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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E63AB5 it is the complementary color #19C54A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E63AB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E63AB5 shade: #EB3AB0, #FC4CC3, #FF5ED6, #FF70E9 and #FF82FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E63AB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E63AB5 shade: #E63AB5, #D528A2, #C4168F, #B3047C and #A20069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E63AB5 shade: #E538B4, #E53885, #E53857 and #E53838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E63AB5 shade: #E538B4, #E538E3, #B938E5, #8B38E5 and #5C38E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E63AB5 shade matches the following richer shades: #E538B4 and #F726BC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E63AB5 shade: #E538B4, #D34BAC, #C15DA4, #AF6F9D and #9D8195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E63AB5 shade: #BA38E5, #E538E2, #E538B4, #E53886 and #E53858

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E63AB5 shade: #B41787, #D81CA3, #E538B4, #EA5DC2 and #EF81D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E63AB5 shade: #E63AB5, #E58C38 and #38E5D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E63AB5 shade: #E63AB5, #B4E538 and #38B4E5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E63AB5 shade: #E63AB5, #E58C38, #38E569 and #3892E5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E63AB5 shade: #E63AB5, #E5C038, #38E569 and #385EE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 21 / 10

HEX #E63AB5

RGB 230 58 181

HSL 317.09, 0.77%, 0.56%

LAB 55.26, 75.14, -27.15

 

Complementary color

CMYK 87 / 0 / 62 / 23

HEX #19C54A

RGB 25 197 74

HSL 137.09, 0.77%, 0.44%

LAB 69.92, -65.2, 49.19

 

CMYK 0 / 75 / 25 / 8

HEX #EB3AB0

RGB 235 58 176

HSL 320, 0.82%, 0.57%

LAB 55.91, 75.69, -23.18

 

CMYK 0 / 70 / 23 / 1

HEX #FC4CC3

RGB 252 76 195

HSL 319.43, 0.97%, 0.64%

LAB 61.49, 76.47, -25.31

 

CMYK 0 / 63 / 16 / 0

HEX #FF5ED6

RGB 255 94 214

HSL 315.28, 1%, 0.68%

LAB 65.06, 73.19, -30.51

 

CMYK 0 / 56 / 9 / 0

HEX #FF70E9

RGB 255 112 233

HSL 309.23, 1%, 0.72%

LAB 68.56, 68.56, -35.67

 

CMYK 0 / 49 / 1 / 0

HEX #FF82FC

RGB 255 130 252

HSL 301.44, 1%, 0.75%

LAB 72.4, 63.51, -40.11

 

CMYK 0 / 75 / 21 / 10

HEX #E63AB5

RGB 230 58 181

HSL 317.09, 0.77%, 0.56%

LAB 55.26, 75.14, -27.15

 

CMYK 0 / 81 / 24 / 16

HEX #D528A2

RGB 213 40 162

HSL 317.69, 0.68%, 0.5%

LAB 49.82, 73.7, -24.65

 

CMYK 0 / 89 / 27 / 23

HEX #C4168F

RGB 196 22 143

HSL 318.28, 0.8%, 0.43%

LAB 44.65, 71.31, -21.5

 

CMYK 0 / 98 / 31 / 30

HEX #B3047C

RGB 179 4 124

HSL 318.86, 0.96%, 0.36%

LAB 39.79, 67.77, -17.58

 

CMYK 0 / 100 / 35 / 36

HEX #A20069

RGB 162 0 105

HSL 321.11, 1%, 0.32%

LAB 35.4, 62.61, -12.62

 

CMYK 0 / 76 / 21 / 10

HEX #E538B4

RGB 229 56 180

HSL 316.99, 0.77%, 0.56%

LAB 54.85, 75.36, -27.23

 

CMYK 0 / 76 / 42 / 10

HEX #E53885

RGB 229 56 133

HSL 333.29, 0.77%, 0.56%

LAB 53.15, 70.17, -2.06

 

CMYK 0 / 76 / 62 / 10

HEX #E53857

RGB 229 56 87

HSL 349.25, 0.77%, 0.56%

LAB 52.03, 66.65, 24.03

 

CMYK 0 / 76 / 76 / 10

HEX #E53838

RGB 229 56 56

HSL 0, 0.77%, 0.56%

LAB 51.58, 65.18, 41.51

 

CMYK 0 / 76 / 21 / 10

HEX #E538B4

RGB 229 56 180

HSL 316.99, 0.77%, 0.56%

LAB 54.85, 75.36, -27.23

 

CMYK 0 / 76 / 1 / 10

HEX #E538E3

RGB 229 56 227

HSL 300.69, 0.77%, 0.56%

LAB 57.11, 81.93, -50.58

 

CMYK 19 / 76 / 0 / 10

HEX #B938E5

RGB 185 56 229

HSL 284.74, 0.77%, 0.56%

LAB 50.45, 73.87, -62.75

 

CMYK 39 / 76 / 0 / 10

HEX #8B38E5

RGB 139 56 229

HSL 268.79, 0.77%, 0.56%

LAB 44.2, 65.96, -73.19

 

CMYK 60 / 76 / 0 / 10

HEX #5C38E5

RGB 92 56 229

HSL 252.49, 0.77%, 0.56%

LAB 39.17, 59.43, -81.62

 

CMYK 0 / 76 / 21 / 10

HEX #E538B4

RGB 229 56 180

HSL 316.99, 0.77%, 0.56%

LAB 54.85, 75.36, -27.23

 

CMYK 0 / 85 / 24 / 3

HEX #F726BC

RGB 247 38 188

HSL 316.94, 0.93%, 0.56%

LAB 56.87, 84.42, -28.48

 

