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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6CF7C it is the complementary color #193083. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6CF7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6CF7C shade: #EBCF77, #FCE18A, #FFF39D, #FFFFB0 and #FFFFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6CF7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6CF7C shade: #E6CF7C, #D5BD69, #C4AB56, #B39943 and #A28730

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6CF7C shade: #E6CE7A, #E6B17A, #E6947A and #E67A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6CF7C shade: #E6CE7A, #E0E67A, #C3E67A, #A6E67A and #89E67A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6CF7C shade matches the following richer shades: #E6CE7A and #F2D66D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6CF7C shade: #E6CE7A, #D9C787, #CCC094, #BFB9A1 and #B3B1AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6CF7C shade: #E6937A, #E6B07A, #E6CD7A, #E2E67A and #C5E67A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6CF7C shade: #D9B535, #DFC258, #E6CE7A, #ECDB9D and #F3E8C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6CF7C shade: #E6CF7C, #7EE67A and #A27AE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6CF7C shade: #E6CF7C, #7AE6CD and #CD7AE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6CF7C shade: #E6CF7C, #7EE67A, #7A93E6 and #E27AE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6CF7C shade: #E6CF7C, #7AE697, #7A93E6 and #E67AC9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 46 / 10

HEX #E6CF7C

RGB 230 207 124

HSL 46.98, 0.68%, 0.69%

LAB 83.39, -2.9, 44

 

Complementary color

CMYK 81 / 63 / 0 / 49

HEX #193083

RGB 25 48 131

HSL 226.98, 0.68%, 0.31%

LAB 23.54, 23.62, -49.09

 

CMYK 0 / 12 / 49 / 8

HEX #EBCF77

RGB 235 207 119

HSL 45.52, 0.74%, 0.69%

LAB 83.77, -1.34, 47.02

 

CMYK 0 / 11 / 45 / 1

HEX #FCE18A

RGB 252 225 138

HSL 45.79, 0.95%, 0.76%

LAB 90.04, -1.98, 45.8

 

CMYK 0 / 5 / 38 / 0

HEX #FFF39D

RGB 255 243 157

HSL 52.65, 1%, 0.81%

LAB 95.07, -7.92, 42.91

 

CMYK 0 / 0 / 31 / 0

HEX #FFFFB0

RGB 255 255 176

HSL 60, 1%, 0.85%

LAB 98.4, -11.68, 37.85

 

CMYK 0 / 0 / 24 / 0

HEX #FFFFC3

RGB 255 255 195

HSL 60, 1%, 0.88%

LAB 98.72, -9.28, 28.77

 

CMYK 0 / 10 / 46 / 10

HEX #E6CF7C

RGB 230 207 124

HSL 46.98, 0.68%, 0.69%

LAB 83.39, -2.9, 44

 

CMYK 0 / 11 / 51 / 16

HEX #D5BD69

RGB 213 189 105

HSL 46.67, 0.56%, 0.62%

LAB 77.02, -2.25, 45.23

 

CMYK 0 / 13 / 56 / 23

HEX #C4AB56

RGB 196 171 86

HSL 46.36, 0.48%, 0.55%

LAB 70.55, -1.48, 46.47

 

CMYK 0 / 15 / 63 / 30

HEX #B39943

RGB 179 153 67

HSL 46.07, 0.46%, 0.48%

LAB 63.98, -0.57, 47.65

 

CMYK 0 / 17 / 70 / 36

HEX #A28730

RGB 162 135 48

HSL 45.79, 0.54%, 0.41%

LAB 57.29, 0.55, 48.62

 

CMYK 0 / 10 / 47 / 10

HEX #E6CE7A

RGB 230 206 122

HSL 46.67, 0.68%, 0.69%

LAB 83.11, -2.57, 44.64

 

CMYK 0 / 23 / 47 / 10

HEX #E6B17A

RGB 230 177 122

HSL 30.56, 0.68%, 0.69%

LAB 75.87, 12.61, 35.49

 

