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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E63B5EBF it is the complementary color #19C4A1BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E63B5EBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E63B5EBF shade: #EB3B59BF, #FC4D6CBF, #FF5F7FBF, #FF7192BF and #FF83A5BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E63B5EBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E63B5EBF shade: #E63B5EBF, #D5294BBF, #C41738BF, #B30525BF and #A20012BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E63B5EBF shade: #E63D5F and #E63D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E63B5EBF shade: #E63D5F, #E63D8D, #E63DBB, #E33DE6 and #B63DE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E63B5EBF shade matches the following richer shades: #E63D5F and #F82B55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E63B5EBF shade: #E63D5F, #D44F6A, #C26074, #B1727F and #9F8489

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E63B5EBF shade: #E63DBC, #E63D8F, #E63D62, #E6453D and #E6723D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E63B5EBF shade: #B81839, #DD1D44, #E63D5F, #EB617D and #EF869C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E63B5EBF shade: #E63B5E, #E6E33D and #3DA5E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E63B5EBF shade: #E63B5E, #62E63D and #3D62E6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E63B5EBF shade: #E63B5E, #E6E33D, #3DE6C1 and #3D40E6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E63B5EBF shade: #E63B5E, #B6E63D, #3DE6C1 and #6D3DE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 44 / 7

HEX #E63B5EBF

RGBA 230 59 94 0.75

HSLA 347.72, 0.77%, 0.57%, 0.75

LABA 52.68, 66.44, 20.73, 0.75

 

Complementary color

CMYK 65 / 0 / 13 / 17

HEX #19C4A1BF

RGBA 25 196 161 0.75

HSLA 167.72, 0.77%, 0.43%, 0.75

LABA 71.05, -48.27, 6.28, 0.75

 

CMYK 0 / 56 / 47 / 6

HEX #EB3B59BF

RGBA 235 59 89 0.75

HSLA 349.77, 0.81%, 0.58%, 0.75

LABA 53.5, 67.55, 24.97, 0.75

 

CMYK 0 / 52 / 43 / 1

HEX #FC4D6CBF

RGBA 252 77 108 0.75

HSLA 349.37, 0.97%, 0.65%, 0.75

LABA 59.05, 67.64, 21.67, 0.75

 

CMYK 0 / 47 / 38 / 0

HEX #FF5F7FBF

RGBA 255 95 127 0.75

HSLA 348, 1%, 0.69%, 0.75

LABA 62.49, 63.05, 15.41, 0.75

 

CMYK 0 / 42 / 32 / 0

HEX #FF7192BF

RGBA 255 113 146 0.75

HSLA 346.06, 1%, 0.72%, 0.75

LABA 65.86, 56.96, 9.26, 0.75

 

CMYK 0 / 36 / 26 / 0

HEX #FF83A5BF

RGBA 255 131 165 0.75

HSLA 343.55, 1%, 0.76%, 0.75

LABA 69.62, 50.49, 3.9, 0.75

 

CMYK 0 / 56 / 44 / 7

HEX #E63B5EBF

RGBA 230 59 94 0.75

HSLA 347.72, 0.77%, 0.57%, 0.75

LABA 52.68, 66.44, 20.73, 0.75

 

CMYK 0 / 61 / 49 / 12

HEX #D5294BBF

RGBA 213 41 75 0.75

HSLA 348.14, 0.68%, 0.5%, 0.75

LABA 47.29, 65.75, 24.53, 0.75

 

CMYK 0 / 66 / 54 / 17

HEX #C41738BF

RGBA 196 23 56 0.75

HSLA 348.55, 0.79%, 0.43%, 0.75

LABA 42.21, 64.19, 29.09, 0.75

 

CMYK 0 / 73 / 59 / 22

HEX #B30525BF

RGBA 179 5 37 0.75

HSLA 348.97, 0.95%, 0.36%, 0.75

LABA 37.53, 61.52, 34.36, 0.75

 

