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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6E0AD it is the complementary color #191F52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6E0AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6E0AD shade: #EBE0A8, #FCF2BB, #FFFFCE, #FFFFE1 and #FFFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6E0AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6E0AD shade: #E6E0AD, #D5CE9A, #C4BC87, #B3AA74 and #A29861

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6E0AD shade: #E6E0AD, #E6D1AD, #E6C1AD, #E6B2AD and #E6ADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6E0AD shade: #E6E0AD, #DDE6AD, #CDE6AD, #BEE6AD and #AFE6AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6E0AD shade matches the following richer shades: #E6E0AD, #EEE7A4 and #F7EE9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6E0AD shade: #E6E0AD, #DDD9B6, #D5D2BE, #CCCBC7 and #C3C4D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6E0AD shade: #E6C1AD, #E6D0AD, #E6DFAD, #DDE6AD and #CEE6AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6E0AD shade: #D2C86E, #DCD48E, #E6E0AD, #F0ECCD and #F9F8EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6E0AD shade: #E6E0AD, #ADE6B2 and #C9ADE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6E0AD shade: #E6E0AD, #ADE6DF and #DFADE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6E0AD shade: #E6E0AD, #ADE6B2, #ADB4E6 and #E6ADE1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6E0AD shade: #E6E0AD, #ADE6C3, #ADB4E6 and #E6ADD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 25 / 10

HEX #E6E0AD

RGB 230 224 173

HSL 53.68, 0.53%, 0.79%

LAB 88.52, -5.9, 25.77

 

Complementary color

CMYK 70 / 62 / 0 / 68

HEX #191F52

RGB 25 31 82

HSL 233.68, 0.53%, 0.21%

LAB 14.38, 16.03, -32.09

 

CMYK 0 / 5 / 29 / 8

HEX #EBE0A8

RGB 235 224 168

HSL 50.15, 0.63%, 0.79%

LAB 88.83, -4.69, 28.83

 

CMYK 0 / 4 / 26 / 1

HEX #FCF2BB

RGB 252 242 187

HSL 50.77, 0.92%, 0.86%

LAB 95.07, -4.97, 27.81

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCE

RGB 255 255 206

HSL 60, 1%, 0.9%

LAB 98.92, -7.77, 23.48

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF4

RGB 255 255 244

HSL 60, 1%, 0.98%

LAB 99.73, -1.88, 5.24

 

CMYK 0 / 3 / 25 / 10

HEX #E6E0AD

RGB 230 224 173

HSL 53.68, 0.53%, 0.79%

LAB 88.52, -5.9, 25.77

 

CMYK 0 / 3 / 28 / 16

HEX #D5CE9A

RGB 213 206 154

HSL 52.88, 0.41%, 0.72%

LAB 82.18, -5.64, 26.8

 

CMYK 0 / 4 / 31 / 23

HEX #C4BC87

RGB 196 188 135

HSL 52.13, 0.34%, 0.65%

LAB 75.73, -5.35, 27.89

 

CMYK 0 / 5 / 35 / 30

HEX #B3AA74

RGB 179 170 116

HSL 51.43, 0.29%, 0.58%

LAB 69.18, -5, 29.04

 

CMYK 0 / 6 / 40 / 36

HEX #A29861

RGB 162 152 97

HSL 50.77, 0.26%, 0.51%

LAB 62.51, -4.58, 30.26

 

CMYK 0 / 3 / 25 / 10

HEX #E6E0AD

RGB 230 224 173

HSL 53.68, 0.53%, 0.79%

LAB 88.52, -5.9, 25.77

 

CMYK 0 / 9 / 25 / 10

HEX #E6D1AD

RGB 230 209 173

HSL 37.89, 0.53%, 0.79%

LAB 84.71, 1.8, 20.53

 

CMYK 0 / 16 / 25 / 10

HEX #E6C1AD

RGB 230 193 173

HSL 21.05, 0.53%, 0.79%

LAB 80.73, 10.18, 14.98

 

