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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E64AB7 it is the complementary color #19B548. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E64AB7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E64AB7 shade: #EB4AB2, #FC5CC5, #FF6ED8, #FF80EB and #FF92FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E64AB7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E64AB7 shade: #E64AB7, #D538A4, #C42691, #B3147E and #A2026B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E64AB7 shade: #E74BB8, #E74B8E, #E74B64 and #E74B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E64AB7 shade: #E74BB8, #E74BE2, #C24BE7, #984BE7 and #6E4BE7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E64AB7 shade matches the following richer shades: #E74BB8 and #F73BBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E64AB7 shade: #E74BB8, #D65CB1, #C66CAB, #B57DA4 and #A58D9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E64AB7 shade: #C24BE7, #E74BE1, #E74BB8, #E74B8F and #E74B65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E64AB7 shade: #C51B91, #E227A9, #E74BB8, #EB70C6 and #F094D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E64AB7 shade: #E64AB7, #E7994B and #4BE7D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E64AB7 shade: #E64AB7, #B8E74B and #4BB8E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E64AB7 shade: #E64AB7, #E7994B, #4BE77A and #4B99E7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E64AB7 shade: #E64AB7, #E7C84B, #4BE77A and #4B6AE7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 20 / 10

HEX #E64AB7

RGB 230 74 183

HSL 318.08, 0.76%, 0.6%

LAB 57.21, 70.14, -25.3

 

Complementary color

CMYK 86 / 0 / 60 / 29

HEX #19B548

RGB 25 181 72

HSL 138.08, 0.76%, 0.4%

LAB 64.74, -60.39, 44.16

 

CMYK 0 / 69 / 24 / 8

HEX #EB4AB2

RGB 235 74 178

HSL 321.24, 0.8%, 0.61%

LAB 57.82, 70.76, -21.4

 

CMYK 0 / 63 / 22 / 1

HEX #FC5CC5

RGB 252 92 197

HSL 320.63, 0.96%, 0.67%

LAB 63.66, 70.9, -23.12

 

CMYK 0 / 57 / 15 / 0

HEX #FF6ED8

RGB 255 110 216

HSL 316.14, 1%, 0.72%

LAB 67.55, 66.88, -27.78

 

CMYK 0 / 50 / 8 / 0

HEX #FF80EB

RGB 255 128 235

HSL 309.45, 1%, 0.75%

LAB 71.35, 61.64, -32.44

 

CMYK 0 / 43 / 0 / 0

HEX #FF92FE

RGB 255 146 254

HSL 300.55, 1%, 0.79%

LAB 75.43, 56.14, -36.47

 

CMYK 0 / 68 / 20 / 10

HEX #E64AB7

RGB 230 74 183

HSL 318.08, 0.76%, 0.6%

LAB 57.21, 70.14, -25.3

 

CMYK 0 / 74 / 23 / 16

HEX #D538A4

RGB 213 56 164

HSL 318.73, 0.65%, 0.53%

LAB 51.44, 69.56, -23.33

 

CMYK 0 / 81 / 26 / 23

HEX #C42691

RGB 196 38 145

HSL 319.37, 0.68%, 0.46%

LAB 45.86, 68.29, -20.84

 

CMYK 0 / 89 / 30 / 30

HEX #B3147E

RGB 179 20 126

HSL 320, 0.8%, 0.39%

LAB 40.56, 66.01, -17.64

 

CMYK 0 / 99 / 34 / 36

HEX #A2026B

RGB 162 2 107

HSL 320.63, 0.98%, 0.32%

LAB 35.57, 62.58, -13.64

 

CMYK 0 / 68 / 20 / 9

HEX #E74BB8

RGB 231 75 184

HSL 318.08, 0.76%, 0.6%

LAB 57.54, 70.16, -25.36

 

