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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6AD93 it is the complementary color #19526C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6AD93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6AD93 shade: #EBAD8E, #FCBFA1, #FFD1B4, #FFE3C7 and #FFF5DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6AD93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6AD93 shade: #E6AD93, #D59B80, #C4896D, #B3775A and #A26547

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6AD93 shade: #E6AD94, #E69794 and #E69494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6AD93 shade: #E6AD94, #E6C494, #E6DA94, #DCE694 and #C6E694

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6AD93 shade matches the following richer shades: #E6AD94, #F1A989 and #FBA57E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6AD93 shade: #E6AD94, #DBB19E, #D0B5A9, #C6B9B4 and #BBBDBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6AD93 shade: #E694A7, #E69694, #E6AC94, #E6C294 and #E6D894

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6AD93 shade: #D67B51, #DE9472, #E6AD94, #EEC7B5 and #F5E0D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6AD93 shade: #E6AD93, #BDE694 and #949CE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6AD93 shade: #E6AD93, #94E6AC and #AC94E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6AD93 shade: #E6AD93, #BDE694, #94CDE6 and #BD94E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6AD93 shade: #E6AD93, #A4E694, #94CDE6 and #D594E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 36 / 10

HEX #E6AD93

RGB 230 173 147

HSL 18.8, 0.62%, 0.74%

LAB 75.34, 17.44, 21.47

 

Complementary color

CMYK 77 / 24 / 0 / 58

HEX #19526C

RGB 25 82 108

HSL 198.8, 0.62%, 0.26%

LAB 32.53, -8.74, -20.25

 

CMYK 0 / 26 / 40 / 8

HEX #EBAD8E

RGB 235 173 142

HSL 20, 0.7%, 0.74%

LAB 75.76, 18.81, 24.83

 

CMYK 0 / 24 / 36 / 1

HEX #FCBFA1

RGB 252 191 161

HSL 19.78, 0.94%, 0.81%

LAB 82.13, 18.03, 23.63

 

CMYK 0 / 18 / 29 / 0

HEX #FFD1B4

RGB 255 209 180

HSL 23.2, 1%, 0.85%

LAB 87.07, 12.1, 20.47

 

CMYK 0 / 11 / 22 / 0

HEX #FFE3C7

RGB 255 227 199

HSL 30, 1%, 0.89%

LAB 91.83, 5.37, 17.19

 

CMYK 0 / 4 / 15 / 0

HEX #FFF5DA

RGB 255 245 218

HSL 43.78, 1%, 0.93%

LAB 96.67, -1.01, 14.2

 

CMYK 0 / 25 / 36 / 10

HEX #E6AD93

RGB 230 173 147

HSL 18.8, 0.62%, 0.74%

LAB 75.34, 17.44, 21.47

 

CMYK 0 / 27 / 40 / 16

HEX #D59B80

RGB 213 155 128

HSL 19.06, 0.5%, 0.67%

LAB 68.86, 18.24, 22.69

 

CMYK 0 / 30 / 44 / 23

HEX #C4896D

RGB 196 137 109

HSL 19.31, 0.42%, 0.6%

LAB 62.28, 19.15, 24.03

 

CMYK 0 / 34 / 50 / 30

HEX #B3775A

RGB 179 119 90

HSL 19.55, 0.37%, 0.53%

LAB 55.6, 20.2, 25.51

 

CMYK 0 / 38 / 56 / 36

HEX #A26547

RGB 162 101 71

HSL 19.78, 0.39%, 0.46%

LAB 48.81, 21.41, 27.16

 

CMYK 0 / 25 / 36 / 10

HEX #E6AD94

RGB 230 173 148

HSL 18.29, 0.62%, 0.74%

LAB 75.36, 17.56, 20.96

 

CMYK 0 / 34 / 36 / 10

HEX #E69794

RGB 230 151 148

HSL 2.2, 0.62%, 0.74%

LAB 70.24, 29.31, 13.86

 

CMYK 0 / 36 / 36 / 10

HEX #E69494

RGB 230 148 148

HSL 0, 0.62%, 0.74%

LAB 69.57, 30.9, 12.91

 

CMYK 0 / 25 / 36 / 10

HEX #E6AD94

RGB 230 173 148

HSL 18.29, 0.62%, 0.74%

LAB 75.36, 17.56, 20.96

 

CMYK 0 / 15 / 36 / 10

HEX #E6C494

RGB 230 196 148

HSL 35.12, 0.62%, 0.74%

LAB 80.98, 5.38, 28.59

 

CMYK 0 / 5 / 36 / 10

HEX #E6DA94

RGB 230 218 148

HSL 51.22, 0.62%, 0.74%

LAB 86.56, -5.98, 35.97

 

CMYK 4 / 0 / 36 / 10

HEX #DCE694

RGB 220 230 148

HSL 67.32, 0.62%, 0.74%

LAB 88.9, -15.83, 38.87

 

CMYK 14 / 0 / 36 / 10

HEX #C6E694

RGB 198 230 148

HSL 83.41, 0.62%, 0.74%

LAB 87.36, -24.03, 36.57

 

CMYK 0 / 25 / 36 / 10

HEX #E6AD94

RGB 230 173 148

HSL 18.29, 0.62%, 0.74%

LAB 75.36, 17.56, 20.96

 

CMYK 0 / 30 / 43 / 5

HEX #F1A989

RGB 241 169 137

HSL 18.46, 0.79%, 0.74%

LAB 75.38, 22.73, 27.11

 

CMYK 0 / 34 / 50 / 2

HEX #FBA57E

RGB 251 165 126

HSL 18.72, 0.94%, 0.74%

LAB 75.41, 27.67, 33.23

 

