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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E669F6 it is the complementary color #199609. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E669F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E669F6 shade: #EB69F1, #FC7BFF, #FF8DFF, #FF9FFF and #FFB1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E669F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E669F6 shade: #E669F6, #D557E3, #C445D0, #B333BD and #A221AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E669F6 shade: #E66AF6, #F66AE0, #F66ABA, #F66A94 and #F66A6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E669F6 shade: #E66AF6, #C06AF6, #9A6AF6, #756AF6 and #6A6AF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E669F6 shade matches the following richer shades: #E66AF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E669F6 shade: #E66AF6, #DC76EA, #D383DD, #C990D0 and #BF9DC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E669F6 shade: #9B6AF6, #C06AF6, #E66AF6, #F66AE1 and #F66ABC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E669F6 shade: #D91CF2, #E043F4, #E66AF6, #ED91F9 and #F3B8FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E669F6 shade: #E669F6, #F6756A and #6AF6AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E669F6 shade: #E669F6, #F6E66A and #6AF6E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E669F6 shade: #E669F6, #F6756A, #7AF66A and #6AEBF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E669F6 shade: #E669F6, #F6A06A, #7AF66A and #6AC0F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 57 / 0 / 4

HEX #E669F6

RGB 230 105 246

HSL 293.19, 0.89%, 0.69%

LAB 64.63, 67.4, -49.24

 

Complementary color

CMYK 83 / 0 / 94 / 41

HEX #199609

RGB 25 150 9

HSL 113.19, 0.89%, 0.31%

LAB 54.07, -55.75, 54.8

 

CMYK 2 / 56 / 0 / 5

HEX #EB69F1

RGB 235 105 241

HSL 297.35, 0.83%, 0.68%

LAB 65.05, 67.76, -45.76

 

CMYK 1 / 52 / 0 / 0

HEX #FC7BFF

RGB 252 123 255

HSL 298.64, 1%, 0.74%

LAB 70.93, 66.46, -44.07

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 0 / 38 / 0 / 0

HEX #FF9FFF

RGB 255 159 255

HSL 300, 1%, 0.81%

LAB 78.04, 49.8, -32.99

 

CMYK 0 / 31 / 0 / 0

HEX #FFB1FF

RGB 255 177 255

HSL 300, 1%, 0.85%

LAB 81.8, 40.52, -27.22

 

CMYK 7 / 57 / 0 / 4

HEX #E669F6

RGB 230 105 246

HSL 293.19, 0.89%, 0.69%

LAB 64.63, 67.4, -49.24

 

CMYK 6 / 62 / 0 / 11

HEX #D557E3

RGB 213 87 227

HSL 294, 0.71%, 0.62%

LAB 58.52, 67.68, -48.49

 

CMYK 6 / 67 / 0 / 18

HEX #C445D0

RGB 196 69 208

HSL 294.82, 0.6%, 0.54%

LAB 52.45, 67.65, -47.51

 

CMYK 5 / 73 / 0 / 26

HEX #B333BD

RGB 179 51 189

HSL 295.65, 0.58%, 0.47%

LAB 46.48, 67.14, -46.2

 

CMYK 5 / 81 / 0 / 33

HEX #A221AA

RGB 162 33 170

HSL 296.5, 0.67%, 0.4%

LAB 40.69, 65.87, -44.4

 

CMYK 7 / 57 / 0 / 4

HEX #E66AF6

RGB 230 106 246

HSL 293.14, 0.89%, 0.69%

LAB 64.79, 66.95, -48.98

 

CMYK 0 / 57 / 9 / 4

HEX #F66AE0

RGB 246 106 224

HSL 309.43, 0.89%, 0.69%

LAB 65.97, 67.38, -34.79

 

CMYK 0 / 57 / 24 / 4

HEX #F66ABA

RGB 246 106 186

HSL 325.71, 0.89%, 0.69%

LAB 64.52, 61.93, -15.64

 

CMYK 0 / 57 / 40 / 4

HEX #F66A94

RGB 246 106 148

HSL 342, 0.89%, 0.69%

LAB 63.38, 57.43, 4.38

 

CMYK 0 / 57 / 55 / 4

HEX #F66A6E

RGB 246 106 110

HSL 358.29, 0.89%, 0.69%

LAB 62.53, 54, 24.99

 

CMYK 7 / 57 / 0 / 4

HEX #E66AF6

RGB 230 106 246

HSL 293.14, 0.89%, 0.69%

LAB 64.79, 66.95, -48.98

 

CMYK 22 / 57 / 0 / 4

HEX #C06AF6

RGB 192 106 246

HSL 276.86, 0.89%, 0.69%

LAB 60.04, 57.64, -56.82

 

CMYK 37 / 57 / 0 / 4

HEX #9A6AF6

RGB 154 106 246

HSL 260.57, 0.89%, 0.69%

LAB 55.92, 48.78, -63.66

 

CMYK 52 / 57 / 0 / 4

HEX #756AF6

RGB 117 106 246

HSL 244.71, 0.89%, 0.69%

LAB 52.67, 41.11, -69.07

 

CMYK 57 / 57 / 0 / 4

HEX #6A6AF6

RGB 106 106 246

HSL 240, 0.89%, 0.69%

LAB 51.87, 39.1, -70.4

 

CMYK 7 / 57 / 0 / 4

HEX #E66AF6

RGB 230 106 246

HSL 293.14, 0.89%, 0.69%

LAB 64.79, 66.95, -48.98

 

CMYK 7 / 57 / 0 / 4

HEX #E66AF6

RGB 230 106 246

HSL 293.14, 0.89%, 0.69%

LAB 64.79, 66.95, -48.98

 