CMYK 0 / 23 / 25 / 10

HEX #E6B2AD

RGB 230 178 173

HSL 5.26, 0.53%, 0.79%

LAB 77.09, 18.16, 9.83

 

CMYK 0 / 25 / 25 / 10

HEX #E6ADAD

RGB 230 173 173

HSL 0, 0.53%, 0.79%

LAB 75.9, 20.83, 8.13

 

CMYK 0 / 3 / 25 / 10

HEX #E6E0AD

RGB 230 224 173

HSL 53.68, 0.53%, 0.79%

LAB 88.52, -5.9, 25.77

 

CMYK 4 / 0 / 25 / 10

HEX #DDE6AD

RGB 221 230 173

HSL 69.47, 0.53%, 0.79%

LAB 89.38, -12.25, 26.84

 

CMYK 11 / 0 / 25 / 10

HEX #CDE6AD

RGB 205 230 173

HSL 86.32, 0.53%, 0.79%

LAB 88.25, -18.03, 25.1

 

CMYK 17 / 0 / 25 / 10

HEX #BEE6AD

RGB 190 230 173

HSL 102.11, 0.53%, 0.79%

LAB 87.27, -23.3, 23.6

 

CMYK 24 / 0 / 25 / 10

HEX #AFE6AD

RGB 175 230 173

HSL 117.89, 0.53%, 0.79%

LAB 86.37, -28.36, 22.22

 

CMYK 0 / 3 / 25 / 10

HEX #E6E0AD

RGB 230 224 173

HSL 53.68, 0.53%, 0.79%

LAB 88.52, -5.9, 25.77

 

CMYK 0 / 3 / 31 / 7

HEX #EEE7A4

RGB 238 231 164

HSL 54.32, 0.69%, 0.79%

LAB 90.78, -7.59, 33.54

 

CMYK 0 / 4 / 37 / 3

HEX #F7EE9C

RGB 247 238 156

HSL 54.07, 0.85%, 0.79%

LAB 93.16, -8.6, 40.8

 

CMYK 0 / 3 / 25 / 10

HEX #E6E0AD

RGB 230 224 173

HSL 53.68, 0.53%, 0.79%

LAB 88.52, -5.9, 25.77

 

CMYK 0 / 2 / 18 / 13

HEX #DDD9B6

RGB 221 217 182

HSL 53.85, 0.36%, 0.79%

LAB 86.19, -4.37, 17.76

 

CMYK 0 / 1 / 11 / 16

HEX #D5D2BE

RGB 213 210 190

HSL 52.17, 0.21%, 0.79%

LAB 83.94, -2.39, 10.27

 

CMYK 0 / 0 / 2 / 20

HEX #CCCBC7

RGB 204 203 199

HSL 48, 0.05%, 0.79%

LAB 81.66, -0.37, 2.1

 

CMYK 6 / 6 / 0 / 18

HEX #C3C4D0

RGB 195 196 208

HSL 235.38, 0.12%, 0.79%

LAB 79.41, 1.94, -6.11

 

CMYK 0 / 16 / 25 / 10

HEX #E6C1AD

RGB 230 193 173

HSL 21.05, 0.53%, 0.79%

LAB 80.73, 10.18, 14.98

 

CMYK 0 / 10 / 25 / 10

HEX #E6D0AD

RGB 230 208 173

HSL 36.84, 0.53%, 0.79%

LAB 84.46, 2.32, 20.18

 

CMYK 0 / 3 / 25 / 10

HEX #E6DFAD

RGB 230 223 173

HSL 52.63, 0.53%, 0.79%

LAB 88.26, -5.39, 25.42

 

CMYK 4 / 0 / 25 / 10

HEX #DDE6AD

RGB 221 230 173

HSL 69.47, 0.53%, 0.79%

LAB 89.38, -12.25, 26.84

 

CMYK 10 / 0 / 25 / 10

HEX #CEE6AD

RGB 206 230 173

HSL 85.26, 0.53%, 0.79%

LAB 88.32, -17.68, 25.21

 

