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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6D5E2 it is the complementary color #192A1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6D5E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6D5E2 shade: #EBD5DD, #FCE7F0 and #FFF9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6D5E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6D5E2 shade: #E6D5E2, #D5C3CF, #C4B1BC, #B39FA9 and #A28D96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6D5E2 shade: #E6D6E2, #E6D6DE, #E6D6D9 and #E6D6D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6D5E2 shade: #E6D6E2, #E6D6E6, #E1D6E6, #DDD6E6 and #D8D6E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6D5E2 shade matches the following richer shades: #E6D6E2, #ECD0E5, #F1CBE8, #F6C5EB and #FCC0EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6D5E2 shade: #E6D6E2, #E1DBDF, #DBE0DD, #D6E6DA and #D1EBD7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6D5E2 shade: #E1D6E6, #E6D6E6, #E6D6E2, #E6D6DE and #E6D6D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6D5E2 shade: #C7A2BE, #D7BCD0, #E6D6E2, #F6EFF4 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6D5E2 shade: #E6D5E2, #E6DDD6 and #D6E6E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6D5E2 shade: #E6D5E2, #E2E6D6 and #D6E2E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6D5E2 shade: #E6D5E2, #E6DDD6, #D6E6D9 and #D6DFE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6D5E2 shade: #E6D5E2, #E6E2D6, #D6E6D9 and #D6DAE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 2 / 10

HEX #E6D5E2

RGB 230 213 226

HSL 314.12, 0.25%, 0.87%

LAB 86.95, 8.12, -4.28

 

Complementary color

CMYK 40 / 0 / 31 / 84

HEX #192A1D

RGB 25 42 29

HSL 134.12, 0.25%, 0.13%

LAB 15.23, -10.59, 6.3

 

CMYK 0 / 9 / 6 / 8

HEX #EBD5DD

RGB 235 213 221

HSL 338.18, 0.35%, 0.88%

LAB 87.23, 8.95, -1.18

 

CMYK 0 / 8 / 5 / 1

HEX #FCE7F0

RGB 252 231 240

HSL 334.29, 0.78%, 0.95%

LAB 93.51, 8.65, -1.78

 

CMYK 0 / 2 / 0 / 0

HEX #FFF9FF

RGB 255 249 255

HSL 300, 1%, 0.99%

LAB 98.52, 3.04, -2.17

 

CMYK 0 / 7 / 2 / 10

HEX #E6D5E2

RGB 230 213 226

HSL 314.12, 0.25%, 0.87%

LAB 86.95, 8.12, -4.28

 

CMYK 0 / 8 / 3 / 16

HEX #D5C3CF

RGB 213 195 207

HSL 320, 0.18%, 0.8%

LAB 80.56, 8.42, -3.71

 

CMYK 0 / 10 / 4 / 23

HEX #C4B1BC

RGB 196 177 188

HSL 325.26, 0.14%, 0.73%

LAB 74.07, 8.74, -3.12

 

CMYK 0 / 11 / 6 / 30

HEX #B39FA9

RGB 179 159 169

HSL 330, 0.12%, 0.66%

LAB 67.46, 9.08, -2.51

 

CMYK 0 / 13 / 7 / 36

HEX #A28D96

RGB 162 141 150

HSL 334.29, 0.1%, 0.59%

LAB 60.72, 9.47, -1.87

 

CMYK 0 / 7 / 2 / 10

HEX #E6D6E2

RGB 230 214 226

HSL 315, 0.24%, 0.87%

LAB 87.2, 7.6, -3.91

 

CMYK 0 / 7 / 3 / 10

HEX #E6D6DE

RGB 230 214 222

HSL 330, 0.24%, 0.87%

LAB 87.09, 6.89, -1.95

 

CMYK 0 / 7 / 6 / 10

HEX #E6D6D9

RGB 230 214 217

HSL 348.75, 0.24%, 0.87%

LAB 86.96, 6.02, 0.5

 

