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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E684D1 it is the complementary color #197B2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E684D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E684D1 shade: #EB84CC, #FC96DF, #FFA8F2, #FFBAFF and #FFCCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E684D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E684D1 shade: #E684D1, #D572BE, #C460AB, #B34E98 and #A23C85

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E684D1 shade: #E684D1, #E684B7, #E6849C and #E68484

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E684D1 shade: #E684D1, #E084E6, #C684E6, #AC84E6 and #9184E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E684D1 shade matches the following richer shades: #E684D1, #F278D8 and #FE6CDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E684D1 shade: #E684D1, #DA90CA, #CE9CC3, #C2A8BC and #B6B4B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E684D1 shade: #C584E6, #DF84E6, #E684D2, #E684B8 and #E6849E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E684D1 shade: #D840B7, #DF62C4, #E684D1, #EDA6DE and #F4C9EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E684D1 shade: #E684D1, #E6AB84 and #84E6D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E684D1 shade: #E684D1, #D2E684 and #84D2E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E684D1 shade: #E684D1, #E6AB84, #84E698 and #84BFE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E684D1 shade: #E684D1, #E6C984, #84E698 and #84A2E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 9 / 10

HEX #E684D1

RGB 230 132 209

HSL 312.86, 0.66%, 0.71%

LAB 67.97, 48.03, -23.53

 

Complementary color

CMYK 80 / 0 / 63 / 52

HEX #197B2E

RGB 25 123 46

HSL 132.86, 0.66%, 0.29%

LAB 45.04, -44.19, 33.73

 

CMYK 0 / 44 / 13 / 8

HEX #EB84CC

RGB 235 132 204

HSL 318.06, 0.72%, 0.72%

LAB 68.41, 48.79, -20.02

 

CMYK 0 / 40 / 12 / 1

HEX #FC96DF

RGB 252 150 223

HSL 317.06, 0.94%, 0.79%

LAB 74.72, 48.05, -20.72

 

CMYK 0 / 34 / 5 / 0

HEX #FFA8F2

RGB 255 168 242

HSL 308.97, 1%, 0.83%

LAB 79.43, 42.91, -23.85

 

CMYK 0 / 27 / 0 / 0

HEX #FFBAFF

RGB 255 186 255

HSL 300, 1%, 0.86%

LAB 83.76, 35.82, -24.23

 

CMYK 0 / 20 / 0 / 0

HEX #FFCCFF

RGB 255 204 255

HSL 300, 1%, 0.9%

LAB 87.81, 26.37, -18.1

 

CMYK 0 / 43 / 9 / 10

HEX #E684D1

RGB 230 132 209

HSL 312.86, 0.66%, 0.71%

LAB 67.97, 48.03, -23.53

 

CMYK 0 / 46 / 11 / 16

HEX #D572BE

RGB 213 114 190

HSL 313.94, 0.54%, 0.64%

LAB 61.57, 48.76, -22.83

 

CMYK 0 / 51 / 13 / 23

HEX #C460AB

RGB 196 96 171

HSL 315, 0.46%, 0.57%

LAB 55.12, 49.44, -22.01

 

CMYK 0 / 56 / 15 / 30

HEX #B34E98

RGB 179 78 152

HSL 316.04, 0.4%, 0.5%

LAB 48.64, 50.01, -21.01

 

CMYK 0 / 63 / 18 / 36

HEX #A23C85

RGB 162 60 133

HSL 317.06, 0.46%, 0.44%

LAB 42.16, 50.36, -19.74

 

CMYK 0 / 43 / 9 / 10

HEX #E684D1

RGB 230 132 209

HSL 312.86, 0.66%, 0.71%

LAB 67.97, 48.03, -23.53

 

CMYK 0 / 43 / 20 / 10

HEX #E684B7

RGB 230 132 183

HSL 328.78, 0.66%, 0.71%

LAB 67.08, 43.97, -10.31

 

