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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6C4CF it is the complementary color #193B30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6C4CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6C4CF shade: #EBC4CA, #FCD6DD, #FFE8F0, #FFFAFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6C4CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6C4CF shade: #E6C4CF, #D5B2BC, #C4A0A9, #B38E96 and #A27C83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6C4CF shade: #E7C6D0, #E7C6C8 and #E7C6C6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6C4CF shade: #E7C6D0, #E7C6D9, #E7C6E2, #E2C6E7 and #D9C6E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6C4CF shade matches the following richer shades: #E7C6D0, #EDBFCE, #F4B9CC and #FAB2C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6C4CF shade: #E7C6D0, #E0CCD3, #D9D3D5, #D3DAD7 and #CCE0DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6C4CF shade: #E7C6E2, #E7C6D9, #E7C6D1, #E7C6C8 and #E7CCC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6C4CF shade: #CE8CA1, #DAA9B9, #E7C6D0, #F3E3E8 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6C4CF shade: #E6C4CF, #E7E2C6 and #C6DEE7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6C4CF shade: #E6C4CF, #D1E7C6 and #C6D1E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6C4CF shade: #E6C4CF, #E7E2C6, #C6E7DC and #C6CAE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6C4CF shade: #E6C4CF, #E1E7C6, #C6E7DC and #CBC6E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 10 / 10

HEX #E6C4CF

RGB 230 196 207

HSL 340.59, 0.4%, 0.84%

LAB 82.28, 13.81, -1.02

 

Complementary color

CMYK 58 / 0 / 19 / 77

HEX #193B30

RGB 25 59 48

HSL 160.59, 0.4%, 0.16%

LAB 22.12, -15.63, 3.05

 

CMYK 0 / 17 / 14 / 8

HEX #EBC4CA

RGB 235 196 202

HSL 350.77, 0.49%, 0.85%

LAB 82.6, 14.76, 2.18

 

CMYK 0 / 15 / 12 / 1

HEX #FCD6DD

RGB 252 214 221

HSL 348.95, 0.86%, 0.91%

LAB 88.93, 14.33, 1.48

 

CMYK 0 / 9 / 6 / 0

HEX #FFE8F0

RGB 255 232 240

HSL 339.13, 1%, 0.95%

LAB 94, 9.15, -1.04

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 15 / 10 / 10

HEX #E6C4CF

RGB 230 196 207

HSL 340.59, 0.4%, 0.84%

LAB 82.28, 13.81, -1.02

 

CMYK 0 / 16 / 12 / 16

HEX #D5B2BC

RGB 213 178 188

HSL 342.86, 0.29%, 0.77%

LAB 75.83, 14.25, -0.36

 

CMYK 0 / 18 / 14 / 23

HEX #C4A0A9

RGB 196 160 169

HSL 345, 0.23%, 0.7%

LAB 69.29, 14.73, 0.35

 

CMYK 0 / 21 / 16 / 30

HEX #B38E96

RGB 179 142 150

HSL 347.03, 0.2%, 0.63%

LAB 62.62, 15.25, 1.09

 

CMYK 0 / 23 / 19 / 36

HEX #A27C83

RGB 162 124 131

HSL 348.95, 0.17%, 0.56%

LAB 55.82, 15.85, 1.9

 

CMYK 0 / 14 / 10 / 9

HEX #E7C6D0

RGB 231 198 208

HSL 341.82, 0.41%, 0.84%

LAB 82.88, 13.27, -0.67

 

CMYK 0 / 14 / 13 / 9

HEX #E7C6C8

RGB 231 198 200

HSL 356.36, 0.41%, 0.84%

LAB 82.67, 11.96, 3.32

 

CMYK 0 / 14 / 14 / 9

HEX #E7C6C6

RGB 231 198 198

HSL 0, 0.41%, 0.84%

LAB 82.62, 11.64, 4.31

 

CMYK 0 / 14 / 10 / 9

HEX #E7C6D0

RGB 231 198 208

HSL 341.82, 0.41%, 0.84%

LAB 82.88, 13.27, -0.67

 

CMYK 0 / 14 / 6 / 9

HEX #E7C6D9

RGB 231 198 217

HSL 325.45, 0.41%, 0.84%

LAB 83.12, 14.8, -5.13

 

CMYK 0 / 14 / 2 / 9

HEX #E7C6E2

RGB 231 198 226

HSL 309.09, 0.41%, 0.84%

LAB 83.37, 16.38, -9.56

 

CMYK 2 / 14 / 0 / 9

HEX #E2C6E7

RGB 226 198 231

HSL 290.91, 0.41%, 0.84%

LAB 83.09, 15.63, -12.7

 

CMYK 6 / 14 / 0 / 9

HEX #D9C6E7

RGB 217 198 231

HSL 274.55, 0.41%, 0.84%

LAB 82.33, 12.65, -13.91

 

CMYK 0 / 14 / 10 / 9

HEX #E7C6D0

RGB 231 198 208

HSL 341.82, 0.41%, 0.84%

LAB 82.88, 13.27, -0.67

 

CMYK 0 / 19 / 13 / 7

HEX #EDBFCE

RGB 237 191 206

HSL 340.43, 0.56%, 0.84%

LAB 81.69, 18.76, -1.27

 

CMYK 0 / 24 / 16 / 4

HEX #F4B9CC

RGB 244 185 204

HSL 340.68, 0.73%, 0.84%

LAB 80.9, 24.1, -1.27

 

CMYK 0 / 29 / 20 / 2

HEX #FAB2C9

RGB 250 178 201

HSL 340.83, 0.88%, 0.84%

LAB 79.83, 29.45, -1.14

 

