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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6CD4F it is the complementary color #1932B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6CD4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6CD4F shade: #EBCD4A, #FCDF5D, #FFF170, #FFFF83 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6CD4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6CD4F shade: #E6CD4F, #D5BB3C, #C4A929, #B39716 and #A28503

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6CD4F shade: #E6CD51, #E6A551, #E67D51, #E65551 and #E65151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6CD4F shade: #E6CD51, #D7E651, #AEE651, #86E651 and #5EE651

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6CD4F shade matches the following richer shades: #E6CD51 and #F6D841

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6CD4F shade: #E6CD51, #D6C361, #C6B871, #B6AD81 and #A6A291

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6CD4F shade: #E67E51, #E6A551, #E6CD51, #D7E651 and #AFE651

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6CD4F shade: #C8AC1D, #E1C32D, #E6CD51, #EBD875 and #F0E299

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6CD4F shade: #E6CD4F, #51E656 and #9251E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6CD4F shade: #E6CD4F, #51E6CD and #CD51E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6CD4F shade: #E6CD4F, #51E656, #516AE6 and #E651E1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6CD4F shade: #E6CD4F, #51E683, #516AE6 and #E651B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 66 / 10

HEX #E6CD4F

RGB 230 205 79

HSL 50.07, 0.75%, 0.61%

LAB 82.41, -5.31, 63.61

 

Complementary color

CMYK 86 / 72 / 0 / 31

HEX #1932B0

RGB 25 50 176

HSL 230.07, 0.75%, 0.39%

LAB 28.44, 39.49, -68.58

 

CMYK 0 / 13 / 69 / 8

HEX #EBCD4A

RGB 235 205 74

HSL 48.82, 0.8%, 0.61%

LAB 82.82, -3.48, 66.19

 

CMYK 0 / 12 / 63 / 1

HEX #FCDF5D

RGB 252 223 93

HSL 49.06, 0.96%, 0.68%

LAB 89.05, -4.48, 65.42

 

CMYK 0 / 5 / 56 / 0

HEX #FFF170

RGB 255 241 112

HSL 54.13, 1%, 0.72%

LAB 94.03, -10.96, 62.8

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 0 / 11 / 66 / 10

HEX #E6CD4F

RGB 230 205 79

HSL 50.07, 0.75%, 0.61%

LAB 82.41, -5.31, 63.61

 

CMYK 0 / 12 / 72 / 16

HEX #D5BB3C

RGB 213 187 60

HSL 49.8, 0.65%, 0.54%

LAB 76.08, -4.25, 64.21

 

CMYK 0 / 14 / 79 / 23

HEX #C4A929

RGB 196 169 41

HSL 49.55, 0.65%, 0.46%

LAB 69.66, -3, 64.27

 

CMYK 0 / 16 / 88 / 30

HEX #B39716

RGB 179 151 22

HSL 49.3, 0.78%, 0.39%

LAB 63.16, -1.51, 63.35

 

CMYK 0 / 18 / 98 / 36

HEX #A28503

RGB 162 133 3

HSL 49.06, 0.96%, 0.32%

LAB 56.55, 0.24, 61.01

 

CMYK 0 / 11 / 65 / 10

HEX #E6CD51

RGB 230 205 81

HSL 49.93, 0.75%, 0.61%

LAB 82.42, -5.19, 62.8

 

CMYK 0 / 28 / 65 / 10

HEX #E6A551

RGB 230 165 81

HSL 33.83, 0.75%, 0.61%

LAB 72.45, 15.75, 51.95

 

CMYK 0 / 46 / 65 / 10

HEX #E67D51

RGB 230 125 81

HSL 17.72, 0.75%, 0.61%

LAB 63.41, 36.88, 41.58

 

CMYK 0 / 63 / 65 / 10

HEX #E65551

RGB 230 85 81

HSL 1.61, 0.75%, 0.61%

LAB 56, 55.93, 32.63

 

CMYK 0 / 65 / 65 / 10

HEX #E65151

RGB 230 81 81

HSL 0, 0.75%, 0.61%

LAB 55.38, 57.6, 31.86

 

CMYK 0 / 11 / 65 / 10

HEX #E6CD51

RGB 230 205 81

HSL 49.93, 0.75%, 0.61%

LAB 82.42, -5.19, 62.8

 

CMYK 7 / 0 / 65 / 10

HEX #D7E651

RGB 215 230 81

HSL 66.04, 0.75%, 0.61%

LAB 87.79, -23.76, 68.05

 

CMYK 24 / 0 / 65 / 10

HEX #AEE651

RGB 174 230 81

HSL 82.55, 0.75%, 0.61%

LAB 85.09, -39.69, 64.39

 

CMYK 42 / 0 / 65 / 10

HEX #86E651

RGB 134 230 81

HSL 98.66, 0.75%, 0.61%

LAB 83.05, -53.45, 61.59

 

CMYK 59 / 0 / 65 / 10

HEX #5EE651

RGB 94 230 81

HSL 114.77, 0.75%, 0.61%

LAB 81.6, -64.38, 59.6

 

CMYK 0 / 11 / 65 / 10

HEX #E6CD51

RGB 230 205 81

HSL 49.93, 0.75%, 0.61%

LAB 82.42, -5.19, 62.8

 

CMYK 0 / 12 / 74 / 4

HEX #F6D841

RGB 246 216 65

HSL 50.06, 0.91%, 0.61%

LAB 86.55, -4.87, 73.54

 

CMYK 0 / 11 / 65 / 10

HEX #E6CD51

RGB 230 205 81

HSL 49.93, 0.75%, 0.61%

LAB 82.42, -5.19, 62.8

 

