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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6E2DB it is the complementary color #191D24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6E2DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6E2DB shade: #EBE2D6, #FCF4E9 and #FFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6E2DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6E2DB shade: #E6E2DB, #D5D0C8, #C4BEB5, #B3ACA2 and #A29A8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6E2DB shade: #E6E2DB, #E6DFDB, #E6DCDB and #E6DBDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6E2DB shade: #E6E2DB, #E6E5DB, #E4E6DB, #E1E6DB and #DEE6DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6E2DB shade matches the following richer shades: #E6E2DB, #EBE3D6, #F0E5D1, #F5E6CC and #FAE7C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6E2DB shade: #E6E2DB, #E1E1E0, #DCDFE5, #D7DEEA and #D2DDEF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6E2DB shade: #E6DCDB, #E6DFDB, #E6E2DB, #E6E5DB and #E4E6DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6E2DB shade: #C4BBAA, #D5CEC3, #E6E2DB, #F7F6F3 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6E2DB shade: #E6E2DB, #DDE6DB and #DDDBE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6E2DB shade: #E6E2DB, #DBE6E2 and #E2DBE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6E2DB shade: #E6E2DB, #DDE6DB, #DBDFE6 and #E4DBE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6E2DB shade: #E6E2DB, #DBE6DC, #DBDFE6 and #E6DBE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 5 / 10

HEX #E6E2DB

RGB 230 226 219

HSL 38.18, 0.18%, 0.88%

LAB 90.01, 0.14, 3.88

 

Complementary color

CMYK 31 / 19 / 0 / 86

HEX #191D24

RGB 25 29 36

HSL 218.18, 0.18%, 0.12%

LAB 10.65, 0.2, -5.39

 

CMYK 0 / 4 / 9 / 8

HEX #EBE2D6

RGB 235 226 214

HSL 34.29, 0.34%, 0.88%

LAB 90.28, 1.03, 6.94

 

CMYK 0 / 3 / 8 / 1

HEX #FCF4E9

RGB 252 244 233

HSL 34.74, 0.76%, 0.95%

LAB 96.53, 0.83, 6.23

 

CMYK 0 / 0 / 1 / 0

HEX #FFFFFC

RGB 255 255 252

HSL 60, 1%, 0.99%

LAB 99.93, -0.52, 1.42

HEX #FFFFFC

CMYK 0 / 2 / 5 / 10

HEX #E6E2DB

RGB 230 226 219

HSL 38.18, 0.18%, 0.88%

LAB 90.01, 0.14, 3.88

 

CMYK 0 / 2 / 6 / 16

HEX #D5D0C8

RGB 213 208 200

HSL 36.92, 0.13%, 0.81%

LAB 83.67, 0.32, 4.57

 

CMYK 0 / 3 / 8 / 23

HEX #C4BEB5

RGB 196 190 181

HSL 36, 0.11%, 0.74%

LAB 77.22, 0.52, 5.28

 

CMYK 0 / 4 / 9 / 30

HEX #B3ACA2

RGB 179 172 162

HSL 35.29, 0.1%, 0.67%

LAB 70.66, 0.73, 6.02

 

CMYK 0 / 5 / 12 / 36

HEX #A29A8F

RGB 162 154 143

HSL 34.74, 0.09%, 0.6%

LAB 63.98, 0.96, 6.81

 

CMYK 0 / 2 / 5 / 10

HEX #E6E2DB

RGB 230 226 219

HSL 38.18, 0.18%, 0.88%

LAB 90.01, 0.14, 3.88

 

CMYK 0 / 3 / 5 / 10

HEX #E6DFDB

RGB 230 223 219

HSL 21.82, 0.18%, 0.88%

LAB 89.26, 1.69, 2.79

 

CMYK 0 / 4 / 5 / 10

HEX #E6DCDB

RGB 230 220 219

HSL 5.45, 0.18%, 0.88%

LAB 88.51, 3.24, 1.7

 