CMYK 0 / 14 / 10 / 9

HEX #E7C6D0

RGB 231 198 208

HSL 341.82, 0.41%, 0.84%

LAB 82.88, 13.27, -0.67

 

CMYK 0 / 9 / 6 / 12

HEX #E0CCD3

RGB 224 204 211

HSL 339, 0.24%, 0.84%

LAB 83.83, 8.16, -0.95

 

CMYK 0 / 3 / 2 / 15

HEX #D9D3D5

RGB 217 211 213

HSL 340, 0.07%, 0.84%

LAB 85.07, 2.42, -0.26

 

CMYK 3 / 0 / 1 / 15

HEX #D3DAD7

RGB 211 218 215

HSL 154.29, 0.09%, 0.84%

LAB 86.45, -2.91, 0.64

 

CMYK 9 / 0 / 3 / 12

HEX #CCE0DA

RGB 204 224 218

HSL 162, 0.24%, 0.84%

LAB 87.59, -7.77, 0.65

 

CMYK 0 / 14 / 2 / 9

HEX #E7C6E2

RGB 231 198 226

HSL 309.09, 0.41%, 0.84%

LAB 83.37, 16.38, -9.56

 

CMYK 0 / 14 / 6 / 9

HEX #E7C6D9

RGB 231 198 217

HSL 325.45, 0.41%, 0.84%

LAB 83.12, 14.8, -5.13

 

CMYK 0 / 14 / 10 / 9

HEX #E7C6D1

RGB 231 198 209

HSL 340, 0.41%, 0.84%

LAB 82.9, 13.43, -1.16

 

CMYK 0 / 14 / 13 / 9

HEX #E7C6C8

RGB 231 198 200

HSL 356.36, 0.41%, 0.84%

LAB 82.67, 11.96, 3.32

 

CMYK 0 / 12 / 14 / 9

HEX #E7CCC6

RGB 231 204 198

HSL 10.91, 0.41%, 0.84%

LAB 84.1, 8.48, 6.44

 

CMYK 0 / 32 / 22 / 19

HEX #CE8CA1

RGB 206 140 161

HSL 340.91, 0.4%, 0.68%

LAB 65.32, 28.09, -0.84

 

CMYK 0 / 22 / 15 / 15

HEX #DAA9B9

RGB 218 169 185

HSL 340.41, 0.4%, 0.76%

LAB 74.05, 20.41, -1.27

 

CMYK 0 / 14 / 10 / 9

HEX #E7C6D0

RGB 231 198 208

HSL 341.82, 0.41%, 0.84%

LAB 82.88, 13.27, -0.67

 

CMYK 0 / 7 / 5 / 5

HEX #F3E3E8

RGB 243 227 232

HSL 341.25, 0.4%, 0.92%

LAB 91.6, 6.29, -0.48

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 0 / 15 / 10 / 10

HEX #E6C4CF

RGB 230 196 207

HSL 340.59, 0.4%, 0.84%

LAB 82.28, 13.81, -1.02

 

CMYK 0 / 2 / 14 / 9

HEX #E7E2C6

RGB 231 226 198

HSL 50.91, 0.41%, 0.84%

LAB 89.61, -2.93, 14.3

 

CMYK 14 / 4 / 0 / 9

HEX #C6DEE7

RGB 198 222 231

HSL 196.36, 0.41%, 0.84%

LAB 87.01, -6.12, -7.1

 

CMYK 0 / 15 / 10 / 10

HEX #E6C4CF

RGB 230 196 207

HSL 340.59, 0.4%, 0.84%

LAB 82.28, 13.81, -1.02

 

CMYK 10 / 0 / 14 / 9

HEX #D1E7C6

RGB 209 231 198

HSL 100, 0.41%, 0.84%

LAB 89.29, -13.19, 13.63

 

CMYK 14 / 10 / 0 / 9

HEX #C6D1E7

RGB 198 209 231

HSL 220, 0.41%, 0.84%

LAB 83.64, 0.65, -12.1

 

CMYK 0 / 15 / 10 / 10

HEX #E6C4CF

RGB 230 196 207

HSL 340.59, 0.4%, 0.84%

LAB 82.28, 13.81, -1.02

 

CMYK 0 / 2 / 14 / 9

HEX #E7E2C6

RGB 231 226 198

HSL 50.91, 0.41%, 0.84%

LAB 89.61, -2.93, 14.3

 

CMYK 14 / 0 / 5 / 9

HEX #C6E7DC

RGB 198 231 220

HSL 160, 0.41%, 0.84%

LAB 89.08, -12.89, 1.72

 

CMYK 14 / 13 / 0 / 9

HEX #C6CAE7

RGB 198 202 231

HSL 232.73, 0.41%, 0.84%

LAB 81.85, 4.36, -14.79

 

CMYK 0 / 15 / 10 / 10

HEX #E6C4CF

RGB 230 196 207

HSL 340.59, 0.4%, 0.84%

LAB 82.28, 13.81, -1.02

 

CMYK 3 / 0 / 14 / 9

HEX #E1E7C6

RGB 225 231 198

HSL 70.91, 0.41%, 0.84%

LAB 90.43, -7.61, 15.4

 

CMYK 14 / 0 / 5 / 9

HEX #C6E7DC

RGB 198 231 220

HSL 160, 0.41%, 0.84%

LAB 89.08, -12.89, 1.72

 

CMYK 12 / 14 / 0 / 9

HEX #CBC6E7

RGB 203 198 231

HSL 249.09, 0.41%, 0.84%

LAB 81.21, 8.1, -15.71

 

Description

Color code: HEX #E6C4CF | qconv.com Color code: HEX #E6C4CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 196 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 196 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 10 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 10% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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