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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E66959 it is the complementary color #1996A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E66959. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E66959 shade: #EB6954, #FC7B67, #FF8D7A, #FF9F8D and #FFB1A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E66959. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E66959 shade: #E66959, #D55746, #C44533, #B33320 and #A2210D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E66959 shade: #E66B5B and #E65B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E66959 shade: #E66B5B, #E6905B, #E6B65B, #E6DC5B and #CCE65B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E66959 shade matches the following richer shades: #E66B5B and #F65F4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E66959 shade: #E66B5B, #D7766A, #C88279, #B98E89 and #A99A98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E66959 shade: #E65B97, #E65B72, #E6695B, #E68E5B and #E6B35B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E66959 shade: #D0331F, #E14A37, #E66B5B, #EC8B7F and #F1ACA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E66959 shade: #E66959, #BDE65B and #5B85E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E66959 shade: #E66959, #5BE669 and #695BE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E66959 shade: #E66959, #BDE65B, #5BD9E6 and #855BE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E66959 shade: #E66959, #93E65B, #5BD9E6 and #AF5BE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 61 / 10

HEX #E66959

RGB 230 105 89

HSL 6.81, 0.74%, 0.63%

LAB 59.57, 47.36, 32.56

 

Complementary color

CMYK 85 / 10 / 0 / 35

HEX #1996A6

RGB 25 150 166

HSL 186.81, 0.74%, 0.37%

LAB 56.85, -25.88, -17.51

 

CMYK 0 / 55 / 64 / 8

HEX #EB6954

RGB 235 105 84

HSL 8.34, 0.79%, 0.63%

LAB 60.25, 48.85, 36.35

 

CMYK 0 / 51 / 59 / 1

HEX #FC7B67

RGB 252 123 103

HSL 8.05, 0.96%, 0.7%

LAB 66.4, 47.59, 34.09

 

CMYK 0 / 45 / 52 / 0

HEX #FF8D7A

RGB 255 141 122

HSL 8.57, 1%, 0.74%

LAB 70.67, 41.23, 29.29

 

CMYK 0 / 38 / 45 / 0

HEX #FF9F8D

RGB 255 159 141

HSL 9.47, 1%, 0.78%

LAB 74.81, 33.75, 24.46

 

CMYK 0 / 31 / 37 / 0

HEX #FFB1A0

RGB 255 177 160

HSL 10.74, 1%, 0.81%

LAB 79.18, 26.4, 20.17

 

CMYK 0 / 54 / 61 / 10

HEX #E66959

RGB 230 105 89

HSL 6.81, 0.74%, 0.63%

LAB 59.57, 47.36, 32.56

 

CMYK 0 / 59 / 67 / 16

HEX #D55746

RGB 213 87 70

HSL 7.13, 0.63%, 0.55%

LAB 53.39, 48.58, 35.03

 

CMYK 0 / 65 / 74 / 23

HEX #C44533

RGB 196 69 51

HSL 7.45, 0.59%, 0.48%

LAB 47.28, 49.7, 37.85

 

CMYK 0 / 72 / 82 / 30

HEX #B33320

RGB 179 51 32

HSL 7.76, 0.7%, 0.41%

LAB 41.3, 50.57, 40.93

 

CMYK 0 / 80 / 92 / 36

HEX #A2210D

RGB 162 33 13

HSL 8.05, 0.85%, 0.34%

LAB 35.59, 50.89, 43.7

 

CMYK 0 / 53 / 60 / 10

HEX #E66B5B

RGB 230 107 91

HSL 6.91, 0.74%, 0.63%

LAB 59.97, 46.53, 31.94

 

CMYK 0 / 60 / 60 / 10

HEX #E65B5B

RGB 230 91 91

HSL 0, 0.74%, 0.63%

LAB 57.13, 53.95, 28.33

 

CMYK 0 / 53 / 60 / 10

HEX #E66B5B

RGB 230 107 91

HSL 6.91, 0.74%, 0.63%

LAB 59.97, 46.53, 31.94

 

CMYK 0 / 37 / 60 / 10

HEX #E6905B

RGB 230 144 91

HSL 22.88, 0.74%, 0.63%

LAB 67.67, 27.59, 41.43

 

CMYK 0 / 21 / 60 / 10

HEX #E6B65B

RGB 230 182 91

HSL 39.28, 0.74%, 0.63%

LAB 76.7, 7.39, 52.03

 

CMYK 0 / 4 / 60 / 10

HEX #E6DC5B

RGB 230 220 91

HSL 55.68, 0.74%, 0.63%

LAB 86.39, -12.13, 62.84

 

CMYK 11 / 0 / 60 / 10

HEX #CCE65B

RGB 204 230 91

HSL 71.22, 0.74%, 0.63%

LAB 87.09, -27.47, 63.03

 

CMYK 0 / 53 / 60 / 10

HEX #E66B5B

RGB 230 107 91

HSL 6.91, 0.74%, 0.63%

LAB 59.97, 46.53, 31.94

 

CMYK 0 / 61 / 69 / 4

HEX #F65F4C

RGB 246 95 76

HSL 6.71, 0.9%, 0.63%

LAB 60.16, 56.76, 41.03

 

CMYK 0 / 53 / 60 / 10

HEX #E66B5B

RGB 230 107 91

HSL 6.91, 0.74%, 0.63%

LAB 59.97, 46.53, 31.94

 

CMYK 0 / 45 / 51 / 16

HEX #D7766A

RGB 215 118 106

HSL 6.61, 0.58%, 0.63%

LAB 60.29, 36.6, 23.48

 

