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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6B2FF it is the complementary color #194D00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6B2FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6B2FF shade: #EBB2FA, #FCC4FF, #FFD6FF, #FFE8FF and #FFFAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6B2FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6B2FF shade: #E6B2FF, #D5A0EC, #C48ED9, #B37CC6 and #A26AB3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6B2FF shade: #E6B3FF, #FBB3FF, #FFB3EF, #FFB3DA and #FFB3C5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6B2FF shade: #E6B3FF, #D2B3FF, #BDB3FF and #B3B3FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6B2FF shade matches the following richer shades: #E6B3FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6B2FF shade: #E6B3FF, #E4B9F9, #E2BFF3, #E0C5EC and #DDCBE6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6B2FF shade: #BDB3FF, #D1B3FF, #E6B3FF, #FAB3FF and #FFB3F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6B2FF shade: #CB60FF, #D989FF, #E6B3FF, #F4DCFF and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6B2FF shade: #E6B2FF, #FFB3BD and #B3FFC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6B2FF shade: #E6B2FF, #FFE6B3 and #B3FFE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6B2FF shade: #E6B2FF, #FFB3BD, #CCFFB3 and #B3FFF5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6B2FF shade: #E6B2FF, #FFBFB3, #CCFFB3 and #B3F2FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 30 / 0 / 0

HEX #E6B2FF

RGB 230 178 255

HSL 280.52, 1%, 0.85%

LAB 79.55, 32.27, -30.88

 

Complementary color

CMYK 68 / 0 / 100 / 70

HEX #194D00

RGB 25 77 0

HSL 100.52, 1%, 0.15%

LAB 28.15, -31.34, 35.62

 

CMYK 6 / 29 / 0 / 2

HEX #EBB2FA

RGB 235 178 250

HSL 287.5, 0.88%, 0.84%

LAB 79.84, 32.83, -27.71

 

CMYK 1 / 23 / 0 / 0

HEX #FCC4FF

RGB 252 196 255

HSL 296.95, 1%, 0.88%

LAB 85.7, 29.61, -21.3

 

CMYK 0 / 16 / 0 / 0

HEX #FFD6FF

RGB 255 214 255

HSL 300, 1%, 0.92%

LAB 90.12, 21.12, -14.62

 

CMYK 0 / 9 / 0 / 0

HEX #FFE8FF

RGB 255 232 255

HSL 300, 1%, 0.95%

LAB 94.39, 11.75, -8.26

 

CMYK 0 / 2 / 0 / 0

HEX #FFFAFF

RGB 255 250 255

HSL 300, 1%, 0.99%

LAB 98.77, 2.53, -1.81

 

CMYK 10 / 30 / 0 / 0

HEX #E6B2FF

RGB 230 178 255

HSL 280.52, 1%, 0.85%

LAB 79.55, 32.27, -30.88

 

CMYK 10 / 32 / 0 / 7

HEX #D5A0EC

RGB 213 160 236

HSL 281.84, 0.67%, 0.78%

LAB 73.12, 32.91, -30.65

 

CMYK 10 / 35 / 0 / 15

HEX #C48ED9

RGB 196 142 217

HSL 283.2, 0.5%, 0.7%

LAB 66.59, 33.6, -30.42

 

CMYK 10 / 37 / 0 / 22

HEX #B37CC6

RGB 179 124 198

HSL 284.59, 0.39%, 0.63%

LAB 59.96, 34.33, -30.18

 

CMYK 9 / 41 / 0 / 30

HEX #A26AB3

RGB 162 106 179

HSL 286.03, 0.32%, 0.56%

LAB 53.22, 35.1, -29.93

 

CMYK 10 / 30 / 0 / 0

HEX #E6B3FF

RGB 230 179 255

HSL 280.26, 1%, 0.85%

LAB 79.77, 31.73, -30.53

 

CMYK 2 / 30 / 0 / 0

HEX #FBB3FF

RGB 251 179 255

HSL 296.84, 1%, 0.85%

LAB 81.82, 38.23, -27.22

 

CMYK 0 / 30 / 6 / 0

HEX #FFB3EF

RGB 255 179 239

HSL 312.63, 1%, 0.85%

LAB 81.69, 36.68, -18.81

 

CMYK 0 / 30 / 15 / 0

HEX #FFB3DA

RGB 255 179 218

HSL 329.21, 1%, 0.85%

LAB 81.05, 33.25, -8.47

 

CMYK 0 / 30 / 23 / 0

HEX #FFB3C5

RGB 255 179 197

HSL 345.79, 1%, 0.85%

LAB 80.48, 30.1, 2.03

 

CMYK 10 / 30 / 0 / 0

HEX #E6B3FF

RGB 230 179 255

HSL 280.26, 1%, 0.85%

LAB 79.77, 31.73, -30.53

 

CMYK 18 / 30 / 0 / 0

HEX #D2B3FF

RGB 210 179 255

HSL 264.47, 1%, 0.85%

LAB 77.97, 25.65, -33.46

 

CMYK 26 / 30 / 0 / 0

HEX #BDB3FF

RGB 189 179 255

HSL 247.89, 1%, 0.85%

LAB 76.24, 19.46, -36.28

 

CMYK 30 / 30 / 0 / 0

HEX #B3B3FF

RGB 179 179 255

HSL 240, 1%, 0.85%

LAB 75.48, 16.62, -37.52

 

CMYK 10 / 30 / 0 / 0

HEX #E6B3FF

RGB 230 179 255

HSL 280.26, 1%, 0.85%

LAB 79.77, 31.73, -30.53

 

