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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E676CC it is the complementary color #198933. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E676CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E676CC shade: #EB76C7, #FC88DA, #FF9AED, #FFACFF and #FFBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E676CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E676CC shade: #E676CC, #D564B9, #C452A6, #B34093 and #A22E80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E676CC shade: #E675CC, #E675AD, #E6758F and #E67575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E676CC shade: #E675CC, #E175E6, #C375E6, #A575E6 and #8675E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E676CC shade matches the following richer shades: #E675CC and #F368D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E676CC shade: #E675CC, #D982C4, #CB90BD, #BE9DB6 and #B1AAAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E676CC shade: #C275E6, #E075E6, #E675CD, #E675AF and #E67591

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E676CC shade: #D92FB2, #DF52BF, #E675CC, #EC98D9 and #F2BBE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E676CC shade: #E676CC, #E6A475 and #75E6D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E676CC shade: #E676CC, #CDE675 and #75CDE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E676CC shade: #E676CC, #E6A475, #75E68D and #75B7E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E676CC shade: #E676CC, #E6C675, #75E68D and #7595E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 11 / 10

HEX #E676CC

RGB 230 118 204

HSL 313.93, 0.69%, 0.68%

LAB 65.07, 54.2, -25.17

 

Complementary color

CMYK 82 / 0 / 63 / 46

HEX #198933

RGB 25 137 51

HSL 133.93, 0.69%, 0.32%

LAB 49.9, -48.46, 36.9

 

CMYK 0 / 50 / 15 / 8

HEX #EB76C7

RGB 235 118 199

HSL 318.46, 0.75%, 0.69%

LAB 65.55, 54.93, -21.57

 

CMYK 0 / 46 / 13 / 1

HEX #FC88DA

RGB 252 136 218

HSL 317.59, 0.95%, 0.76%

LAB 71.8, 54.25, -22.42

 

CMYK 0 / 40 / 7 / 0

HEX #FF9AED

RGB 255 154 237

HSL 310.69, 1%, 0.8%

LAB 76.37, 49.24, -25.82

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 49 / 11 / 10

HEX #E676CC

RGB 230 118 204

HSL 313.93, 0.69%, 0.68%

LAB 65.07, 54.2, -25.17

 

CMYK 0 / 53 / 13 / 16

HEX #D564B9

RGB 213 100 185

HSL 314.87, 0.57%, 0.61%

LAB 58.75, 54.82, -24.29

 

CMYK 0 / 58 / 15 / 23

HEX #C452A6

RGB 196 82 166

HSL 315.79, 0.49%, 0.55%

LAB 52.42, 55.3, -23.23

 

CMYK 0 / 64 / 18 / 30

HEX #B34093

RGB 179 64 147

HSL 316.7, 0.47%, 0.48%

LAB 46.12, 55.52, -21.89

 

CMYK 0 / 72 / 21 / 36

HEX #A22E80

RGB 162 46 128

HSL 317.59, 0.56%, 0.41%

LAB 39.91, 55.3, -20.15

 

CMYK 0 / 49 / 11 / 10

HEX #E675CC

RGB 230 117 204

HSL 313.81, 0.69%, 0.68%

LAB 64.89, 54.69, -25.45

 

CMYK 0 / 49 / 25 / 10

HEX #E675AD

RGB 230 117 173

HSL 330.27, 0.69%, 0.68%

LAB 63.81, 50.1, -9.56

 

CMYK 0 / 49 / 38 / 10

HEX #E6758F

RGB 230 117 143

HSL 346.19, 0.69%, 0.68%

LAB 62.95, 46.34, 6.34

 

CMYK 0 / 49 / 49 / 10

HEX #E67575

RGB 230 117 117

HSL 0, 0.69%, 0.68%

LAB 62.36, 43.68, 20.38

 

CMYK 0 / 49 / 11 / 10

HEX #E675CC

RGB 230 117 204

HSL 313.81, 0.69%, 0.68%

LAB 64.89, 54.69, -25.45

 

CMYK 2 / 49 / 0 / 10

HEX #E175E6

RGB 225 117 230

HSL 297.35, 0.69%, 0.68%

LAB 65.31, 57.65, -39.36

 

CMYK 15 / 49 / 0 / 10

HEX #C375E6

RGB 195 117 230

HSL 281.42, 0.69%, 0.68%

LAB 61.69, 49.43, -45.31

 

CMYK 28 / 49 / 0 / 10

HEX #A575E6

RGB 165 117 230

HSL 265.49, 0.69%, 0.68%

LAB 58.45, 41.41, -50.64

 

CMYK 42 / 49 / 0 / 10

HEX #8675E6

RGB 134 117 230

HSL 249.03, 0.69%, 0.68%

LAB 55.59, 33.65, -55.37

 

CMYK 0 / 49 / 11 / 10

HEX #E675CC

RGB 230 117 204

HSL 313.81, 0.69%, 0.68%

LAB 64.89, 54.69, -25.45

 

CMYK 0 / 57 / 13 / 5

HEX #F368D3

RGB 243 104 211

HSL 313.81, 0.85%, 0.68%

LAB 64.69, 65.47, -29.54

 

CMYK 0 / 49 / 11 / 10

HEX #E675CC

RGB 230 117 204

HSL 313.81, 0.69%, 0.68%

LAB 64.89, 54.69, -25.45

 

CMYK 0 / 40 / 10 / 15

HEX #D982C4

RGB 217 130 196

HSL 314.48, 0.53%, 0.68%

LAB 65.52, 42.79, -20.14

 

