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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6B72F it is the complementary color #1948D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6B72F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6B72F shade: #EBB72A, #FCC93D, #FFDB50, #FFED63 and #FFFF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6B72F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6B72F shade: #E6B72F, #D5A51C, #C49309, #B38100 and #A26F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6B72F shade: #E6B72D, #E6852D, #E6532D and #E62D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6B72F shade: #E6B72D, #E4E62D, #B2E62D, #80E62D and #4EE62D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6B72F shade matches the following richer shades: #E6B72D and #F9C01A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6B72F shade: #E6B72D, #D3AE40, #C0A453, #AD9B66 and #9A9279

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6B72F shade: #E6522D, #E6842D, #E6B52D, #E6E62D and #B5E62D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6B72F shade: #AD8514, #D2A219, #E6B72D, #EBC352 and #EFD077

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6B72F shade: #E6B72F, #39E62D and #6B2DE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6B72F shade: #E6B72F, #2DE6B5 and #B52DE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6B72F shade: #E6B72F, #39E62D, #2D5EE6 and #DA2DE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6B72F shade: #E6B72F, #2DE658, #2D5EE6 and #E62DBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 80 / 10

HEX #E6B72F

RGB 230 183 47

HSL 44.59, 0.79%, 0.54%

LAB 76.62, 4.64, 69.83

 

Complementary color

CMYK 88 / 65 / 0 / 18

HEX #1948D0

RGB 25 72 208

HSL 224.59, 0.79%, 0.46%

LAB 36.73, 37.4, -73.72

 

CMYK 0 / 22 / 82 / 8

HEX #EBB72A

RGB 235 183 42

HSL 43.83, 0.83%, 0.54%

LAB 77.1, 6.63, 71.97

 

CMYK 0 / 20 / 76 / 1

HEX #FCC93D

RGB 252 201 61

HSL 43.98, 0.97%, 0.61%

LAB 83.34, 5.15, 72.1

 

CMYK 0 / 14 / 69 / 0

HEX #FFDB50

RGB 255 219 80

HSL 47.66, 1%, 0.66%

LAB 88.21, -1.95, 69.91

 

CMYK 0 / 7 / 61 / 0

HEX #FFED63

RGB 255 237 99

HSL 53.08, 1%, 0.69%

LAB 92.9, -9.87, 67.13

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF76

RGB 255 255 118

HSL 60, 1%, 0.73%

LAB 97.67, -17.33, 64.31

 

CMYK 0 / 20 / 80 / 10

HEX #E6B72F

RGB 230 183 47

HSL 44.59, 0.79%, 0.54%

LAB 76.62, 4.64, 69.83

 

CMYK 0 / 23 / 87 / 16

HEX #D5A51C

RGB 213 165 28

HSL 44.43, 0.77%, 0.47%

LAB 70.27, 6.24, 69.12

 

CMYK 0 / 25 / 95 / 23

HEX #C49309

RGB 196 147 9

HSL 44.28, 0.91%, 0.4%

LAB 63.85, 8.1, 67.01

 

CMYK 0 / 28 / 100 / 30

HEX #B38100

RGB 179 129 0

HSL 43.24, 1%, 0.35%

LAB 57.35, 10.23, 62.96

 

CMYK 0 / 31 / 100 / 36

HEX #A26F00

RGB 162 111 0

HSL 41.11, 1%, 0.32%

LAB 50.75, 12.57, 57.54

 

CMYK 0 / 20 / 80 / 10

HEX #E6B72D

RGB 230 183 45

HSL 44.76, 0.79%, 0.54%

LAB 76.61, 4.57, 70.45

 

CMYK 0 / 42 / 80 / 10

HEX #E6852D

RGB 230 133 45

HSL 28.54, 0.79%, 0.54%

LAB 64.79, 31.06, 59.88

 

CMYK 0 / 64 / 80 / 10

HEX #E6532D

RGB 230 83 45

HSL 12.32, 0.79%, 0.54%

LAB 55.28, 55.21, 51.02

 

CMYK 0 / 80 / 80 / 10

HEX #E62D2D

RGB 230 45 45

HSL 0, 0.79%, 0.54%

LAB 50.56, 68.21, 46.47

 

CMYK 0 / 20 / 80 / 10

HEX #E6B72D

RGB 230 183 45

HSL 44.76, 0.79%, 0.54%

LAB 76.61, 4.57, 70.45

 

CMYK 1 / 0 / 80 / 10

HEX #E4E62D

RGB 228 230 45

HSL 60.65, 0.79%, 0.54%

LAB 88.58, -20.04, 80.77

 

CMYK 23 / 0 / 80 / 10

HEX #B2E62D

RGB 178 230 45

HSL 76.86, 0.79%, 0.54%

LAB 85.12, -40.12, 76.41

 

CMYK 44 / 0 / 80 / 10

HEX #80E62D

RGB 128 230 45

HSL 93.08, 0.79%, 0.54%

LAB 82.58, -57.63, 73.17

 

CMYK 66 / 0 / 80 / 10

HEX #4EE62D

RGB 78 230 45

HSL 109.3, 0.79%, 0.54%

LAB 80.96, -70.42, 71.09

 

CMYK 0 / 20 / 80 / 10

HEX #E6B72D

RGB 230 183 45

HSL 44.76, 0.79%, 0.54%

LAB 76.61, 4.57, 70.45

 

CMYK 0 / 23 / 90 / 2

HEX #F9C01A

RGB 249 192 26

HSL 44.66, 0.95%, 0.54%

LAB 80.69, 7.58, 79.29

 

CMYK 0 / 20 / 80 / 10

HEX #E6B72D

RGB 230 183 45

HSL 44.76, 0.79%, 0.54%

LAB 76.61, 4.57, 70.45

 

