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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E63BFD it is the complementary color #19C402. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E63BFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E63BFD shade: #EB3BF8, #FC4DFF, #FF5FFF, #FF71FF and #FF83FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E63BFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E63BFD shade: #E63BFD, #D529EA, #C417D7, #B305C4 and #A200B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E63BFD shade: #E63AFD, #FD3AE0, #FD3AAB, #FD3A76 and #FD3A42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E63BFD shade: #E63AFD, #B13AFD, #7D3AFD, #483AFD and #3A3AFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E63BFD shade matches the following richer shades: #E63AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E63BFD shade: #E63AFD, #DA4AED, #CD5ADD, #C16ACD and #B57ABD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E63BFD shade: #7B3AFD, #AF3AFD, #E33AFD, #FD3AE3 and #FD3AAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E63BFD shade: #C802E2, #E111FD, #E63AFD, #EB63FD and #F08CFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E63BFD shade: #E63BFD, #FD473A and #3AFD95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E63BFD shade: #E63BFD, #FDE33A and #3AFDE3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E63BFD shade: #E63BFD, #FD473A, #54FD3A and #3AF0FD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E63BFD shade: #E63BFD, #FD823A, #54FD3A and #3AB6FD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 77 / 0 / 1

HEX #E63BFD

RGB 230 59 253

HSL 292.89, 0.98%, 0.61%

LAB 59.01, 85.41, -62.05

 

Complementary color

CMYK 87 / 0 / 99 / 23

HEX #19C402

RGB 25 196 2

HSL 112.89, 0.98%, 0.39%

LAB 69.25, -69.31, 68.19

 

CMYK 5 / 76 / 0 / 3

HEX #EB3BF8

RGB 235 59 248

HSL 295.87, 0.93%, 0.6%

LAB 59.5, 85.53, -58.46

 

CMYK 1 / 70 / 0 / 0

HEX #FC4DFF

RGB 252 77 255

HSL 298.99, 1%, 0.65%

LAB 64.34, 84.63, -54.46

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 9 / 77 / 0 / 1

HEX #E63BFD

RGB 230 59 253

HSL 292.89, 0.98%, 0.61%

LAB 59.01, 85.41, -62.05

 

CMYK 9 / 82 / 0 / 8

HEX #D529EA

RGB 213 41 234

HSL 293.47, 0.82%, 0.54%

LAB 53.68, 83.75, -60.15

 

CMYK 9 / 89 / 0 / 16

HEX #C417D7

RGB 196 23 215

HSL 294.06, 0.81%, 0.47%

LAB 48.58, 81.17, -57.71

 

CMYK 9 / 97 / 0 / 23

HEX #B305C4

RGB 179 5 196

HSL 294.66, 0.95%, 0.39%

LAB 43.77, 77.47, -54.63

 

CMYK 8 / 100 / 0 / 31

HEX #A200B1

RGB 162 0 177

HSL 294.92, 1%, 0.35%

LAB 39.34, 72.32, -50.74

 

CMYK 9 / 77 / 0 / 1

HEX #E63AFD

RGB 230 58 253

HSL 292.92, 0.98%, 0.61%

LAB 58.92, 85.68, -62.2

 

CMYK 0 / 77 / 11 / 1

HEX #FD3AE0

RGB 253 58 224

HSL 308.92, 0.98%, 0.61%

LAB 61.04, 85.8, -42.42

 

CMYK 0 / 77 / 32 / 1

HEX #FD3AAB

RGB 253 58 171

HSL 325.23, 0.98%, 0.61%

LAB 58.83, 79.37, -15.53

 

CMYK 0 / 77 / 53 / 1

HEX #FD3A76

RGB 253 58 118

HSL 341.54, 0.98%, 0.61%

LAB 57.29, 74.65, 13.39

 

CMYK 0 / 77 / 74 / 1

HEX #FD3A42

RGB 253 58 66

HSL 357.54, 0.98%, 0.61%

LAB 56.39, 71.83, 42.54

 

CMYK 9 / 77 / 0 / 1

HEX #E63AFD

RGB 230 58 253

HSL 292.92, 0.98%, 0.61%

LAB 58.92, 85.68, -62.2

 

CMYK 30 / 77 / 0 / 1

HEX #B13AFD

RGB 177 58 253

HSL 276.62, 0.98%, 0.61%

LAB 51.23, 76.54, -75.01

 

CMYK 51 / 77 / 0 / 1

HEX #7D3AFD

RGB 125 58 253

HSL 260.62, 0.98%, 0.61%

LAB 44.91, 68.95, -85.6

 

CMYK 72 / 77 / 0 / 1

HEX #483AFD

RGB 72 58 253

HSL 244.31, 0.98%, 0.61%

LAB 40.4, 63.48, -93.19

 

CMYK 77 / 77 / 0 / 1

HEX #3A3AFD

RGB 58 58 253

HSL 240, 0.98%, 0.61%

LAB 39.61, 62.51, -94.52

 

CMYK 9 / 77 / 0 / 1

HEX #E63AFD

RGB 230 58 253

HSL 292.92, 0.98%, 0.61%

LAB 58.92, 85.68, -62.2

 

CMYK 9 / 77 / 0 / 1

HEX #E63AFD

RGB 230 58 253

HSL 292.92, 0.98%, 0.61%

LAB 58.92, 85.68, -62.2

 

CMYK 8 / 69 / 0 / 7

HEX #DA4AED

RGB 218 74 237

HSL 293.01, 0.82%, 0.61%

LAB 57.96, 75.61, -54.94

 