CMYK 0 / 7 / 7 / 10

HEX #E6D6D6

RGB 230 214 214

HSL 0, 0.24%, 0.87%

LAB 86.88, 5.51, 1.98

 

CMYK 0 / 7 / 2 / 10

HEX #E6D6E2

RGB 230 214 226

HSL 315, 0.24%, 0.87%

LAB 87.2, 7.6, -3.91

 

CMYK 0 / 7 / 0 / 10

HEX #E6D6E6

RGB 230 214 230

HSL 300, 0.24%, 0.87%

LAB 87.3, 8.32, -5.87

 

CMYK 2 / 7 / 0 / 10

HEX #E1D6E6

RGB 225 214 230

HSL 281.25, 0.24%, 0.87%

LAB 86.91, 6.64, -6.5

 

CMYK 4 / 7 / 0 / 10

HEX #DDD6E6

RGB 221 214 230

HSL 266.25, 0.24%, 0.87%

LAB 86.59, 5.31, -7

 

CMYK 6 / 7 / 0 / 10

HEX #D8D6E6

RGB 216 214 230

HSL 247.5, 0.24%, 0.87%

LAB 86.21, 3.65, -7.61

 

CMYK 0 / 7 / 2 / 10

HEX #E6D6E2

RGB 230 214 226

HSL 315, 0.24%, 0.87%

LAB 87.2, 7.6, -3.91

 

CMYK 0 / 12 / 3 / 7

HEX #ECD0E5

RGB 236 208 229

HSL 315, 0.42%, 0.87%

LAB 86.31, 13.32, -6.76

 

CMYK 0 / 16 / 4 / 5

HEX #F1CBE8

RGB 241 203 232

HSL 314.21, 0.58%, 0.87%

LAB 85.62, 18.17, -9.31

 

CMYK 0 / 20 / 4 / 4

HEX #F6C5EB

RGB 246 197 235

HSL 313.47, 0.73%, 0.87%

LAB 84.75, 23.55, -12.16

 

CMYK 0 / 24 / 6 / 1

HEX #FCC0EE

RGB 252 192 238

HSL 314, 0.91%, 0.87%

LAB 84.26, 28.7, -14.44

 

CMYK 0 / 7 / 2 / 10

HEX #E6D6E2

RGB 230 214 226

HSL 315, 0.24%, 0.87%

LAB 87.2, 7.6, -3.91

 

CMYK 0 / 3 / 1 / 12

HEX #E1DBDF

RGB 225 219 223

HSL 320, 0.09%, 0.87%

LAB 87.97, 2.76, -1.24

 

CMYK 2 / 0 / 1 / 12

HEX #DBE0DD

RGB 219 224 221

HSL 144, 0.07%, 0.87%

LAB 88.73, -2.22, 0.87

 

CMYK 7 / 0 / 5 / 10

HEX #D6E6DA

RGB 214 230 218

HSL 135, 0.24%, 0.87%

LAB 89.84, -7.51, 4.01

 

CMYK 11 / 0 / 9 / 8

HEX #D1EBD7

RGB 209 235 215

HSL 133.85, 0.39%, 0.87%

LAB 90.72, -12.24, 6.81

 

CMYK 2 / 7 / 0 / 10

HEX #E1D6E6

RGB 225 214 230

HSL 281.25, 0.24%, 0.87%

LAB 86.91, 6.64, -6.5

 

CMYK 0 / 7 / 0 / 10

HEX #E6D6E6

RGB 230 214 230

HSL 300, 0.24%, 0.87%

LAB 87.3, 8.32, -5.87

 

CMYK 0 / 7 / 2 / 10

HEX #E6D6E2

RGB 230 214 226

HSL 315, 0.24%, 0.87%

LAB 87.2, 7.6, -3.91

 

CMYK 0 / 7 / 3 / 10

HEX #E6D6DE

RGB 230 214 222

HSL 330, 0.24%, 0.87%

LAB 87.09, 6.89, -1.95

 

