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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E69FB5 it is the complementary color #19604A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E69FB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E69FB5 shade: #EB9FB0, #FCB1C3, #FFC3D6, #FFD5E9 and #FFE7FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E69FB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E69FB5 shade: #E69FB5, #D58DA2, #C47B8F, #B3697C and #A25769

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E69FB5 shade: #E69EB4, #E69EA1 and #E69E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E69FB5 shade: #E69EB4, #E69EC8, #E69EDB, #DD9EE6 and #CA9EE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E69FB5 shade matches the following richer shades: #E69EB4, #F094B0 and #FA8AAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E69FB5 shade: #E69EB4, #DCA8B8, #D2B1BC, #C8BBBF and #BEC5C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E69FB5 shade: #E69EDB, #E69EC8, #E69EB5, #E69EA1 and #E6AD9E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E69FB5 shade: #D55C82, #DD7D9B, #E69EB4, #EEBECD and #F7DFE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E69FB5 shade: #E69FB5, #E6DD9E and #9ED1E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E69FB5 shade: #E69FB5, #B5E69E and #9EB5E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E69FB5 shade: #E69FB5, #E6DD9E, #9EE6CF and #9EA6E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E69FB5 shade: #E69FB5, #D9E69E, #9EE6CF and #AB9EE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 21 / 10

HEX #E69FB5

RGB 230 159 181

HSL 341.41, 0.59%, 0.76%

LAB 72.86, 29.48, -0.66

 

Complementary color

CMYK 74 / 0 / 23 / 62

HEX #19604A

RGB 25 96 74

HSL 161.41, 0.59%, 0.24%

LAB 36.11, -27.55, 6.36

 

CMYK 0 / 32 / 25 / 8

HEX #EB9FB0

RGB 235 159 176

HSL 346.58, 0.66%, 0.77%

LAB 73.28, 30.55, 2.78

 

CMYK 0 / 30 / 23 / 1

HEX #FCB1C3

RGB 252 177 195

HSL 345.6, 0.93%, 0.84%

LAB 79.66, 29.81, 1.89

 

CMYK 0 / 24 / 16 / 0

HEX #FFC3D6

RGB 255 195 214

HSL 341, 1%, 0.88%

LAB 84.56, 24.23, -1.15

 

CMYK 0 / 16 / 9 / 0

HEX #FFD5E9

RGB 255 213 233

HSL 331.43, 1%, 0.92%

LAB 89.27, 17.84, -4.31

 

CMYK 0 / 9 / 1 / 0

HEX #FFE7FC

RGB 255 231 252

HSL 307.5, 1%, 0.95%

LAB 94.07, 11.74, -7.17

 

CMYK 0 / 31 / 21 / 10

HEX #E69FB5

RGB 230 159 181

HSL 341.41, 0.59%, 0.76%

LAB 72.86, 29.48, -0.66

 

CMYK 0 / 34 / 24 / 16

HEX #D58DA2

RGB 213 141 162

HSL 342.5, 0.46%, 0.69%

LAB 66.37, 30.24, 0.22

 

CMYK 0 / 37 / 27 / 23

HEX #C47B8F

RGB 196 123 143

HSL 343.56, 0.38%, 0.63%

LAB 59.78, 31.06, 1.2

 

CMYK 0 / 41 / 31 / 30

HEX #B3697C

RGB 179 105 124

HSL 344.59, 0.33%, 0.56%

LAB 53.1, 31.95, 2.3

 

CMYK 0 / 46 / 35 / 36

HEX #A25769

RGB 162 87 105

HSL 345.6, 0.3%, 0.49%

LAB 46.34, 32.9, 3.59

 

CMYK 0 / 31 / 22 / 10

HEX #E69EB4

RGB 230 158 180

HSL 341.67, 0.59%, 0.76%

LAB 72.61, 29.86, -0.47

 

