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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6F632 it is the complementary color #1909CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6F632. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6F632 shade: #EBF62D, #FCFF40, #FFFF53, #FFFF66 and #FFFF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6F632. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6F632 shade: #E6F632, #D5E41F, #C4D20C, #B3C000 and #A2AE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6F632 shade: #E6F631, #F6D131, #F69C31, #F66731 and #F63231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6F632 shade: #E6F631, #B1F631, #7CF631, #47F631 and #31F651

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6F632 shade matches the following richer shades: #E6F631

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6F632 shade: #E6F631, #D8E543, #C9D454, #BBC265 and #ACB177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6F632 shade: #F69A31, #F6CF31, #E9F631, #B5F631 and #80F631

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6F632 shade: #BDCD09, #E1F40A, #E6F631, #EBF859 and #F0FA81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6F632 shade: #E6F632, #31F666 and #B531F6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6F632 shade: #E6F632, #31E9F6 and #F631E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6F632 shade: #E6F632, #31F666, #3F31F6 and #F631C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6F632 shade: #E6F632, #31F6A1, #3F31F6 and #F63187

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 80 / 4

HEX #E6F632

RGB 230 246 50

HSL 64.9, 0.92%, 0.58%

LAB 93, -26.69, 83.4

 

Complementary color

CMYK 88 / 96 / 0 / 20

HEX #1909CD

RGB 25 9 205

HSL 244.9, 0.92%, 0.42%

LAB 26.19, 65.59, -89.47

 

CMYK 4 / 0 / 82 / 4

HEX #EBF62D

RGB 235 246 45

HSL 63.28, 0.92%, 0.57%

LAB 93.35, -24.81, 85.05

 

CMYK 1 / 0 / 75 / 0

HEX #FCFF40

RGB 252 255 64

HSL 60.94, 1%, 0.63%

LAB 97.06, -21.56, 83.81

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF66

RGB 255 255 102

HSL 60, 1%, 0.7%

LAB 97.53, -18.44, 70.9

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF79

RGB 255 255 121

HSL 60, 1%, 0.74%

LAB 97.7, -17.1, 63.02

 

CMYK 7 / 0 / 80 / 4

HEX #E6F632

RGB 230 246 50

HSL 64.9, 0.92%, 0.58%

LAB 93, -26.69, 83.4

 

CMYK 7 / 0 / 86 / 11

HEX #D5E41F

RGB 213 228 31

HSL 64.57, 0.78%, 0.51%

LAB 86.87, -25.64, 81.91

 

CMYK 7 / 0 / 94 / 18

HEX #C4D20C

RGB 196 210 12

HSL 64.24, 0.89%, 0.44%

LAB 80.66, -24.42, 79.22

 

CMYK 7 / 0 / 100 / 25

HEX #B3C000

RGB 179 192 0

HSL 64.06, 1%, 0.38%

LAB 74.37, -23, 75.11

 

CMYK 7 / 0 / 100 / 32

HEX #A2AE00

RGB 162 174 0

HSL 64.14, 1%, 0.34%

LAB 67.99, -21.44, 69.8

 

CMYK 7 / 0 / 80 / 4

HEX #E6F631

RGB 230 246 49

HSL 64.87, 0.92%, 0.58%

LAB 93, -26.72, 83.65

 

CMYK 0 / 15 / 80 / 4

HEX #F6D131

RGB 246 209 49

HSL 48.73, 0.92%, 0.58%

LAB 84.7, -1.9, 76.94

 

CMYK 0 / 37 / 80 / 4

HEX #F69C31

RGB 246 156 49

HSL 32.59, 0.92%, 0.58%

LAB 71.95, 25.72, 65.63

 

CMYK 0 / 58 / 80 / 4

HEX #F66731

RGB 246 103 49

HSL 16.45, 0.92%, 0.58%

LAB 61.23, 52.15, 55.75

 

CMYK 0 / 80 / 80 / 4

HEX #F63231

RGB 246 50 49

HSL 0.3, 0.92%, 0.58%

LAB 54.13, 71.48, 48.92

 

CMYK 7 / 0 / 80 / 4

HEX #E6F631

RGB 230 246 49

HSL 64.87, 0.92%, 0.58%

LAB 93, -26.72, 83.65

 

CMYK 28 / 0 / 80 / 4

HEX #B1F631

RGB 177 246 49

HSL 81.02, 0.92%, 0.58%

LAB 89.62, -47.25, 79.38

 

CMYK 50 / 0 / 80 / 4

HEX #7CF631

RGB 124 246 49

HSL 97.16, 0.92%, 0.58%

LAB 87.2, -64.53, 76.29

 

CMYK 71 / 0 / 80 / 4

HEX #47F631

RGB 71 246 49

HSL 113.3, 0.92%, 0.58%

LAB 85.74, -76.42, 74.41

 

CMYK 80 / 0 / 67 / 4

HEX #31F651

RGB 49 246 81

HSL 129.75, 0.92%, 0.58%

LAB 85.58, -77.08, 63.65

 

CMYK 7 / 0 / 80 / 4

HEX #E6F631

RGB 230 246 49

HSL 64.87, 0.92%, 0.58%

LAB 93, -26.72, 83.65

 

CMYK 7 / 0 / 80 / 4

HEX #E6F631

RGB 230 246 49

HSL 64.87, 0.92%, 0.58%

LAB 93, -26.72, 83.65

 

CMYK 6 / 0 / 71 / 10

HEX #D8E543

RGB 216 229 67

HSL 64.81, 0.76%, 0.58%

LAB 87.51, -23.63, 72.92

 

