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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6533C it is the complementary color #19ACC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6533C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6533C shade: #EB5337, #FC654A, #FF775D, #FF8970 and #FF9B83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6533C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6533C shade: #E6533C, #D54129, #C42F16, #B31D03 and #A20B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6533C shade: #E6543D and #E63D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6533C shade: #E6543D, #E6813D, #E6AF3D, #E6DC3D and #C2E63D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6533C shade matches the following richer shades: #E6543D and #F8472B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6533C shade: #E6543D, #D4614F, #C26E60, #B17B72 and #9F8884

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6533C shade: #E63D80, #E63D53, #E6533D, #E6803D and #E6AD3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6533C shade: #B82E18, #DD371D, #E6543D, #EB7461 and #EF9486

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6533C shade: #E6533C, #ADE63D and #3D6AE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6533C shade: #E6533C, #3DE653 and #533DE6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6533C shade: #E6533C, #ADE63D, #3DCFE6 and #753DE6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6533C shade: #E6533C, #7BE63D, #3DCFE6 and #A83DE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 74 / 10

HEX #E6533C

RGB 230 83 60

HSL 8.12, 0.77%, 0.57%

LAB 55.42, 55.74, 43.58

 

Complementary color

CMYK 87 / 12 / 0 / 24

HEX #19ACC3

RGB 25 172 195

HSL 188.12, 0.77%, 0.43%

LAB 64.69, -27.41, -21.89

 

CMYK 0 / 65 / 77 / 8

HEX #EB5337

RGB 235 83 55

HSL 9.33, 0.82%, 0.57%

LAB 56.21, 57.22, 47.29

 

CMYK 0 / 60 / 71 / 1

HEX #FC654A

RGB 252 101 74

HSL 9.1, 0.97%, 0.64%

LAB 62.08, 56.11, 44.57

 

CMYK 0 / 53 / 64 / 0

HEX #FF775D

RGB 255 119 93

HSL 9.63, 1%, 0.68%

LAB 65.94, 49.94, 39.06

 

CMYK 0 / 46 / 56 / 0

HEX #FF8970

RGB 255 137 112

HSL 10.49, 1%, 0.72%

LAB 69.7, 42.44, 33.48

 

CMYK 0 / 39 / 49 / 0

HEX #FF9B83

RGB 255 155 131

HSL 11.61, 1%, 0.76%

LAB 73.77, 34.87, 28.49

 

CMYK 0 / 64 / 74 / 10

HEX #E6533C

RGB 230 83 60

HSL 8.12, 0.77%, 0.57%

LAB 55.42, 55.74, 43.58

 

CMYK 0 / 69 / 81 / 16

HEX #D54129

RGB 213 65 41

HSL 8.37, 0.68%, 0.5%

LAB 49.6, 56.65, 46.5

 

CMYK 0 / 76 / 89 / 23

HEX #C42F16

RGB 196 47 22

HSL 8.62, 0.8%, 0.43%

LAB 43.98, 57.16, 49.22

 

CMYK 0 / 84 / 98 / 30

HEX #B31D03

RGB 179 29 3

HSL 8.86, 0.97%, 0.36%

LAB 38.67, 56.94, 50.99

 

CMYK 0 / 93 / 100 / 36

HEX #A20B00

RGB 162 11 0

HSL 4.07, 1%, 0.32%

LAB 33.82, 55.59, 47.76

 

CMYK 0 / 63 / 73 / 10

HEX #E6543D

RGB 230 84 61

HSL 8.17, 0.77%, 0.57%

LAB 55.58, 55.36, 43.23

 

CMYK 0 / 73 / 73 / 10

HEX #E63D3D

RGB 230 61 61

HSL 0, 0.77%, 0.57%

LAB 52.39, 64.07, 39.68

 

CMYK 0 / 63 / 73 / 10

HEX #E6543D

RGB 230 84 61

HSL 8.17, 0.77%, 0.57%

LAB 55.58, 55.36, 43.23

 

CMYK 0 / 44 / 73 / 10

HEX #E6813D

RGB 230 129 61

HSL 24.14, 0.77%, 0.57%

LAB 64.05, 33.76, 52.27

 

CMYK 0 / 24 / 73 / 10

HEX #E6AF3D

RGB 230 175 61

HSL 40.47, 0.77%, 0.57%

LAB 74.71, 9.39, 63.05

 

CMYK 0 / 4 / 73 / 10

HEX #E6DC3D

RGB 230 220 61

HSL 56.45, 0.77%, 0.57%

LAB 86.18, -13.74, 74.05

 

CMYK 16 / 0 / 73 / 10

HEX #C2E63D

RGB 194 230 61

HSL 72.78, 0.77%, 0.57%

LAB 86.21, -33.22, 73.13

 

CMYK 0 / 63 / 73 / 10

HEX #E6543D

RGB 230 84 61

HSL 8.17, 0.77%, 0.57%

LAB 55.58, 55.36, 43.23

 

CMYK 0 / 71 / 83 / 3

HEX #F8472B

RGB 248 71 43

HSL 8.2, 0.94%, 0.57%

LAB 56.72, 65.57, 54.44

 

CMYK 0 / 63 / 73 / 10

HEX #E6543D

RGB 230 84 61

HSL 8.17, 0.77%, 0.57%

LAB 55.58, 55.36, 43.23

 

CMYK 0 / 54 / 63 / 17

HEX #D4614F

RGB 212 97 79

HSL 8.12, 0.61%, 0.57%

LAB 55.19, 44.01, 32.12

 