CMYK 0 / 31 / 30 / 10

HEX #E69EA1

RGB 230 158 161

HSL 357.5, 0.59%, 0.76%

LAB 72.13, 27.21, 9.33

 

CMYK 0 / 31 / 31 / 10

HEX #E69E9E

RGB 230 158 158

HSL 0, 0.59%, 0.76%

LAB 72.06, 26.82, 10.89

 

CMYK 0 / 31 / 22 / 10

HEX #E69EB4

RGB 230 158 180

HSL 341.67, 0.59%, 0.76%

LAB 72.61, 29.86, -0.47

 

CMYK 0 / 31 / 13 / 10

HEX #E69EC8

RGB 230 158 200

HSL 325, 0.59%, 0.76%

LAB 73.19, 32.96, -10.66

 

CMYK 0 / 31 / 5 / 10

HEX #E69EDB

RGB 230 158 219

HSL 309.17, 0.59%, 0.76%

LAB 73.8, 36.17, -20.17

 

CMYK 4 / 31 / 0 / 10

HEX #DD9EE6

RGB 221 158 230

HSL 292.5, 0.59%, 0.76%

LAB 73.25, 35.31, -27.11

 

CMYK 12 / 31 / 0 / 10

HEX #CA9EE6

RGB 202 158 230

HSL 276.67, 0.59%, 0.76%

LAB 71.37, 29.37, -30.16

 

CMYK 0 / 31 / 22 / 10

HEX #E69EB4

RGB 230 158 180

HSL 341.67, 0.59%, 0.76%

LAB 72.61, 29.86, -0.47

 

CMYK 0 / 38 / 27 / 6

HEX #F094B0

RGB 240 148 176

HSL 341.74, 0.75%, 0.76%

LAB 71.45, 38.12, 0.18

 

CMYK 0 / 45 / 31 / 2

HEX #FA8AAD

RGB 250 138 173

HSL 341.25, 0.92%, 0.76%

LAB 70.54, 46.3, 0.68

 

CMYK 0 / 31 / 22 / 10

HEX #E69EB4

RGB 230 158 180

HSL 341.67, 0.59%, 0.76%

LAB 72.61, 29.86, -0.47

 

CMYK 0 / 24 / 16 / 14

HEX #DCA8B8

RGB 220 168 184

HSL 341.54, 0.43%, 0.76%

LAB 73.99, 21.51, -0.79

 

CMYK 0 / 16 / 10 / 18

HEX #D2B1BC

RGB 210 177 188

HSL 340, 0.27%, 0.76%

LAB 75.31, 13.71, -1.15

 

CMYK 0 / 7 / 5 / 22

HEX #C8BBBF

RGB 200 187 191

HSL 341.54, 0.11%, 0.76%

LAB 77.03, 5.29, -0.38

 

CMYK 4 / 0 / 1 / 23

HEX #BEC5C3

RGB 190 197 195

HSL 162.86, 0.06%, 0.76%

LAB 78.94, -2.77, 0.15

 

CMYK 0 / 31 / 5 / 10

HEX #E69EDB

RGB 230 158 219

HSL 309.17, 0.59%, 0.76%

LAB 73.8, 36.17, -20.17

 

CMYK 0 / 31 / 13 / 10

HEX #E69EC8

RGB 230 158 200

HSL 325, 0.59%, 0.76%

LAB 73.19, 32.96, -10.66

 

CMYK 0 / 31 / 21 / 10

HEX #E69EB5

RGB 230 158 181

HSL 340.83, 0.59%, 0.76%

LAB 72.64, 30.01, -0.99

 

CMYK 0 / 31 / 30 / 10

HEX #E69EA1

RGB 230 158 161

HSL 357.5, 0.59%, 0.76%

LAB 72.13, 27.21, 9.33

 

CMYK 0 / 25 / 31 / 10

HEX #E6AD9E

RGB 230 173 158

HSL 12.5, 0.59%, 0.76%

LAB 75.56, 18.81, 15.82

 

