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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E664F1 it is the complementary color #199B0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E664F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E664F1 shade: #EB64EC, #FC76FF, #FF88FF, #FF9AFF and #FFACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E664F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E664F1 shade: #E664F1, #D552DE, #C440CB, #B32EB8 and #A21CA5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E664F1 shade: #E665F1, #F165D6, #F165B0, #F1658B and #F16565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E664F1 shade: #E665F1, #C065F1, #9A65F1, #7565F1 and #6565F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E664F1 shade matches the following richer shades: #E665F1 and #F157FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E664F1 shade: #E665F1, #DA73E3, #CF80D5, #C38EC8 and #B89BBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E664F1 shade: #9B65F1, #C065F1, #E565F1, #F165D7 and #F165B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E664F1 shade: #D91AEA, #E03FED, #E665F1, #EC8BF4 and #F2B1F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E664F1 shade: #E664F1, #F17565 and #65F1AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E664F1 shade: #E664F1, #F1E565 and #65F1E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E664F1 shade: #E664F1, #F17565, #71F165 and #65E0F1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E664F1 shade: #E664F1, #F19F65, #71F165 and #65B6F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 59 / 0 / 5

HEX #E664F1

RGB 230 100 241

HSL 295.32, 0.83%, 0.67%

LAB 63.58, 68.7, -48.13

 

Complementary color

CMYK 84 / 0 / 91 / 39

HEX #199B0E

RGB 25 155 14

HSL 115.32, 0.83%, 0.33%

LAB 55.77, -57.11, 55.4

 

CMYK 0 / 58 / 0 / 7

HEX #EB64EC

RGB 235 100 236

HSL 299.56, 0.78%, 0.66%

LAB 64.03, 69.07, -44.61

 

CMYK 1 / 54 / 0 / 0

HEX #FC76FF

RGB 252 118 255

HSL 298.69, 1%, 0.73%

LAB 70.09, 68.71, -45.39

 

CMYK 0 / 47 / 0 / 0

HEX #FF88FF

RGB 255 136 255

HSL 300, 1%, 0.77%

LAB 73.6, 61.18, -39.86

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 5 / 59 / 0 / 5

HEX #E664F1

RGB 230 100 241

HSL 295.32, 0.83%, 0.67%

LAB 63.58, 68.7, -48.13

 

CMYK 4 / 63 / 0 / 13

HEX #D552DE

RGB 213 82 222

HSL 296.14, 0.68%, 0.6%

LAB 57.52, 68.86, -47.27

 

CMYK 3 / 68 / 0 / 20

HEX #C440CB

RGB 196 64 203

HSL 296.98, 0.57%, 0.52%

LAB 51.51, 68.66, -46.13

 

CMYK 3 / 75 / 0 / 28

HEX #B32EB8

RGB 179 46 184

HSL 297.83, 0.6%, 0.45%

LAB 45.63, 67.9, -44.63

 

CMYK 2 / 83 / 0 / 35

HEX #A21CA5

RGB 162 28 165

HSL 298.69, 0.71%, 0.38%

LAB 39.96, 66.27, -42.57

 

CMYK 5 / 58 / 0 / 5

HEX #E665F1

RGB 230 101 241

HSL 295.29, 0.83%, 0.67%

LAB 63.74, 68.27, -47.88

 

CMYK 0 / 58 / 11 / 5

HEX #F165D6

RGB 241 101 214

HSL 311.57, 0.83%, 0.67%

LAB 64.05, 66.67, -32.23

 

CMYK 0 / 58 / 27 / 5

HEX #F165B0

RGB 241 101 176

HSL 327.86, 0.83%, 0.67%

LAB 62.63, 61.37, -12.87

 

CMYK 0 / 58 / 42 / 5

HEX #F1658B

RGB 241 101 139

HSL 343.71, 0.83%, 0.67%

LAB 61.54, 57.15, 6.83

 

CMYK 0 / 58 / 58 / 5

HEX #F16565

RGB 241 101 101

HSL 0, 0.83%, 0.67%

LAB 60.74, 53.91, 27.61

 

CMYK 5 / 58 / 0 / 5

HEX #E665F1

RGB 230 101 241

HSL 295.29, 0.83%, 0.67%

LAB 63.74, 68.27, -47.88

 

CMYK 20 / 58 / 0 / 5

HEX #C065F1

RGB 192 101 241

HSL 279, 0.83%, 0.67%

LAB 58.85, 59.03, -55.95

 

CMYK 36 / 58 / 0 / 5

HEX #9A65F1

RGB 154 101 241

HSL 262.71, 0.83%, 0.67%

LAB 54.58, 50.2, -63.02

 

CMYK 51 / 58 / 0 / 5

HEX #7565F1

RGB 117 101 241

HSL 246.86, 0.83%, 0.67%

LAB 51.2, 42.52, -68.66

 

CMYK 58 / 58 / 0 / 5

HEX #6565F1

RGB 101 101 241

HSL 240, 0.83%, 0.67%

LAB 50.01, 39.63, -70.64

 

CMYK 5 / 58 / 0 / 5

HEX #E665F1

RGB 230 101 241

HSL 295.29, 0.83%, 0.67%

LAB 63.74, 68.27, -47.88

 

CMYK 5 / 66 / 0 / 0

HEX #F157FE

RGB 241 87 254

HSL 295.33, 0.99%, 0.67%

LAB 63.9, 78.68, -54.72

 

CMYK 5 / 58 / 0 / 5

HEX #E665F1

RGB 230 101 241

HSL 295.29, 0.83%, 0.67%

LAB 63.74, 68.27, -47.88

 