CMYK 10 / 30 / 0 / 0

HEX #E6B3FF

RGB 230 179 255

HSL 280.26, 1%, 0.85%

LAB 79.77, 31.73, -30.53

 

CMYK 8 / 26 / 0 / 2

HEX #E4B9F9

RGB 228 185 249

HSL 280.31, 0.84%, 0.85%

LAB 80.76, 26.7, -25.83

 

CMYK 7 / 21 / 0 / 5

HEX #E2BFF3

RGB 226 191 243

HSL 280.38, 0.68%, 0.85%

LAB 81.78, 21.66, -21.08

 

CMYK 5 / 17 / 0 / 7

HEX #E0C5EC

RGB 224 197 236

HSL 281.54, 0.51%, 0.85%

LAB 82.83, 16.45, -15.78

 

CMYK 4 / 12 / 0 / 10

HEX #DDCBE6

RGB 221 203 230

HSL 280, 0.35%, 0.85%

LAB 83.86, 11.12, -11.06

 

CMYK 26 / 30 / 0 / 0

HEX #BDB3FF

RGB 189 179 255

HSL 247.89, 1%, 0.85%

LAB 76.24, 19.46, -36.28

 

CMYK 18 / 30 / 0 / 0

HEX #D1B3FF

RGB 209 179 255

HSL 263.68, 1%, 0.85%

LAB 77.88, 25.35, -33.6

 

CMYK 10 / 30 / 0 / 0

HEX #E6B3FF

RGB 230 179 255

HSL 280.26, 1%, 0.85%

LAB 79.77, 31.73, -30.53

 

CMYK 2 / 30 / 0 / 0

HEX #FAB3FF

RGB 250 179 255

HSL 296.05, 1%, 0.85%

LAB 81.72, 37.92, -27.38

 

CMYK 0 / 30 / 6 / 0

HEX #FFB3F0

RGB 255 179 240

HSL 311.84, 1%, 0.85%

LAB 81.72, 36.85, -19.29

 

CMYK 20 / 62 / 0 / 0

HEX #CB60FF

RGB 203 96 255

HSL 280.38, 1%, 0.69%

LAB 60.14, 66.8, -61.56

 

CMYK 15 / 46 / 0 / 0

HEX #D989FF

RGB 217 137 255

HSL 280.68, 1%, 0.77%

LAB 69.37, 50.21, -46.8

 

CMYK 10 / 30 / 0 / 0

HEX #E6B3FF

RGB 230 179 255

HSL 280.26, 1%, 0.85%

LAB 79.77, 31.73, -30.53

 

CMYK 4 / 14 / 0 / 0

HEX #F4DCFF

RGB 244 220 255

HSL 281.14, 1%, 0.93%

LAB 90.62, 14.4, -13.98

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 10 / 30 / 0 / 0

HEX #E6B2FF

RGB 230 178 255

HSL 280.52, 1%, 0.85%

LAB 79.55, 32.27, -30.88

 

CMYK 0 / 30 / 26 / 0

HEX #FFB3BD

RGB 255 179 189

HSL 352.11, 1%, 0.85%

LAB 80.28, 28.99, 6.07

 

CMYK 30 / 0 / 22 / 0

HEX #B3FFC7

RGB 179 255 199

HSL 135.79, 1%, 0.85%

LAB 93.98, -34.31, 19.45

 

CMYK 10 / 30 / 0 / 0

HEX #E6B2FF

RGB 230 178 255

HSL 280.52, 1%, 0.85%

LAB 79.55, 32.27, -30.88

 

CMYK 0 / 10 / 30 / 0

HEX #FFE6B3

RGB 255 230 179

HSL 40.26, 1%, 0.85%

LAB 92.18, 1.17, 28

 

CMYK 30 / 0 / 10 / 0

HEX #B3FFE6

RGB 179 255 230

HSL 160.26, 1%, 0.85%

LAB 94.66, -28.41, 4.5

 

CMYK 10 / 30 / 0 / 0

HEX #E6B2FF

RGB 230 178 255

HSL 280.52, 1%, 0.85%

LAB 79.55, 32.27, -30.88

 

CMYK 0 / 30 / 26 / 0

HEX #FFB3BD

RGB 255 179 189

HSL 352.11, 1%, 0.85%

LAB 80.28, 28.99, 6.07

 

CMYK 20 / 0 / 30 / 0

HEX #CCFFB3

RGB 204 255 179

HSL 100.26, 1%, 0.85%

LAB 95, -29.5, 31.2

 

CMYK 30 / 0 / 4 / 0

HEX #B3FFF5

RGB 179 255 245

HSL 172.11, 1%, 0.85%

LAB 95.03, -25.28, -2.7

 

CMYK 10 / 30 / 0 / 0

HEX #E6B2FF

RGB 230 178 255

HSL 280.52, 1%, 0.85%

LAB 79.55, 32.27, -30.88

 

CMYK 0 / 25 / 30 / 0

HEX #FFBFB3

RGB 255 191 179

HSL 9.47, 1%, 0.85%

LAB 82.79, 21.37, 15.03

 

CMYK 20 / 0 / 30 / 0

HEX #CCFFB3

RGB 204 255 179

HSL 100.26, 1%, 0.85%

LAB 95, -29.5, 31.2

 

CMYK 30 / 5 / 0 / 0

HEX #B3F2FF

RGB 179 242 255

HSL 190.26, 1%, 0.85%

LAB 91.82, -16.7, -12.63

 

Description

Color code: HEX #E6B2FF | qconv.com Color code: HEX #E6B2FF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 178 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 178 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 30 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 30% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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convert from Sherwin Williams®-number (SW 0000) to Pantone®-number (Pantone 0000)

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