CMYK 5 / 0 / 60 / 17

HEX #C9D454

RGB 201 212 84

HSL 65.16, 0.6%, 0.58%

LAB 81.92, -20.51, 60.29

 

CMYK 4 / 0 / 48 / 24

HEX #BBC265

RGB 187 194 101

HSL 64.52, 0.43%, 0.58%

LAB 76.12, -15.84, 45.6

 

CMYK 3 / 0 / 33 / 31

HEX #ACB177

RGB 172 177 119

HSL 65.17, 0.27%, 0.58%

LAB 70.56, -11.11, 29.15

 

CMYK 0 / 37 / 80 / 4

HEX #F69A31

RGB 246 154 49

HSL 31.98, 0.92%, 0.58%

LAB 71.5, 26.76, 65.23

 

CMYK 0 / 16 / 80 / 4

HEX #F6CF31

RGB 246 207 49

HSL 48.12, 0.92%, 0.58%

LAB 84.19, -0.88, 76.5

 

CMYK 5 / 0 / 80 / 4

HEX #E9F631

RGB 233 246 49

HSL 63.96, 0.92%, 0.58%

LAB 93.21, -25.51, 83.92

 

CMYK 26 / 0 / 80 / 4

HEX #B5F631

RGB 181 246 49

HSL 79.8, 0.92%, 0.58%

LAB 89.84, -45.79, 79.66

 

CMYK 48 / 0 / 80 / 4

HEX #80F631

RGB 128 246 49

HSL 95.94, 0.92%, 0.58%

LAB 87.35, -63.39, 76.48

 

CMYK 8 / 0 / 96 / 20

HEX #BDCD09

RGB 189 205 9

HSL 64.9, 0.92%, 0.42%

LAB 78.75, -24.98, 77.83

 

CMYK 8 / 0 / 96 / 4

HEX #E1F40A

RGB 225 244 10

HSL 64.87, 0.92%, 0.5%

LAB 92.01, -28.57, 88.96

 

CMYK 7 / 0 / 80 / 4

HEX #E6F631

RGB 230 246 49

HSL 64.87, 0.92%, 0.58%

LAB 93, -26.72, 83.65

 

CMYK 5 / 0 / 64 / 3

HEX #EBF859

RGB 235 248 89

HSL 64.91, 0.92%, 0.66%

LAB 94.11, -23.86, 71.97

 

CMYK 4 / 0 / 48 / 2

HEX #F0FA81

RGB 240 250 129

HSL 64.96, 0.92%, 0.74%

LAB 95.36, -19.87, 56.4

 

CMYK 7 / 0 / 80 / 4

HEX #E6F632

RGB 230 246 50

HSL 64.9, 0.92%, 0.58%

LAB 93, -26.69, 83.4

 

CMYK 80 / 0 / 59 / 4

HEX #31F666

RGB 49 246 102

HSL 136.14, 0.92%, 0.58%

LAB 85.77, -74.82, 55.2

 

CMYK 26 / 80 / 0 / 4

HEX #B531F6

RGB 181 49 246

HSL 280.2, 0.92%, 0.58%

LAB 50.3, 78.59, -72.58

 

CMYK 7 / 0 / 80 / 4

HEX #E6F632

RGB 230 246 50

HSL 64.9, 0.92%, 0.58%

LAB 93, -26.69, 83.4

 

CMYK 80 / 5 / 0 / 4

HEX #31E9F6

RGB 49 233 246

HSL 183.96, 0.92%, 0.58%

LAB 84.78, -38.91, -18.92

 

CMYK 0 / 80 / 5 / 4

HEX #F631E9

RGB 246 49 233

HSL 303.96, 0.92%, 0.58%

LAB 59.59, 87.81, -49.84

 

CMYK 7 / 0 / 80 / 4

HEX #E6F632

RGB 230 246 50

HSL 64.9, 0.92%, 0.58%

LAB 93, -26.69, 83.4

 

CMYK 80 / 0 / 59 / 4

HEX #31F666

RGB 49 246 102

HSL 136.14, 0.92%, 0.58%

LAB 85.77, -74.82, 55.2

 

CMYK 74 / 80 / 0 / 4

HEX #3F31F6

RGB 63 49 246

HSL 244.26, 0.92%, 0.58%

LAB 37.68, 64.96, -93.79

 

CMYK 0 / 80 / 21 / 4

HEX #F631C2

RGB 246 49 194

HSL 315.84, 0.92%, 0.58%

LAB 57.74, 82.66, -30.61

 

CMYK 7 / 0 / 80 / 4

HEX #E6F632

RGB 230 246 50

HSL 64.9, 0.92%, 0.58%

LAB 93, -26.69, 83.4

 

CMYK 80 / 0 / 35 / 4

HEX #31F6A1

RGB 49 246 161

HSL 154.11, 0.92%, 0.58%

LAB 86.57, -65.39, 27.96

 

CMYK 74 / 80 / 0 / 4

HEX #3F31F6

RGB 63 49 246

HSL 244.26, 0.92%, 0.58%

LAB 37.68, 64.96, -93.79

 

CMYK 0 / 80 / 45 / 4

HEX #F63187

RGB 246 49 135

HSL 333.81, 0.92%, 0.58%

LAB 55.62, 76.53, 0.74

 

Description

Color code: HEX #E6F632 | qconv.com Color code: HEX #E6F632 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 246 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 246 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 80 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 80% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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