CMYK 0 / 18 / 70 / 17

HEX #D3AE40

RGB 211 174 64

HSL 44.9, 0.63%, 0.54%

LAB 72.56, 1.91, 59.04

 

CMYK 0 / 15 / 57 / 25

HEX #C0A453

RGB 192 164 83

HSL 44.59, 0.46%, 0.54%

LAB 68.3, 0.31, 45.21

 

CMYK 0 / 10 / 41 / 32

HEX #AD9B66

RGB 173 155 102

HSL 44.79, 0.3%, 0.54%

LAB 64.39, -1.04, 30.19

 

CMYK 0 / 5 / 21 / 40

HEX #9A9279

RGB 154 146 121

HSL 45.45, 0.14%, 0.54%

LAB 60.61, -1.31, 14.33

 

CMYK 0 / 64 / 80 / 10

HEX #E6522D

RGB 230 82 45

HSL 12, 0.79%, 0.54%

LAB 55.12, 55.62, 50.87

 

CMYK 0 / 43 / 80 / 10

HEX #E6842D

RGB 230 132 45

HSL 28.22, 0.79%, 0.54%

LAB 64.58, 31.58, 59.68

 

CMYK 0 / 21 / 80 / 10

HEX #E6B52D

RGB 230 181 45

HSL 44.11, 0.79%, 0.54%

LAB 76.11, 5.62, 70.01

 

CMYK 0 / 0 / 80 / 10

HEX #E6E62D

RGB 230 230 45

HSL 60, 0.79%, 0.54%

LAB 88.74, -19.21, 80.96

 

CMYK 21 / 0 / 80 / 10

HEX #B5E62D

RGB 181 230 45

HSL 75.89, 0.79%, 0.54%

LAB 85.31, -38.97, 76.64

 

CMYK 0 / 23 / 88 / 32

HEX #AD8514

RGB 173 133 20

HSL 44.31, 0.79%, 0.38%

LAB 57.76, 5.59, 59.24

 

CMYK 0 / 23 / 88 / 18

HEX #D2A219

RGB 210 162 25

HSL 44.43, 0.79%, 0.46%

LAB 69.19, 6.46, 68.82

 

CMYK 0 / 20 / 80 / 10

HEX #E6B72D

RGB 230 183 45

HSL 44.76, 0.79%, 0.54%

LAB 76.61, 4.57, 70.45

 

CMYK 0 / 17 / 65 / 8

HEX #EBC352

RGB 235 195 82

HSL 44.31, 0.79%, 0.62%

LAB 80.35, 2.11, 60.3

 

CMYK 0 / 13 / 50 / 6

HEX #EFD077

RGB 239 208 119

HSL 44.5, 0.79%, 0.7%

LAB 84.38, -0.24, 47.85

 

CMYK 0 / 20 / 80 / 10

HEX #E6B72F

RGB 230 183 47

HSL 44.59, 0.79%, 0.54%

LAB 76.62, 4.64, 69.83

 

CMYK 75 / 0 / 80 / 10

HEX #39E62D

RGB 57 230 45

HSL 116.11, 0.79%, 0.54%

LAB 80.55, -73.99, 70.55

 

CMYK 53 / 80 / 0 / 10

HEX #6B2DE6

RGB 107 45 230

HSL 260.11, 0.79%, 0.54%

LAB 39.1, 66.14, -82.27

 

CMYK 0 / 20 / 80 / 10

HEX #E6B72F

RGB 230 183 47

HSL 44.59, 0.79%, 0.54%

LAB 76.62, 4.64, 69.83

 

CMYK 80 / 0 / 21 / 10

HEX #2DE6B5

RGB 45 230 181

HSL 164.11, 0.79%, 0.54%

LAB 82.1, -55.42, 11.42

 

CMYK 21 / 80 / 0 / 10

HEX #B52DE6

RGB 181 45 230

HSL 284.11, 0.79%, 0.54%

LAB 48.78, 76.69, -66.05

 

CMYK 0 / 20 / 80 / 10

HEX #E6B72F

RGB 230 183 47

HSL 44.59, 0.79%, 0.54%

LAB 76.62, 4.64, 69.83

 

CMYK 75 / 0 / 80 / 10

HEX #39E62D

RGB 57 230 45

HSL 116.11, 0.79%, 0.54%

LAB 80.55, -73.99, 70.55

 

CMYK 80 / 59 / 0 / 10

HEX #2D5EE6

RGB 45 94 230

HSL 224.11, 0.79%, 0.54%

LAB 44.63, 32.91, -73.35

 

CMYK 5 / 80 / 0 / 10

HEX #DA2DE6

RGB 218 45 230

HSL 296.11, 0.79%, 0.54%

LAB 54.55, 83.09, -56.46

 

CMYK 0 / 20 / 80 / 10

HEX #E6B72F

RGB 230 183 47

HSL 44.59, 0.79%, 0.54%

LAB 76.62, 4.64, 69.83

 

CMYK 80 / 0 / 62 / 10

HEX #2DE658

RGB 45 230 88

HSL 133.95, 0.79%, 0.54%

LAB 80.66, -71.94, 55.37

 

CMYK 80 / 59 / 0 / 10

HEX #2D5EE6

RGB 45 94 230

HSL 224.11, 0.79%, 0.54%

LAB 44.63, 32.91, -73.35

 

CMYK 0 / 80 / 19 / 10

HEX #E62DBB

RGB 230 45 187

HSL 313.95, 0.79%, 0.54%

LAB 54.33, 79.32, -32.08

 

Description

Color code: HEX #E6B72F | qconv.com Color code: HEX #E6B72F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 183 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 183 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 80 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 80% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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