CMYK 0 / 75 / 67 / 27

HEX #A20012BF

RGBA 162 0 18 0.75

HSLA 353.33, 1%, 0.32%, 0.75

LABA 33.4, 57.31, 39.79, 0.75

 

CMYK 0 / 73 / 59 / 10

HEX #E63D5F

RGB 230 61 95

HSL 347.93, 0.77%, 0.57%

LAB 52.93, 65.86, 20.47

 

CMYK 0 / 73 / 73 / 10

HEX #E63D3D

RGB 230 61 61

HSL 0, 0.77%, 0.57%

LAB 52.39, 64.07, 39.68

 

CMYK 0 / 73 / 59 / 10

HEX #E63D5F

RGB 230 61 95

HSL 347.93, 0.77%, 0.57%

LAB 52.93, 65.86, 20.47

 

CMYK 0 / 73 / 39 / 10

HEX #E63D8D

RGB 230 61 141

HSL 331.6, 0.77%, 0.57%

LAB 54.12, 69.67, -5.38

 

CMYK 0 / 73 / 19 / 10

HEX #E63DBB

RGB 230 61 187

HSL 315.27, 0.77%, 0.57%

LAB 55.83, 75.01, -29.74

 

CMYK 1 / 73 / 0 / 10

HEX #E33DE6

RGB 227 61 230

HSL 298.93, 0.77%, 0.57%

LAB 57.45, 80.57, -51.75

 

CMYK 21 / 73 / 0 / 10

HEX #B63DE6

RGB 182 61 230

HSL 282.96, 0.77%, 0.57%

LAB 50.68, 71.79, -62.96

 

CMYK 0 / 73 / 59 / 10

HEX #E63D5F

RGB 230 61 95

HSL 347.93, 0.77%, 0.57%

LAB 52.93, 65.86, 20.47

 

CMYK 0 / 83 / 66 / 3

HEX #F82B55

RGB 248 43 85

HSL 347.71, 0.94%, 0.57%

LAB 54.39, 75.06, 28.96

 

CMYK 0 / 73 / 59 / 10

HEX #E63D5F

RGB 230 61 95

HSL 347.93, 0.77%, 0.57%

LAB 52.93, 65.86, 20.47

 

CMYK 0 / 63 / 50 / 17

HEX #D44F6A

RGB 212 79 106

HSL 347.82, 0.61%, 0.57%

LAB 52.54, 54.37, 12.85

 

CMYK 0 / 51 / 40 / 24

HEX #C26074

RGB 194 96 116

HSL 347.76, 0.45%, 0.57%

LAB 53.05, 41.2, 7.23

 

CMYK 0 / 36 / 28 / 31

HEX #B1727F

RGB 177 114 127

HSL 347.62, 0.29%, 0.57%

LAB 54.98, 26.65, 3.23

 

CMYK 0 / 17 / 14 / 38

HEX #9F8489

RGB 159 132 137

HSL 348.89, 0.12%, 0.57%

LAB 57.73, 11.14, 1.17

 

CMYK 0 / 73 / 18 / 10

HEX #E63DBC

RGB 230 61 188

HSL 314.91, 0.77%, 0.57%

LAB 55.88, 75.14, -30.25

 

CMYK 0 / 73 / 38 / 10

HEX #E63D8F

RGB 230 61 143

HSL 330.89, 0.77%, 0.57%

LAB 54.18, 69.87, -6.47

 

CMYK 0 / 73 / 57 / 10

HEX #E63D62

RGB 230 61 98

HSL 346.86, 0.77%, 0.57%

LAB 53, 66.06, 18.76

 

CMYK 0 / 70 / 73 / 10

HEX #E6453D

RGB 230 69 61

HSL 2.84, 0.77%, 0.57%

LAB 53.4, 61.28, 40.81

 

CMYK 0 / 50 / 73 / 10

HEX #E6723D

RGB 230 114 61

HSL 18.82, 0.77%, 0.57%

LAB 60.95, 41.41, 49.02

 

