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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E6520C it is the complementary color #19ADF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E6520C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E6520C shade: #EB5207, #FC641A, #FF762D, #FF8840 and #FF9A53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E6520C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E6520C shade: #E6520C, #D54000, #C42E00, #B31C00 and #A20A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E6520C shade: #E4510C, #E4170C and #E40C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E6520C shade: #E4510C, #E48B0C, #E4C60C, #C8E40C and #8DE40C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E6520C shade matches the following richer shades: #E4510C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E6520C shade: #E4510C, #D0581F, #BD5F33, #AA6646 and #966D5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E6520C shade: #E40C3B, #E4170C, #E4500C, #E48A0C and #E4C30C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E6520C shade: #953508, #BD430A, #E4510C, #F46825 and #F6834D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E6520C shade: #E6520C, #74E40C and #0C1EE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E6520C shade: #E6520C, #0CE450 and #500CE4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E6520C shade: #E6520C, #74E40C, #0C9FE4 and #7B0CE4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E6520C shade: #E6520C, #34E40C, #0C9FE4 and #BC0CE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 95 / 10

HEX #E6520C

RGB 230 82 12

HSL 19.27, 0.9%, 0.47%

LAB 54.95, 54.98, 62.73

 

Complementary color

CMYK 90 / 29 / 0 / 5

HEX #19ADF3

RGB 25 173 243

HSL 199.27, 0.9%, 0.53%

LAB 66.95, -11.44, -44.81

 

CMYK 0 / 65 / 97 / 8

HEX #EB5207

RGB 235 82 7

HSL 19.74, 0.94%, 0.47%

LAB 55.8, 56.65, 64.68

 

CMYK 0 / 60 / 90 / 1

HEX #FC641A

RGB 252 100 26

HSL 19.65, 0.97%, 0.55%

LAB 61.55, 55.09, 65.19

 

CMYK 0 / 54 / 82 / 0

HEX #FF762D

RGB 255 118 45

HSL 20.86, 1%, 0.59%

LAB 65.28, 48.34, 61.65

 

CMYK 0 / 47 / 75 / 0

HEX #FF8840

RGB 255 136 64

HSL 22.62, 1%, 0.63%

LAB 68.92, 40.17, 56.98

 

CMYK 0 / 40 / 67 / 0

HEX #FF9A53

RGB 255 154 83

HSL 24.77, 1%, 0.66%

LAB 72.89, 31.88, 52.3

 

CMYK 0 / 64 / 95 / 10

HEX #E6520C

RGB 230 82 12

HSL 19.27, 0.9%, 0.47%

LAB 54.95, 54.98, 62.73

 

CMYK 0 / 70 / 100 / 16

HEX #D54000

RGB 213 64 0

HSL 18.03, 1%, 0.42%

LAB 49.27, 56.33, 60.7

 

CMYK 0 / 77 / 100 / 23

HEX #C42E00

RGB 196 46 0

HSL 14.08, 1%, 0.38%

LAB 43.78, 57.2, 56.32

 

CMYK 0 / 84 / 100 / 30

HEX #B31C00

RGB 179 28 0

HSL 9.39, 1%, 0.35%

LAB 38.58, 57.14, 52.1

 

CMYK 0 / 94 / 100 / 36

HEX #A20A00

RGB 162 10 0

HSL 3.7, 1%, 0.32%

LAB 33.77, 55.73, 47.73

 

CMYK 0 / 64 / 95 / 11

HEX #E4510C

RGB 228 81 12

HSL 19.17, 0.9%, 0.47%

LAB 54.45, 54.71, 62.25

 

CMYK 0 / 90 / 95 / 11

HEX #E4170C

RGB 228 23 12

HSL 3.06, 0.9%, 0.47%

LAB 48.43, 71.46, 58.77

 

CMYK 0 / 95 / 95 / 11

HEX #E40C0C

RGB 228 12 12

HSL 0, 0.9%, 0.47%

LAB 47.99, 72.73, 58.53

 

CMYK 0 / 64 / 95 / 11

HEX #E4510C

RGB 228 81 12

HSL 19.17, 0.9%, 0.47%

LAB 54.45, 54.71, 62.25

 

CMYK 0 / 39 / 95 / 11

HEX #E48B0C

RGB 228 139 12

HSL 35.28, 0.9%, 0.47%

LAB 65.74, 26.37, 69.67

 

CMYK 0 / 13 / 95 / 11

HEX #E4C60C

RGB 228 198 12

HSL 51.67, 0.9%, 0.47%

LAB 80.13, -4.74, 80

 

CMYK 12 / 0 / 95 / 11

HEX #C8E40C

RGB 200 228 12

HSL 67.78, 0.9%, 0.47%

LAB 85.9, -31.27, 83.37

 

CMYK 38 / 0 / 95 / 11

HEX #8DE40C

RGB 141 228 12

HSL 84.17, 0.9%, 0.47%

LAB 82.47, -53.56, 79.21

 

CMYK 0 / 64 / 95 / 11

HEX #E4510C

RGB 228 81 12

HSL 19.17, 0.9%, 0.47%

LAB 54.45, 54.71, 62.25

 

CMYK 0 / 64 / 95 / 11

HEX #E4510C

RGB 228 81 12

HSL 19.17, 0.9%, 0.47%

LAB 54.45, 54.71, 62.25

 

CMYK 0 / 58 / 85 / 18

HEX #D0581F

RGB 208 88 31

HSL 19.32, 0.74%, 0.47%

LAB 52.38, 44.72, 53.22

 