CMYK 0 / 35 / 40 / 22

HEX #C88279

RGB 200 130 121

HSL 6.84, 0.42%, 0.63%

LAB 61.33, 25.93, 16.06

 

CMYK 0 / 23 / 26 / 27

HEX #B98E89

RGB 185 142 137

HSL 6.25, 0.26%, 0.63%

LAB 62.9, 15.53, 8.94

 

CMYK 0 / 9 / 10 / 34

HEX #A99A98

RGB 169 154 152

HSL 7.06, 0.09%, 0.63%

LAB 64.81, 5.15, 3.04

 

CMYK 0 / 60 / 34 / 10

HEX #E65B97

RGB 230 91 151

HSL 334.1, 0.74%, 0.63%

LAB 58.55, 59.4, -4.71

 

CMYK 0 / 60 / 50 / 10

HEX #E65B72

RGB 230 91 114

HSL 350.07, 0.74%, 0.63%

LAB 57.58, 55.7, 15.55

 

CMYK 0 / 54 / 60 / 10

HEX #E6695B

RGB 230 105 91

HSL 6.04, 0.74%, 0.63%

LAB 59.6, 47.49, 31.47

 

CMYK 0 / 38 / 60 / 10

HEX #E68E5B

RGB 230 142 91

HSL 22.01, 0.74%, 0.63%

LAB 67.22, 28.65, 40.89

 

CMYK 0 / 22 / 60 / 10

HEX #E6B35B

RGB 230 179 91

HSL 37.99, 0.74%, 0.63%

LAB 75.96, 8.98, 51.18

 

CMYK 0 / 75 / 85 / 18

HEX #D0331F

RGB 208 51 31

HSL 6.78, 0.74%, 0.47%

LAB 46.81, 59.73, 48.47

 

CMYK 0 / 67 / 76 / 12

HEX #E14A37

RGB 225 74 55

HSL 6.71, 0.74%, 0.55%

LAB 53.15, 57.55, 43.53

 

CMYK 0 / 53 / 60 / 10

HEX #E66B5B

RGB 230 107 91

HSL 6.91, 0.74%, 0.63%

LAB 59.97, 46.53, 31.94

 

CMYK 0 / 41 / 46 / 7

HEX #EC8B7F

RGB 236 139 127

HSL 6.61, 0.74%, 0.71%

LAB 67.9, 35.6, 22.39

 

CMYK 0 / 29 / 32 / 5

HEX #F1ACA3

RGB 241 172 163

HSL 6.92, 0.74%, 0.79%

LAB 76.59, 24.13, 14.71

 

CMYK 0 / 54 / 61 / 10

HEX #E66959

RGB 230 105 89

HSL 6.81, 0.74%, 0.63%

LAB 59.57, 47.36, 32.56

 

CMYK 18 / 0 / 60 / 10

HEX #BDE65B

RGB 189 230 91

HSL 77.7, 0.74%, 0.63%

LAB 86.09, -33.29, 61.65

 

CMYK 60 / 42 / 0 / 10

HEX #5B85E6

RGB 91 133 230

HSL 221.87, 0.74%, 0.63%

LAB 56.79, 14.85, -53.61

 

CMYK 0 / 54 / 61 / 10

HEX #E66959

RGB 230 105 89

HSL 6.81, 0.74%, 0.63%

LAB 59.57, 47.36, 32.56

 

CMYK 60 / 0 / 54 / 10

HEX #5BE669

RGB 91 230 105

HSL 126.04, 0.74%, 0.63%

LAB 81.75, -62.4, 49.32

 

CMYK 54 / 60 / 0 / 10

HEX #695BE6

RGB 105 91 230

HSL 246.04, 0.74%, 0.63%

LAB 47.23, 42.81, -68.96

 

CMYK 0 / 54 / 61 / 10

HEX #E66959

RGB 230 105 89

HSL 6.81, 0.74%, 0.63%

LAB 59.57, 47.36, 32.56

 

CMYK 18 / 0 / 60 / 10

HEX #BDE65B

RGB 189 230 91

HSL 77.7, 0.74%, 0.63%

LAB 86.09, -33.29, 61.65

 

CMYK 60 / 6 / 0 / 10

HEX #5BD9E6

RGB 91 217 230

HSL 185.61, 0.74%, 0.63%

LAB 80.5, -30.87, -16.83

 

CMYK 42 / 60 / 0 / 10

HEX #855BE6

RGB 133 91 230

HSL 258.13, 0.74%, 0.63%

LAB 49.72, 48.23, -64.82

 

CMYK 0 / 54 / 61 / 10

HEX #E66959

RGB 230 105 89

HSL 6.81, 0.74%, 0.63%

LAB 59.57, 47.36, 32.56

 

CMYK 36 / 0 / 60 / 10

HEX #93E65B

RGB 147 230 91

HSL 95.83, 0.74%, 0.63%

LAB 83.73, -48.38, 58.38

 

CMYK 60 / 6 / 0 / 10

HEX #5BD9E6

RGB 91 217 230

HSL 185.61, 0.74%, 0.63%

LAB 80.5, -30.87, -16.83

 

CMYK 24 / 60 / 0 / 10

HEX #AF5BE6

RGB 175 91 230

HSL 276.26, 0.74%, 0.63%

LAB 54.35, 57.52, -57.11

 

Description

Color code: HEX #E66959 | qconv.com Color code: HEX #E66959 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 105 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 105 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 61 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 61% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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