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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6ED7D it is the complementary color #191282. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6ED7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6ED7D shade: #EBED78, #FCFF8B, #FFFF9E, #FFFFB1 and #FFFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6ED7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6ED7D shade: #E6ED7D, #D5DB6A, #C4C957, #B3B744 and #A2A531

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6ED7D shade: #E6ED7D, #EDD67D, #EDB87D, #ED997D and #ED7D7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6ED7D shade: #E6ED7D, #C8ED7D, #AAED7D, #8BED7D and #7DED8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6ED7D shade matches the following richer shades: #E6ED7D and #F1F971

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6ED7D shade: #E6ED7D, #DCE189, #D1D595, #C7C9A1 and #BCBDAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6ED7D shade: #EDB77D, #EDD57D, #E8ED7D, #CAED7D and #ACED7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6ED7D shade: #D8E334, #DFE859, #E6ED7D, #EDF2A1 and #F4F7C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6ED7D shade: #E6ED7D, #7DED99 and #C67DED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6ED7D shade: #E6ED7D, #7DE8ED and #ED7DE8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6ED7D shade: #E6ED7D, #7DED99, #827DED and #ED7DD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6ED7D shade: #E6ED7D, #7DEDBB, #827DED and #ED7DAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 47 / 7

HEX #E6ED7D

RGB 230 237 125

HSL 63.75, 0.76%, 0.71%

LAB 91.18, -17.82, 53.05

 

Complementary color

CMYK 81 / 86 / 0 / 49

HEX #191282

RGB 25 18 130

HSL 243.75, 0.76%, 0.29%

LAB 16.75, 41.65, -59.65

 

CMYK 1 / 0 / 49 / 7

HEX #EBED78

RGB 235 237 120

HSL 61.03, 0.76%, 0.7%

LAB 91.5, -16.31, 55.85

 

CMYK 1 / 0 / 45 / 0

HEX #FCFF8B

RGB 252 255 139

HSL 61.55, 1%, 0.77%

LAB 97.66, -16.74, 54.74

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB1

RGB 255 255 177

HSL 60, 1%, 0.85%

LAB 98.41, -11.56, 37.37

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 3 / 0 / 47 / 7

HEX #E6ED7D

RGB 230 237 125

HSL 63.75, 0.76%, 0.71%

LAB 91.18, -17.82, 53.05

 

CMYK 3 / 0 / 52 / 14

HEX #D5DB6A

RGB 213 219 106

HSL 63.19, 0.61%, 0.64%

LAB 84.92, -17.4, 54.15

 

CMYK 2 / 0 / 57 / 21

HEX #C4C957

RGB 196 201 87

HSL 62.63, 0.51%, 0.56%

LAB 78.58, -16.89, 55.19

 

CMYK 2 / 0 / 63 / 28

HEX #B3B744

RGB 179 183 68

HSL 62.09, 0.46%, 0.49%

LAB 72.14, -16.26, 56.05

 

CMYK 2 / 0 / 70 / 35

HEX #A2A531

RGB 162 165 49

HSL 61.55, 0.54%, 0.42%

LAB 65.6, -15.48, 56.57

 

CMYK 3 / 0 / 47 / 7

HEX #E6ED7D

RGB 230 237 125

HSL 63.75, 0.76%, 0.71%

LAB 91.18, -17.82, 53.05

 

CMYK 0 / 10 / 47 / 7

HEX #EDD67D

RGB 237 214 125

HSL 47.68, 0.76%, 0.71%

LAB 85.8, -3.58, 46.62

 

CMYK 0 / 22 / 47 / 7

HEX #EDB87D

RGB 237 184 125

HSL 31.61, 0.76%, 0.71%

LAB 78.33, 12.01, 37.23

 

CMYK 0 / 35 / 47 / 7

HEX #ED997D

RGB 237 153 125

HSL 15, 0.76%, 0.71%

LAB 71.06, 28.44, 27.75

 

CMYK 0 / 47 / 47 / 7

HEX #ED7D7D

RGB 237 125 125

HSL 0, 0.76%, 0.71%

LAB 65.08, 42.95, 19.71

 

CMYK 3 / 0 / 47 / 7

HEX #E6ED7D

RGB 230 237 125

HSL 63.75, 0.76%, 0.71%

LAB 91.18, -17.82, 53.05

 

CMYK 16 / 0 / 47 / 7

HEX #C8ED7D

RGB 200 237 125

HSL 79.82, 0.76%, 0.71%

LAB 89.08, -29.3, 50.02

 

CMYK 28 / 0 / 47 / 7

HEX #AAED7D

RGB 170 237 125

HSL 95.89, 0.76%, 0.71%

LAB 87.29, -40.07, 47.42

 

CMYK 41 / 0 / 47 / 7

HEX #8BED7D

RGB 139 237 125

HSL 112.5, 0.76%, 0.71%

LAB 85.77, -50.05, 45.21

 

CMYK 47 / 0 / 41 / 7

HEX #7DED8D

RGB 125 237 141

HSL 128.57, 0.76%, 0.71%

LAB 85.43, -51.73, 36.83

 

CMYK 3 / 0 / 47 / 7

HEX #E6ED7D

RGB 230 237 125

HSL 63.75, 0.76%, 0.71%

LAB 91.18, -17.82, 53.05

 

CMYK 3 / 0 / 55 / 2

HEX #F1F971

RGB 241 249 113

HSL 63.53, 0.92%, 0.71%

LAB 95.01, -20.33, 63.19

 

CMYK 3 / 0 / 47 / 7

HEX #E6ED7D

RGB 230 237 125

HSL 63.75, 0.76%, 0.71%

LAB 91.18, -17.82, 53.05

 