CMYK 0 / 7 / 6 / 10

HEX #E6D6D9

RGB 230 214 217

HSL 348.75, 0.24%, 0.87%

LAB 86.96, 6.02, 0.5

 

CMYK 0 / 19 / 5 / 22

HEX #C7A2BE

RGB 199 162 190

HSL 314.59, 0.25%, 0.71%

LAB 70.66, 18.35, -9.23

 

CMYK 0 / 13 / 3 / 16

HEX #D7BCD0

RGB 215 188 208

HSL 315.56, 0.25%, 0.79%

LAB 79.02, 13.03, -6.5

 

CMYK 0 / 7 / 2 / 10

HEX #E6D6E2

RGB 230 214 226

HSL 315, 0.24%, 0.87%

LAB 87.2, 7.6, -3.91

 

CMYK 0 / 3 / 1 / 4

HEX #F6EFF4

RGB 246 239 244

HSL 317.14, 0.28%, 0.95%

LAB 95.1, 3.22, -1.58

 

CMYK 0 / 7 / 2 / 10

HEX #E6D5E2

RGB 230 213 226

HSL 314.12, 0.25%, 0.87%

LAB 86.95, 8.12, -4.28

 

CMYK 0 / 4 / 7 / 10

HEX #E6DDD6

RGB 230 221 214

HSL 26.25, 0.24%, 0.87%

LAB 88.63, 1.87, 4.51

 

CMYK 7 / 0 / 1 / 10

HEX #D6E6E3

RGB 214 230 227

HSL 168.75, 0.24%, 0.87%

LAB 90.06, -5.86, -0.38

 

CMYK 0 / 7 / 2 / 10

HEX #E6D5E2

RGB 230 213 226

HSL 314.12, 0.25%, 0.87%

LAB 86.95, 8.12, -4.28

 

CMYK 2 / 0 / 7 / 10

HEX #E2E6D6

RGB 226 230 214

HSL 75, 0.24%, 0.87%

LAB 90.61, -4.14, 7.32

 

CMYK 7 / 2 / 0 / 10

HEX #D6E2E6

RGB 214 226 230

HSL 195, 0.24%, 0.87%

LAB 89.11, -3.24, -3.34

 

CMYK 0 / 7 / 2 / 10

HEX #E6D5E2

RGB 230 213 226

HSL 314.12, 0.25%, 0.87%

LAB 86.95, 8.12, -4.28

 

CMYK 0 / 4 / 7 / 10

HEX #E6DDD6

RGB 230 221 214

HSL 26.25, 0.24%, 0.87%

LAB 88.63, 1.87, 4.51

 

CMYK 7 / 0 / 6 / 10

HEX #D6E6D9

RGB 214 230 217

HSL 131.25, 0.24%, 0.87%

LAB 89.81, -7.69, 4.49

 

CMYK 7 / 3 / 0 / 10

HEX #D6DFE6

RGB 214 223 230

HSL 206.25, 0.24%, 0.87%

LAB 88.34, -1.69, -4.47

 

CMYK 0 / 7 / 2 / 10

HEX #E6D5E2

RGB 230 213 226

HSL 314.12, 0.25%, 0.87%

LAB 86.95, 8.12, -4.28

 

CMYK 0 / 2 / 7 / 10

HEX #E6E2D6

RGB 230 226 214

HSL 45, 0.24%, 0.87%

LAB 89.89, -0.71, 6.33

 

CMYK 7 / 0 / 6 / 10

HEX #D6E6D9

RGB 214 230 217

HSL 131.25, 0.24%, 0.87%

LAB 89.81, -7.69, 4.49

 

CMYK 7 / 5 / 0 / 10

HEX #D6DAE6

RGB 214 218 230

HSL 225, 0.24%, 0.87%

LAB 87.07, 0.91, -6.35

 

Description

Color code: HEX #E6D5E2 | qconv.com Color code: HEX #E6D5E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 213 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 213 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 2 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 2% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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