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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6A376 it is the complementary color #195C89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6A376. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6A376 shade: #EBA371, #FCB584, #FFC797, #FFD9AA and #FFEBBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6A376. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6A376 shade: #E6A376, #D59163, #C47F50, #B36D3D and #A25B2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6A376 shade: #E6A275, #E68475 and #E67575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6A376 shade: #E6A275, #E6C175, #E6DF75, #CEE675 and #B0E675

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6A376 shade matches the following richer shades: #E6A275 and #F3A068

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6A376 shade: #E6A275, #D9A582, #CBA890, #BEAA9D and #B1ADAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6A376 shade: #E67584, #E68475, #E6A275, #E6C075 and #E6DE75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6A376 shade: #D9732F, #DF8B52, #E6A275, #ECBA98 and #F2D1BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6A376 shade: #E6A376, #A2E675 and #7575E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6A376 shade: #E6A376, #75E6A2 and #A275E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6A376 shade: #E6A376, #A2E675, #75B9E6 and #B975E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6A376 shade: #E6A376, #80E675, #75B9E6 and #DA75E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 49 / 10

HEX #E6A376

RGB 230 163 118

HSL 24.11, 0.69%, 0.68%

LAB 72.45, 19.69, 33.19

 

Complementary color

CMYK 82 / 33 / 0 / 46

HEX #195C89

RGB 25 92 137

HSL 204.11, 0.69%, 0.32%

LAB 37.24, -3.77, -30.8

 

CMYK 0 / 31 / 52 / 8

HEX #EBA371

RGB 235 163 113

HSL 24.59, 0.75%, 0.68%

LAB 72.92, 21.24, 36.56

 

CMYK 0 / 28 / 48 / 1

HEX #FCB584

RGB 252 181 132

HSL 24.5, 0.95%, 0.75%

LAB 79.28, 20.22, 35.12

 

CMYK 0 / 22 / 41 / 0

HEX #FFC797

RGB 255 199 151

HSL 27.69, 1%, 0.8%

LAB 84.14, 13.89, 31.66

 

CMYK 0 / 15 / 33 / 0

HEX #FFD9AA

RGB 255 217 170

HSL 33.18, 1%, 0.83%

LAB 88.82, 6.72, 28.08

 

CMYK 0 / 8 / 26 / 0

HEX #FFEBBD

RGB 255 235 189

HSL 41.82, 1%, 0.87%

LAB 93.6, -0.08, 24.82

 

CMYK 0 / 29 / 49 / 10

HEX #E6A376

RGB 230 163 118

HSL 24.11, 0.69%, 0.68%

LAB 72.45, 19.69, 33.19

 

CMYK 0 / 32 / 54 / 16

HEX #D59163

RGB 213 145 99

HSL 24.21, 0.58%, 0.61%

LAB 65.98, 20.76, 34.68

 

CMYK 0 / 35 / 59 / 23

HEX #C47F50

RGB 196 127 80

HSL 24.31, 0.5%, 0.54%

LAB 59.43, 21.99, 36.28

 

CMYK 0 / 39 / 66 / 30

HEX #B36D3D

RGB 179 109 61

HSL 24.41, 0.49%, 0.47%

LAB 52.79, 23.41, 38

 

CMYK 0 / 44 / 74 / 36

HEX #A25B2A

RGB 162 91 42

HSL 24.5, 0.59%, 0.4%

LAB 46.08, 25.05, 39.76

 

CMYK 0 / 30 / 49 / 10

HEX #E6A275

RGB 230 162 117

HSL 23.89, 0.69%, 0.68%

LAB 72.19, 20.13, 33.39

 

CMYK 0 / 43 / 49 / 10

HEX #E68475

RGB 230 132 117

HSL 7.96, 0.69%, 0.68%

LAB 65.44, 36.02, 24.53

 

CMYK 0 / 49 / 49 / 10

HEX #E67575

RGB 230 117 117

HSL 0, 0.69%, 0.68%

LAB 62.36, 43.68, 20.38

 

CMYK 0 / 30 / 49 / 10

HEX #E6A275

RGB 230 162 117

HSL 23.89, 0.69%, 0.68%

LAB 72.19, 20.13, 33.39

 

CMYK 0 / 16 / 49 / 10

HEX #E6C175

RGB 230 193 117

HSL 40.35, 0.69%, 0.68%

LAB 79.75, 3.7, 42.97

 

CMYK 0 / 3 / 49 / 10

HEX #E6DF75

RGB 230 223 117

HSL 56.28, 0.69%, 0.68%

LAB 87.43, -11.64, 52.32

 

CMYK 10 / 0 / 49 / 10

HEX #CEE675

RGB 206 230 117

HSL 72.74, 0.69%, 0.68%

LAB 87.48, -24.5, 51.95

 

CMYK 23 / 0 / 49 / 10

HEX #B0E675

RGB 176 230 117

HSL 88.67, 0.69%, 0.68%

LAB 85.56, -35.71, 49.17

 

CMYK 0 / 30 / 49 / 10

HEX #E6A275

RGB 230 162 117

HSL 23.89, 0.69%, 0.68%

LAB 72.19, 20.13, 33.39

 

CMYK 0 / 34 / 57 / 5

HEX #F3A068

RGB 243 160 104

HSL 24.17, 0.85%, 0.68%

LAB 73.02, 25.31, 41.57

 

CMYK 0 / 30 / 49 / 10

HEX #E6A275

RGB 230 162 117

HSL 23.89, 0.69%, 0.68%

LAB 72.19, 20.13, 33.39

 

