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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7135F it is the complementary color #18ECA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7135F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E7135F shade: #EC135A, #FD256D, #FF3780, #FF4993 and #FF5BA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7135F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E7135F shade: #E7135F, #D6014C, #C50039, #B40026 and #A30013

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E7135F shade: #E7135F, #E71326 and #E71313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E7135F shade: #E7135F, #E71398, #E713D1, #C413E7 and #8A13E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E7135F shade matches the following richer shades: #E7135F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E7135F shade: #E7135F, #D32765, #BF3B6A, #AB4F70 and #966476

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E7135F shade: #E713D2, #E71399, #E71361, #E71328 and #E73613

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E7135F shade: #9B0D40, #C1104F, #E7135F, #EF3577 and #F25B91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E7135F shade: #E7135F, #E7C413 and #13B6E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E7135F shade: #E7135F, #61E713 and #1361E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E7135F shade: #E7135F, #E7C413, #13E799 and #1336E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E7135F shade: #E7135F, #CBE713, #13E799 and #2F13E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 59 / 9

HEX #E7135F

RGB 231 19 95

HSL 338.49, 0.85%, 0.49%

LAB 49.84, 75.47, 16.31

 

Complementary color

CMYK 90 / 0 / 32 / 7

HEX #18ECA0

RGB 24 236 160

HSL 158.49, 0.85%, 0.51%

LAB 83.3, -63.85, 23.98

 

CMYK 0 / 92 / 62 / 7

HEX #EC135A

RGB 236 19 90

HSL 340.37, 0.85%, 0.5%

LAB 50.73, 76.37, 20.75

 

CMYK 0 / 85 / 57 / 1

HEX #FD256D

RGB 253 37 109

HSL 340, 0.98%, 0.57%

LAB 55.39, 78.87, 16.13

 

CMYK 0 / 78 / 50 / 0

HEX #FF3780

RGB 255 55 128

HSL 338.1, 1%, 0.61%

LAB 57.61, 76.71, 7.97

 

CMYK 0 / 71 / 42 / 0

HEX #FF4993

RGB 255 73 147

HSL 335.6, 1%, 0.64%

LAB 60.01, 73, 0.25

 

CMYK 0 / 64 / 35 / 0

HEX #FF5BA6

RGB 255 91 166

HSL 332.56, 1%, 0.68%

LAB 62.92, 68.39, -6.47

 

CMYK 0 / 92 / 59 / 9

HEX #E7135F

RGB 231 19 95

HSL 338.49, 0.85%, 0.49%

LAB 49.84, 75.47, 16.31

 

CMYK 0 / 100 / 64 / 16

HEX #D6014C

RGB 214 1 76

HSL 338.87, 0.99%, 0.42%

LAB 45.41, 72.07, 21.53

 

CMYK 0 / 100 / 71 / 23

HEX #C50039

RGB 197 0 57

HSL 342.64, 1%, 0.39%

LAB 41.48, 67.24, 27.64

 

CMYK 0 / 100 / 79 / 29

HEX #B40026

RGB 180 0 38

HSL 347.33, 1%, 0.35%

LAB 37.56, 62.37, 33.86

 

CMYK 0 / 100 / 88 / 36

HEX #A30013

RGB 163 0 19

HSL 353.01, 1%, 0.32%

LAB 33.63, 57.59, 39.56

 

CMYK 0 / 92 / 59 / 9

HEX #E7135F

RGB 231 19 95

HSL 338.49, 0.85%, 0.49%

LAB 49.84, 75.47, 16.31

 

CMYK 0 / 92 / 84 / 9

HEX #E71326

RGB 231 19 38

HSL 354.62, 0.85%, 0.49%

LAB 49, 73.14, 48.71

 

CMYK 0 / 92 / 92 / 9

HEX #E71313

RGB 231 19 19

HSL 0, 0.85%, 0.49%

LAB 48.89, 72.82, 57.08

 

CMYK 0 / 92 / 59 / 9

HEX #E7135F

RGB 231 19 95

HSL 338.49, 0.85%, 0.49%

LAB 49.84, 75.47, 16.31

 

CMYK 0 / 92 / 34 / 9

HEX #E71398

RGB 231 19 152

HSL 322.36, 0.85%, 0.49%

LAB 51.52, 80.05, -15.81

 

CMYK 0 / 92 / 10 / 9

HEX #E713D1

RGB 231 19 209

HSL 306.23, 0.85%, 0.49%

LAB 54.09, 86.71, -45.13

 

CMYK 15 / 92 / 0 / 9

HEX #C413E7

RGB 196 19 231

HSL 290.09, 0.85%, 0.49%

LAB 49.46, 84.3, -65.4

 

CMYK 40 / 92 / 0 / 9

HEX #8A13E7

RGB 138 19 231

HSL 273.68, 0.85%, 0.49%

LAB 40.64, 76.83, -80.17

 

CMYK 0 / 92 / 59 / 9

HEX #E7135F

RGB 231 19 95

HSL 338.49, 0.85%, 0.49%

LAB 49.84, 75.47, 16.31

 

CMYK 0 / 92 / 59 / 9

HEX #E7135F

RGB 231 19 95

HSL 338.49, 0.85%, 0.49%

LAB 49.84, 75.47, 16.31

 

CMYK 0 / 82 / 52 / 17

HEX #D32765

RGB 211 39 101

HSL 338.37, 0.69%, 0.49%

LAB 47.29, 67.41, 8.49

 