CMYK 0 / 5 / 48 / 18

HEX #D2C86E

RGB 210 200 110

HSL 54, 0.53%, 0.63%

LAB 79.69, -8.71, 45.96

 

CMYK 0 / 4 / 35 / 14

HEX #DCD48E

RGB 220 212 142

HSL 53.85, 0.53%, 0.71%

LAB 84.1, -7.5, 35.66

 

CMYK 0 / 3 / 25 / 10

HEX #E6E0AD

RGB 230 224 173

HSL 53.68, 0.53%, 0.79%

LAB 88.52, -5.9, 25.77

 

CMYK 0 / 2 / 15 / 6

HEX #F0ECCD

RGB 240 236 205

HSL 53.14, 0.54%, 0.87%

LAB 92.98, -3.74, 15.53

 

CMYK 0 / 0 / 5 / 2

HEX #F9F8EC

RGB 249 248 236

HSL 55.38, 0.52%, 0.95%

LAB 97.36, -1.72, 5.86

 

CMYK 0 / 3 / 25 / 10

HEX #E6E0AD

RGB 230 224 173

HSL 53.68, 0.53%, 0.79%

LAB 88.52, -5.9, 25.77

 

CMYK 25 / 0 / 23 / 10

HEX #ADE6B2

RGB 173 230 178

HSL 125.26, 0.53%, 0.79%

LAB 86.35, -28.17, 19.58

 

CMYK 13 / 25 / 0 / 10

HEX #C9ADE6

RGB 201 173 230

HSL 269.47, 0.53%, 0.79%

LAB 74.84, 20.82, -24.84

 

CMYK 0 / 3 / 25 / 10

HEX #E6E0AD

RGB 230 224 173

HSL 53.68, 0.53%, 0.79%

LAB 88.52, -5.9, 25.77

 

CMYK 25 / 0 / 3 / 10

HEX #ADE6DF

RGB 173 230 223

HSL 172.63, 0.53%, 0.79%

LAB 87.39, -19.49, -2.49

 

CMYK 3 / 25 / 0 / 10

HEX #DFADE6

RGB 223 173 230

HSL 292.63, 0.53%, 0.79%

LAB 76.85, 27.87, -21.59

 

CMYK 0 / 3 / 25 / 10

HEX #E6E0AD

RGB 230 224 173

HSL 53.68, 0.53%, 0.79%

LAB 88.52, -5.9, 25.77

 

CMYK 25 / 0 / 23 / 10

HEX #ADE6B2

RGB 173 230 178

HSL 125.26, 0.53%, 0.79%

LAB 86.35, -28.17, 19.58

 

CMYK 25 / 22 / 0 / 10

HEX #ADB4E6

RGB 173 180 230

HSL 232.63, 0.53%, 0.79%

LAB 74.34, 8.31, -25.8

 

CMYK 0 / 25 / 2 / 10

HEX #E6ADE1

RGB 230 173 225

HSL 305.26, 0.53%, 0.79%

LAB 77.37, 29.23, -18.03

 

CMYK 0 / 3 / 25 / 10

HEX #E6E0AD

RGB 230 224 173

HSL 53.68, 0.53%, 0.79%

LAB 88.52, -5.9, 25.77

 

CMYK 25 / 0 / 15 / 10

HEX #ADE6C3

RGB 173 230 195

HSL 143.16, 0.53%, 0.79%

LAB 86.71, -25.1, 11.22

 

CMYK 25 / 22 / 0 / 10

HEX #ADB4E6

RGB 173 180 230

HSL 232.63, 0.53%, 0.79%

LAB 74.34, 8.31, -25.8

 

CMYK 0 / 25 / 10 / 10

HEX #E6ADD0

RGB 230 173 208

HSL 323.16, 0.53%, 0.79%

LAB 76.84, 26.26, -9.59

 

Description

Color code: HEX #E6E0AD | qconv.com Color code: HEX #E6E0AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 224 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 224 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 25 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 25% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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