, 0.5%

LAB 51.77, 79.48, -13.63

 

CMYK 0 / 75 / 30 / 7

HEX #EC3CA6

RGB 236 60 166

HSL 323.86, 0.82%, 0.58%

LAB 55.9, 74.17, -17.33

 

CMYK 0 / 59 / 23 / 6

HEX #EF62B7

RGB 239 98 183

HSL 323.83, 0.82%, 0.66%

LAB 62.09, 63, -17.72

 

CMYK 0 / 90 / 36 / 9

HEX #E71794

RGB 231 23 148

HSL 323.94, 0.82%, 0.5%

LAB 51.54, 79.16, -13.39

 

CMYK 0 / 38 / 90 / 9

HEX #E89117

RGB 232 145 23

HSL 35.02, 0.82%, 0.5%

LAB 67.63, 25.03, 69.16

 

CMYK 90 / 0 / 1 / 9

HEX #17E8E5

RGB 23 232 229

HSL 179.14, 0.82%, 0.5%

LAB 83.73, -45, -11.56

 

CMYK 0 / 90 / 36 / 9

HEX #E71794

RGB 231 23 148

HSL 323.94, 0.82%, 0.5%

LAB 51.54, 79.16, -13.39

 

CMYK 34 / 0 / 90 / 9

HEX #98E817

RGB 152 232 23

HSL 82.97, 0.82%, 0.5%

LAB 84.2, -51.18, 79.5

 

CMYK 90 / 34 / 0 / 9

HEX #1798E8

RGB 23 152 232

HSL 202.97, 0.82%, 0.5%

LAB 60.31, -3.72, -49.25

 

CMYK 0 / 90 / 36 / 9

HEX #E71794

RGB 231 23 148

HSL 323.94, 0.82%, 0.5%

LAB 51.54, 79.16, -13.39

 

CMYK 0 / 38 / 90 / 9

HEX #E89117

RGB 232 145 23

HSL 35.02, 0.82%, 0.5%

LAB 67.63, 25.03, 69.16

 

CMYK 90 / 0 / 56 / 9

HEX #17E867

RGB 23 232 103

HSL 142.97, 0.82%, 0.5%

LAB 81.22, -72.47, 49.34

 

CMYK 90 / 53 / 0 / 9

HEX #176EE8

RGB 23 110 232

HSL 215.02, 0.82%, 0.5%

LAB 48.46, 21.98, -68.25

 

CMYK 0 / 90 / 36 / 9

HEX #E71794

RGB 231 23 148

HSL 323.94, 0.82%, 0.5%

LAB 51.54, 79.16, -13.39

 

CMYK 0 / 10 / 90 / 9

HEX #E8D017

RGB 232 208 23

HSL 53.11, 0.82%, 0.5%

LAB 83.09, -7.97, 80.94

 

CMYK 90 / 0 / 56 / 9

HEX #17E867

RGB 23 232 103

HSL 142.97, 0.82%, 0.5%

LAB 81.22, -72.47, 49.34

 

CMYK 90 / 80 / 0 / 9

HEX #172FE8

RGB 23 47 232

HSL 233.11, 0.82%, 0.5%

LAB 34.07, 59.89, -91.9

 

Description

Color code: HEX #E71794 | qconv.com Color code: HEX #E71794 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 23 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 23 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 36 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 36% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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