CMYK 0 / 24 / 40 / 15

HEX #D9A582

RGB 217 165 130

HSL 24.14, 0.53%, 0.68%

LAB 71.74, 14.66, 25.56

 

CMYK 0 / 17 / 29 / 20

HEX #CBA890

RGB 203 168 144

HSL 24.41, 0.36%, 0.68%

LAB 71.36, 9.25, 17.2

 

CMYK 0 / 11 / 17 / 25

HEX #BEAA9D

RGB 190 170 157

HSL 23.64, 0.2%, 0.68%

LAB 70.96, 5.08, 9.33

 

CMYK 0 / 2 / 4 / 31

HEX #B1ADAA

RGB 177 173 170

HSL 25.71, 0.04%, 0.68%

LAB 70.96, 0.88, 2.03

 

CMYK 0 / 49 / 43 / 10

HEX #E67584

RGB 230 117 132

HSL 352.04, 0.69%, 0.68%

LAB 62.69, 45.15, 12.26

 

CMYK 0 / 43 / 49 / 10

HEX #E68475

RGB 230 132 117

HSL 7.96, 0.69%, 0.68%

LAB 65.44, 36.02, 24.53

 

CMYK 0 / 30 / 49 / 10

HEX #E6A275

RGB 230 162 117

HSL 23.89, 0.69%, 0.68%

LAB 72.19, 20.13, 33.39

 

CMYK 0 / 17 / 49 / 10

HEX #E6C075

RGB 230 192 117

HSL 39.82, 0.69%, 0.68%

LAB 79.5, 4.23, 42.65

 

CMYK 0 / 3 / 49 / 10

HEX #E6DE75

RGB 230 222 117

HSL 55.75, 0.69%, 0.68%

LAB 87.17, -11.14, 52

 

CMYK 0 / 47 / 78 / 15

HEX #D9732F

RGB 217 115 47

HSL 24, 0.69%, 0.52%

LAB 59.18, 35.23, 53.15

 

CMYK 0 / 38 / 63 / 13

HEX #DF8B52

RGB 223 139 82

HSL 24.26, 0.69%, 0.6%

LAB 65.56, 26.8, 43.37

 

CMYK 0 / 30 / 49 / 10

HEX #E6A275

RGB 230 162 117

HSL 23.89, 0.69%, 0.68%

LAB 72.19, 20.13, 33.39

 

CMYK 0 / 21 / 36 / 7

HEX #ECBA98

RGB 236 186 152

HSL 24.29, 0.69%, 0.76%

LAB 79.17, 13.46, 24.12

 

CMYK 0 / 14 / 23 / 5

HEX #F2D1BB

RGB 242 209 187

HSL 24, 0.68%, 0.84%

LAB 86.04, 8.22, 15.17

 

CMYK 0 / 29 / 49 / 10

HEX #E6A376

RGB 230 163 118

HSL 24.11, 0.69%, 0.68%

LAB 72.45, 19.69, 33.19

 

CMYK 30 / 0 / 49 / 10

HEX #A2E675

RGB 162 230 117

HSL 96.11, 0.69%, 0.68%

LAB 84.77, -40.64, 48.03

 

CMYK 49 / 49 / 0 / 10

HEX #7575E6

RGB 117 117 230

HSL 240, 0.69%, 0.68%

LAB 54.26, 29.78, -57.57

 

CMYK 0 / 29 / 49 / 10

HEX #E6A376

RGB 230 163 118

HSL 24.11, 0.69%, 0.68%

LAB 72.45, 19.69, 33.19

 

CMYK 49 / 0 / 30 / 10

HEX #75E6A2

RGB 117 230 162

HSL 143.89, 0.69%, 0.68%

LAB 83.43, -47.29, 23.44

 

CMYK 30 / 49 / 0 / 10

HEX #A275E6

RGB 162 117 230

HSL 263.89, 0.69%, 0.68%

LAB 58.15, 40.63, -51.14

 

CMYK 0 / 29 / 49 / 10

HEX #E6A376

RGB 230 163 118

HSL 24.11, 0.69%, 0.68%

LAB 72.45, 19.69, 33.19

 

CMYK 30 / 0 / 49 / 10

HEX #A2E675

RGB 162 230 117

HSL 96.11, 0.69%, 0.68%

LAB 84.77, -40.64, 48.03

 

CMYK 49 / 20 / 0 / 10

HEX #75B9E6

RGB 117 185 230

HSL 203.89, 0.69%, 0.68%

LAB 72.36, -9.41, -29.13

 

CMYK 20 / 49 / 0 / 10

HEX #B975E6

RGB 185 117 230

HSL 276.11, 0.69%, 0.68%

LAB 60.56, 46.72, -47.16

 

CMYK 0 / 29 / 49 / 10

HEX #E6A376

RGB 230 163 118

HSL 24.11, 0.69%, 0.68%

LAB 72.45, 19.69, 33.19

 

CMYK 44 / 0 / 49 / 10

HEX #80E675

RGB 128 230 117

HSL 114.16, 0.69%, 0.68%

LAB 83.16, -51.45, 45.69

 

CMYK 49 / 20 / 0 / 10

HEX #75B9E6

RGB 117 185 230

HSL 203.89, 0.69%, 0.68%

LAB 72.36, -9.41, -29.13

 

CMYK 5 / 49 / 0 / 10

HEX #DA75E6

RGB 218 117 230

HSL 293.63, 0.69%, 0.68%

LAB 64.44, 55.73, -40.79

 

Description

Color code: HEX #E6A376 | qconv.com Color code: HEX #E6A376 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 163 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 163 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 49 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 49% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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