CMYK 6 / 50 / 0 / 8

HEX #DC76EA

RGB 220 118 234

HSL 292.76, 0.73%, 0.69%

LAB 65.05, 56.53, -42.03

 

CMYK 5 / 41 / 0 / 13

HEX #D383DD

RGB 211 131 221

HSL 293.33, 0.57%, 0.69%

LAB 65.98, 44.88, -33.45

 

CMYK 3 / 31 / 0 / 18

HEX #C990D0

RGB 201 144 208

HSL 293.44, 0.41%, 0.69%

LAB 67.22, 32.29, -24.41

 

CMYK 2 / 19 / 0 / 24

HEX #BF9DC3

RGB 191 157 195

HSL 293.68, 0.24%, 0.69%

LAB 68.85, 19.29, -14.8

 

CMYK 37 / 57 / 0 / 4

HEX #9B6AF6

RGB 155 106 246

HSL 261, 0.89%, 0.69%

LAB 56.02, 49, -63.49

 

CMYK 22 / 57 / 0 / 4

HEX #C06AF6

RGB 192 106 246

HSL 276.86, 0.89%, 0.69%

LAB 60.04, 57.64, -56.82

 

CMYK 7 / 57 / 0 / 4

HEX #E66AF6

RGB 230 106 246

HSL 293.14, 0.89%, 0.69%

LAB 64.79, 66.95, -48.98

 

CMYK 0 / 57 / 9 / 4

HEX #F66AE1

RGB 246 106 225

HSL 309, 0.89%, 0.69%

LAB 66.01, 67.54, -35.28

 

CMYK 0 / 57 / 24 / 4

HEX #F66ABC

RGB 246 106 188

HSL 324.86, 0.89%, 0.69%

LAB 64.59, 62.19, -16.68

 

CMYK 10 / 88 / 0 / 5

HEX #D91CF2

RGB 217 28 242

HSL 292.99, 0.89%, 0.53%

LAB 54.02, 88.06, -64.06

 

CMYK 8 / 73 / 0 / 4

HEX #E043F4

RGB 224 67 244

HSL 293.22, 0.89%, 0.61%

LAB 58.41, 80.4, -58.07

 

CMYK 7 / 57 / 0 / 4

HEX #E66AF6

RGB 230 106 246

HSL 293.14, 0.89%, 0.69%

LAB 64.79, 66.95, -48.98

 

CMYK 5 / 42 / 0 / 2

HEX #ED91F9

RGB 237 145 249

HSL 293.08, 0.9%, 0.77%

LAB 72.95, 50.56, -37.78

 

CMYK 3 / 27 / 0 / 2

HEX #F3B8FB

RGB 243 184 251

HSL 292.84, 0.89%, 0.85%

LAB 82, 32.35, -24.88

 

CMYK 7 / 57 / 0 / 4

HEX #E669F6

RGB 230 105 246

HSL 293.19, 0.89%, 0.69%

LAB 64.63, 67.4, -49.24

 

CMYK 0 / 52 / 57 / 4

HEX #F6756A

RGB 246 117 106

HSL 4.71, 0.89%, 0.69%

LAB 64.45, 48.54, 29.76

 

CMYK 57 / 0 / 29 / 4

HEX #6AF6AE

RGB 106 246 174

HSL 149.14, 0.89%, 0.69%

LAB 87.98, -54.11, 23.46

 

CMYK 7 / 57 / 0 / 4

HEX #E669F6

RGB 230 105 246

HSL 293.19, 0.89%, 0.69%

LAB 64.63, 67.4, -49.24

 

CMYK 0 / 7 / 57 / 4

HEX #F6E66A

RGB 246 230 106

HSL 53.14, 0.89%, 0.69%

LAB 90.43, -9.57, 61.17

 

CMYK 57 / 0 / 7 / 4

HEX #6AF6E6

RGB 106 246 230

HSL 173.14, 0.89%, 0.69%

LAB 89.25, -41.64, -3.75

 

CMYK 7 / 57 / 0 / 4

HEX #E669F6

RGB 230 105 246

HSL 293.19, 0.89%, 0.69%

LAB 64.63, 67.4, -49.24

 

CMYK 0 / 52 / 57 / 4

HEX #F6756A

RGB 246 117 106

HSL 4.71, 0.89%, 0.69%

LAB 64.45, 48.54, 29.76

 

CMYK 50 / 0 / 57 / 4

HEX #7AF66A

RGB 122 246 106

HSL 113.14, 0.89%, 0.69%

LAB 87.53, -60.68, 55.93

 

CMYK 57 / 4 / 0 / 4

HEX #6AEBF6

RGB 106 235 246

HSL 184.71, 0.89%, 0.69%

LAB 86.57, -32.43, -16.11

 

CMYK 7 / 57 / 0 / 4

HEX #E669F6

RGB 230 105 246

HSL 293.19, 0.89%, 0.69%

LAB 64.63, 67.4, -49.24

 

CMYK 0 / 35 / 57 / 4

HEX #F6A06A

RGB 246 160 106

HSL 23.14, 0.89%, 0.69%

LAB 73.4, 26.66, 41.08

 

CMYK 50 / 0 / 57 / 4

HEX #7AF66A

RGB 122 246 106

HSL 113.14, 0.89%, 0.69%

LAB 87.53, -60.68, 55.93

 

CMYK 57 / 22 / 0 / 4

HEX #6AC0F6

RGB 106 192 246

HSL 203.14, 0.89%, 0.69%

LAB 74.46, -10.79, -34.59

 

Description

Color code: HEX #E669F6 | qconv.com Color code: HEX #E669F6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 105 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 105 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 57 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 57% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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