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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E662BA it is the complementary color #199D45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E662BA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E662BA shade: #EB62B5, #FC74C8, #FF86DB, #FF98EE and #FFAAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E662BA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E662BA shade: #E662BA, #D550A7, #C43E94, #B32C81 and #A21A6E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E662BA shade: #E660BA, #E66095, #E66071 and #E66060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E662BA shade: #E660BA, #E660DE, #CB60E6, #A660E6 and #8260E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E662BA shade matches the following richer shades: #E660BA and #F551BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E662BA shade: #E660BA, #D76FB5, #C97EB0, #BA8DAB and #AB9CA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E662BA shade: #CB60E6, #E660DD, #E660BA, #E66096 and #E66072

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E662BA shade: #D32198, #E13CAA, #E660BA, #EC84C9 and #F1A8D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E662BA shade: #E662BA, #E6A860 and #60E6DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E662BA shade: #E662BA, #BAE660 and #60BAE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E662BA shade: #E662BA, #E6A860, #60E68D and #609FE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E662BA shade: #E662BA, #E6D060, #60E68D and #6077E6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 19 / 10

HEX #E662BA

RGB 230 98 186

HSL 320, 0.73%, 0.64%

LAB 60.87, 60.83, -21.4

 

Complementary color

CMYK 84 / 0 / 56 / 38

HEX #199D45

RGB 25 157 69

HSL 140, 0.73%, 0.36%

LAB 56.83, -52.85, 36.26

 

CMYK 0 / 58 / 23 / 8

HEX #EB62B5

RGB 235 98 181

HSL 323.65, 0.77%, 0.65%

LAB 61.42, 61.58, -17.64

 

CMYK 0 / 54 / 21 / 1

HEX #FC74C8

RGB 252 116 200

HSL 322.94, 0.96%, 0.72%

LAB 67.54, 61.09, -18.88

 

CMYK 0 / 47 / 14 / 0

HEX #FF86DB

RGB 255 134 219

HSL 317.85, 1%, 0.76%

LAB 71.84, 56.28, -22.87

 

CMYK 0 / 40 / 7 / 0

HEX #FF98EE

RGB 255 152 238

HSL 309.9, 1%, 0.8%

LAB 76, 50.42, -26.92

 

CMYK 0 / 33 / 0 / 0

HEX #FFAAFF

RGB 255 170 255

HSL 300, 1%, 0.83%

LAB 80.31, 44.16, -29.5

 

CMYK 0 / 57 / 19 / 10

HEX #E662BA

RGB 230 98 186

HSL 320, 0.73%, 0.64%

LAB 60.87, 60.83, -21.4

 

CMYK 0 / 62 / 22 / 16

HEX #D550A7

RGB 213 80 167

HSL 320.75, 0.61%, 0.57%

LAB 54.73, 61.13, -20.04

 

CMYK 0 / 68 / 24 / 23

HEX #C43E94

RGB 196 62 148

HSL 321.49, 0.53%, 0.51%

LAB 48.66, 61.09, -18.35

 

CMYK 0 / 75 / 28 / 30

HEX #B32C81

RGB 179 44 129

HSL 322.22, 0.61%, 0.44%

LAB 42.72, 60.52, -16.19

 

CMYK 0 / 84 / 32 / 36

HEX #A21A6E

RGB 162 26 110

HSL 322.94, 0.72%, 0.37%

LAB 37.01, 59.07, -13.34

 

CMYK 0 / 58 / 19 / 10

HEX #E660BA

RGB 230 96 186

HSL 319.7, 0.73%, 0.64%

LAB 60.55, 61.71, -21.9

 

CMYK 0 / 58 / 35 / 10

HEX #E66095

RGB 230 96 149

HSL 336.27, 0.73%, 0.64%

LAB 59.3, 56.97, -2.42

 

CMYK 0 / 58 / 51 / 10

HEX #E66071

RGB 230 96 113

HSL 352.39, 0.73%, 0.64%

LAB 58.4, 53.38, 17.26

 

CMYK 0 / 58 / 58 / 10

HEX #E66060

RGB 230 96 96

HSL 0, 0.73%, 0.64%

LAB 58.07, 52.05, 26.66

 

CMYK 0 / 58 / 19 / 10

HEX #E660BA

RGB 230 96 186

HSL 319.7, 0.73%, 0.64%

LAB 60.55, 61.71, -21.9

 

CMYK 0 / 58 / 3 / 10

HEX #E660DE

RGB 230 96 222

HSL 303.58, 0.73%, 0.64%

LAB 62.05, 67.2, -39.95

 

CMYK 12 / 58 / 0 / 10

HEX #CB60E6

RGB 203 96 230

HSL 287.91, 0.73%, 0.64%

LAB 58.77, 61.85, -49.86

 

CMYK 28 / 58 / 0 / 10

HEX #A660E6

RGB 166 96 230

HSL 271.34, 0.73%, 0.64%

LAB 54.22, 52.91, -57.37

 

CMYK 43 / 58 / 0 / 10

HEX #8260E6

RGB 130 96 230

HSL 255.22, 0.73%, 0.64%

LAB 50.48, 44.83, -63.59

 

CMYK 0 / 58 / 19 / 10

HEX #E660BA

RGB 230 96 186

HSL 319.7, 0.73%, 0.64%

LAB 60.55, 61.71, -21.9

 

CMYK 0 / 67 / 22 / 4

HEX #F551BE

RGB 245 81 190

HSL 320.12, 0.89%, 0.64%

LAB 60.79, 72.33, -23.61

 

CMYK 0 / 58 / 19 / 10

HEX #E660BA

RGB 230 96 186

HSL 319.7, 0.73%, 0.64%

LAB 60.55, 61.71, -21.9

 