CMYK 0 / 5 / 5 / 10

HEX #E6DBDB

RGB 230 219 219

HSL 0, 0.18%, 0.88%

LAB 88.26, 3.76, 1.33

 

CMYK 0 / 2 / 5 / 10

HEX #E6E2DB

RGB 230 226 219

HSL 38.18, 0.18%, 0.88%

LAB 90.01, 0.14, 3.88

 

CMYK 0 / 0 / 5 / 10

HEX #E6E5DB

RGB 230 229 219

HSL 54.55, 0.18%, 0.88%

LAB 90.77, -1.4, 4.98

 

CMYK 1 / 0 / 5 / 10

HEX #E4E6DB

RGB 228 230 219

HSL 70.91, 0.18%, 0.88%

LAB 90.87, -2.6, 5.11

 

CMYK 2 / 0 / 5 / 10

HEX #E1E6DB

RGB 225 230 219

HSL 87.27, 0.18%, 0.88%

LAB 90.65, -3.62, 4.76

 

CMYK 3 / 0 / 5 / 10

HEX #DEE6DB

RGB 222 230 219

HSL 103.64, 0.18%, 0.88%

LAB 90.43, -4.64, 4.42

 

CMYK 0 / 2 / 5 / 10

HEX #E6E2DB

RGB 230 226 219

HSL 38.18, 0.18%, 0.88%

LAB 90.01, 0.14, 3.88

 

CMYK 0 / 3 / 9 / 8

HEX #EBE3D6

RGB 235 227 214

HSL 37.14, 0.34%, 0.88%

LAB 90.53, 0.52, 7.3

 

CMYK 0 / 5 / 13 / 6

HEX #F0E5D1

RGB 240 229 209

HSL 38.71, 0.51%, 0.88%

LAB 91.31, 0.44, 11.08

 

CMYK 0 / 6 / 17 / 4

HEX #F5E6CC

RGB 245 230 204

HSL 38.05, 0.67%, 0.88%

LAB 91.85, 0.95, 14.5

 

CMYK 0 / 8 / 20 / 2

HEX #FAE7C7

RGB 250 231 199

HSL 37.65, 0.84%, 0.88%

LAB 92.4, 1.5, 17.93

 

CMYK 0 / 2 / 5 / 10

HEX #E6E2DB

RGB 230 226 219

HSL 38.18, 0.18%, 0.88%

LAB 90.01, 0.14, 3.88

 

CMYK 0 / 0 / 0 / 12

HEX #E1E1E0

RGB 225 225 224

HSL 60, 0.02%, 0.88%

LAB 89.51, -0.17, 0.48

 

CMYK 4 / 3 / 0 / 10

HEX #DCDFE5

RGB 220 223 229

HSL 220, 0.15%, 0.88%

LAB 88.76, 0.1, -3.29

 

CMYK 8 / 5 / 0 / 8

HEX #D7DEEA

RGB 215 222 234

HSL 217.89, 0.31%, 0.88%

LAB 88.27, -0.08, -6.68

 

CMYK 12 / 8 / 0 / 6

HEX #D2DDEF

RGB 210 221 239

HSL 217.24, 0.48%, 0.88%

LAB 87.8, -0.18, -10.05

 

CMYK 0 / 4 / 5 / 10

HEX #E6DCDB

RGB 230 220 219

HSL 5.45, 0.18%, 0.88%

LAB 88.51, 3.24, 1.7

 

CMYK 0 / 3 / 5 / 10

HEX #E6DFDB

RGB 230 223 219

HSL 21.82, 0.18%, 0.88%

LAB 89.26, 1.69, 2.79

 

CMYK 0 / 2 / 5 / 10

HEX #E6E2DB

RGB 230 226 219

HSL 38.18, 0.18%, 0.88%

LAB 90.01, 0.14, 3.88

 

CMYK 0 / 0 / 5 / 10

HEX #E6E5DB

RGB 230 229 219

HSL 54.55, 0.18%, 0.88%

LAB 90.77, -1.4, 4.98

 