CMYK 0 / 68 / 39 / 9

HEX #E74B8E

RGB 231 75 142

HSL 334.23, 0.76%, 0.6%

LAB 56.06, 65.18, -3.08

 

CMYK 0 / 68 / 57 / 9

HEX #E74B64

RGB 231 75 100

HSL 350.38, 0.76%, 0.6%

LAB 55.01, 61.52, 20.32

 

CMYK 0 / 68 / 68 / 9

HEX #E74B4B

RGB 231 75 75

HSL 0, 0.76%, 0.6%

LAB 54.58, 59.99, 34.35

 

CMYK 0 / 68 / 20 / 9

HEX #E74BB8

RGB 231 75 184

HSL 318.08, 0.76%, 0.6%

LAB 57.54, 70.16, -25.36

 

CMYK 0 / 68 / 2 / 9

HEX #E74BE2

RGB 231 75 226

HSL 301.92, 0.76%, 0.6%

LAB 59.45, 76.26, -46.29

 

CMYK 16 / 68 / 0 / 9

HEX #C24BE7

RGB 194 75 231

HSL 285.77, 0.76%, 0.6%

LAB 54.31, 69.07, -57.6

 

CMYK 34 / 68 / 0 / 9

HEX #984BE7

RGB 152 75 231

HSL 269.62, 0.76%, 0.6%

LAB 48.86, 60.46, -66.67

 

CMYK 52 / 68 / 0 / 9

HEX #6E4BE7

RGB 110 75 231

HSL 253.46, 0.76%, 0.6%

LAB 44.4, 52.9, -74.12

 

CMYK 0 / 68 / 20 / 9

HEX #E74BB8

RGB 231 75 184

HSL 318.08, 0.76%, 0.6%

LAB 57.54, 70.16, -25.36

 

CMYK 0 / 76 / 23 / 3

HEX #F73BBE

RGB 247 59 190

HSL 318.19, 0.92%, 0.6%

LAB 58.62, 79.87, -26.93

 

CMYK 0 / 68 / 20 / 9

HEX #E74BB8

RGB 231 75 184

HSL 318.08, 0.76%, 0.6%

LAB 57.54, 70.16, -25.36

 

CMYK 0 / 57 / 17 / 16

HEX #D65CB1

RGB 214 92 177

HSL 318.2, 0.6%, 0.6%

LAB 57.2, 57.61, -22.07

 

CMYK 0 / 45 / 14 / 22

HEX #C66CAB

RGB 198 108 171

HSL 318, 0.44%, 0.6%

LAB 57.72, 44, -18

 

CMYK 0 / 31 / 9 / 29

HEX #B57DA4

RGB 181 125 164

HSL 318.21, 0.27%, 0.6%

LAB 59.13, 27.9, -12.04

 

CMYK 0 / 15 / 4 / 35

HEX #A58D9E

RGB 165 141 158

HSL 317.5, 0.12%, 0.6%

LAB 61.24, 12.05, -5.64

 

CMYK 16 / 68 / 0 / 9

HEX #C24BE7

RGB 194 75 231

HSL 285.77, 0.76%, 0.6%

LAB 54.31, 69.07, -57.6

 

CMYK 0 / 68 / 3 / 9

HEX #E74BE1

RGB 231 75 225

HSL 302.31, 0.76%, 0.6%

LAB 59.4, 76.11, -45.81

 

CMYK 0 / 68 / 20 / 9

HEX #E74BB8

RGB 231 75 184

HSL 318.08, 0.76%, 0.6%

LAB 57.54, 70.16, -25.36

 

CMYK 0 / 68 / 38 / 9

HEX #E74B8F

RGB 231 75 143

HSL 333.85, 0.76%, 0.6%

LAB 56.09, 65.29, -3.62

 

CMYK 0 / 68 / 56 / 9

HEX #E74B65

RGB 231 75 101

HSL 350, 0.76%, 0.6%

LAB 55.03, 61.59, 19.75

 