CMYK 2 / 0 / 39 / 12

HEX #DCE189

RGB 220 225 137

HSL 63.41, 0.59%, 0.71%

LAB 87.42, -14.6, 42.45

 

CMYK 2 / 0 / 30 / 16

HEX #D1D595

RGB 209 213 149

HSL 63.75, 0.43%, 0.71%

LAB 83.61, -11.39, 31.26

 

CMYK 1 / 0 / 20 / 21

HEX #C7C9A1

RGB 199 201 161

HSL 63, 0.27%, 0.71%

LAB 79.89, -7.36, 19.81

 

CMYK 1 / 0 / 8 / 26

HEX #BCBDAD

RGB 188 189 173

HSL 63.75, 0.11%, 0.71%

LAB 76.13, -3.2, 7.96

 

CMYK 0 / 23 / 47 / 7

HEX #EDB77D

RGB 237 183 125

HSL 31.07, 0.76%, 0.71%

LAB 78.08, 12.54, 36.92

 

CMYK 0 / 10 / 47 / 7

HEX #EDD57D

RGB 237 213 125

HSL 47.14, 0.76%, 0.71%

LAB 85.54, -3.07, 46.3

 

CMYK 2 / 0 / 47 / 7

HEX #E8ED7D

RGB 232 237 125

HSL 62.68, 0.76%, 0.71%

LAB 91.33, -17.04, 53.27

 

CMYK 15 / 0 / 47 / 7

HEX #CAED7D

RGB 202 237 125

HSL 78.75, 0.76%, 0.71%

LAB 89.21, -28.55, 50.21

 

CMYK 27 / 0 / 47 / 7

HEX #ACED7D

RGB 172 237 125

HSL 94.82, 0.76%, 0.71%

LAB 87.4, -39.38, 47.58

 

CMYK 5 / 0 / 77 / 11

HEX #D8E334

RGB 216 227 52

HSL 63.77, 0.76%, 0.55%

LAB 86.89, -23.32, 77.07

 

CMYK 4 / 0 / 62 / 9

HEX #DFE859

RGB 223 232 89

HSL 63.78, 0.76%, 0.63%

LAB 88.98, -21, 66.3

 

CMYK 3 / 0 / 47 / 7

HEX #E6ED7D

RGB 230 237 125

HSL 63.75, 0.76%, 0.71%

LAB 91.18, -17.82, 53.05

 

CMYK 2 / 0 / 33 / 5

HEX #EDF2A1

RGB 237 242 161

HSL 63.7, 0.76%, 0.79%

LAB 93.49, -13.8, 38.6

 

CMYK 1 / 0 / 20 / 3

HEX #F4F7C5

RGB 244 247 197

HSL 63.6, 0.76%, 0.87%

LAB 95.91, -9.01, 23.77

 

CMYK 3 / 0 / 47 / 7

HEX #E6ED7D

RGB 230 237 125

HSL 63.75, 0.76%, 0.71%

LAB 91.18, -17.82, 53.05

 

CMYK 47 / 0 / 35 / 7

HEX #7DED99

RGB 125 237 153

HSL 135, 0.76%, 0.71%

LAB 85.62, -49.79, 31.05

 

CMYK 16 / 47 / 0 / 7

HEX #C67DED

RGB 198 125 237

HSL 279.11, 0.76%, 0.71%

LAB 63.99, 47.52, -45.54

 

CMYK 3 / 0 / 47 / 7

HEX #E6ED7D

RGB 230 237 125

HSL 63.75, 0.76%, 0.71%

LAB 91.18, -17.82, 53.05

 

CMYK 47 / 2 / 0 / 7

HEX #7DE8ED

RGB 125 232 237

HSL 182.68, 0.76%, 0.71%

LAB 86.1, -29.58, -12.02

 

CMYK 0 / 47 / 2 / 7

HEX #ED7DE8

RGB 237 125 232

HSL 302.68, 0.76%, 0.71%

LAB 68.39, 57.48, -35.56

 

CMYK 3 / 0 / 47 / 7

HEX #E6ED7D

RGB 230 237 125

HSL 63.75, 0.76%, 0.71%

LAB 91.18, -17.82, 53.05

 

CMYK 47 / 0 / 35 / 7

HEX #7DED99

RGB 125 237 153

HSL 135, 0.76%, 0.71%

LAB 85.62, -49.79, 31.05

 

CMYK 45 / 47 / 0 / 7

HEX #827DED

RGB 130 125 237

HSL 242.68, 0.76%, 0.71%

LAB 57.59, 30.02, -56.1

 

CMYK 0 / 47 / 12 / 7

HEX #ED7DD1

RGB 237 125 209

HSL 315, 0.76%, 0.71%

LAB 67.48, 53.68, -24.19

 

CMYK 3 / 0 / 47 / 7

HEX #E6ED7D

RGB 230 237 125

HSL 63.75, 0.76%, 0.71%

LAB 91.18, -17.82, 53.05

 

CMYK 47 / 0 / 21 / 7

HEX #7DEDBB

RGB 125 237 187

HSL 153.21, 0.76%, 0.71%

LAB 86.26, -43.42, 14.45

 

CMYK 45 / 47 / 0 / 7

HEX #827DED

RGB 130 125 237

HSL 242.68, 0.76%, 0.71%

LAB 57.59, 30.02, -56.1

 

CMYK 0 / 47 / 26 / 7

HEX #ED7DAF

RGB 237 125 175

HSL 333.21, 0.76%, 0.71%

LAB 66.34, 48.7, -6.82

 

Description

Color code: HEX #E6ED7D | qconv.com Color code: HEX #E6ED7D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 237 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 237 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 47 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 47% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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