CMYK 0 / 36 / 47 / 10

HEX #E6947A

RGB 230 148 122

HSL 14.44, 0.68%, 0.69%

LAB 69.05, 28.07, 26.57

 

CMYK 0 / 47 / 47 / 10

HEX #E67A7A

RGB 230 122 122

HSL 0, 0.68%, 0.69%

LAB 63.46, 41.63, 19.04

 

CMYK 0 / 10 / 47 / 10

HEX #E6CE7A

RGB 230 206 122

HSL 46.67, 0.68%, 0.69%

LAB 83.11, -2.57, 44.64

 

CMYK 3 / 0 / 47 / 10

HEX #E0E67A

RGB 224 230 122

HSL 63.33, 0.68%, 0.69%

LAB 88.85, -17.03, 51.55

 

CMYK 15 / 0 / 47 / 10

HEX #C3E67A

RGB 195 230 122

HSL 79.44, 0.68%, 0.69%

LAB 86.8, -28.19, 48.59

 

CMYK 28 / 0 / 47 / 10

HEX #A6E67A

RGB 166 230 122

HSL 95.56, 0.68%, 0.69%

LAB 85.05, -38.68, 46.04

 

CMYK 40 / 0 / 47 / 10

HEX #89E67A

RGB 137 230 122

HSL 111.67, 0.68%, 0.69%

LAB 83.61, -48.13, 43.93

 

CMYK 0 / 10 / 47 / 10

HEX #E6CE7A

RGB 230 206 122

HSL 46.67, 0.68%, 0.69%

LAB 83.11, -2.57, 44.64

 

CMYK 0 / 12 / 55 / 5

HEX #F2D66D

RGB 242 214 109

HSL 47.37, 0.84%, 0.69%

LAB 86.04, -2.92, 54.68

 

CMYK 0 / 10 / 47 / 10

HEX #E6CE7A

RGB 230 206 122

HSL 46.67, 0.68%, 0.69%

LAB 83.11, -2.57, 44.64

 

CMYK 0 / 8 / 38 / 15

HEX #D9C787

RGB 217 199 135

HSL 46.83, 0.52%, 0.69%

LAB 80.37, -2.8, 34.34

 

CMYK 0 / 6 / 27 / 20

HEX #CCC094

RGB 204 192 148

HSL 47.14, 0.35%, 0.69%

LAB 77.68, -2.62, 23.74

 

CMYK 0 / 3 / 16 / 25

HEX #BFB9A1

RGB 191 185 161

HSL 48, 0.19%, 0.69%

LAB 75.04, -1.96, 12.94

 

CMYK 0 / 1 / 3 / 30

HEX #B3B1AD

RGB 179 177 173

HSL 40, 0.04%, 0.69%

LAB 72.26, -0.02, 2.28

 

CMYK 0 / 36 / 47 / 10

HEX #E6937A

RGB 230 147 122

HSL 13.89, 0.68%, 0.69%

LAB 68.82, 28.6, 26.27

 

CMYK 0 / 23 / 47 / 10

HEX #E6B07A

RGB 230 176 122

HSL 30, 0.68%, 0.69%

LAB 75.62, 13.14, 35.18

 

CMYK 0 / 11 / 47 / 10

HEX #E6CD7A

RGB 230 205 122

HSL 46.11, 0.68%, 0.69%

LAB 82.86, -2.06, 44.32

 

CMYK 2 / 0 / 47 / 10

HEX #E2E67A

RGB 226 230 122

HSL 62.22, 0.68%, 0.69%

LAB 89, -16.24, 51.77

 

CMYK 14 / 0 / 47 / 10

HEX #C5E67A

RGB 197 230 122

HSL 78.33, 0.68%, 0.69%

LAB 86.93, -27.43, 48.78

 