CMYK 0 / 25 / 36 / 10

HEX #E6AD94

RGB 230 173 148

HSL 18.29, 0.62%, 0.74%

LAB 75.36, 17.56, 20.96

 

CMYK 0 / 19 / 28 / 14

HEX #DBB19E

RGB 219 177 158

HSL 18.69, 0.46%, 0.74%

LAB 75.43, 12.47, 15.48

 

CMYK 0 / 13 / 19 / 18

HEX #D0B5A9

RGB 208 181 169

HSL 18.46, 0.29%, 0.74%

LAB 75.65, 7.76, 9.67

 

CMYK 0 / 7 / 9 / 22

HEX #C6B9B4

RGB 198 185 180

HSL 16.67, 0.14%, 0.74%

LAB 76.07, 3.73, 4.18

 

CMYK 2 / 1 / 0 / 25

HEX #BBBDBF

RGB 187 189 191

HSL 210, 0.03%, 0.74%

LAB 76.51, -0.32, -1.26

 

CMYK 0 / 36 / 27 / 10

HEX #E694A7

RGB 230 148 167

HSL 346.1, 0.62%, 0.74%

LAB 70.03, 33.34, 2.99

 

CMYK 0 / 35 / 36 / 10

HEX #E69694

RGB 230 150 148

HSL 1.46, 0.62%, 0.74%

LAB 70.02, 29.84, 13.54

 

CMYK 0 / 25 / 36 / 10

HEX #E6AC94

RGB 230 172 148

HSL 17.56, 0.62%, 0.74%

LAB 75.12, 18.1, 20.63

 

CMYK 0 / 16 / 36 / 10

HEX #E6C294

RGB 230 194 148

HSL 33.66, 0.62%, 0.74%

LAB 80.48, 6.43, 27.92

 

CMYK 0 / 6 / 36 / 10

HEX #E6D894

RGB 230 216 148

HSL 49.76, 0.62%, 0.74%

LAB 86.04, -4.97, 35.3

 

CMYK 0 / 43 / 62 / 16

HEX #D67B51

RGB 214 123 81

HSL 18.95, 0.62%, 0.58%

LAB 60.83, 31.6, 37.98

 

CMYK 0 / 33 / 49 / 13

HEX #DE9472

RGB 222 148 114

HSL 18.89, 0.62%, 0.66%

LAB 67.96, 24.14, 29.34

 

CMYK 0 / 25 / 36 / 10

HEX #E6AD94

RGB 230 173 148

HSL 18.29, 0.62%, 0.74%

LAB 75.36, 17.56, 20.96

 

CMYK 0 / 16 / 24 / 7

HEX #EEC7B5

RGB 238 199 181

HSL 18.95, 0.63%, 0.82%

LAB 83.1, 11.12, 14.16

 

CMYK 0 / 9 / 13 / 4

HEX #F5E0D6

RGB 245 224 214

HSL 19.35, 0.61%, 0.9%

LAB 90.59, 5.57, 7.49

 

CMYK 0 / 25 / 36 / 10

HEX #E6AD93

RGB 230 173 147

HSL 18.8, 0.62%, 0.74%

LAB 75.34, 17.44, 21.47

 

CMYK 18 / 0 / 36 / 10

HEX #BDE694

RGB 189 230 148

HSL 90, 0.62%, 0.74%

LAB 86.78, -27.28, 35.7

 

CMYK 36 / 32 / 0 / 10

HEX #949CE6

RGB 148 156 230

HSL 234.15, 0.62%, 0.74%

LAB 66.36, 14.6, -38.29

 

CMYK 0 / 25 / 36 / 10

HEX #E6AD93

RGB 230 173 147

HSL 18.8, 0.62%, 0.74%

LAB 75.34, 17.44, 21.47

 

CMYK 36 / 0 / 25 / 10

HEX #94E6AC

RGB 148 230 172

HSL 137.56, 0.62%, 0.74%

LAB 84.93, -36.99, 20.53

 

CMYK 25 / 36 / 0 / 10

HEX #AC94E6

RGB 172 148 230

HSL 257.56, 0.62%, 0.74%

LAB 66.26, 25.92, -38.29

 

CMYK 0 / 25 / 36 / 10

HEX #E6AD93

RGB 230 173 147

HSL 18.8, 0.62%, 0.74%

LAB 75.34, 17.44, 21.47

 

CMYK 18 / 0 / 36 / 10

HEX #BDE694

RGB 189 230 148

HSL 90, 0.62%, 0.74%

LAB 86.78, -27.28, 35.7

 

CMYK 36 / 11 / 0 / 10

HEX #94CDE6

RGB 148 205 230

HSL 198.29, 0.62%, 0.74%

LAB 79.43, -12.25, -18.22

 

CMYK 18 / 36 / 0 / 10

HEX #BD94E6

RGB 189 148 230

HSL 270, 0.62%, 0.74%

LAB 67.81, 30.92, -35.77

 

CMYK 0 / 25 / 36 / 10

HEX #E6AD93

RGB 230 173 147

HSL 18.8, 0.62%, 0.74%

LAB 75.34, 17.44, 21.47

 

CMYK 29 / 0 / 36 / 10

HEX #A4E694

RGB 164 230 148

HSL 108.29, 0.62%, 0.74%

LAB 85.31, -35.91, 33.5

 

CMYK 36 / 11 / 0 / 10

HEX #94CDE6

RGB 148 205 230

HSL 198.29, 0.62%, 0.74%

LAB 79.43, -12.25, -18.22

 

CMYK 7 / 36 / 0 / 10

HEX #D594E6

RGB 213 148 230

HSL 287.56, 0.62%, 0.74%

LAB 70.2, 38.19, -31.86

 

Description

Color code: HEX #E6AD93 | qconv.com Color code: HEX #E6AD93 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 173 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 173 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 36 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 36% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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