CMYK 0 / 43 / 32 / 10

HEX #E6849C

RGB 230 132 156

HSL 345.31, 0.66%, 0.71%

LAB 66.31, 40.28, 3.77

 

CMYK 0 / 43 / 43 / 10

HEX #E68484

RGB 230 132 132

HSL 0, 0.66%, 0.71%

LAB 65.74, 37.5, 16.52

 

CMYK 0 / 43 / 9 / 10

HEX #E684D1

RGB 230 132 209

HSL 312.86, 0.66%, 0.71%

LAB 67.97, 48.03, -23.53

 

CMYK 3 / 43 / 0 / 10

HEX #E084E6

RGB 224 132 230

HSL 296.33, 0.66%, 0.71%

LAB 68.07, 49.9, -35.08

 

CMYK 14 / 43 / 0 / 10

HEX #C684E6

RGB 198 132 230

HSL 280.41, 0.66%, 0.71%

LAB 65.14, 42.33, -39.86

 

CMYK 25 / 43 / 0 / 10

HEX #AC84E6

RGB 172 132 230

HSL 264.49, 0.66%, 0.71%

LAB 62.5, 34.93, -44.19

 

CMYK 37 / 43 / 0 / 10

HEX #9184E6

RGB 145 132 230

HSL 247.96, 0.66%, 0.71%

LAB 60.1, 27.65, -48.13

 

CMYK 0 / 43 / 9 / 10

HEX #E684D1

RGB 230 132 209

HSL 312.86, 0.66%, 0.71%

LAB 67.97, 48.03, -23.53

 

CMYK 0 / 50 / 11 / 5

HEX #F278D8

RGB 242 120 216

HSL 312.79, 0.82%, 0.71%

LAB 67.48, 58.67, -28.05

 

CMYK 0 / 57 / 12 / 0

HEX #FE6CDF

RGB 254 108 223

HSL 312.74, 0.99%, 0.71%

LAB 67.37, 68.5, -31.97

 

CMYK 0 / 43 / 9 / 10

HEX #E684D1

RGB 230 132 209

HSL 312.86, 0.66%, 0.71%

LAB 67.97, 48.03, -23.53

 

CMYK 0 / 34 / 7 / 15

HEX #DA90CA

RGB 218 144 202

HSL 312.97, 0.5%, 0.71%

LAB 68.84, 36.74, -18.44

 

CMYK 0 / 24 / 5 / 19

HEX #CE9CC3

RGB 206 156 195

HSL 313.2, 0.34%, 0.71%

LAB 70.06, 24.97, -12.83

 

CMYK 0 / 13 / 3 / 24

HEX #C2A8BC

RGB 194 168 188

HSL 313.85, 0.18%, 0.71%

LAB 71.63, 12.94, -6.75

 

CMYK 0 / 1 / 0 / 29

HEX #B6B4B6

RGB 182 180 182

HSL 300, 0.01%, 0.71%

LAB 73.52, 1.08, -0.78

 

CMYK 14 / 43 / 0 / 10

HEX #C584E6

RGB 197 132 230

HSL 279.8, 0.66%, 0.71%

LAB 65.03, 42.04, -40.04

 

CMYK 3 / 43 / 0 / 10

HEX #DF84E6

RGB 223 132 230

HSL 295.71, 0.66%, 0.71%

LAB 67.95, 49.6, -35.27

 

CMYK 0 / 43 / 9 / 10

HEX #E684D2

RGB 230 132 210

HSL 312.24, 0.66%, 0.71%

LAB 68, 48.2, -24.03

 

CMYK 0 / 43 / 20 / 10

HEX #E684B8

RGB 230 132 184

HSL 328.16, 0.66%, 0.71%

LAB 67.12, 44.12, -10.83

 

CMYK 0 / 43 / 31 / 10

HEX #E6849E

RGB 230 132 158

HSL 344.08, 0.66%, 0.71%

LAB 66.36, 40.53, 2.72

 