CMYK 0 / 86 / 26 / 23

HEX #C51B91

RGB 197 27 145

HSL 318.35, 0.76%, 0.44%

LAB 45.22, 70.9, -21.82

 

CMYK 0 / 83 / 25 / 11

HEX #E227A9

RGB 226 39 169

HSL 318.29, 0.76%, 0.52%

LAB 52.38, 77.6, -24.65

 

CMYK 0 / 68 / 20 / 9

HEX #E74BB8

RGB 231 75 184

HSL 318.08, 0.76%, 0.6%

LAB 57.54, 70.16, -25.36

 

CMYK 0 / 52 / 16 / 8

HEX #EB70C6

RGB 235 112 198

HSL 318.05, 0.75%, 0.68%

LAB 64.43, 57.63, -22.72

 

CMYK 0 / 38 / 11 / 6

HEX #F094D5

RGB 240 148 213

HSL 317.61, 0.75%, 0.76%

LAB 72.57, 43.64, -18.63

 

CMYK 0 / 68 / 20 / 10

HEX #E64AB7

RGB 230 74 183

HSL 318.08, 0.76%, 0.6%

LAB 57.21, 70.14, -25.3

 

CMYK 0 / 34 / 68 / 9

HEX #E7994B

RGB 231 153 75

HSL 30, 0.76%, 0.6%

LAB 69.67, 22.21, 51.74

 

CMYK 68 / 0 / 7 / 9

HEX #4BE7D7

RGB 75 231 215

HSL 173.85, 0.76%, 0.6%

LAB 83.73, -43.85, -4.09

 

CMYK 0 / 68 / 20 / 10

HEX #E64AB7

RGB 230 74 183

HSL 318.08, 0.76%, 0.6%

LAB 57.21, 70.14, -25.3

 

CMYK 20 / 0 / 68 / 9

HEX #B8E74B

RGB 184 231 75

HSL 78.08, 0.76%, 0.6%

LAB 85.93, -36.78, 67.76

 

CMYK 68 / 20 / 0 / 9

HEX #4BB8E7

RGB 75 184 231

HSL 198.08, 0.76%, 0.6%

LAB 70.56, -16.54, -32.58

 

CMYK 0 / 68 / 20 / 10

HEX #E64AB7

RGB 230 74 183

HSL 318.08, 0.76%, 0.6%

LAB 57.21, 70.14, -25.3

 

CMYK 0 / 34 / 68 / 9

HEX #E7994B

RGB 231 153 75

HSL 30, 0.76%, 0.6%

LAB 69.67, 22.21, 51.74

 

CMYK 68 / 0 / 47 / 9

HEX #4BE77A

RGB 75 231 122

HSL 138.08, 0.76%, 0.6%

LAB 81.87, -63.49, 41.31

 

CMYK 68 / 34 / 0 / 9

HEX #4B99E7

RGB 75 153 231

HSL 210, 0.76%, 0.6%

LAB 61.7, 0.61, -46.43

 

CMYK 0 / 68 / 20 / 10

HEX #E64AB7

RGB 230 74 183

HSL 318.08, 0.76%, 0.6%

LAB 57.21, 70.14, -25.3

 

CMYK 0 / 13 / 68 / 9

HEX #E7C84B

RGB 231 200 75

HSL 48.08, 0.76%, 0.6%

LAB 81.18, -2.55, 64

 

CMYK 68 / 0 / 47 / 9

HEX #4BE77A

RGB 75 231 122

HSL 138.08, 0.76%, 0.6%

LAB 81.87, -63.49, 41.31

 

CMYK 68 / 54 / 0 / 9

HEX #4B6AE7

RGB 75 106 231

HSL 228.08, 0.76%, 0.6%

LAB 48.97, 29.15, -66.78

 

Description

Color code: HEX #E64AB7 | qconv.com Color code: HEX #E64AB7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 74 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 74 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 20 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 20% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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