CMYK 4 / 49 / 0 / 11

HEX #DA73E3

RGB 218 115 227

HSL 295.18, 0.67%, 0.67%

LAB 63.93, 56.15, -39.92

 

CMYK 3 / 40 / 0 / 16

HEX #CF80D5

RGB 207 128 213

HSL 295.76, 0.5%, 0.67%

LAB 64.57, 43.74, -31.22

 

CMYK 3 / 29 / 0 / 22

HEX #C38EC8

RGB 195 142 200

HSL 294.83, 0.35%, 0.67%

LAB 65.84, 29.89, -22.11

 

CMYK 1 / 17 / 0 / 27

HEX #B89BBA

RGB 184 155 186

HSL 296.13, 0.18%, 0.67%

LAB 67.41, 16.26, -12.02

 

CMYK 36 / 58 / 0 / 5

HEX #9B65F1

RGB 155 101 241

HSL 263.14, 0.83%, 0.67%

LAB 54.69, 50.42, -62.85

 

CMYK 20 / 58 / 0 / 5

HEX #C065F1

RGB 192 101 241

HSL 279, 0.83%, 0.67%

LAB 58.85, 59.03, -55.95

 

CMYK 5 / 58 / 0 / 5

HEX #E565F1

RGB 229 101 241

HSL 294.86, 0.83%, 0.67%

LAB 63.6, 68.02, -48.11

 

CMYK 0 / 58 / 11 / 5

HEX #F165D7

RGB 241 101 215

HSL 311.14, 0.83%, 0.67%

LAB 64.09, 66.83, -32.73

 

CMYK 0 / 58 / 26 / 5

HEX #F165B2

RGB 241 101 178

HSL 327, 0.83%, 0.67%

LAB 62.7, 61.62, -13.92

 

CMYK 7 / 89 / 0 / 8

HEX #D91AEA

RGB 217 26 234

HSL 295.1, 0.83%, 0.51%

LAB 53.42, 87.09, -60.53

 

CMYK 5 / 73 / 0 / 7

HEX #E03FED

RGB 224 63 237

HSL 295.52, 0.83%, 0.59%

LAB 57.58, 80.49, -55.5

 

CMYK 5 / 58 / 0 / 5

HEX #E665F1

RGB 230 101 241

HSL 295.29, 0.83%, 0.67%

LAB 63.74, 68.27, -47.88

 

CMYK 3 / 43 / 0 / 4

HEX #EC8BF4

RGB 236 139 244

HSL 295.43, 0.83%, 0.75%

LAB 71.44, 52.39, -37.41

 

CMYK 2 / 29 / 0 / 3

HEX #F2B1F8

RGB 242 177 248

HSL 294.93, 0.84%, 0.83%

LAB 80.24, 35.18, -25.97

 

CMYK 5 / 59 / 0 / 5

HEX #E664F1

RGB 230 100 241

HSL 295.32, 0.83%, 0.67%

LAB 63.58, 68.7, -48.13

 

CMYK 0 / 51 / 58 / 5

HEX #F17565

RGB 241 117 101

HSL 6.86, 0.83%, 0.67%

LAB 63.64, 46.37, 31.36

 

CMYK 58 / 0 / 28 / 5

HEX #65F1AD

RGB 101 241 173

HSL 150.86, 0.83%, 0.67%

LAB 86.35, -53.32, 21.7

 

CMYK 5 / 59 / 0 / 5

HEX #E664F1

RGB 230 100 241

HSL 295.32, 0.83%, 0.67%

LAB 63.58, 68.7, -48.13

 

CMYK 0 / 5 / 58 / 5

HEX #F1E565

RGB 241 229 101

HSL 54.86, 0.83%, 0.67%

LAB 89.71, -11.45, 62.45

 

CMYK 58 / 0 / 5 / 5

HEX #65F1E5

RGB 101 241 229

HSL 174.86, 0.83%, 0.67%

LAB 87.65, -40.55, -5.61

 

CMYK 5 / 59 / 0 / 5

HEX #E664F1

RGB 230 100 241

HSL 295.32, 0.83%, 0.67%

LAB 63.58, 68.7, -48.13

 

CMYK 0 / 51 / 58 / 5

HEX #F17565

RGB 241 117 101

HSL 6.86, 0.83%, 0.67%

LAB 63.64, 46.37, 31.36

 

CMYK 53 / 0 / 58 / 5

HEX #71F165

RGB 113 241 101

HSL 114.86, 0.83%, 0.67%

LAB 85.69, -61.7, 55.91

 

CMYK 58 / 7 / 0 / 5

HEX #65E0F1

RGB 101 224 241

HSL 187.29, 0.83%, 0.67%

LAB 83.14, -29.44, -18.65

 

CMYK 5 / 59 / 0 / 5

HEX #E664F1

RGB 230 100 241

HSL 295.32, 0.83%, 0.67%

LAB 63.58, 68.7, -48.13

 

CMYK 0 / 34 / 58 / 5

HEX #F19F65

RGB 241 159 101

HSL 24.86, 0.83%, 0.67%

LAB 72.52, 24.81, 42.45

 

CMYK 53 / 0 / 58 / 5

HEX #71F165

RGB 113 241 101

HSL 114.86, 0.83%, 0.67%

LAB 85.69, -61.7, 55.91

 

CMYK 58 / 24 / 0 / 5

HEX #65B6F1

RGB 101 182 241

HSL 205.29, 0.83%, 0.67%

LAB 71.26, -7.89, -36.85

 

Description

Color code: HEX #E664F1 | qconv.com Color code: HEX #E664F1 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 100 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 100 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 59 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 59% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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