CMYK 0 / 76 / 21 / 10

HEX #E538B4

RGB 229 56 180

HSL 316.99, 0.77%, 0.56%

LAB 54.85, 75.36, -27.23

 

CMYK 0 / 64 / 18 / 17

HEX #D34BAC

RGB 211 75 172

HSL 317.21, 0.61%, 0.56%

LAB 53.88, 63.31, -24.31

 

CMYK 0 / 52 / 15 / 24

HEX #C15DA4

RGB 193 93 164

HSL 317.4, 0.45%, 0.56%

LAB 53.86, 48.89, -19.89

 

CMYK 0 / 37 / 10 / 31

HEX #AF6F9D

RGB 175 111 157

HSL 316.88, 0.29%, 0.56%

LAB 54.99, 32.36, -14.31

 

CMYK 0 / 18 / 5 / 38

HEX #9D8195

RGB 157 129 149

HSL 317.14, 0.13%, 0.56%

LAB 57.11, 14.27, -6.69

 

CMYK 19 / 76 / 0 / 10

HEX #BA38E5

RGB 186 56 229

HSL 285.09, 0.77%, 0.56%

LAB 50.6, 74.05, -62.5

 

CMYK 0 / 76 / 1 / 10

HEX #E538E2

RGB 229 56 226

HSL 301.04, 0.77%, 0.56%

LAB 57.05, 81.77, -50.1

 

CMYK 0 / 76 / 21 / 10

HEX #E538B4

RGB 229 56 180

HSL 316.99, 0.77%, 0.56%

LAB 54.85, 75.36, -27.23

 

CMYK 0 / 76 / 41 / 10

HEX #E53886

RGB 229 56 134

HSL 332.95, 0.77%, 0.56%

LAB 53.18, 70.27, -2.61

 

CMYK 0 / 76 / 62 / 10

HEX #E53858

RGB 229 56 88

HSL 348.9, 0.77%, 0.56%

LAB 52.05, 66.71, 23.46

 

CMYK 0 / 87 / 25 / 29

HEX #B41787

RGB 180 23 135

HSL 317.2, 0.77%, 0.4%

LAB 41.32, 66.76, -22.01

 

CMYK 0 / 87 / 25 / 15

HEX #D81CA3

RGB 216 28 163

HSL 316.91, 0.77%, 0.48%

LAB 49.59, 76.86, -25.57

 

CMYK 0 / 76 / 21 / 10

HEX #E538B4

RGB 229 56 180

HSL 316.99, 0.77%, 0.56%

LAB 54.85, 75.36, -27.23

 

CMYK 0 / 60 / 17 / 8

HEX #EA5DC2

RGB 234 93 194

HSL 317.02, 0.77%, 0.64%

LAB 60.97, 65.24, -25.77

 

CMYK 0 / 46 / 13 / 6

HEX #EF81D0

RGB 239 129 208

HSL 316.91, 0.77%, 0.72%

LAB 68.46, 52.16, -22.11

 

CMYK 0 / 75 / 21 / 10

HEX #E63AB5

RGB 230 58 181

HSL 317.09, 0.77%, 0.56%

LAB 55.26, 75.14, -27.15

 

CMYK 0 / 39 / 76 / 10

HEX #E58C38

RGB 229 140 56

HSL 29.13, 0.77%, 0.56%

LAB 66.29, 27.36, 56.75

 

CMYK 76 / 0 / 9 / 10

HEX #38E5D1

RGB 56 229 209

HSL 173.06, 0.77%, 0.56%

LAB 82.64, -46.88, -2.57

 

CMYK 0 / 75 / 21 / 10

HEX #E63AB5

RGB 230 58 181

HSL 317.09, 0.77%, 0.56%

LAB 55.26, 75.14, -27.15

 

CMYK 21 / 0 / 76 / 10

HEX #B4E538

RGB 180 229 56

HSL 76.99, 0.77%, 0.56%

LAB 85.01, -38.45, 73.26

 

CMYK 76 / 21 / 0 / 10

HEX #38B4E5

RGB 56 180 229

HSL 196.99, 0.77%, 0.56%

LAB 68.85, -17.57, -34.17

 

CMYK 0 / 75 / 21 / 10

HEX #E63AB5

RGB 230 58 181

HSL 317.09, 0.77%, 0.56%

LAB 55.26, 75.14, -27.15

 

CMYK 0 / 39 / 76 / 10

HEX #E58C38

RGB 229 140 56

HSL 29.13, 0.77%, 0.56%

LAB 66.29, 27.36, 56.75

 

CMYK 76 / 0 / 54 / 10

HEX #38E569

RGB 56 229 105

HSL 136.99, 0.77%, 0.56%

LAB 80.68, -68.18, 47.85

 

CMYK 76 / 36 / 0 / 10

HEX #3892E5

RGB 56 146 229

HSL 208.79, 0.77%, 0.56%

LAB 59.03, 1.41, -49.58

 

CMYK 0 / 75 / 21 / 10

HEX #E63AB5

RGB 230 58 181

HSL 317.09, 0.77%, 0.56%

LAB 55.26, 75.14, -27.15

 

CMYK 0 / 16 / 76 / 10

HEX #E5C038

RGB 229 192 56

HSL 47.17, 0.77%, 0.56%

LAB 78.84, -0.16, 68.82

 

CMYK 76 / 0 / 54 / 10

HEX #38E569

RGB 56 229 105

HSL 136.99, 0.77%, 0.56%

LAB 80.68, -68.18, 47.85

 

CMYK 76 / 59 / 0 / 10

HEX #385EE5

RGB 56 94 229

HSL 226.82, 0.77%, 0.56%

LAB 44.95, 33.58, -72.24

 

Description

Color code: HEX #E63AB5 | qconv.com Color code: HEX #E63AB5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 58 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 58 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 21 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 21% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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