CMYK 0 / 87 / 69 / 28

HEX #B81839

RGB 184 24 57

HSL 347.63, 0.77%, 0.41%

LAB 39.81, 60.89, 24.98

 

CMYK 0 / 87 / 69 / 13

HEX #DD1D44

RGB 221 29 68

HSL 347.81, 0.77%, 0.49%

LAB 47.84, 70.12, 29.81

 

CMYK 0 / 73 / 59 / 10

HEX #E63D5F

RGB 230 61 95

HSL 347.93, 0.77%, 0.57%

LAB 52.93, 65.86, 20.47

 

CMYK 0 / 59 / 47 / 8

HEX #EB617D

RGB 235 97 125

HSL 347.83, 0.78%, 0.65%

LAB 59.61, 55.65, 12.08

 

CMYK 0 / 44 / 35 / 6

HEX #EF869C

RGB 239 134 156

HSL 347.43, 0.77%, 0.73%

LAB 67.87, 42.43, 6.18

 

CMYK 0 / 74 / 59 / 10

HEX #E63B5E

RGB 230 59 94

HSL 347.72, 0.77%, 0.57%

LAB 52.68, 66.44, 20.73

 

CMYK 0 / 1 / 73 / 10

HEX #E6E33D

RGB 230 227 61

HSL 58.93, 0.77%, 0.57%

LAB 88.02, -17.19, 75.77

 

CMYK 73 / 28 / 0 / 10

HEX #3DA5E6

RGB 61 165 230

HSL 203.08, 0.77%, 0.57%

LAB 64.66, -8.51, -41.25

 

CMYK 0 / 74 / 59 / 10

HEX #E63B5E

RGB 230 59 94

HSL 347.72, 0.77%, 0.57%

LAB 52.68, 66.44, 20.73

 

CMYK 57 / 0 / 73 / 10

HEX #62E63D

RGB 98 230 61

HSL 106.86, 0.77%, 0.57%

LAB 81.58, -65.06, 67.05

 

CMYK 73 / 57 / 0 / 10

HEX #3D62E6

RGB 61 98 230

HSL 226.86, 0.77%, 0.57%

LAB 46.23, 31.98, -70.7

 

CMYK 0 / 74 / 59 / 10

HEX #E63B5E

RGB 230 59 94

HSL 347.72, 0.77%, 0.57%

LAB 52.68, 66.44, 20.73

 

CMYK 0 / 1 / 73 / 10

HEX #E6E33D

RGB 230 227 61

HSL 58.93, 0.77%, 0.57%

LAB 88.02, -17.19, 75.77

 

CMYK 73 / 0 / 16 / 10

HEX #3DE6C1

RGB 61 230 193

HSL 166.86, 0.77%, 0.57%

LAB 82.61, -50.84, 5.86

 

CMYK 73 / 72 / 0 / 10

HEX #3D40E6

RGB 61 64 230

HSL 238.93, 0.77%, 0.57%

LAB 38.5, 52.43, -83.38

 

CMYK 0 / 74 / 59 / 10

HEX #E63B5E

RGB 230 59 94

HSL 347.72, 0.77%, 0.57%

LAB 52.68, 66.44, 20.73

 

CMYK 21 / 0 / 73 / 10

HEX #B6E63D

RGB 182 230 61

HSL 77.04, 0.77%, 0.57%

LAB 85.44, -37.89, 72.13

 

CMYK 73 / 0 / 16 / 10

HEX #3DE6C1

RGB 61 230 193

HSL 166.86, 0.77%, 0.57%

LAB 82.61, -50.84, 5.86

 

CMYK 53 / 73 / 0 / 10

HEX #6D3DE6

RGB 109 61 230

HSL 257.04, 0.77%, 0.57%

LAB 41.69, 59.52, -77.99

 

Description

Color code: HEX #E63B5EBF | qconv.com Color code: HEX #E63B5EBF | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 59 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 59 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 44 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 44% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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