CMYK 0 / 43 / 51 / 24

HEX #C26E60

RGB 194 110 96

HSL 8.57, 0.45%, 0.57%

LAB 55.55, 31.79, 22.37

HEX #C26E60

CMYK 0 / 31 / 36 / 31

HEX #B17B72

RGB 177 123 114

HSL 8.57, 0.29%, 0.57%

LAB 56.81, 19.85, 13.37

HEX #B17B72

CMYK 0 / 14 / 17 / 38

HEX #9F8884

RGB 159 136 132

HSL 8.89, 0.12%, 0.57%

LAB 58.64, 8.02, 5.36

HEX #9F8884

CMYK 0 / 73 / 44 / 10

HEX #E63D80

RGB 230 61 128

HSL 336.21, 0.77%, 0.57%

LAB 53.73, 68.43, 1.8

 

CMYK 0 / 73 / 64 / 10

HEX #E63D53

RGB 230 61 83

HSL 352.19, 0.77%, 0.57%

LAB 52.71, 65.13, 27.33

 

CMYK 0 / 64 / 73 / 10

HEX #E6533D

RGB 230 83 61

HSL 7.81, 0.77%, 0.57%

LAB 55.43, 55.78, 43.05

 

CMYK 0 / 44 / 73 / 10

HEX #E6803D

RGB 230 128 61

HSL 23.79, 0.77%, 0.57%

LAB 63.83, 34.27, 52.05

 

CMYK 0 / 25 / 73 / 10

HEX #E6AD3D

RGB 230 173 61

HSL 39.76, 0.77%, 0.57%

LAB 74.22, 10.45, 62.56

 

CMYK 0 / 75 / 87 / 28

HEX #B82E18

RGB 184 46 24

HSL 8.25, 0.77%, 0.41%

LAB 41.55, 53.78, 45.43

 

CMYK 0 / 75 / 87 / 13

HEX #DD371D

RGB 221 55 29

HSL 8.13, 0.77%, 0.49%

LAB 49.73, 62.36, 52.8

 

CMYK 0 / 63 / 73 / 10

HEX #E6543D

RGB 230 84 61

HSL 8.17, 0.77%, 0.57%

LAB 55.58, 55.36, 43.23

 

CMYK 0 / 51 / 59 / 8

HEX #EB7461

RGB 235 116 97

HSL 8.26, 0.78%, 0.65%

LAB 62.52, 44.38, 31.98

 

CMYK 0 / 38 / 44 / 6

HEX #EF9486

RGB 239 148 134

HSL 8, 0.77%, 0.73%

LAB 70.35, 32.73, 21.92

 

CMYK 0 / 64 / 74 / 10

HEX #E6533C

RGB 230 83 60

HSL 8.12, 0.77%, 0.57%

LAB 55.42, 55.74, 43.58

 

CMYK 25 / 0 / 73 / 10

HEX #ADE63D

RGB 173 230 61

HSL 80.24, 0.77%, 0.57%

LAB 84.9, -41.3, 71.43

 

CMYK 73 / 54 / 0 / 10

HEX #3D6AE6

RGB 61 106 230

HSL 224.02, 0.77%, 0.57%

LAB 48.28, 26.94, -67.38

 

CMYK 0 / 64 / 74 / 10

HEX #E6533C

RGB 230 83 60

HSL 8.12, 0.77%, 0.57%

LAB 55.42, 55.74, 43.58

 

CMYK 73 / 0 / 64 / 10

HEX #3DE653

RGB 61 230 83

HSL 127.81, 0.77%, 0.57%

LAB 80.86, -70.43, 57.75

 

CMYK 64 / 73 / 0 / 10

HEX #533DE6

RGB 83 61 230

HSL 247.81, 0.77%, 0.57%

LAB 39.39, 56.22, -81.85

 

CMYK 0 / 64 / 74 / 10

HEX #E6533C

RGB 230 83 60

HSL 8.12, 0.77%, 0.57%

LAB 55.42, 55.74, 43.58

 

CMYK 25 / 0 / 73 / 10

HEX #ADE63D

RGB 173 230 61

HSL 80.24, 0.77%, 0.57%

LAB 84.9, -41.3, 71.43

 

CMYK 73 / 10 / 0 / 10

HEX #3DCFE6

RGB 61 207 230

HSL 188.17, 0.77%, 0.57%

LAB 76.88, -30.32, -22.37

 

CMYK 49 / 73 / 0 / 10

HEX #753DE6

RGB 117 61 230

HSL 259.88, 0.77%, 0.57%

LAB 42.51, 60.67, -76.62

 

CMYK 0 / 64 / 74 / 10

HEX #E6533C

RGB 230 83 60

HSL 8.12, 0.77%, 0.57%

LAB 55.42, 55.74, 43.58

 

CMYK 47 / 0 / 73 / 10

HEX #7BE63D

RGB 123 230 61

HSL 97.99, 0.77%, 0.57%

LAB 82.45, -58.28, 68.21

 

CMYK 73 / 10 / 0 / 10

HEX #3DCFE6

RGB 61 207 230

HSL 188.17, 0.77%, 0.57%

LAB 76.88, -30.32, -22.37

 

CMYK 27 / 73 / 0 / 10

HEX #A83DE6

RGB 168 61 230

HSL 277.99, 0.77%, 0.57%

LAB 48.73, 69.19, -66.22

 

Description

Color code: HEX #E6533C | qconv.com Color code: HEX #E6533C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 83 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 83 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 74 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 74% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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