CMYK 1 / 0 / 5 / 10

HEX #E4E6DB

RGB 228 230 219

HSL 70.91, 0.18%, 0.88%

LAB 90.87, -2.6, 5.11

 

CMYK 0 / 5 / 13 / 23

HEX #C4BBAA

RGB 196 187 170

HSL 39.23, 0.18%, 0.72%

LAB 76.18, 0.27, 9.74

 

CMYK 0 / 3 / 8 / 16

HEX #D5CEC3

RGB 213 206 195

HSL 36.67, 0.18%, 0.8%

LAB 83.03, 0.52, 6.32

 

CMYK 0 / 2 / 5 / 10

HEX #E6E2DB

RGB 230 226 219

HSL 38.18, 0.18%, 0.88%

LAB 90.01, 0.14, 3.88

 

CMYK 0 / 0 / 2 / 3

HEX #F7F6F3

RGB 247 246 243

HSL 45, 0.2%, 0.96%

LAB 96.88, -0.19, 1.55

 

CMYK 0 / 2 / 5 / 10

HEX #E6E2DB

RGB 230 226 219

HSL 38.18, 0.18%, 0.88%

LAB 90.01, 0.14, 3.88

 

CMYK 4 / 0 / 5 / 10

HEX #DDE6DB

RGB 221 230 219

HSL 109.09, 0.18%, 0.88%

LAB 90.36, -4.98, 4.3

 

CMYK 4 / 5 / 0 / 10

HEX #DDDBE6

RGB 221 219 230

HSL 250.91, 0.18%, 0.88%

LAB 87.85, 2.69, -5.15

 

CMYK 0 / 2 / 5 / 10

HEX #E6E2DB

RGB 230 226 219

HSL 38.18, 0.18%, 0.88%

LAB 90.01, 0.14, 3.88

 

CMYK 5 / 0 / 2 / 10

HEX #DBE6E2

RGB 219 230 226

HSL 158.18, 0.18%, 0.88%

LAB 90.39, -4.39, 0.66

 

CMYK 2 / 5 / 0 / 10

HEX #E2DBE6

RGB 226 219 230

HSL 278.18, 0.18%, 0.88%

LAB 88.23, 4.36, -4.54

 

CMYK 0 / 2 / 5 / 10

HEX #E6E2DB

RGB 230 226 219

HSL 38.18, 0.18%, 0.88%

LAB 90.01, 0.14, 3.88

 

CMYK 4 / 0 / 5 / 10

HEX #DDE6DB

RGB 221 230 219

HSL 109.09, 0.18%, 0.88%

LAB 90.36, -4.98, 4.3

 

CMYK 5 / 3 / 0 / 10

HEX #DBDFE6

RGB 219 223 230

HSL 218.18, 0.18%, 0.88%

LAB 88.71, -0.05, -3.89

 

CMYK 1 / 5 / 0 / 10

HEX #E4DBE6

RGB 228 219 230

HSL 289.09, 0.18%, 0.88%

LAB 88.39, 5.03, -4.29

 

CMYK 0 / 2 / 5 / 10

HEX #E6E2DB

RGB 230 226 219

HSL 38.18, 0.18%, 0.88%

LAB 90.01, 0.14, 3.88

 

CMYK 5 / 0 / 4 / 10

HEX #DBE6DC

RGB 219 230 220

HSL 125.45, 0.18%, 0.88%

LAB 90.24, -5.47, 3.59

 

CMYK 5 / 3 / 0 / 10

HEX #DBDFE6

RGB 219 223 230

HSL 218.18, 0.18%, 0.88%

LAB 88.71, -0.05, -3.89

 

CMYK 0 / 5 / 1 / 10

HEX #E6DBE4

RGB 230 219 228

HSL 310.91, 0.18%, 0.88%

LAB 88.49, 5.34, -3.07

 

Description

Color code: HEX #E6E2DB | qconv.com Color code: HEX #E6E2DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 226 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 226 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 5 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 5% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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