CMYK 0 / 9 / 55 / 16

HEX #D6C361

RGB 214 195 97

HSL 50.26, 0.59%, 0.61%

LAB 78.57, -5.62, 50.97

 

CMYK 0 / 7 / 43 / 22

HEX #C6B871

RGB 198 184 113

HSL 50.12, 0.43%, 0.61%

LAB 74.5, -5.01, 37.79

 

CMYK 0 / 5 / 29 / 29

HEX #B6AD81

RGB 182 173 129

HSL 49.81, 0.27%, 0.61%

LAB 70.47, -3.72, 23.82

 

CMYK 0 / 2 / 13 / 35

HEX #A6A291

RGB 166 162 145

HSL 48.57, 0.11%, 0.61%

LAB 66.51, -1.57, 9.35

 

CMYK 0 / 45 / 65 / 10

HEX #E67E51

RGB 230 126 81

HSL 18.12, 0.75%, 0.61%

LAB 63.62, 36.36, 41.83

 

CMYK 0 / 28 / 65 / 10

HEX #E6A551

RGB 230 165 81

HSL 33.83, 0.75%, 0.61%

LAB 72.45, 15.75, 51.95

 

CMYK 0 / 11 / 65 / 10

HEX #E6CD51

RGB 230 205 81

HSL 49.93, 0.75%, 0.61%

LAB 82.42, -5.19, 62.8

 

CMYK 7 / 0 / 65 / 10

HEX #D7E651

RGB 215 230 81

HSL 66.04, 0.75%, 0.61%

LAB 87.79, -23.76, 68.05

 

CMYK 24 / 0 / 65 / 10

HEX #AFE651

RGB 175 230 81

HSL 82.15, 0.75%, 0.61%

LAB 85.15, -39.31, 64.47

 

CMYK 0 / 14 / 86 / 22

HEX #C8AC1D

RGB 200 172 29

HSL 50.18, 0.75%, 0.45%

LAB 70.78, -3.18, 68.75

 

CMYK 0 / 13 / 80 / 12

HEX #E1C32D

RGB 225 195 45

HSL 50, 0.75%, 0.53%

LAB 79.17, -3.82, 72.51

 

CMYK 0 / 11 / 65 / 10

HEX #E6CD51

RGB 230 205 81

HSL 49.93, 0.75%, 0.61%

LAB 82.42, -5.19, 62.8

 

CMYK 0 / 8 / 50 / 8

HEX #EBD875

RGB 235 216 117

HSL 50.34, 0.75%, 0.69%

LAB 86.04, -6.11, 50.74

 

CMYK 0 / 6 / 36 / 6

HEX #F0E299

RGB 240 226 153

HSL 50.34, 0.74%, 0.77%

LAB 89.49, -5.6, 37.43

 

CMYK 0 / 11 / 66 / 10

HEX #E6CD4F

RGB 230 205 79

HSL 50.07, 0.75%, 0.61%

LAB 82.41, -5.31, 63.61

 

CMYK 65 / 0 / 63 / 10

HEX #51E656

RGB 81 230 86

HSL 122.01, 0.75%, 0.61%

LAB 81.3, -66.67, 57.11

 

CMYK 37 / 65 / 0 / 10

HEX #9251E6

RGB 146 81 230

HSL 266.17, 0.75%, 0.61%

LAB 49.14, 56.13, -65.68

 

CMYK 0 / 11 / 66 / 10

HEX #E6CD4F

RGB 230 205 79

HSL 50.07, 0.75%, 0.61%

LAB 82.41, -5.31, 63.61

 

CMYK 65 / 0 / 11 / 10

HEX #51E6CD

RGB 81 230 205

HSL 169.93, 0.75%, 0.61%

LAB 83.31, -45.09, 0.59

 

CMYK 11 / 65 / 0 / 10

HEX #CD51E6

RGB 205 81 230

HSL 289.93, 0.75%, 0.61%

LAB 56.66, 68.86, -53.19

 

CMYK 0 / 11 / 66 / 10

HEX #E6CD4F

RGB 230 205 79

HSL 50.07, 0.75%, 0.61%

LAB 82.41, -5.31, 63.61

 

CMYK 65 / 0 / 63 / 10

HEX #51E656

RGB 81 230 86

HSL 122.01, 0.75%, 0.61%

LAB 81.3, -66.67, 57.11

 

CMYK 65 / 54 / 0 / 10

HEX #516AE6

RGB 81 106 230

HSL 229.93, 0.75%, 0.61%

LAB 49.22, 29.7, -65.81

 

CMYK 0 / 65 / 2 / 10

HEX #E651E1

RGB 230 81 225

HSL 302.01, 0.75%, 0.61%

LAB 60.02, 73.7, -44.83

 

CMYK 0 / 11 / 66 / 10

HEX #E6CD4F

RGB 230 205 79

HSL 50.07, 0.75%, 0.61%

LAB 82.41, -5.31, 63.61

 

CMYK 65 / 0 / 43 / 10

HEX #51E683

RGB 81 230 131

HSL 140.13, 0.75%, 0.61%

LAB 81.83, -60.63, 36.87

 

CMYK 65 / 54 / 0 / 10

HEX #516AE6

RGB 81 106 230

HSL 229.93, 0.75%, 0.61%

LAB 49.22, 29.7, -65.81

 

CMYK 0 / 65 / 22 / 10

HEX #E651B4

RGB 230 81 180

HSL 320.13, 0.75%, 0.61%

LAB 58.04, 67.11, -22.3

 

Description

Color code: HEX #E6CD4F | qconv.com Color code: HEX #E6CD4F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 205 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 205 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 66 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 66% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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