CMYK 0 / 48 / 16 / 16

HEX #D76FB5

RGB 215 111 181

HSL 319.62, 0.57%, 0.64%

LAB 60.92, 49.45, -18.67

 

CMYK 0 / 37 / 12 / 21

HEX #C97EB0

RGB 201 126 176

HSL 320, 0.41%, 0.64%

LAB 62.06, 36.29, -14.26

 

CMYK 0 / 24 / 8 / 27

HEX #BA8DAB

RGB 186 141 171

HSL 320, 0.25%, 0.64%

LAB 63.7, 21.98, -9.14

 

CMYK 0 / 9 / 3 / 33

HEX #AB9CA6

RGB 171 156 166

HSL 320, 0.08%, 0.64%

LAB 65.89, 7.31, -3.22

 

CMYK 12 / 58 / 0 / 10

HEX #CB60E6

RGB 203 96 230

HSL 287.91, 0.73%, 0.64%

LAB 58.77, 61.85, -49.86

 

CMYK 0 / 58 / 4 / 10

HEX #E660DD

RGB 230 96 221

HSL 304.03, 0.73%, 0.64%

LAB 62.01, 67.04, -39.47

 

CMYK 0 / 58 / 19 / 10

HEX #E660BA

RGB 230 96 186

HSL 319.7, 0.73%, 0.64%

LAB 60.55, 61.71, -21.9

 

CMYK 0 / 58 / 35 / 10

HEX #E66096

RGB 230 96 150

HSL 335.82, 0.73%, 0.64%

LAB 59.33, 57.09, -2.96

 

CMYK 0 / 58 / 50 / 10

HEX #E66072

RGB 230 96 114

HSL 351.94, 0.73%, 0.64%

LAB 58.42, 53.47, 16.71

 

CMYK 0 / 84 / 28 / 17

HEX #D32198

RGB 211 33 152

HSL 319.89, 0.73%, 0.48%

LAB 48.52, 73.6, -20.74

 

CMYK 0 / 73 / 24 / 12

HEX #E13CAA

RGB 225 60 170

HSL 320, 0.73%, 0.56%

LAB 54.18, 71.97, -22.48

 

CMYK 0 / 58 / 19 / 10

HEX #E660BA

RGB 230 96 186

HSL 319.7, 0.73%, 0.64%

LAB 60.55, 61.71, -21.9

 

CMYK 0 / 44 / 15 / 7

HEX #EC84C9

RGB 236 132 201

HSL 320.19, 0.73%, 0.72%

LAB 68.43, 48.64, -18.3

 

CMYK 0 / 30 / 10 / 5

HEX #F1A8D9

RGB 241 168 217

HSL 319.73, 0.72%, 0.8%

LAB 77.11, 34.16, -13.96

 

CMYK 0 / 57 / 19 / 10

HEX #E662BA

RGB 230 98 186

HSL 320, 0.73%, 0.64%

LAB 60.87, 60.83, -21.4

 

CMYK 0 / 27 / 58 / 10

HEX #E6A860

RGB 230 168 96

HSL 32.24, 0.73%, 0.64%

LAB 73.33, 15.17, 45.67

 

CMYK 58 / 0 / 4 / 10

HEX #60E6DD

RGB 96 230 221

HSL 175.97, 0.73%, 0.64%

LAB 84.12, -38.51, -6.62

 

CMYK 0 / 57 / 19 / 10

HEX #E662BA

RGB 230 98 186

HSL 320, 0.73%, 0.64%

LAB 60.87, 60.83, -21.4

 

CMYK 19 / 0 / 58 / 10

HEX #BAE660

RGB 186 230 96

HSL 79.7, 0.73%, 0.64%

LAB 85.95, -34.03, 59.31

 

CMYK 58 / 19 / 0 / 10

HEX #60BAE6

RGB 96 186 230

HSL 199.7, 0.73%, 0.64%

LAB 71.77, -14.34, -30.11

 

CMYK 0 / 57 / 19 / 10

HEX #E662BA

RGB 230 98 186

HSL 320, 0.73%, 0.64%

LAB 60.87, 60.83, -21.4

 

CMYK 0 / 27 / 58 / 10

HEX #E6A860

RGB 230 168 96

HSL 32.24, 0.73%, 0.64%

LAB 73.33, 15.17, 45.67

 

CMYK 58 / 0 / 39 / 10

HEX #60E68D

RGB 96 230 141

HSL 140.15, 0.73%, 0.64%

LAB 82.38, -55.94, 32.65

 

CMYK 58 / 31 / 0 / 10

HEX #609FE6

RGB 96 159 230

HSL 211.79, 0.73%, 0.64%

LAB 64.16, 0.52, -41.94

 

CMYK 0 / 57 / 19 / 10

HEX #E662BA

RGB 230 98 186

HSL 320, 0.73%, 0.64%

LAB 60.87, 60.83, -21.4

 

CMYK 0 / 10 / 58 / 10

HEX #E6D060

RGB 230 208 96

HSL 50.15, 0.73%, 0.64%

LAB 83.33, -5.74, 57.25

 

CMYK 58 / 0 / 39 / 10

HEX #60E68D

RGB 96 230 141

HSL 140.15, 0.73%, 0.64%

LAB 82.38, -55.94, 32.65

 

CMYK 58 / 48 / 0 / 10

HEX #6077E6

RGB 96 119 230

HSL 229.7, 0.73%, 0.64%

LAB 53.38, 24.3, -59.06

 

Description

Color code: HEX #E662BA | qconv.com Color code: HEX #E662BA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 98 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 98 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 19 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 19% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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