CMYK 0 / 29 / 7 / 20

HEX #CB90BD

RGB 203 144 189

HSL 314.24, 0.36%, 0.68%

LAB 66.76, 29.43, -14.48

 

CMYK 0 / 17 / 4 / 25

HEX #BE9DB6

RGB 190 157 182

HSL 314.55, 0.2%, 0.68%

LAB 68.34, 16.49, -8.34

 

CMYK 0 / 4 / 1 / 31

HEX #B1AAAF

RGB 177 170 175

HSL 317.14, 0.04%, 0.68%

LAB 70.31, 3.43, -1.68

 

CMYK 16 / 49 / 0 / 10

HEX #C275E6

RGB 194 117 230

HSL 280.88, 0.69%, 0.68%

LAB 61.57, 49.15, -45.49

 

CMYK 3 / 49 / 0 / 10

HEX #E075E6

RGB 224 117 230

HSL 296.81, 0.69%, 0.68%

LAB 65.19, 57.38, -39.57

 

CMYK 0 / 49 / 11 / 10

HEX #E675CD

RGB 230 117 205

HSL 313.27, 0.69%, 0.68%

LAB 64.93, 54.85, -25.95

 

CMYK 0 / 49 / 24 / 10

HEX #E675AF

RGB 230 117 175

HSL 329.2, 0.69%, 0.68%

LAB 63.87, 50.37, -10.6

 

CMYK 0 / 49 / 37 / 10

HEX #E67591

RGB 230 117 145

HSL 345.13, 0.69%, 0.68%

LAB 63, 46.57, 5.26

 

CMYK 0 / 78 / 18 / 15

HEX #D92FB2

RGB 217 47 178

HSL 313.76, 0.69%, 0.52%

LAB 51.84, 74.87, -30.9

 

CMYK 0 / 63 / 14 / 13

HEX #DF52BF

RGB 223 82 191

HSL 313.62, 0.69%, 0.6%

LAB 57.54, 66.4, -29.48

 

CMYK 0 / 49 / 11 / 10

HEX #E675CC

RGB 230 117 204

HSL 313.81, 0.69%, 0.68%

LAB 64.89, 54.69, -25.45

 

CMYK 0 / 36 / 8 / 7

HEX #EC98D9

RGB 236 152 217

HSL 313.57, 0.69%, 0.76%

LAB 73.09, 40.94, -20.09

 

CMYK 0 / 23 / 5 / 5

HEX #F2BBE6

RGB 242 187 230

HSL 313.09, 0.68%, 0.84%

LAB 81.91, 26.63, -13.78

 

CMYK 0 / 49 / 11 / 10

HEX #E676CC

RGB 230 118 204

HSL 313.93, 0.69%, 0.68%

LAB 65.07, 54.2, -25.17

 

CMYK 0 / 29 / 49 / 10

HEX #E6A475

RGB 230 164 117

HSL 24.96, 0.69%, 0.68%

LAB 72.67, 19.06, 34

 

CMYK 49 / 0 / 9 / 10

HEX #75E6D1

RGB 117 230 209

HSL 168.85, 0.69%, 0.68%

LAB 84.47, -37.29, 0.3

 

CMYK 0 / 49 / 11 / 10

HEX #E676CC

RGB 230 118 204

HSL 313.93, 0.69%, 0.68%

LAB 65.07, 54.2, -25.17

 

CMYK 11 / 0 / 49 / 10

HEX #CDE675

RGB 205 230 117

HSL 73.27, 0.69%, 0.68%

LAB 87.42, -24.89, 51.85

 

CMYK 49 / 11 / 0 / 10

HEX #75CDE6

RGB 117 205 230

HSL 193.27, 0.69%, 0.68%

LAB 77.97, -19.86, -20.56

 

CMYK 0 / 49 / 11 / 10

HEX #E676CC

RGB 230 118 204

HSL 313.93, 0.69%, 0.68%

LAB 65.07, 54.2, -25.17

 

CMYK 0 / 29 / 49 / 10

HEX #E6A475

RGB 230 164 117

HSL 24.96, 0.69%, 0.68%

LAB 72.67, 19.06, 34

 

CMYK 49 / 0 / 39 / 10

HEX #75E68D

RGB 117 230 141

HSL 132.74, 0.69%, 0.68%

LAB 83.07, -50.97, 33.69

 

CMYK 49 / 20 / 0 / 10

HEX #75B7E6

RGB 117 183 230

HSL 204.96, 0.69%, 0.68%

LAB 71.8, -8.33, -29.99

 

CMYK 0 / 49 / 11 / 10

HEX #E676CC

RGB 230 118 204

HSL 313.93, 0.69%, 0.68%

LAB 65.07, 54.2, -25.17

 

CMYK 0 / 14 / 49 / 10

HEX #E6C675

RGB 230 198 117

HSL 43.01, 0.69%, 0.68%

LAB 81.01, 1.1, 44.52

 

CMYK 49 / 0 / 39 / 10

HEX #75E68D

RGB 117 230 141

HSL 132.74, 0.69%, 0.68%

LAB 83.07, -50.97, 33.69

 

CMYK 49 / 35 / 0 / 10

HEX #7595E6

RGB 117 149 230

HSL 223.01, 0.69%, 0.68%

LAB 62.5, 10.8, -44.48

 

Description

Color code: HEX #E676CC | qconv.com Color code: HEX #E676CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 118 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 118 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 11 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 11% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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