CMYK 7 / 59 / 0 / 13

HEX #CD5ADD

RGB 205 90 221

HSL 292.67, 0.66%, 0.61%

LAB 57.57, 63.37, -46.69

 

CMYK 6 / 48 / 0 / 20

HEX #C16ACD

RGB 193 106 205

HSL 292.73, 0.5%, 0.61%

LAB 58.09, 49.53, -36.93

 

CMYK 4 / 35 / 0 / 26

HEX #B57ABD

RGB 181 122 189

HSL 292.84, 0.34%, 0.61%

LAB 59.36, 34.25, -25.98

 

CMYK 51 / 77 / 0 / 1

HEX #7B3AFD

RGB 123 58 253

HSL 260, 0.98%, 0.61%

LAB 44.7, 68.7, -85.95

 

CMYK 31 / 77 / 0 / 1

HEX #AF3AFD

RGB 175 58 253

HSL 276, 0.98%, 0.61%

LAB 50.96, 76.22, -75.46

 

CMYK 10 / 77 / 0 / 1

HEX #E33AFD

RGB 227 58 253

HSL 292, 0.98%, 0.61%

LAB 58.46, 85.14, -62.96

 

CMYK 0 / 77 / 10 / 1

HEX #FD3AE3

RGB 253 58 227

HSL 308, 0.98%, 0.61%

LAB 61.18, 86.21, -43.88

 

CMYK 0 / 77 / 31 / 1

HEX #FD3AAF

RGB 253 58 175

HSL 324, 0.98%, 0.61%

LAB 58.98, 79.8, -17.63

 

CMYK 12 / 99 / 0 / 11

HEX #C802E2

RGB 200 2 226

HSL 293.04, 0.98%, 0.45%

LAB 49.27, 85.61, -62.84

 

CMYK 11 / 93 / 0 / 1

HEX #E111FD

RGB 225 17 253

HSL 292.88, 0.98%, 0.53%

LAB 55.58, 92.32, -67.61

 

CMYK 9 / 77 / 0 / 1

HEX #E63AFD

RGB 230 58 253

HSL 292.92, 0.98%, 0.61%

LAB 58.92, 85.68, -62.2

 

CMYK 7 / 61 / 0 / 1

HEX #EB63FD

RGB 235 99 253

HSL 292.99, 0.97%, 0.69%

LAB 64.71, 72.42, -52.93

 

CMYK 6 / 45 / 0 / 0

HEX #F08CFE

RGB 240 140 254

HSL 292.63, 0.98%, 0.77%

LAB 72.52, 54.87, -41.14

 

CMYK 9 / 77 / 0 / 1

HEX #E63BFD

RGB 230 59 253

HSL 292.89, 0.98%, 0.61%

LAB 59.01, 85.41, -62.05

 

CMYK 0 / 72 / 77 / 1

HEX #FD473A

RGB 253 71 58

HSL 4, 0.98%, 0.61%

LAB 57.75, 67.52, 48.31

 

CMYK 77 / 0 / 41 / 1

HEX #3AFD95

RGB 58 253 149

HSL 148, 0.98%, 0.61%

LAB 88.6, -69.13, 36.68

 

CMYK 9 / 77 / 0 / 1

HEX #E63BFD

RGB 230 59 253

HSL 292.89, 0.98%, 0.61%

LAB 59.01, 85.41, -62.05

 

CMYK 0 / 10 / 77 / 1

HEX #FDE33A

RGB 253 227 58

HSL 52, 0.98%, 0.61%

LAB 89.92, -7.73, 79.15

 

CMYK 77 / 0 / 10 / 1

HEX #3AFDE3

RGB 58 253 227

HSL 172, 0.98%, 0.61%

LAB 90.18, -52.08, -0.94

 

CMYK 9 / 77 / 0 / 1

HEX #E63BFD

RGB 230 59 253

HSL 292.89, 0.98%, 0.61%

LAB 59.01, 85.41, -62.05

 

CMYK 0 / 72 / 77 / 1

HEX #FD473A

RGB 253 71 58

HSL 4, 0.98%, 0.61%

LAB 57.75, 67.52, 48.31

 

CMYK 67 / 0 / 77 / 1

HEX #54FD3A

RGB 84 253 58

HSL 112, 0.98%, 0.61%

LAB 88.18, -75.78, 74.3

 

CMYK 77 / 5 / 0 / 1

HEX #3AF0FD

RGB 58 240 253

HSL 184, 0.98%, 0.61%

LAB 87.15, -39.28, -19.01

 

CMYK 9 / 77 / 0 / 1

HEX #E63BFD

RGB 230 59 253

HSL 292.89, 0.98%, 0.61%

LAB 59.01, 85.41, -62.05

 

CMYK 0 / 49 / 77 / 1

HEX #FD823A

RGB 253 130 58

HSL 22.15, 0.98%, 0.61%

LAB 67.39, 42.16, 58.04

 

CMYK 67 / 0 / 77 / 1

HEX #54FD3A

RGB 84 253 58

HSL 112, 0.98%, 0.61%

LAB 88.18, -75.78, 74.3

 

CMYK 77 / 28 / 0 / 1

HEX #3AB6FD

RGB 58 182 253

HSL 201.85, 0.98%, 0.61%

LAB 70.49, -10.35, -44.65

 

Description

Color code: HEX #E63BFD | qconv.com Color code: HEX #E63BFD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 59 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 59 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 77 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 77% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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