CMYK 0 / 69 / 45 / 25

HEX #BF3B6A

RGB 191 59 106

HSL 338.64, 0.53%, 0.49%

LAB 45.97, 56.01, 3.03

 

CMYK 0 / 54 / 35 / 33

HEX #AB4F70

RGB 171 79 112

HSL 338.48, 0.37%, 0.49%

LAB 46.2, 41.25, -0.7

 

CMYK 0 / 33 / 21 / 41

HEX #966476

RGB 150 100 118

HSL 338.4, 0.2%, 0.49%

LAB 48.14, 22.91, -1.81

 

CMYK 0 / 92 / 9 / 9

HEX #E713D2

RGB 231 19 210

HSL 305.94, 0.85%, 0.49%

LAB 54.14, 86.85, -45.62

 

CMYK 0 / 92 / 34 / 9

HEX #E71399

RGB 231 19 153

HSL 322.08, 0.85%, 0.49%

LAB 51.56, 80.15, -16.35

 

CMYK 0 / 92 / 58 / 9

HEX #E71361

RGB 231 19 97

HSL 337.92, 0.85%, 0.49%

LAB 49.88, 75.6, 15.15

 

CMYK 0 / 92 / 83 / 9

HEX #E71328

RGB 231 19 40

HSL 354.06, 0.85%, 0.49%

LAB 49.02, 73.19, 47.69

 

CMYK 0 / 77 / 92 / 9

HEX #E73613

RGB 231 54 19

HSL 9.91, 0.85%, 0.49%

LAB 51.47, 65.49, 58.72

 

CMYK 0 / 92 / 59 / 39

HEX #9B0D40

RGB 155 13 64

HSL 338.45, 0.85%, 0.33%

LAB 33.19, 55.66, 10.64

 

CMYK 0 / 92 / 59 / 24

HEX #C1104F

RGB 193 16 79

HSL 338.64, 0.85%, 0.41%

LAB 41.65, 65.74, 13.84

 

CMYK 0 / 92 / 59 / 9

HEX #E7135F

RGB 231 19 95

HSL 338.49, 0.85%, 0.49%

LAB 49.84, 75.47, 16.31

 

CMYK 0 / 78 / 50 / 6

HEX #EF3577

RGB 239 53 119

HSL 338.71, 0.85%, 0.57%

LAB 54.27, 72.43, 8.18

 

CMYK 0 / 62 / 40 / 5

HEX #F25B91

RGB 242 91 145

HSL 338.54, 0.85%, 0.65%

LAB 60.25, 62.38, 1.51

 

CMYK 0 / 92 / 59 / 9

HEX #E7135F

RGB 231 19 95

HSL 338.49, 0.85%, 0.49%

LAB 49.84, 75.47, 16.31

 

CMYK 0 / 15 / 92 / 9

HEX #E7C413

RGB 231 196 19

HSL 50.09, 0.85%, 0.49%

LAB 79.91, -2.33, 79.08

 

CMYK 92 / 21 / 0 / 9

HEX #13B6E7

RGB 19 182 231

HSL 193.87, 0.85%, 0.49%

LAB 69.01, -20.72, -35.05

 

CMYK 0 / 92 / 59 / 9

HEX #E7135F

RGB 231 19 95

HSL 338.49, 0.85%, 0.49%

LAB 49.84, 75.47, 16.31

 

CMYK 58 / 0 / 92 / 9

HEX #61E713

RGB 97 231 19

HSL 97.92, 0.85%, 0.49%

LAB 81.7, -67.49, 77.09

 

CMYK 92 / 58 / 0 / 9

HEX #1361E7

RGB 19 97 231

HSL 217.92, 0.85%, 0.49%

LAB 44.88, 29.76, -73.52

 

CMYK 0 / 92 / 59 / 9

HEX #E7135F

RGB 231 19 95

HSL 338.49, 0.85%, 0.49%

LAB 49.84, 75.47, 16.31

 

CMYK 0 / 15 / 92 / 9

HEX #E7C413

RGB 231 196 19

HSL 50.09, 0.85%, 0.49%

LAB 79.91, -2.33, 79.08

 

CMYK 92 / 0 / 34 / 9

HEX #13E799

RGB 19 231 153

HSL 157.92, 0.85%, 0.49%

LAB 81.61, -63.76, 25.28

 

CMYK 92 / 77 / 0 / 9

HEX #1336E7

RGB 19 54 231

HSL 230.09, 0.85%, 0.49%

LAB 35.1, 55.9, -89.63

 

CMYK 0 / 92 / 59 / 9

HEX #E7135F

RGB 231 19 95

HSL 338.49, 0.85%, 0.49%

LAB 49.84, 75.47, 16.31

 

CMYK 12 / 0 / 92 / 9

HEX #CBE713

RGB 203 231 19

HSL 67.92, 0.85%, 0.49%

LAB 86.95, -31.36, 83.51

 

CMYK 92 / 0 / 34 / 9

HEX #13E799

RGB 19 231 153

HSL 157.92, 0.85%, 0.49%

LAB 81.61, -63.76, 25.28

 

CMYK 80 / 92 / 0 / 9

HEX #2F13E7

RGB 47 19 231

HSL 247.92, 0.85%, 0.49%

LAB 31.44, 70.61, -95.69

 

Description

Color code: HEX #E7135F | qconv.com Color code: HEX #E7135F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 19 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 19 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 59 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 59% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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