CMYK 0 / 57 / 39 / 16

HEX #D55C82

RGB 213 92 130

HSL 341.16, 0.59%, 0.6%

LAB 55.49, 51.23, 2.83

 

CMYK 0 / 43 / 30 / 13

HEX #DD7D9B

RGB 221 125 155

HSL 341.25, 0.59%, 0.68%

LAB 63.68, 40.61, 0.38

 

CMYK 0 / 31 / 22 / 10

HEX #E69EB4

RGB 230 158 180

HSL 341.67, 0.59%, 0.76%

LAB 72.61, 29.86, -0.47

 

CMYK 0 / 20 / 14 / 7

HEX #EEBECD

RGB 238 190 205

HSL 341.25, 0.59%, 0.84%

LAB 81.52, 19.49, -0.97

 

CMYK 0 / 10 / 6 / 3

HEX #F7DFE7

RGB 247 223 231

HSL 340, 0.6%, 0.92%

LAB 90.93, 9.56, -0.91

 

CMYK 0 / 31 / 21 / 10

HEX #E69FB5

RGB 230 159 181

HSL 341.41, 0.59%, 0.76%

LAB 72.86, 29.48, -0.66

 

CMYK 0 / 4 / 31 / 10

HEX #E6DD9E

RGB 230 221 158

HSL 52.5, 0.59%, 0.76%

LAB 87.49, -6.32, 32.1

 

CMYK 31 / 9 / 0 / 10

HEX #9ED1E6

RGB 158 209 230

HSL 197.5, 0.59%, 0.76%

LAB 81.06, -11.58, -15.7

 

CMYK 0 / 31 / 21 / 10

HEX #E69FB5

RGB 230 159 181

HSL 341.41, 0.59%, 0.76%

LAB 72.86, 29.48, -0.66

 

CMYK 21 / 0 / 31 / 10

HEX #B5E69E

RGB 181 230 158

HSL 100.83, 0.59%, 0.76%

LAB 86.45, -28.69, 30.1

 

CMYK 31 / 21 / 0 / 10

HEX #9EB5E6

RGB 158 181 230

HSL 220.83, 0.59%, 0.76%

LAB 73.57, 3.37, -27.08

 

CMYK 0 / 31 / 21 / 10

HEX #E69FB5

RGB 230 159 181

HSL 341.41, 0.59%, 0.76%

LAB 72.86, 29.48, -0.66

 

CMYK 0 / 4 / 31 / 10

HEX #E6DD9E

RGB 230 221 158

HSL 52.5, 0.59%, 0.76%

LAB 87.49, -6.32, 32.1

 

CMYK 31 / 0 / 10 / 10

HEX #9EE6CF

RGB 158 230 207

HSL 160.83, 0.59%, 0.76%

LAB 86.19, -27.23, 4.07

 

CMYK 31 / 28 / 0 / 10

HEX #9EA6E6

RGB 158 166 230

HSL 233.33, 0.59%, 0.76%

LAB 69.65, 11.71, -33.11

 

CMYK 0 / 31 / 21 / 10

HEX #E69FB5

RGB 230 159 181

HSL 341.41, 0.59%, 0.76%

LAB 72.86, 29.48, -0.66

 

CMYK 6 / 0 / 31 / 10

HEX #D9E69E

RGB 217 230 158

HSL 70.83, 0.59%, 0.76%

LAB 88.83, -15.73, 33.71

 

CMYK 31 / 0 / 10 / 10

HEX #9EE6CF

RGB 158 230 207

HSL 160.83, 0.59%, 0.76%

LAB 86.19, -27.23, 4.07

 

CMYK 26 / 31 / 0 / 10

HEX #AB9EE6

RGB 171 158 230

HSL 250.83, 0.59%, 0.76%

LAB 68.62, 19.98, -34.62

 

Description

Color code: HEX #E69FB5 | qconv.com Color code: HEX #E69FB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 159 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 159 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 21 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 21% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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