CMYK 0 / 50 / 73 / 26

HEX #BD5F33

RGB 189 95 51

HSL 19.13, 0.58%, 0.47%

LAB 50.97, 34.56, 41.57

 

CMYK 0 / 40 / 59 / 33

HEX #AA6646

RGB 170 102 70

HSL 19.2, 0.42%, 0.47%

LAB 50.09, 24.15, 29.55

 

CMYK 0 / 27 / 40 / 41

HEX #966D5A

RGB 150 109 90

HSL 19, 0.25%, 0.47%

LAB 49.69, 13.72, 17.02

 

CMYK 0 / 95 / 74 / 11

HEX #E40C3B

RGB 228 12 59

HSL 346.94, 0.9%, 0.47%

LAB 48.35, 73.75, 36.14

 

CMYK 0 / 90 / 95 / 11

HEX #E4170C

RGB 228 23 12

HSL 3.06, 0.9%, 0.47%

LAB 48.43, 71.46, 58.77

 

CMYK 0 / 65 / 95 / 11

HEX #E4500C

RGB 228 80 12

HSL 18.89, 0.9%, 0.47%

LAB 54.3, 55.13, 62.15

 

CMYK 0 / 39 / 95 / 11

HEX #E48A0C

RGB 228 138 12

HSL 35, 0.9%, 0.47%

LAB 65.51, 26.9, 69.51

 

CMYK 0 / 14 / 95 / 11

HEX #E4C30C

RGB 228 195 12

HSL 50.83, 0.9%, 0.47%

LAB 79.36, -3.2, 79.43

 

CMYK 0 / 64 / 95 / 42

HEX #953508

RGB 149 53 8

HSL 19.15, 0.9%, 0.31%

LAB 35.89, 38.55, 44.53

 

CMYK 0 / 65 / 95 / 26

HEX #BD430A

RGB 189 67 10

HSL 19.11, 0.9%, 0.39%

LAB 45.44, 46.99, 53.69

 

CMYK 0 / 64 / 95 / 11

HEX #E4510C

RGB 228 81 12

HSL 19.17, 0.9%, 0.47%

LAB 54.45, 54.71, 62.25

 

CMYK 0 / 57 / 85 / 4

HEX #F46825

RGB 244 104 37

HSL 19.42, 0.9%, 0.55%

LAB 61.02, 50.65, 60.44

 

CMYK 0 / 47 / 69 / 4

HEX #F6834D

RGB 246 131 77

HSL 19.17, 0.9%, 0.63%

LAB 66.8, 39.8, 48.11

 

CMYK 0 / 64 / 95 / 10

HEX #E6520C

RGB 230 82 12

HSL 19.27, 0.9%, 0.47%

LAB 54.95, 54.98, 62.73

 

CMYK 49 / 0 / 95 / 11

HEX #74E40C

RGB 116 228 12

HSL 91.11, 0.9%, 0.47%

LAB 81.42, -61.47, 77.92

 

CMYK 95 / 87 / 0 / 11

HEX #0C1EE4

RGB 12 30 228

HSL 235, 0.9%, 0.47%

LAB 30.9, 65.75, -94.91

 

CMYK 0 / 64 / 95 / 10

HEX #E6520C

RGB 230 82 12

HSL 19.27, 0.9%, 0.47%

LAB 54.95, 54.98, 62.73

 

CMYK 95 / 0 / 65 / 11

HEX #0CE450

RGB 12 228 80

HSL 138.89, 0.9%, 0.47%

LAB 79.7, -74.55, 57.55

 

CMYK 65 / 95 / 0 / 11

HEX #500CE4

RGB 80 12 228

HSL 258.89, 0.9%, 0.47%

LAB 33.07, 72.63, -91.19

 

CMYK 0 / 64 / 95 / 10

HEX #E6520C

RGB 230 82 12

HSL 19.27, 0.9%, 0.47%

LAB 54.95, 54.98, 62.73

 

CMYK 49 / 0 / 95 / 11

HEX #74E40C

RGB 116 228 12

HSL 91.11, 0.9%, 0.47%

LAB 81.42, -61.47, 77.92

 

CMYK 95 / 30 / 0 / 11

HEX #0C9FE4

RGB 12 159 228

HSL 199.17, 0.9%, 0.47%

LAB 62.06, -9.62, -44.27

 

CMYK 46 / 95 / 0 / 11

HEX #7B0CE4

RGB 123 12 228

HSL 270.83, 0.9%, 0.47%

LAB 37.98, 75.74, -82.91

 

CMYK 0 / 64 / 95 / 10

HEX #E6520C

RGB 230 82 12

HSL 19.27, 0.9%, 0.47%

LAB 54.95, 54.98, 62.73

 

CMYK 77 / 0 / 95 / 11

HEX #34E40C

RGB 52 228 12

HSL 108.89, 0.9%, 0.47%

LAB 79.75, -75.25, 75.88

 

CMYK 95 / 30 / 0 / 11

HEX #0C9FE4

RGB 12 159 228

HSL 199.17, 0.9%, 0.47%

LAB 62.06, -9.62, -44.27

 

CMYK 18 / 95 / 0 / 11

HEX #BC0CE4

RGB 188 12 228

HSL 288.89, 0.9%, 0.47%

LAB 47.7, 83.4, -66.62

 

Description

Color code: HEX #E6520C | qconv.com Color code: HEX #E6520C | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 82 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 82 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 95 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 95% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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