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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E65766 it is the complementary color #19A899. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E65766. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E65766: #EB5761, #FC6974, #FF7B87, #FF8D9A and #FF9FAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E65766. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E65766: #E65766, #D54553, #C43340, #B3212D and #A20F1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 56 / 10

HEX #E65766

RGB 230 87 102

HSL 353.71, 0.74%, 0.62%

LAB 56.68, 56.47, 21.35

 

Complementary color

CMYK 85 / 0 / 9 / 34

HEX #19A899

RGB 25 168 153

HSL 173.71, 0.74%, 0.38%

LAB 62.09, -38.46, -2.31

 

CMYK 0 / 63 / 59 / 8

HEX #EB5761

RGB 235 87 97

HSL 355.95, 0.79%, 0.63%

LAB 57.41, 57.74, 25.37

 

CMYK 0 / 58 / 54 / 1

HEX #FC6974

RGB 252 105 116

HSL 355.51, 0.96%, 0.7%

LAB 63.39, 56.93, 22.89

 

CMYK 0 / 52 / 47 / 0

HEX #FF7B87

RGB 255 123 135

HSL 354.55, 1%, 0.74%

LAB 67.41, 51.24, 17.66

 

CMYK 0 / 45 / 40 / 0

HEX #FF8D9A

RGB 255 141 154

HSL 353.16, 1%, 0.78%

LAB 71.31, 44.31, 12.47

 

CMYK 0 / 38 / 32 / 0

HEX #FF9FAD

RGB 255 159 173

HSL 351.25, 1%, 0.81%

LAB 75.5, 37.33, 7.92

 

CMYK 0 / 62 / 56 / 10

HEX #E65766

RGB 230 87 102

HSL 353.71, 0.74%, 0.62%

LAB 56.68, 56.47, 21.35

 

CMYK 0 / 68 / 61 / 16

HEX #D54553

RGB 213 69 83

HSL 354.17, 0.63%, 0.55%

LAB 50.72, 57.07, 24.15

 

CMYK 0 / 74 / 67 / 23

HEX #C43340

RGB 196 51 64

HSL 354.62, 0.59%, 0.48%

LAB 44.9, 57.3, 27.52

 

CMYK 0 / 82 / 75 / 30

HEX #B3212D

RGB 179 33 45

HSL 355.07, 0.69%, 0.42%

LAB 39.35, 56.88, 31.56

 

CMYK 0 / 91 / 84 / 36

HEX #A20F1A

RGB 162 15 26

HSL 355.51, 0.83%, 0.35%

LAB 34.19, 55.42, 36.19

 

CMYK 0 / 62 / 56 / 10

HEX #E65766

RGB 230 87 102

HSL 353.71, 0.74%, 0.62%

LAB 56.68, 56.47, 21.35

 

CMYK 0 / 59 / 62 / 10

HEX #E55D56

RGB 229 93 86

HSL 2.94, 0.73%, 0.62%

LAB 57.23, 52.4, 31.28

 

CMYK 0 / 49 / 62 / 10

HEX #E57556

RGB 229 117 86

HSL 13.01, 0.73%, 0.62%

LAB 61.7, 40.89, 36.82

 

CMYK 0 / 38 / 62 / 10

HEX #E58D56

RGB 229 141 86

HSL 23.08, 0.73%, 0.62%

LAB 66.81, 28.44, 42.97

 

CMYK 0 / 28 / 62 / 10

HEX #E5A556

RGB 229 165 86

HSL 33.15, 0.73%, 0.62%

LAB 72.39, 15.65, 49.46

 

CMYK 0 / 62 / 56 / 10

HEX #E65766

RGB 230 87 102

HSL 353.71, 0.74%, 0.62%

LAB 56.68, 56.47, 21.35

 

CMYK 0 / 62 / 54 / 90

HEX #1A0A0C

RGB 26 10 12

HSL 352.5, 0.44%, 0.07%

LAB 4.18, 6.58, 1.41

 

CMYK 0 / 62 / 56 / 70

HEX #4D1D22

RGB 77 29 34

HSL 353.75, 0.45%, 0.21%

LAB 18.24, 23.21, 7.99

 

CMYK 0 / 63 / 55 / 50

HEX #803039

RGB 128 48 57

HSL 353.25, 0.45%, 0.35%

LAB 31.8, 35.36, 12.47

 

CMYK 0 / 62 / 56 / 30

HEX #B3444F

RGB 179 68 79

HSL 354.05, 0.45%, 0.48%

LAB 44.64, 45.96, 17.45

 

CMYK 0 / 62 / 56 / 10

HEX #E65766

RGB 230 87 102

HSL 353.71, 0.74%, 0.62%

LAB 56.68, 56.47, 21.35

 

CMYK 5 / 0 / 62 / 10

HEX #D9E556

RGB 217 229 86

HSL 65.03, 0.73%, 0.62%

LAB 87.71, -22.16, 66.03

 

CMYK 62 / 30 / 0 / 10

HEX #56A0E5

RGB 86 160 229

HSL 208.95, 0.73%, 0.62%

LAB 63.98, -2.24, -41.7

 

CMYK 0 / 62 / 56 / 10

HEX #E65766

RGB 230 87 102

HSL 353.71, 0.74%, 0.62%

LAB 56.68, 56.47, 21.35

 

CMYK 55 / 0 / 62 / 10

HEX #67E556

RGB 103 229 86

HSL 112.87, 0.73%, 0.62%

LAB 81.62, -61.39, 57.64

 

CMYK 62 / 55 / 0 / 10

HEX #5667E5

RGB 86 103 229

HSL 232.87, 0.73%, 0.62%

LAB 48.68, 32.02, -66.1

 

CMYK 0 / 62 / 56 / 10

HEX #E65766

RGB 230 87 102

HSL 353.71, 0.74%, 0.62%

LAB 56.68, 56.47, 21.35

 

CMYK 5 / 0 / 62 / 10

HEX #D9E556

RGB 217 229 86

HSL 65.03, 0.73%, 0.62%

LAB 87.71, -22.16, 66.03

 

CMYK 62 / 0 / 7 / 10

HEX #56E5D5

RGB 86 229 213

HSL 173.29, 0.73%, 0.62%

LAB 83.35, -41.82, -3.57

 

CMYK 57 / 62 / 0 / 10

HEX #6256E5

RGB 98 86 229

HSL 245.03, 0.73%, 0.62%

LAB 45.51, 44.21, -71.22

 

CMYK 0 / 62 / 56 / 10

HEX #E65766

RGB 230 87 102

HSL 353.71, 0.74%, 0.62%

LAB 56.68, 56.47, 21.35

 

CMYK 24 / 0 / 62 / 10

HEX #AEE556

RGB 174 229 86

HSL 83.08, 0.73%, 0.62%

LAB 84.85, -38.87, 62.11

 

CMYK 62 / 0 / 7 / 10

HEX #56E5D5

RGB 86 229 213

HSL 173.29, 0.73%, 0.62%

LAB 83.35, -41.82, -3.57

 

CMYK 38 / 62 / 0 / 10

HEX #8D56E5

RGB 141 86 229

HSL 263.08, 0.73%, 0.62%

LAB 49.47, 52.3, -64.62

 

Description

Color code: HEX #E65766 | qconv.com Color code: HEX #E65766 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 87 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 87 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 56 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 56% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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