CMYK 0 / 70 / 15 / 15

HEX #D840B7

RGB 216 64 183

HSL 313.03, 0.66%, 0.55%

LAB 53.69, 70.2, -30.94

 

CMYK 0 / 56 / 12 / 13

HEX #DF62C4

RGB 223 98 196

HSL 312.96, 0.66%, 0.63%

LAB 60.26, 60.32, -28.14

 

CMYK 0 / 43 / 9 / 10

HEX #E684D1

RGB 230 132 209

HSL 312.86, 0.66%, 0.71%

LAB 67.97, 48.03, -23.53

 

CMYK 0 / 30 / 6 / 7

HEX #EDA6DE

RGB 237 166 222

HSL 312.68, 0.66%, 0.79%

LAB 76.41, 34.74, -17.79

 

CMYK 0 / 18 / 4 / 4

HEX #F4C9EB

RGB 244 201 235

HSL 312.56, 0.66%, 0.87%

LAB 85.51, 20.76, -11.05

 

CMYK 0 / 43 / 9 / 10

HEX #E684D1

RGB 230 132 209

HSL 312.86, 0.66%, 0.71%

LAB 67.97, 48.03, -23.53

 

CMYK 0 / 26 / 43 / 10

HEX #E6AB84

RGB 230 171 132

HSL 23.88, 0.66%, 0.71%

LAB 74.58, 16.82, 28.52

 

CMYK 43 / 0 / 9 / 10

HEX #84E6D2

RGB 132 230 210

HSL 167.76, 0.66%, 0.71%

LAB 85.07, -33.53, 0.72

 

CMYK 0 / 43 / 9 / 10

HEX #E684D1

RGB 230 132 209

HSL 312.86, 0.66%, 0.71%

LAB 67.97, 48.03, -23.53

 

CMYK 9 / 0 / 43 / 10

HEX #D2E684

RGB 210 230 132

HSL 72.24, 0.66%, 0.71%

LAB 87.95, -21.44, 45.42

 

CMYK 43 / 9 / 0 / 10

HEX #84D2E6

RGB 132 210 230

HSL 192.24, 0.66%, 0.71%

LAB 80.02, -18.91, -17.4

 

CMYK 0 / 43 / 9 / 10

HEX #E684D1

RGB 230 132 209

HSL 312.86, 0.66%, 0.71%

LAB 67.97, 48.03, -23.53

 

CMYK 0 / 26 / 43 / 10

HEX #E6AB84

RGB 230 171 132

HSL 23.88, 0.66%, 0.71%

LAB 74.58, 16.82, 28.52

 

CMYK 43 / 0 / 34 / 10

HEX #84E698

RGB 132 230 152

HSL 132.24, 0.66%, 0.71%

LAB 83.84, -45.1, 29.24

 

CMYK 43 / 17 / 0 / 10

HEX #84BFE6

RGB 132 191 230

HSL 203.88, 0.66%, 0.71%

LAB 74.75, -9.03, -25.4

 

CMYK 0 / 43 / 9 / 10

HEX #E684D1

RGB 230 132 209

HSL 312.86, 0.66%, 0.71%

LAB 67.97, 48.03, -23.53

 

CMYK 0 / 13 / 43 / 10

HEX #E6C984

RGB 230 201 132

HSL 42.24, 0.66%, 0.71%

LAB 81.98, 1, 38.18

 

CMYK 43 / 0 / 34 / 10

HEX #84E698

RGB 132 230 152

HSL 132.24, 0.66%, 0.71%

LAB 83.84, -45.1, 29.24

 

CMYK 43 / 30 / 0 / 10

HEX #84A2E6

RGB 132 162 230

HSL 221.63, 0.66%, 0.71%

LAB 66.87, 6.96, -37.57

 

Description

Color code: HEX #E684D1 | qconv.com Color code: HEX #E684D1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 132 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 132 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 9 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 9% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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