CMYK 0 / 17 / 76 / 15

HEX #D9B535

RGB 217 181 53

HSL 46.83, 0.68%, 0.53%

LAB 74.86, 0.3, 65.73

 

CMYK 0 / 13 / 61 / 13

HEX #DFC258

RGB 223 194 88

HSL 47.11, 0.68%, 0.61%

LAB 79.03, -2.02, 55.87

 

CMYK 0 / 10 / 47 / 10

HEX #E6CE7A

RGB 230 206 122

HSL 46.67, 0.68%, 0.69%

LAB 83.11, -2.57, 44.64

 

CMYK 0 / 7 / 33 / 7

HEX #ECDB9D

RGB 236 219 157

HSL 47.09, 0.68%, 0.77%

LAB 87.45, -3.13, 32.65

 

CMYK 0 / 5 / 21 / 5

HEX #F3E8C0

RGB 243 232 192

HSL 47.06, 0.68%, 0.85%

LAB 91.94, -2.54, 20.83

 

CMYK 0 / 10 / 46 / 10

HEX #E6CF7C

RGB 230 207 124

HSL 46.98, 0.68%, 0.69%

LAB 83.39, -2.9, 44

 

CMYK 45 / 0 / 47 / 10

HEX #7EE67A

RGB 126 230 122

HSL 117.78, 0.68%, 0.69%

LAB 83.14, -51.36, 43.25

 

CMYK 30 / 47 / 0 / 10

HEX #A27AE6

RGB 162 122 230

HSL 262.22, 0.68%, 0.69%

LAB 59.26, 37.83, -49.37

 

CMYK 0 / 10 / 46 / 10

HEX #E6CF7C

RGB 230 207 124

HSL 46.98, 0.68%, 0.69%

LAB 83.39, -2.9, 44

 

CMYK 47 / 0 / 11 / 10

HEX #7AE6CD

RGB 122 230 205

HSL 166.11, 0.68%, 0.69%

LAB 84.56, -37.08, 2.56

 

CMYK 11 / 47 / 0 / 10

HEX #CD7AE6

RGB 205 122 230

HSL 286.11, 0.68%, 0.69%

LAB 63.84, 49.59, -41.83

 

CMYK 0 / 10 / 46 / 10

HEX #E6CF7C

RGB 230 207 124

HSL 46.98, 0.68%, 0.69%

LAB 83.39, -2.9, 44

 

CMYK 45 / 0 / 47 / 10

HEX #7EE67A

RGB 126 230 122

HSL 117.78, 0.68%, 0.69%

LAB 83.14, -51.36, 43.25

 

CMYK 47 / 36 / 0 / 10

HEX #7A93E6

RGB 122 147 230

HSL 226.11, 0.68%, 0.69%

LAB 62.27, 13.14, -44.82

 

CMYK 2 / 47 / 0 / 10

HEX #E27AE6

RGB 226 122 230

HSL 297.78, 0.68%, 0.69%

LAB 66.37, 55.49, -37.7

 

CMYK 0 / 10 / 46 / 10

HEX #E6CF7C

RGB 230 207 124

HSL 46.98, 0.68%, 0.69%

LAB 83.39, -2.9, 44

 

CMYK 47 / 0 / 34 / 10

HEX #7AE697

RGB 122 230 151

HSL 136.11, 0.68%, 0.69%

LAB 83.42, -47.99, 29.12

 

CMYK 47 / 36 / 0 / 10

HEX #7A93E6

RGB 122 147 230

HSL 226.11, 0.68%, 0.69%

LAB 62.27, 13.14, -44.82

 

CMYK 0 / 47 / 13 / 10

HEX #E67AC9

RGB 230 122 201

HSL 316.11, 0.68%, 0.69%

LAB 65.72, 51.76, -22.5

 

Description

Color code: HEX #E6CF7C | qconv.com Color code: HEX #E6CF7C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 207 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 207 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 46 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 46% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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